실내디자인 보호체계 및 현황에 관한 연구- 미국과 한국의 디자인 및 상표등록 사례비교를 중심으로 -

유호정,하미경 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.3

The protection of Design is very important issues in these days. Even though Interior Design is also one of important design sections, it is relatively unprotected by formal intellectual property laws, yet creativity and innovation flourish. The needs for protection of Interior Design have been creased. The aim of this study is to suggest the weakness of the system for protection of Interior Design. The proposed research is comprised of two themes. One is to research Acts related to protection of Interior Design. The second is to study the registered cases under the Design Protection Acts. These two theme is generated by the comparative review between ROK and U.S.A. Through these comparative results, this study propose some considerations for an effective protection for Interior Design. Design need to be registered in the hole image of the space not a partial element. The concept needs to be protected because it is more effective way to respond the copying. Exterior for facade and Interior Design need to be registered in one registration to use the protection system actively. 디자인의 권리 보호는 매우 중요한 이슈이다. 실내디자인은 중요한 디자인 분야 중 하나이며 실내 디자인의 창작권 보호에 대한 필요가 증대되고 있다. 이 연구의 목적은 실내디자인의 보호를 위한 보호 제도와 등록된 사례를 고찰함으로서 실내디자인 보호의 어려움 및 문제점을 밝히는 데 있다. 본 논문은 두가지 구체적인 목적으로 진행되었다. 첫째, 디자인 보호제도의 고찰이다. 미국과 한국의 디자인 보호제도를 고찰하고 실내디자인을 현행법으로 보호할 수 있는지, 무엇을 어떻게 보호할 수 있는 지 알아보고자 한다. 둘째, 실제 실내디자인의 보호를 위해 등록되고 있는 사례를 고찰함으로서 등록 절차에서 나타나는 문제점을 파악하고자 한다. 미국과 한국의 제도와 사례를 비교함으로서 향후 디자인 보호법과 디자인 보호제도의 활용과 개선방안을 제안하고자 한다.

실내디자인 이미지의 유사성 측정

유호정(Ryu, Hojeong),하미경(Ha, Mikyoung) 한국실내디자인학회 2015 한국실내디자인학회논문집 Vol.24 No.2

We live in the era of unlimited design competition. As the importance of design is increasing in all areas including marketing, each country does its best effort on design development. However, the preparation on protecting interior design rights by intellectual property laws(IPLs) has not been enough even though they occupy an important place in the design field. It is not quite easy to make a judgement on the similarity between two images having a single common factor because the factors which are composed of interior design have complicated interactive relations between them. From the IPLs point of view, designs with the similar overall appearance are decided to be similar. Objective evaluation criteria not only for designers but also for design examiners and judges are required in order to protect interior design by the IPLs. The objective of this study is the analysis of the possibility that a computer algorithm method can be useful to decide the similarity of interior design images. According to this study, it is realized that the Img2 which is one of content-based image retrieval computer programs can be utilized to measure the degree of the similarity. The simulation results of three descriptors(CEDD, FCTH, JCD) in the Img2 showed the high degree of similar patterns compared with the results of perceptual judgment by observers. In particular, it was verified that the Img2 has high availability on interior design images with a high score of similarity below 60 which are perceptually judged by observers.

현대 실내디자인 스타일 유형화에 관한 연구

김경숙(Kim, Kyung-Sook),이연숙(Lee, Yeun-Sook) 한국실내디자인학회 2004 한국실내디자인학회논문집 Vol.13 No.4

한국 대학 실내디자인 관련 교육 현황 분석과 개선 방향 연구

서수경(Suh, Swoo Kyung) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.6

Interior design education has been developed rapidly since the discipline established in Korea in 1980s but unfortunately the development was without any progressive transition until 1990’s. When Korean Institute of Interior Design/KIID inaugurated in 1992, interior design education and related research activities began to be intensified. Despite its effort, there were still confusion about the discipline as there were many similar discipline tracks (architecture, design, fine art, & home economic, etc.) each having an own definition of interior design and introducing different aspects of educating the subject. Education program for interior design still not sufficiently supporting the needs of today’s rapidly changing industry nor to prepare the diverse needs of the client. In order for interior design major to be effective in the future and fulfill the needs of current industry development within our society, re-evaluation of our current interior design educational programs in Korea is important. This study will be the beginning of a research series. As the first part of the research series, this particular study has been focused on reviewing of current status of interior design majors in the nation and its current condition. While making suggestion for the changes in curriculum, the following points will have to be considered as basic principle. First, understanding the duality of technology and design to accommodate the contents of design discipline. Second, understanding the need of practice and theory combined for practical education. And lastly, considering ways to adopt the human experience in order to develop creativity in oneself. The focus of this research is only on the interior design discipline, and research method as the following; first, analyze current status by reviewing admission data for 2010. Second, process a survey regarding the interior design education and practice-related issues in admissions and collect opinions from educators and professional designers in the field. Thirdly, with reference to previous studies, suggestions will be made for the discipline to be effective in the field. As mentioned earlier, this study series will continue and develop to suggest improvement in interior design program as well as to provide curriculums for students get ready for the industry with more up-to-date knowledges and creativities.

실내 디자인 언어로서의 바이오필릭 디자인 언어에 대한 사례 연구 - 문자언어를 중심으로 -

오영은(Oh, Young-Eun),이현수(Lee, Hyunsoo) 한국실내디자인학회 2021 한국실내디자인학회논문집 Vol.30 No.5

This research aims to compare and analyze types and frequency of Biophilic design vocabularies extracted from practical Biophilic design projects’ explanatory texts in order to building a theoretical background regarding user’s cognition on Biophilic Effect (Arvay, 2018; Choi & Lee, 2020) affected by Biophilic design vocabularies centered around the Biophilic design concept. The detailed objectives are following as: first, to theoretically review a written language in a general language and Biophilic design theory, and to look around natural experiences and Biophilic effect from Biophilic Design based on Biophilia theory. Second, to establish a definition and role of Biophilic design concept and Biophilic design word through a definition and role of an interior design concept and interior design word. Third, to extract Biophilic design vocabularies from project explanatory texts in “Natural Inside” written by William D. Browning and Catherine O. Ryan (2020), to divide them to direct experience of nature, indirect experience of nature and experience of space and place categorized in “The Practice of Biophilic Design” written by Stephen R. Kellert and Elizabeth F. Calabrese (2015), and to compare and analyze Biophilic design words’ types and frequency. Through being compared to Biophilic design vocabulary’s types and frequency, the research has driven results that first, Natural Landscape and Ecosystem from attributes of the direct experience of nature, Information Richness from attributes of the indirect experience of nature, and Prospect and Refuge from attributes of the experience of space and place, ranked as the first position. Second, Natural Landscape and Ecosystem at home, hotel, hospital and factory, and Plant at store, office and hospital are shown the highest frequency among the attributes of the direct experience of nature. Natural Material at store and hotel, and Information Richness at school, office, hotel and community are the highest frequency among the attributes of the indirect experience of nature. and Prospect and Refuge at home, office, hotel and hospital are ranked the first position among the attributes of the experience of space and place. These results can be analyzed that these words attract to users so that they play an important role to represent their own specialized spaces’ characteristics, Biophilic design concept, also known as interior design concept, which is a designer intent.

실내디자인 교육에서 CAD과목의 교육내용 및 교육방법 개선에 관한 연구

김동영(Kim, Dong-Young) 한국실내디자인학회 1996 한국실내디자인학회논문집 Vol.- No.9

디자인 예술과 인지과학을 활용한 건축 디자인언어의 분석

송석현 한국실내디자인학회 2015 한국실내디자인학회논문집 Vol.24 No.3

The target of design is a harmony between Beauty and Usefulness. Design is a result from representation of visual language by designer's creative thinking system. also, As an ill-defined problem cannot be described completely. and subjectively interpret depend on the situation, it is very difficult to present a theoretical standard. There have been many Design Sciences researches in recent years. such as Rule Based Design, Parametric Design, Replacement Design, Analogy Design, Metaphor Design, Genetic Algorithm. but Objective research is still unsatisfactory condition to investigate true nature about Design. At this point, It is very important to formulating about meaning of Design Language and Thinking. This study will define about that, and based on this definition, Lay out a logical basis for Treatment design variable and materialization of process by “Elements”, “Relationship”, “Schema”. ultimately it look forward to provide a framework and minimize the complexity about Design Thinking. 오늘날의 디자이너에게는 높은 직업적 능력과 문제 해결을 위한 지식뿐만 아니라 전문적인 기술과 다양한 책임이 요구되고 있다. 따라서 점차 디자이너의 사고와 그에 따른 결정에 대한 정당성을 부여할 수 있는 체계적이고도 합리적인 이론의 필요성은 더욱 절실해졌지만 여전히 많은 이론적 부분들은 디자이너의 내적 활동과 직관적 창조에만 의존하여 체계적으로 설명되지 못하고 있는 문제점들이 나타나고 있다. 이를 위해 본 연구에서는 디자인 언어(Design Language)에 대한 기본 의미와 디자인 사고의 본질을 정립하고 이를 ‘요소와 관계’ 개념에서 관련학문 및 이론을 바탕으로 논리적으로 규명하도록 한다. 또한 디자인 사고의 영역 안에서 발생하는 변수처리 및 구체화 과정을 schema와 사고 확장 측면에서 체계적으로 분석하여 제시함으로써 복잡성을 최소화 하고 디자이너로 하여금 다양한 디자인 언어(Design Language)를 활용할 수 있도록 기본 ‘틀’을 제시하는데 목적이 있다.

장 미쉘 빌모트의 전시공간에 나타난 실내디자인 표현특성

송가현(Song, Ga-Hyun),김문덕(Kim, Moon-Duck) 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.6

Today, the growing number of international architects enters the open market of South Korean architecture and interior from exhibition spaces such as art galleries to buildings of major companies. Establishing new local landmarks, their works have a considerable influence on the development of architecture. Among many, French architect Jean-Michel Wilmotte has worked consistently in South Korea. The purpose of this study is to analyze and put together the expression characteristic of the interior design in his exhibition spaces including Gana Art Gallery. Jean-Michel Wilmotte has designed based on the history, culture, society, and arts in France and other European countries, and is influenced by architects like Charles Rennie Mackintosh, Josef Hoffmann, and Carlo Scarpa. Such an influence is shown in the form of contrast between verticality and horizontality as well as the fortification in his modern classical characteristic, which is one of his expression characters. In this his work of improving the ancient architecture, Wilmotte is good at creating a modern space through contextual expression, and the textural contrast between materials of the past and the present. Thus I performed an analysis of the expression characteristic of the interior design in National Museum of Contemporary Art of Chiado in Lisbon, Cognac Hennessy Museum in France, Gana Art Gallery in Korea, Musee du President Jacques Chirac in Sarran, France, Ullens Center for Contemporary Art (UCCA) in Beijing, and lastly Musee d’Orsay in Paris. The results show that he maintains the spatial context by applying contemporary design to the preserved existing structure, continues the flow of exhibition through the lightings in the corridors and on the ceiling, and seeks for a balance by adding vertical or horizontal elements to the elevation. In the interior, the staircase and exhibition structure are turned into objects, and the contrasting texture of the wall vitalizes the space. Wilmotte redesigns the space of the past and the present by using indirect joint that allows an organic connection of the old and new structures, and by minimizing the conflict between the two elements through prefabrication. The expression character of his interior design will be potential resources architects and interior designers to develop their own design languages.

폴딩 기법이 나타나는 현대 실내공간의 용도별 공간 특성

임종수,김진우 한국실내디자인학회 2017 한국실내디자인학회논문집 Vol.26 No.6

In this modern world of drastic change, folding architecture was an alternative that offered a novel architectural insight. Today, the folding technique is being used above and beyond architecture, spreading to fashion, lighting, medicine, etc. Especially in the interior space design field, the folding technique is in the limelight as an alternative to create an original space for modern society. However, research and experiments into folding mainly remains at philosophical interpretation or architectural examples, and even these were mostly before the 2000s. Therefore, the present study determined it necessary to look deeply into the post-2000s folding technique focusing on interior space. In this paper, 33 cases of indoor space where folding technique appears are derived, and classified them again by use. The folding technique which was the first step of Sophia Vyzoviti’s experiment on her book, 「Folding Architecture」was extracted and used as the framework. We summarizes the range of application of folding techniques (interior space in general, floor, wall, ceiling, etc.) and major folding techniques by combining photographs, drawings, and descriptions of the works of the architects. This paper summarizes the characteristics of the space described comprehensively, and draws out the spatial characteristics of the modern interior space where the folding technique appears. 폴드건축은 급변하는 현대사회에서 새로운 건축적 시각을 제시하는 하나의 대안이었다. 오늘날 폴딩 기법은 건축을 넘어 의류, 조명, 의학 등 다양한 분야에서 활발히 사용되고 있다. 실내디자인 분야에서도 현대 사회에 부합하는 독창적인 공간을 만들기 위한 하나의 대안으로 폴딩 기법이 부각되고 있다. 하지만 아직까지는 주로 폴드라는 용어에 대한 철학적 해석과 건축의 사례에 집중된 연구와 실험이 주를 이루고 있으며 그 시기도 2000대 이전이 대부분이다. 그러므로 실내공간을 중심으로 한, 2000년 이후 폴딩 기법을 심도 있게 살펴볼 수 있는 연구가 필요할 것이라 판단했다. 이에 본 논문에서는 폴딩 기법이 나타나는 현대 실내공간 사례 33가지를 도출 하여, 이를 다시 용도별로 분류했다. 소피아 비조비티의 저서, 「Folding Architecture」의 실험에서 사용한 첫 번째 단계로부터 폴딩 기법을 추출하여 분석의 틀로 사용했다. 건축가들의 작품 설명, 사진, 도면을 종합하여 각 사례에 표현 된 폴딩 기법이 적용된 범위(실내 전체, 바닥, 벽, 천정 등)와 대표적인 폴딩 기법이 무엇인지를 파악했다. 서술된 공간의 특성을 종합하여 폴딩 기법이 나타난 현대 실내공간의 용도별 공간적 특성을 도출했다. 현대 실내공간 속에서 폴딩 기법은 차별적이며 독창적인 형태만을 위한 기능을 넘어서 기능적, 상징적 효과를 표출하고 있음을 확인할 수 있었다. 폴딩 기술이 전문화 되면서 단위 요소를 통한 디자인이 주목 받고 있는 현대 사회에서 폴딩 기법은 더욱 다양하고 긍정적으로 발전할 것으로 기대한다.

실내디자인과 현대미술의 상관적 표현성에 관한 연구

박진배(Park, Jin-Bae),이용완(Lee, Yong-Wan) 한국실내디자인학회 1997 한국실내디자인학회논문집 Vol.- No.10