지역 유형에 따른 건축자산의 특징 - 충청북도 거점도시와 주변도시를 중심으로

강민경,안대환 한국도시설계학회 2022 도시설계 : 한국도시설계학회지 Vol.23 No.4

This study started with the idea that regional characteristics should be reflected when we seek the ways to utilize and preserve architectural assets. The study aims to classify architectural assets according to the two regional types with the extremely different characteristics, and to find ways to preserve and utilize them according to regional characteristics. The subjects were the architectural assets of Cheongju and Chungju as hubs cites, and Danyang-gun and Okcheon-gun as surrounding cities of Chungcheongbuk-do. In order to search for preservation and utilization plans according to regional characteristics, the characteristics of the hub cities and surrounding cities in Chungbuk were identified, and the characteristics of regional architectural assets were identified. As a result, in the building assets of the hub cities of Chungbuk, the proportion of educational facilities and religious facilities was relatively high, and the proportion of industrial facilities in surrounding cities was relatively high. Second, the architectural assets of educational facilities in the hub cities of Chungbuk were distributed in various sizes, and the architectural assets of educational facilities in surrounding cities of Chungbuk were generally small. Third, in common, the architectural assets of educational facilities in Chungbuk were given socio-cultural values, and were generally built after liberation before 1980. Therefore, this study is significant in exploring ways to preserve and utilize architectural assets in the hub cities and surrounding cities. 본 연구는 건축자산의 활용 및 보존 방안 모색 시 지역 유형을 반영해야한다는 것에서 시작했다. 양극단 지역 유형에 따라 건축자산을 분류하고, 나아가 지역 유형에 따른 보존 및 활용방안을 모색하는 것이 목적이다. 대상은 충청북도의 거점도시인 청주시와 충주시, 주변도시인 단양군, 옥천군의 건축자산이다. 지역 유형에 따른 보존 및 활용 방안을 모색하기 위해, 충청북도거점도시와 주변도시의 특성을 파악하고, 지역별 건축자산의 특징을 파악했다. 결과적으로 첫째, 충북 거점도시의 건축자산은 교육시설과 종교시설의 비중이 높고, 주변도시는 산업시설의 비중이 높다. 둘째, 거점도시 내 교육시설 건축자산은 다양한 규모로 분포하고, 주변도시의 교육시설건축자산은 대체로 규모가 작다. 셋째, 공통적으로 교육시설 건축자산은 사회문화적 가치가 부여됐으며, 대체로 해방 이후부터 1980년 이전에 건립됐다. 따라서 지역 유형에 따라 같은 유형의 건축자산일지라도 서로 다른 특성이 나타나므로, 본 연구를 통해 거점도시와 주변도시 건축자산의 보존 및 활용방안에 대해 좀 더 구체적으로 모색할 수 있는 기회가 될 것이다.

건축 파사드의 디지털 패턴 디자인 유형에 대한 인구 통계적 특성별 감성 특성

오영은 한국실내디자인학회 2023 한국실내디자인학회논문집 Vol.32 No.1

This study extends the research on the sensibility characteristics of the digital pattern design types of architectural façades, as classified by Ben Pell, in order to determine the sensibility characteristics most associated with the demographic characteristics-: gender, age, academic background, occupation, and career-. This study, as a follow-up to existing research, first briefly summarizes definitions for digitized pattern design types of architectural facades, survey targets, and methods, followed by reviewing previous research on demographic characteristics and analysis methods. Second, based on existing research, this study proposes a method for deriving sensibility characteristics from demographic characteristics. By this method, bipolar-sensibility words are selected for validity and reliability by SPSS’s factor analysis and reliability analysis, and the sensibility values of the extracted vocabularies calculated by using SPSS’s t-Test, as mean values, are derived. A significant difference with these derived bipolar-sensibility words are identified. Between the two derived sensibility vocabularies of the selected bipolar-sensibility words, the sensibility characteristics for each demographic characteristic of the pattern type are derived by using the bipolar-sensibility words with the highest sensibility values. Finally, the sensibility characteristics associated with the obtained demographic characteristics and pattern types are compared to earlier results and integrated with them. The sensibility characteristics found in this study were applied, perforated, layered, and cast pattern types. First, by gender, men were associated with “asymmetry” and women with “irregularity.” The sensibility characteristic for perforated pattern types was "irregularity," and the sensibility characteristic for layered and cast pattern types was “regular regularity” for both men and women. Second, age-specific sensibility characteristics were “discontinuity at the same time as continuity” and “asymmetry” in respondents aged 21 to 30 years, and “regularity” and “irregularity” in the age group of 31 to 45 years; characteristic for layered and cast pattern types was “regularity” for all age groups. Third, by academic background, sensibility characteristics were “asymmetry,” “discontinuity,” and “fluctuation” in university students and graduates, and “irregularity,” “irregularity,” and “regularity” in those with post-graduate education; “regularity” was the characteristic for cast pattern types for all academic background groups. Fourth, by occupation, sensibility characteristics were “asymmetry,” “irregularity,” and “regularity” in architecture and interior design-related occupations, and “regularity,” “irregularity,” and “continuity” in other workplaces. Cast pattern type was associated with “regularity” for all occupations. Fifth, by experience, sensibility characteristics were “irregularity” and “irregularity” for those with less than 1 to 10 years of experience, and “irregularity at the same time to be regularity” and “regularity” among those reporting no-career. Layered and cast pattern types were derived from “regular regularity” for respondents in all careers.

○○○설계 프로젝트에서 나타나는 건축장과 프랙탈 구조의 특성에 관한 연구

이승용 한국문화공간건축학회 2018 한국문화공간건축학회논문집 Vol.- No.64

The architectural field understood the conceptual geometry of relation, but it is difficult to show the architecture as a form. To design the architectural form on the conceptual idea of the architectural field, the clue of design for form of architectural field could be found from the fractal system which is showed of the geometrical characteristic of the chaos phenomenon of nature. The fractal system has three characteristics, those are self-similarity, self-production and self-organization. The self-similarity is that the part has a similarity system as a whole, and it show the similar composition of the area of the architectural field by composing the similar network of any area among the environments, exterior and architecture. The self-production is that the making organization by combining, and it show the similar composition of the interaction of the architectural field that the architecture interact to environment and by this interaction to create new but interacted architecture continously. The self-organization is the organizing by itself on internal logic, and it show the composition of the integration of the architectural field by connecting building and space to one as a building and a space are no longer divided by flexibility, diversity and graduations. Therefore the architectural field is showed the geometrical characteristics of the fractal system.

1990년대 이후 한국하이테크 건축의 경향과 표현특성에 관한 연구

김은미,문병국 대한건축학회지회연합회 2008 대한건축학회지회연합회 학술발표대회논문집 Vol.2008 No.1

High-Tech architecture has begun in Europe in early 1800s and progressed consistently by late 20th century. In Korea, architectural works having High-Tech characteristics were not popular until 1980, but after 1980s, owing to economic growth and international events such as Olympic Games and Expo, High-Tech architecture has widely appeared and spread all over the country. After 1990s, it appeared more frequently and varied in diverse ways, and its expression is so various and complex that it is very difficult to define the characteristics of High Tech architecture in korea. To review the architectural works to express High-Tech after 1990, there are many trends to show their characteristics of expression. Analyzing many High-Tech architectural works after 1990, the characteristics of High-Tech expression in Korean contemporary architecture could be got. The results are as follows : The exposition of structure, The Slick-Tech expression, various forms of new structure and engineering technics, the very progressive form of mechanic-aesthetics, the signal expression of digital-media, the environment friendly architecture and so on. Consequently, High-Tech architecture will be varied in diverse ways and its form will be more complicate and complex, so it will be a valuable trial to foresee the future of High-Tech architecture.

유기적 건축의 생물학적 특성을 기반으로 한 키네틱 건축표면의 유형화에 따른 발전 경향 분석에 관한 연구

조성혜(Jo, Sung Hye),박재완(Park, Jae Wan) 한국디지털디자인협의회 2013 디지털디자인학연구 Vol.13 No.4

자연의 형태와 기능의 유추로 시작한 유기적 건축은 오늘날 ICT(information & communication technology) 기술의 발전에 기반하여 다양한 개념적, 형태적, 기능적 진보를 가져 왔다. 이러한 진보를 기반으로 하는 키네틱 건축 표면은 단순한 움직임의 기계적 패러다임으로부터 유기적 상호작용에 의해 움직이는 생물학적 패러다임으로의 전환을 맞이하고 있다. 하지만 현재 대부분의 키네틱 건축 표면에 대한 연구는 기능적, 기술적 접근을 통한 움직임의 형태적 표현 연구에 국한되어 있다. 따라서, 인간과 밀접하게 상호작용하며 공존하는 유기적 건축의 관점에 입각된 키네틱 건축 표면의 생물학적 접근이 요구된다. 본 연구는 유기적 건축의 생물학적 특성을 기반으로, 키네틱 건축 표면의 발전 방향을 제안하는 것을 목적으로 한다. 이를 위해 유기적 건축의 이론적 고찰을 통해 분석된 생물학적 특성을 기반으로 키네틱 건축 표면의 사례 분석을 통해 생물학적 특성이 도출되었다. 도출된 생물학적 특성을 기반으로 한 유형화 작업을 통해 통합적 발전 경향을 제시하였다. 본 연구는 생물학적 패러다임의 전환에 발맞추어 발전하고 있는 키네틱 건축 표면의 발전경향을 제시함으로써 향후 키네틱 건축 표면의 개발 및 방향에 공헌할 것으로 기대된다. Today, the organic architecture that derives from the form and function of nature has conceptual, morphological, and functional improvement with the advance of ICT(information & communication technology). The kinetic architectural surface with these improvement has a paradigm’s shift from the mechanical paradigm of simple motion to the biological paradigm of kinesis by organic interaction. However, most of the research related to kinetic architectural surface focuses on morphological motion through the functional and technical approach. Thus, the biological approach based on organic architecture that closely interacts and co-exist with people is needed. This research aims to propose developmental trends based on a biological characteristics of organic architecture. For this, based on the biological characteristics that are analyzed through the theoretical exploration of organic architecture, the biological characteristics of kinetic architectural surfaces were extracted through in-depth case studies. Based on the biological characteristics, kinetic architectural surfaces are classified in order to analyze the developmental trends of them. This research contributes to the direction of kinetic architectural surfaces that will be developed in future.

만주국 시기 건축가치 연구 -신경(창춘)을 중심으로-

한린 ( Han Lin ),이상만 ( Lee Sang Man ) 한중사회과학학회 2021 한중사회과학연구 Vol.19 No.3

건축물은 역사와 생활문화, 민족 정신과 국가 흥망성쇠의 한 단면이다. 건축을 통해 시대 문화의 발전 맥락을 살펴볼 수 있기 때문에 건축사적 가치에 대한 연구는 그 의미가 적다고 할 수 없다. 시대의 흐름에 따라 건축가치가 경제력으로 바뀌어 한 사회의 경제발전을 촉진할 수도 있고, 도시의 현대화를 긍정적으로 추진할 수도 있다. 이런 이유로 과거 동북지방 만주국시기 신경(장춘)지역에 건립된 건축의 가치를 바로 평가하고 그 건축에 대한 가치의 계승과 재해석을 하는 것도 의미가 있다. 실제로 도시 문화 발전 중에 장춘시는 만주국 건축의 기초 및 건축 특색을 그대로 건축 문화 발전 모델을 적극적으로 유지하고, 동 지역에 특화된 관광문화 서비스 산업 발전을 적극 모색하며, 만주국 건축 문화와 경제적 가치를 최대한 개발하고 응용하는 등 지역 문화와 경제 등의 사업을 함께 발전시켜 가고 있다. 본문의 주요 연구내용은 다음과 같다. 제2장에서는 일제치하 만주국 건축양식의 연원, 건축 품격과 건축 공간의 특징을 분석하고, 제3장에서는 역사문화적 가치, 건축물의 과학적 가치 및 경제적 가치와 그 의미 등을 분석하였고, 제4장에서는 만주국 건축이 현재 어떠한 영향과 함의가 있는가에 대한 설명을 하였다. Architecture is an aspect of history, living culture, national spirit and national rise and fall. Since the context of the development of culture of the times can be examined through architecture, the study of architectural historical values cannot be said to have little meaning. Depending on the trend of the times, architectural values can change to economic power, which can promote economic development of a society, or positively promote the modernization of cities. For this reason, it is also meaningful to evaluate the value of architecture built in the Xinjing (Changchun) area during the Manchukuo period in the northeastern region and to inherit and innovate its value. In fact, during the development of urban culture, Changchun city actively maintains the architectural culture development model, seeks the development of tourism and cultural services specialized in the region, and develops and applies Manchuria’s architectural culture and economic values. The main research contents of the text were analyzed in Chapter 2, the origin of the architectural style of Manchuria under Japanese colonial rule, the architectural dignity and the characteristics of the architectural space, Chapter 3 analyzed historical and cultural values, architectural values, and economic values, and Chapter 4 explains the current effects and implications of Manchukuo architecture.

안도 다다오 건축의 가벽 표현 특성 연구 -1985년대 이후 건축 작품을 중심으로-

박시원 ( Siwon Park ),윤성호 ( Sungho Yoon ) 한국공간디자인학회 2015 한국공간디자인학회논문집 Vol.10 No.3

(연구배경 및 목적) 오늘날의 가벽이라는 개념은 과거의 보호를 위한 그 이상의 역할과 의미로 확대되었다. 과거 벽이라는 단 순한 보호로서의 기능이 아닌, 보다 차별화 되고 진보된 미적 건축 양식으로 그 역할을 한다. 건축의 구조물로 역할 하는 벽이 아닌 기하학적 표현 방법의 일부로 사용되고 있는‘가벽’이라는 단어로 정의하고 현대적 의미에서 가벽의 건축적 특성이 잘 표현된 안도 다다오 건축 작품을 통해 형태적, 기능적 표현특성을 연구하고자 함에 목적을 둔다. (연구방법) 이에 본 연구는 가벽에 대한 안도의 건축 철학과 가벽의 선행연구를 통한 이론적 고찰, 1985년대 이후 나타난 안도의 건축 작품에서 나타나는 가벽의 표현 특성을 살펴보았으며, 사례연구를 통해 가벽의 표현 특성을 형태적 특성과 기능적 특성으로 분류하여 분석 하였다. (결과) 분석결과 안도의 가벽에서 나타나는 형태적 표현특성은 기하학적 형태에 가벽이라는 건축요소를 다양한 배치, 조형 방식 이용하여 건축 공간 성격에 맞는 높낮이와 물성을 이용한 가벽 형태를 취한다. 기능적 표현특성은 시선의 분리, 새로운 성격의 공간을 형성, 유도 역할을 하며, 일정 부분의 가벽을 길게 잘라내어 그 틈을 이용한 외부공간을 유입하는 등으로 기능한다. (결론) 그 결론으로 안도는 섬세한 일본 고유의 미의식과 사상에 영향을 받았으며, 그의 가벽 표현은 간결하고 순수한 형태, 재료로 주변 자연환경과 지역주민, 건축물 그리고 도시와 조화를 이루며, 이들과의 관계를 통해 안도만의 건축 철학에 입각한 해석, 방문자에게 다양한 형태로 구성된 공간을 체험하게 함으로써 본질을 이해, 전달하고 알리는 역할을 한다. 이번 연구가 앞으로 안도 다다오의 건축과 다양한 형태, 기능의 가벽에 관한 표현 특성연구에 있어 도움이 되길 바라며, 건축 전반적인 분위기를 좌우할 수 있는 가벽이라는 요소의 표현특성 연구를 통해 지속적 기술 발전으로 변화될 건축 공간 연출과 주변 환경과의 관계를 배경으로 한 새로운 시도가 학문과 실무 분야의 체계적인 접근으로 이해하는데 도움이 되길 바란다. (Background and Purpose)The modern concept of the freestanding wall has been expanded from the role of protection it had in the past. The freestanding wall now plays a role as a differentiated and advanced aesthetic element of architecture. This study defines the freestanding wall as a part of the geometrical expressional method, not just as an architectural structure. The objective of the study was to examine expressional characteristics in terms of form and function through the architectural works of Tadao Ando, in which the architectural characteristics of the freestanding wall were expressed properly in the contemporary meaning. (Method) In this study, a theoretical review was carried out by examining architectural philosophies of Ando, advanced research on the freestanding wall, and the expressional characteristics of the freestanding wall in architectural works of Ando after 1985. The expressional characteristics of the freestanding wall were classified into form and function. (Results) Characteristics of morphological representation are displayed in freestanding walls in buildings; the geometric variety of construction elements used in freestanding walls matches the characteristics of building spaces, including shapes, height, and properties. Characteristics of the functional expression, gaze separated, a space for the new personality, and the role of the induction, cut long freestanding wall certain parts, functions, such as by flowing the external space by using the gap.(Conclusion) Ando was influenced by delicate and unique Japanese aesthetics and thought. His freestanding wall representation uses concise and pure forms and materials to link the natural environment to local residents, buildings, and urban harmony. The present study examined Ando’s various architectural forms in the hope that they will be useful in the future study of freestanding walls. The freestanding wall can affect the atmosphere of an entire architectural structure. Expressive characteristics of its elements are studied in the hope that the background of the relationship between architectural space production and the surrounding environment will change the progress of ongoing technology and will bea useful systematic approach in the field of academics and practice.

A Study on Organic Characteristics of Self-organized Space

한태권 한국공간디자인학회 2018 한국공간디자인학회논문집 Vol.13 No.1

(Background and Purpose) Perspectives on space design are changing in the wake of the re-emergence of the complex system paradigm in the 21st century. If the motives of space design in the 20th century were mainly inspired by physics or machines; a space for organic shapes is now being created, using computers and inspired by biology, under the complex system paradigm. The need to consider the development characteristics of nature inherent in the complex system paradigm, as well as the spatial application of such development characteristics has also been highlighted. More specifically, while a plethora of varied space design works emulating the characteristics of organisms based on the “self-organization” principle is appearing, the majority of such works are not based on an understanding of the fundamental principles of self-organization inherent in nature. Rather, these works imitate nature morphologically by simply adopting the principle of the creation process. However, the purpose of space as a living system—which is created through self-organization under the complex system paradigm—is to create an organic space akin to nature; that is, to create an open system through various space designs that places uncertainty under control, rather than simply imitating nature morphologically. As such, this study was conducted to determine if a self-organizing space can play the role of the open system required to control the unpredictable aspect of modern society. It did so by examining the potential of the space structure and analyzing the organic characteristics of space created through self-organization, a phenomenon inherent in nature. (Method) In Chapter 2, the concept and characteristics of an organism are interpreted from the systemic perspective, and its relational characteristics are derived from its interpretation. In Chapter 3, the concept and characteristics of self-organization are examined as a solution to the problem of the homogenization of contemporary architectural space from the generative position. In Chapter 4, the organic characteristics of the actual self-organized space cases are analyzed according to the organic characteristics derived from Chapter 2 and self-organizing types. The spatial potential of controlling unpredictable parts of modern society as a living system are also investigated. (Results) The results of analyzing organic characteristics through self-organizing types, can be categorized as follows: higher totality in self-aggregated organization, higher dynamic open structure in self-amplified organization, and higher nonlinear structure in the self-deformation organization. Overall, analysis revealed that the feedback structure had the largest proportion of organic characteristics in self organizing space. (Conclusions) This study found that self-organized space can form the total structure by non-linear interaction through dynamic openings; induce the feedback of human, space, and nature; as well as play a role as a living system in controlling the uncertainty of modern society through its organic characteristics.

자하 하디드 건축에 나타난 비선형적 표현 특성 연구

양재희 ( Yang Jaehee ) 한국공간디자인학회 2021 한국공간디자인학회논문집 Vol.16 No.5

(연구 배경 및 목적) 현대 건축은 우리의 삶에 단순히 기능적인 것에 머무르지 않고 끊임없이 변화를 추구하며 실현하고 있다. 인간이 추구하고 싶은 것을 실현하는 매개체로 3차원의 프로그램의 사용은 정형화된 고정 관념을 깨뜨리고 결국 인간의 독창적인 사고를 창출하여 결과물로 재현하는데 필수적인 결합이다. 자하 하디드는 곡선의 미를 창조하고 자연환경과 인간의 삶을 반영한 창의적인 개성이 담긴 특이한 건축물을 재현하였다. 본 연구는 자하 하디드 건축에 나타난 비선형적 표현 특성을 도출하기 위하여 이론을 고찰하며 그 분석의 결과를 제시하는 데 목적이 있다. (연구방법) 본 연구는 첫째, 자하 하디드의 생애와 건축의 철학 그리고 건축의 경향을 고찰한다. 둘째, 비선형의 표현 특성을 고찰하고자 중심이론 중 자기 유사, 위상변환, 복합성의 개념 및 건축 특성을 구축한다. 셋째, 연구의 범위로 설정한 자하 하디드 건축에 나타난 비선형의 표현 특성을 분석하기 위해 사례분석 틀을 만든다. 넷째, 사례분석을 통해 자하 하디드 건축에 나타난 비선형 표현 특성을 도출한다. (연구결과) 자하 하디드 건축에 나타난 비선형 표현 특성을 자기 유사성, 위상 변환성, 복잡성으로 도출하였다. 첫째, 자기 유사성의 부분적 요소는 물질에 나타난 유기체의 움직임을 통해 무작위성이 나타났고 전체적인 특성은 곡선을 이용한 유기적 건축에서 유사성이 도출되었다. 반복적인 결과는 비대칭적인 유연한 곡선이 반복되는 특성이 나타났다. 둘째, 위상 변환성은 독립적, 변이적, 일체적 요소로 구분하여 분석하였다. 독립적 분석 결과는 경계가 모호하게 흐르며 비예측적 공간이 조합하여 나타났다. 변이적 특성에서는 공간이 이음새 없이 연결되는 유기적 작용이 나타났다. 일체적 특성으로는 외부 동선이 내부로 유입되어 결합하는 일체적인 표현 특성을 도출하였다. 셋째, 복잡성의 특성은 유기적, 복합적, 다체적으로 구분하였다. 유기적인 특성은 건물의 모티브를 창안하기 위해 지역의 역사성을 고려했다. 복합적 특성은 선과 면이 접히고 구부러지며 반복적인 상호작용의 관계를 형성하는 연속성의 특성이 있다. 다체적 분석에서는 랜드 스케이프를 고려한 환경과 유기적이고 다채로운 공간의 융합이 특성으로 나타났다. (결론) 현대인의 복잡한 환경의 삶은 예측하지 못한 비선형적 삶이다. 자하 하디드는 건축을 통하여 인간과 자연이 융화되는 그녀만의 독특한 결과물을 창출하였다. 새로움에 대한 도전은 역동적인 변화와 공존하며 미래를 지향한다. 본 연구를 통해 현대 건축의 발전을 위해 과학적이고 혁신적인 시도를 위한 방향성을 제시하고자 한다. (Background and Purpose) Modern architecture is not merely functional in our lives, but is constantly pursuing and realizing changes. The use of three-dimensional programs as a medium for realizing what humans want to pursue is an essential combination for breaking stereotypes and ultimately creating human original thinking and reproducing it as a result. Zaha Hadid created the beauty of curves and recreated a unique architecture with a creative personality that reflected the natural environment and human life. The purpose of this study is to examine the theory to derive the non-linear expression characteristics shown in Zaha Hadid's architecture and to present the results of the analysis. (Method) First, this study examines Zaha Hadid's life, philosophy of architecture, and trends in architecture. Second, the concept of self-similarity, phase transformation, and complexity among central theories and architectural characteristics are constructed to examine the expression characteristics of non-linearity. Third, a case analysis frame is created to analyze the nonlinear expression characteristics of the Zaha Hadid's architecture set as the scope of the study. Fourth, through case analysis, the non-linear expression characteristics of Zaha Hadid's architecture are derived. (Results) The non-linear expression characteristics of Zaha Hadid's architecture were derived as self-similarity, phase transformation, and complexity. First, the partial element of self-similarity showed randomness through the movement of the organism in the material, and the overall characteristic similarity was derived from organic architecture using curves. The repeated results showed that the asymmetrical flexible curve was repeated. Second, the phase transformability was analyzed by dividing it into independent, transitional, and integral elements. The results of independent analysis showed that the boundary flowed vaguely and the non-predictive space was combined. An organic action in which spaces are connected seamlessly is shown In the transformational characteristic. An integral expression characteristic, in which the external movement flows into and combines with the interior, is derived. Third, the characteristics of complexity were classified as organic, complex, and multi-dimensional. The organic character considered the historicity of the area to create the motif of the building. The complex characteristic has the characteristic of continuity in which lines and faces are folded and bent, thus forming a relationship of repeated interaction. In the multi-dimensional analysis, the convergence of landscape-considered environments and organic and colorful spaces are found as a characteristic. (Conclusions) The life of modern people in a complex environment is unexpected and non-linear. Zaha Hadid created her own unique results in which humans and nature harmonize through her architecture. The challenge vis-a-vis novelty coexists with dynamic change and aims for the future. Through this study, we intend to suggest a direction for scientific and innovative attempts for the development of modern architecture.

예술적 개입을 통한 건축표피의 그래픽 특성 연구

문은미(Moon, Eun-Mi) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.3

This study investigates the examples of artistic intervention especially on the surface of architecture as a meeting place of art and architecture. Artistic intervention demonstrates the possibilities for the meaningful integration of arts into architectural spaces. This study summarizes the characteristics of artistic intervention on the surfaces of architectures as follow; first, the artistic intervention is applied to the broad ranges of designs including public art, architectural design and sign design that establish identities and unique characters to the spaces. Second, the artistic intervention on the surfaces is conducted by the participation of the various fields of artists, i.e. painters, installation artists, graphic designers and landscape designers. The artistic intervention is also conducted by individual collaboration between artists and architects as well as by the forms of public art of art-in-architecture program. Third, the artistic intervention on the surfaces is expressed using the complex combination of images, colors, patterns, and texts. They are applied to enhance the aesthetic and symbolic characters of buildings in public arts, to improve the visual characters of architectural design with graphics, colors, and patterns, as well as to increase communication skills and cognitive effects of sign design with letters and colors on walls and floor surfaces. Fourth, the artistic intervention is also applied on the surfaces to encourage people to communicate historic and symbolic meanings related to the locations and functions. Thus, graphics on the architectural surfaces could provide a public space, with which people could share common feeling on public arts. As a conclusion, the study finds that artistic intervention either as artworks or as elements of architectural design can not only enhance the aesthetic quality of architectural space but also expand the techniques of design representation. In addition, the artistic intervention can contribute to create a new realm of design where artists and architects work together to enrich our surroundings.