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악성흑색종 절제 후 방사선 치료 도중 발생한 몬도씨 병 1예
정금희,박현정 대한피부과학회 2013 大韓皮膚科學會誌 Vol.51 No.12
몬도씨병(Mondor`s disease)은 비교적 드문 표재성 혈전 정맥염으로서, 흉벽 또는 복벽 부위에 호발하는 끈 모양의 선상 결절을 특징으로 한다1. 1939년 Mondor에 의해 흉벽 에 발생한 정맥염이 보고되면서 좀더 구체적으로 명명되 었다. 확실한 원인은 밝혀지지 않았으나, 과도한 운동, 외 상, 수술, 임신, 피부감염 또는 악성 종양 등의 다양한 인 자들이 관여할 것으로 추정되고 있다2. 38세 남자환자가 우측 흉벽에 발생한 끈모양의 압통성 요인이 영향을 미쳤을 것으로 생각된다. 첫째, 종양의 물리 적 압박 또는 전이성 림프절 압박 등의 직접적인 정맥압박 으로 인한 혈관 내피세포의 손상으로 인해 발생 할 수 있 다3. 둘째, 방사선 치료시 혈소판의 활성화, 혈액응고 인자 의 생성 이상의 기전을 통해 혈액응고를 촉진시켜 정맥염 을 초래했을 가능성도 생각할 수 있다4,5. 하지만, 악성 흑 색종을 제거한 후 방사선 치료 도중 3개월 만에 몬도씨 병 변이 발생하였기 때문에 방사선 치료로 인한 정맥염 발생 가능성이 크다. 저자들은 악성 흑색종 제거 후 방사선 치 료 도중 발생한 몬도씨병을 경험하고 흥미로운 증례로 생 각되어 보고한다.
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정금희,임성은 한국프랑스학회 2013 한국프랑스학논집 Vol.82 No.-
Il s’est produit un grand changement dans la société française après la Révolution de 1789. Un nouveau mouvement pictural a été initié dans les Beaux-Arts. A la fin du 19ème siècle, les impressionistes ont préféré exprimer une impression temporelle à une reproduction réelle. Ils voulaient défier la peinture académique et ont affirmé que la couleur des objets variait selon le changement de lumière. Les impressionnistes comme Manet, Monet, Degas et Renoir ont choisi comme sujets la course aux chevaux, la danse, la blanchisserie dans des scènes quotidiennes. La danse en particulier était considérée comme un bon exemple montrant le mieux le développement de la société moderne. Bien qu'appartenant au mouvement impressionniste, Degas a choisi les portraits aux paysages. Fasciné par la danse, on la retrouve dans nombre de ses oeuvres, si bien qu’il a été appelé “peintre de danse”. Cette étude traite de la raison pour laquelle il a choisi la danse comme sujet de ses oeuvres, de sa signification et également des caractéristiques de sa palette esthétique. Comme des clichés instantanés, il dessinait souvent des scènes quotidiennes dont le sujet était la danse et sa peinture s’est surtout caractérisée par l'attention portée aux coulisses : la répétion des chorégraphies dans une salle de danse, l’attente des danseurs, le moment où les ballerines entrent en scène... Il est allé à contre-courant des peintres contemporains qui utilisaient plutôt un élément dramatique dans l’image de la danse : ils préféraient, eux, peindre une image splendide de la danse sur une scène lumineuse ou encore des bals où valsent des couples. En revanche, Degas a, lui, représenté la danse en opposant le rythme des danseuses, aussi bien sur scène que dans leur espace de travail quotidien hors scène, et le silence du moment en mouvement. Par l’intermédiaire de la danse, Degas a alors montré sa particularité en représentant diverses facettes d'un métier artistique et des scènes aux points de vue originaux et ce notamment en utilisant l’impression des danseuses.
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Meralgia paresthetica affecting parturient women who underwent cesarean section -A case report-
정금희,이종연,고동균,박정현,전덕희,양현정,길현주,김민구 대한마취통증의학회 2010 Korean Journal of Anesthesiology Vol.59 No.-
Meralgia paresthetica is commonly caused by a focal entrapment of lateral femoral cuteneous nerve while it passes the inguinal ligament. Common symptoms are paresthesias and numbness of the upper lateral thigh area. Pregnancy,tight cloths, obesity, position of surgery and the tumor in the retroperitoneal space could be causes of meralgia paresthetica. A 29-year-old female patient underwent an emergency cesarean section under spinal anesthesia without any problems. But two days after surgery, the patient complained numbness and paresthesia in anterolateral thigh area. Various neurological examinations and L-spine MRI images were all normal, but the symptoms persisted for a few days. Then, electromyogram and nerve conduction velocity test of the trunk and both legs were performed. Test results showed left lateral cutaneous nerve injury and meralgia paresthetica was diagnosed. Conservative treatment was implemented and the patient was free of symptoms after 1 month follow-up.
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정금희 全南大學校 藝術硏究所 2008 藝術論集 Vol.8 No.-
Concerning painting and poetry, Schelling expressed his views, saying 'Poetry and painting are the same.' On this view, it is possible to study interaction, by connecting literary elements in Redon's painting with Baudelaire's work. In opposition to positivism and materialism dominated in his time, Redon sought to understand spiritual and internal reality. Themes in his work were fantastic masks, monsters, cut neck, weird sea creatures, and animals in classical myths, which were re-created by him through a new way of interpretation. Moreover, he expressed the literary world with unique formativeness, maintaining spiritual exchanges with symbolist literary circle. Considering the above facts, the study examined what the origin and spiritual background of his fantastic expressions were and what types of painting he created with the inspirations from Baudelaire's poems to investigate close connection between art and literature. Redon presented inner world of human beings reacting to fantastic beings or mysteries of the universe in a symbolic manner and created fantastic world in hidden colors inside. This study compared and analyzed Redon's paintings arousing feelings more than satisfying appreciating eyes (sight) and Baudelaire's Sympathy to understand interaction between symbolist literature and art. In the poetry of Baudelaire, the nature is like a symbol and a sign, beyond universal reality perceived by eyes. Namely, it can be said hieroglyphic characters, which are presented as butterflies, trees, flowers, and black color in Redon's paintings. It is easy to know Redon's themes are not the realization of myths only. In this sense, Redon is an artist who expressed Baudelaire's theory of 'correspondence' by means of paintings. Both artists Baudelaire and Redon tell us that symbolist art is a collective movement covering literature and art. Results of comparative analysis of works of Baudelaire and Redon are asfollows: both of them had the deepest understanding and sympathy of human beings and sought for non-material world and sensory liberation of intuition and emotion. In addition, it is found that symbolist literature and art have in common in that 'human feelings and imagination' are at the center, despite different genre and expression methods.
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