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잔해와 파편의 시어 -김종삼, 『북 치는 소년』의 경우
김종훈 ( Jong Hoon Kim ) 민족어문학회 2013 어문논집 Vol.- No.68
김종삼 시는 비극적 시대 현실을 배경으로 한다. 이 글은 김종삼의 절제된 언 어의 한 쪽에는 『민간인』과 같은 잔상과 여백의 시어가 있는 반면, 또 다른 한 쪽 에는 『북 치는 소년』과 같은 잔해와 파편의 시어가 있다고 상정하였다. 이와 같은 가설에 타당성을 주는 견해가 한국 현대시의 담론 영역으로 유입되기 시작한 ``현대시의 알레고리`` 담론이다. 현대시의 알레고리 시어는 역사의 폐허에서 종합 의지를 상실한 듯한 파편의 시어들로 요약할 수 있는데, 이는 김종삼 시에서 잔상과 여백뿐만 아니라 폐허에 대한 인식을 끌어들인다. 김종삼의 『북 치는 소년』은 현대시의 알레고리 미학을 반영한 전형적인 시이다. 시인의 냉철한 분석의식이 감지되고 있으며, 시어들은 현실의 잔해처럼 고립되어 있다. 시의 한 구절 "내용 없는 아름다움"의 ``내용 없는``은 부서진 원관념, 진보의 거짓환상을 벗겨낸 현실과, ``아름다움``은 흩어진 보조관념, 현실의 파편들과 역설적으로 대응한다. 현대시의 알레고리는 김종삼의 시적 개성을 뚜렷하게 하는 미학이라고 할 수 있다. 김종삼의 시에는『북 치는 소년』의 특성을 따르는 시가 여럿 보인다. 따라서 이러한 독법은 김종삼이 당대 폐허로 인식된 현실을 외면하지 않았다는 것을 증 명할 뿐만 아니라 알레고리 시학을 토대로 한 김종삼 시들의 계보를 형성하는 데 도움을 준다. Kim, Jong-sam`s poems are based on reality in the tragic age. This articles starts assuming Kim Jong Sam`s temperate language contains poetic words of afterimages and blanks in "Civilian" on one hand and there are those of remains and fragments in "Drummer Boy" on the other hand, This assumption is supported by the discourse of "Allegory of Modern Poetry" starting to flow into the discourse of Korean Modern poetry. Allegoric poetic words of modern poetry can be summarized with those of fragments which seem to lose general will in the remains of history. This feature shows recognition on remains as well as afterimages and blanks in Kim, Jong-sam`s poems. "Drummer Boy" by Kim, Jong-sam is a fine example reflecting aesthetics of allegory of the contemporary poetry. The poet`s cool-head sense of analysis is detected and poetic words are isolated like remains of reality. "Contentless" in one phrase from the poem "Contentless beauty" corresponds to broken original concept, reality stripping off false fantasy of progress while "beauty" to scattered subsidiary concept, remains of reality, paradoxically. Allegory of modern poetry is the aesthetics showing clearly Kim, Jong-sam`s poetic uniqueness. His other poems follow features of "Drummer Boy". This reading proves Kim, Jong-sam never ignored reality recognized as remains of the age and helps to form genealogy of his poetry based on the allegory poetics.
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스포츠전문채널 방송3사 프로야구 해설자의 공신력이 채널만족 및 채널충성도에 미치는 영향
김종훈 ( Jong Hoon Kim ),이정학 ( Jeoung Hak Lee ) 한국스포츠산업경영학회 2011 한국스포츠산업경영학회지 Vol.16 No.5
This study aims to furnish the basic empirical data to differentiate image of professional sports channels of broadcasting stations through more efficient operation strategies image managing plan, and the operation of the communication media of the broadcasting stations by looking through the relationship between the credibility of professional sports channels of three broadcasting stations, channel satisfaction and loyalty. The study conducted a research survey through convenience sampling method aimed at college students n Seoul and Gyeonggi area, who currently are the media receivers. Total of 424 copies were selected as the final validity sample. For the measuring instrument, precedent studies of Kim Hyun-Joo(1998), Kim Eun-Sung(2003), Kim Soo-Kyung(2005), Lee Jeoung-Hak, Kim Jong-Hoon & Noh Jae-Hun(2007), Park Ran Hee(2008), Jo Gun Jin(1998) were used and reconstructed according to this research. The research target scope was limited to professional sports channel casters, MBC SPORTS+(Hu Goo-Youn), KBSN Sports(Ha Il-Sung), SBS ESPN(Park No-Jun) who are the commentators of the professional sports channels of three broadcasting stations. The result of the study showed there were significant differences between the sub-factors of commentators`` credibility, ``expertise``, ``trustworthiness``, ``popularity``, ``dynamic`` and professional sports channels of three broadcasting stations. And ``expertise``, ``trustworthiness`` sub factors influenced significantly on it. On the basis of the results, professional baseball casters with more professionalism and trustworthiness are needed in able to gain more credibility from the public.
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김종훈(Kim, Jong-Hoon) 한국시학회 2015 한국시학연구 Vol.- No.42
이 논문은 정지용과 조지훈의 시를 대상으로 해방기 시어의 일면을 살핀 시도이다. 1935년 개척된 시어의 영역은 반봉건?반외세?민족국가 설립이라는 시대정신의 자장 안에서 축소되었다. 고어나 한자어는 새로움에 위배되는 것으로, 방언은 규정에 어긋나는 것으로 ‘표준어’와 대치되고 있었다. 정지용이 개척했던 여러 개성적인 시어, 고어와 한자어에 관심이 컸던 조지훈의 시어, 두 시인의 시어가 시대정신의 압력에 어떠한 반응을 했는지 파악하는 것이 이 글의 목적이다. 한자어와 고유어의 대결에서 한자어가 밀려나는 모습이 해방 이후 정지용의 시에는 담겨 있다. 보편성을 기반으로 한 고어나 방언이나 조어가 주류 시에 포함될 기회가 지연되었던 것이다. 조지훈은 해방 전 창작한 시에서 유서 깊은 대상의 고유명사를 한자어에 담았다. 그의 한자어는 고어와 밀착했다. 해방 이후 조지훈 시에는 특정 대상을 지칭하는데 쓰이는 한자어가 아니라 일상생활에서 쓰이는 한자어가 등장했다. 조지훈의 시는 스승인 정지용과 걸었던 길과 교차하며 갈라졌다. 정지용은 시대 현실과 유리된 동시에서 고유어를 적극적으로 활용하며 시적 이력을 마감했고 조지훈은 시대현실이 투영된 관념적 추상어들을 보여주며 남한 시단의 일반적인 흐름에 동참하였다. This article is an attempt to review the trends of the poetic words in the time of Koream Liberation focusing on poems by Jeong Ji Yong and Cho Ji Hoon. In 1935, the scope of pioneered poetic words was reduced into the field of to build an anti-feudal, against-foreign, and national country. Old or words in Chinese letters were considered as new ones while dialects were regarded as violation of the regulation to the standard language. This article aims at figuring out how poetic words by Jeong Ji Yong who pioneered diverse original words for poetry and by Cho Ji Hoon, who had great interest in old words and one in Chinese letters, have reacted by suppress of the ethos of the time. Jeong Ji Yong’s poems after the liberation contains defeat of words in Chinese letters in the competition between original Korean words and it. After Jeong Ji Yong, the possibilities of universal old words, dialects, and coined words were gone. Cho Ji Hoon included the proper nouns of the old objects consisting of Chinese-derived words in his poems before the Liberation. His use of words in Chinese letters were closely tied to old words. Since the Liberation, Cho Ji Hoon"s poems showed daily-used words in Chinese letters not one designating a specific object. Cho Ji Hoon"s poems separated from those of Jeong Ji Yong, intersecting with them. Jeong Ji Yong used original Korean words actively in the situation isolated from the reality at that time and finished his career as a poet while Cho Ji Hoon showed idealistic abstract words reflecting the reality of the time, participating in general flow of poetry in South Korea.
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김의환,김도준,김규수,김관현,김종달,최종삼,조용철,박순진,윤익선,안병근,정 훈,김미정,한성철 龍仁大學校 武道硏究所 1999 武道硏究所誌 Vol.10 No.1
The purpose of this study was to reform practically a Korean Judo's Doechigi-Bon(Forms of Counterattack, judo's Gaeshi no Kata, Judo's Uradori no Kata, Judo's Gonosen no Kata) that was established in 1955 Korea, according to changing of techniques by Judo's modernization, in order to have Judo's carefulness and systematic diffusion. Reform procedure of Judo's Doechigi-Bon was 1st stage, Questionnaire survey 303 judokas, 2nd stage, Technical seminar by judo experts(12 judo professor) 4 times, 3rd stage, wording report for reform, 4rd stage, Discussion and judgement of Teaching and Judgement commission of Korean judo Association(KJA), 5th stage, Public hearing for reform in KJA, 6th stage, Report and decision of board of directors in KJA, 7th stage, public publication of Judo News(No.53) in KJA. Basic principle of reform of Judo's Doechigi-Bon were as table 1. Table 1. Basic principle of reform of Judo's Doechigi-Bon ------------------------------------------------------------------------------- Items Reformed Key Points of Judo's Doechigi-Bon ------------------------------------------------------------------------------- 1. Structure 1) Grand classification : Classified by 3 parts(1,2,3Gyo) 2)Medium classification : Te waza, Goshi waza, Ashi waza devided per each part(Gyo) 3)Sub-classification : Classified five techniques per each part(Gyo) 2. Contents 1) Selected established techniques as possible 2) Considered rationalty and overlapping of counterattack techniques 3. Decision of Conterattack techniques 1) Refered to results of Basic Questionnaire survey 2) Priority to decisions of Judo expert technical seminar -------------------------------------------------------------------------------- Reformed Korean Judo's Doechigi-Bon(Forms of Counterattack techniques-KJA, 1999) are as follows: 1. Gyo; ① Uki otoshi -> Uchi mata ② Harai goshi -> Harai goshi gaeshi ③ O soto gari -> O soto gake ④ Ko uchi gari -> Sasae tsurikomi ashi ⑤ O uchi gari -> Ko soto gari 2. Gyo; ① Ippon seoi nage -> Okuri eri jime ② Tsuri domi goshi -> Uki waza ③ Okuri ashi harai -> Okuri ashi harai ④ Ko soto gari -> Tai otoshi ⑤ Hiza guruma -> Hiza guruma 3. Gyo; ① Kata guruma -> Sumi gaeshi ② Tai otoshi -> Ko soto gari ③ Hane goshi -> Harai tsurikomi ashi ④ Uchi mata -> Tai otoshi ⑤ Tomoe nage -> O uchi gari
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김종빈,김종수,유승훈,김용기 大韓小兒齒科學會 2010 大韓小兒齒科學會誌 Vol.37 No.1
기존 DIFOTI 시스템의 문제점 중 디지털 영상 처리의 개선을 위하여 light emitting diode(LED)를 광원으로 사용하여 prototype DIFOTI 시스템을 개발하였다. 효율적이고 우수한 화질을 제공 할 수 있는 광량을 산출하기 위해 1일부터 20일까지 유치 법랑질을 Carbopol 907 인공 우식 용액을 사용하여 탈회시키고 실험 기간에 따른 법랑질 탈회 정도를 기존의 DIFOTI 시스템과 영상 분석을 통해 비교 평가하였으며, 탈회 정도에 대한 gold standard로 사용된 편광 현미경 소견과 비교하여 다음과 같은 결론을 얻었다. 1. 탈회 기간에 따라 두 시스템 모두 탈회 법랑질의 광도가 감소하는 양상을 보였다. 2. 정상 및 탈회 법랑질간의 광도의 차이는 DIFOTI 시스템이 prototype DIFOTI 시스템보다 더 큰 값을 보였다. 3. 편광현미경 관찰 소견과 비교해 볼 때, DIFOTI 시스템은 병소 깊이와 매우 유사한 변화 양상을 보여준 반면, prototype DIFOTI 시스템은 병소 깊이의 변화를 충분히 반영하지 못하였다. 보다 우수한 영상을 얻기 위해서는 광량의 최적화 과정과 함께 디지털 카메라의 조리개 조절도 병행되어야 할 것으로 판단되며, 이러한 단점은 소프트웨어적인 보완을 통해 개선될 수 있을 것으로 사료된다. This study was performed to compare the quality of image processing between the newly developed prototype using light emitting diode(LED) and the conventional DIFOTI system(EOS Inc., USA). To estimate the optimal light emitting power for the improved images, primary enamel surfaces treated under Carbopol 907 de-mineralizing solution were taken daily during 20 days of experimental periods by both DIFOTI systems. The results of comparative analyses on the images obtained from both systems with polarized image as gold standard can be summarized as follows: 1. Trans-illumination indices of images taken from primary enamel surfaces were decreased with time in both systems. 2. The differences of intensity of luminance between sound and de-mineralized enamel surface in prototype DIFOTI system was shown to be relatively smaller than conventional DIFOTI system. 3. From the comparative analysis of images from both DIFOTI system with polarized images as gold standard, the difference between sound and de-mineralized enamel surface of intensity of luminance of DIFOTI system was more correlated to polarized images than prototype of DIFOTI system. With the optimal LED emitting power, the control of aperture of digital camera is considered as the another key factor to improve the DIFOTI images. For the best image quality and analysis, the development of the improved image processing software is required.
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김상철,임종환,김귀식,김성근,양종훈 제주대학교 공과대학 첨단기술연구소 2001 尖端技術硏究所論文集 Vol.12 No.2
Potatos, together with tangerines, are one of the major agricultural products in Jeju, and the production account for more than 30% of the domestic production. Recently some kinds of sorting machine for potatos are available, but they are not extensively used because their performance is not satisfactory and/or they are very expensive. This paper presents a load based high speed weighting method for sorting the potatos. This method is based on the fact that the linear momentum of a potato is proportional to the mass of it. The usefulness of the method is demonstrated with sets of experiments.
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김성민,이종호,김남열,안강민,최원재,최시호,차미주,이주영,황순정,장정원,명훈,최진영,서병무,정필훈,김명진 大韓顎顔面成形再建外科學會 2003 Maxillofacial Plastic Reconstructive Surgery Vol.25 No.4
Schwann cells(SCs), an important component of the peripheral nervous system, intract with nerous to mutually support growth and replication for the peripheral nerve regentation. Recently, ading SCs to the lumen of guidance channel is widely tried to improve regeneration or to make regeneration possible over otherwise irreparable gaps. however, it is not easy to isolate and multiplicate SCs as much as enough to help the axonal regeneration. For the allogeneic SCs source for tubular nerve guidance, we developed a little bit improved technique of harvesting and multiplicating SCs. by culturing dispersed dorsal root ganglia in specially designed medium with growth factors and serial processing, we repeatedlly generate relatively homogenous SC cultures. Our technique was compared with other methods of literature using immunostaining methods such as GFAP, S100, BDNF and the total SC count assessment at different time interval after primary culture.
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