미술계의 시스템을 이해하는 방식과 한국의 현실

유진상(Yoo, Jin-Sang) 한국예술종합학교 미술원 조형연구소 2007 Visual Vol.4 No.-

We are very familiar with the term “Art-World” to designate the system in which Art is produced, circulated and converted into some value that is capital for its raison-d’etre. In fact, the “System of Art-World(let’s say “SA” as its abbreviation)”, in its essence, is a system of "evaluation" and "valorization" of some unknown contents that artworks produce in the complex process of exchange among its players. It is very important to understand actual SA in the global situation to make sense to each artistic activity and its results. It urges us to examine what is the proper meaning of artistic production and its evaluation and circulation. Artistic production is, above all, a production of its value. So is the art evaluation and its circulation. “Artistic value” must first be considered as the objective of SA. We are defining contemporary art also as this. In Korea, where the SA is not yet properly perceived as contemporary one, that is to say, a very complex and challenging system of producing, evaluating and circulating artistic values, it is often misunderstood as just a conventional process of treating given artworks as decoration or tradition or occasion of making money that actually it is not. So arise the necessity to describe proper SA thai especially young artists should understand to catch up with the current problems of creation not only in Korea but also in the global world.

Poly(styrene carbonate)의 열분해에 의한 고리형 Styrene Carbonate의 합성

유진이(Yoo, Jin-Li),신은정(Shin Eunjung),구대철(Ku Daechul),이윤배(Lee Yoonbae) 한국산학기술학회 2006 한국산학기술학회 학술대회 Vol.- No.-

지구의 온난화를 가속시키는 주요물질인 이산화탄소(CO₂)와 styrene oxide를 Zinc Glutarate를 촉매로 하여 800-1000psi, 750℃에서 반응시켜 합성한 Poly(styrene carbonate)(PSC)를 질소분위기하 750℃에서 열분해하여 고리형 styrene carbonate를 합성하였다. 생성물은 GC-Mass로 분석하여 확인하였다.

기업문화는 소중하다

유진광(Yoo Jin Kwang) 한국자동차공학회 2008 오토저널 Vol.30 No.2

우리나라의 자동차 배출가스 규제강화

유진광(Yoo Jin Kwang) 한국자동차공학회 2008 오토저널 Vol.30 No.1

반복측정 자료를 다루는 교육 연구 실태 분석

유진은(Yoo Jin Eun) 한국열린교육학회 2014 열린교육연구 Vol.22 No.4

반복측정 자료를 분석하는 교육 연구에서 ANCOVA와 rANOVA(또는 mixed-ANOVA)가 대중적인 방법임에도 불구하고, 어떤 경우에 어떤 방법이 더 나은지 분명하게 설명한 연구를 찾기 힘들다. 본 연구는 각 방법에 대하여 자료 구성에서부터 시작하여 통계 모형, 통계적 가정, 연구 문제와 가설 검정 등을 고찰하고, ANCOVA와 비교 시 rANOVA의 특징을 논하였다. 특히 ANCOVA와 rANOVA의 특징적인 가정인 공변수에 대한 가정과 구형성 가정을 자세히 설명하였다. 구획분할 설계의 일종인 rANOVA는 실험설계에 따라 통계적 가정이 더 적으며, 다양한 실험설계에도 무리 없이 적용될 수 있다는 장점이 있다. 또한 rANOVA는 집단과 측정 시점 간 상호작용까지 검정할 수 있으므로 교육 연구에서 ANCOVA보다 rANOVA로 반복측정 자료를 분석하는 것이 일반적으로 더 나은 선택이라고 여겨진다. 마지막으로, 본 논문은 『교원교육』, 『학습자중심교과교육연구』, 『열린교육연구』에 수록된 ANCOVA, rANOVA 논문을 분석하고, 이를 바탕으로 연구자들을 위한 ANCOVA, rANOVA 이용 시 함의점을 논하였다. Although ANCOVA and rANOVA(also known as mixed-ANOVA) have been widely used in experimental designs, quite a few practitioners have a difficulty choosing which method to use in their research designs. This study compared data composition, statistical model, assumptions, and hypotheses of the two methods, which naturally lead to discussions of methodological strengths of the two. Particularly, the characteristic assumptions of ANCOVA and rANOVA, which are assumptions on covariate and the sphericity assumption, respectively, were explained in detail. In conclusion, rANOVA, a split-plot design, appears to exert greater leverage over ANCOVA in terms of statistical assumptions and methodological resiliency, depending on experimental designs. Lastly, ANCOVA and rANOVA studies in Korean Journal of Teacher Education, Journal of Learner-Centered Curriculum and Instruction, and Journal of Yeolin Education were reviewed, based upon which implications for practitioners were discussed.

세계 창세신화(創世神話)에 나타나는 잠수모티프 비교 연구 -핀-우그르족과 그 주변 민족들을 중심으로

유진일 ( Jin Il Yoo ) 세계문학비교학회 2011 세계문학비교연구 Vol.34 No.-

Mircea Eliade referred to the motifs of submergence in Creation myths for the first time of its kind in his book From Primitives to Zen: A Thematic Sourcebook of the History of Religions. Thereafter, the studies of such kind have focused their targets on Romania and Bulgaria in the Balkan region. In the Republic of Korea, Park Jong-sung and Lee Ho-chang published the papers that revolved around the both countries as well. The present study was not limited to the Creation myths in the two countries, but addressed all the ones available in the world on a comparative basis. Its results are as follows: first, the myths were seen in the following five groups of peoples: 1. the Finno-Ugric tribes, i.e. Vogul, Vod, etc. in Siberia; 2. the Finno-Ugric people in northern Europe, i.e. Finns; 3. the Finno-Ugric people in middle Europe, i.e. Hungarians; 4. the Mongolians in Asia; 5. the Bulgarians and Romanians in the Balkan area. Second, Groups 1, 2 and 3 dwelled together in the east of the Ural Mountains. However, climate changes caused Group 1 to move to the north and settle in Siberia, Group 2 to move to the northwest across the Ural Mountains and settle in northern Europe and Group 3 to move to the west across the Ural Mountains and settle in middle Europe. Groups 1, 2 and 3 are of the same origin, Group 4 refers to Asian natives and Group 5 refers to European natives. Hence, the motifs of submergence are mostly found in Finno-Ugric myths. The possibility is that they spread among the Mongolians in Asia through the contacts with Finno-Ugric peoples and among Bulgarians and Romanians under the influence of the Hungarians who had migrated from Asia to Europe. Third, the Creation, a source of life and form, begins with water and uses soil as material. Forth, recent studies argue in terms of diffusionism that the dualism of Bogomilianism affected the motifs of Co-Creation by a good god and a bad god in Hungarian and Romanian submergence myths. However, the explanations based on human sub-consciousness, represented by C.G.Jung and M. Eliade, seem to be more convincing in that the same motifs are shown by the Finno-Ugric peoples who dwell in Siberia without contact with Hungarians and Romanians.

2018년 최저임금 인상의 고용 영향 분석과 시사점

유진성(Jin Sung Yoo) 한국규제학회 2021 규제연구 Vol.30 No.1

본 연구에서는 한국복지패널 최신자료를 사용하여 2018년의 급격한 최저임금 인상이 고용에 미치는 영향을 분석하였다. 비교집단을 최저임금 차상위 120% 집단, 130% 집단. 150% 집단 등으로 나누어 분석한 결과 2018년 최저임금의 급격한 인상은 최저임금 적용 대상자의 취업률을 약 4.1~4.6% 포인트 감소시키는 것으로 나타났다. 패널 샘플에서 최저임금 적용집단의 2018년 미취업 비율을 감안하면 최저임금 적용집단 미취업율의 약 27.4~30.5%는 2018년의 급격한 최저임금 인상에 기인하는 것으로 분석된다. 이는 최저임금 적용대상 미취업자의 30%는 2018년 최저임금 인상으로 일자리를 잃은 것으로 해석할 수 있다. 2018년과 같이 최저임금의 급격한 인상은 고용에 부정적인 영향을 미치는 것으로 나타난 만큼 추후에는 최저임금의 인상을 자제하고 인상이 불가피할 경우에는 고용에 미치는 부정적 영향을 최소화할 필요가 있다. 요컨대 임금수준은 시장에서 자율적으로 결정되는 것이 바람직하며 최저임금 인상이 불가피할 경우에도 큰 폭의 인상은 지양하고 고용의 충격을 완화할 수 있는 방안을 모색할 필요가 있다. 예를 들어, 우리나라의 경우 최저 임금이 단일화되어 있는 만큼 산업별로 최저임금을 차등화하여 적용하는 방안도 고민해볼 필요가 있는 것으로 사료된다. In this study, I analyzed the effect of the rapid increase in the minimum wage in 2018 on employment using the recent Korean Welfare Panel Study. As a result, it was found that the sharp increase in the minimum wage in 2018 reduced the employment rate of those subject to the minimum wage by about 4.1 to 4.6 percentage points. It is also analyzed that about 27.4~30.5% of the unemployed ratio in the group subject to the minimum wage is due to the rapid increase in the minimum wage in 2018. As it has been shown that a sharp increase in the minimum wage has a negative effect on employment, it is necessary to refrain from rapid increase in the minimum wage in the future. If a minimum wage increase is inevitable, it is necessary to avoid a big increase and find ways to reduce the negative impact on the employment, for example, by gradually increasing the minimum wage, or applying differentiated level by industry to the minimum wage, and so on.

말기 신질환 환자에서의 신장 이식술후 골대사 지표의 변화

유진상(Jin Sang Yoo),최병길(Byung Kil Choi),김명재(Myung Jae Kim),임천규(Chun Gyoo Ihm),이태원(Tae Won Lee),김영훈(Yeong Hoon Kim) 대한내과학회 1989 대한내과학회지 Vol.36 No.1

N/A Renal osteodystrophy includes a11 skeletal abnormalities in end stage renal disease, i.e., osteitis fibrosa, osteomalacia, osteosclerosis and growth failure in children. Patients who undergo kidney transplantation may continu to have evidence of disease of the skeletal system, frequently associated with abnormalities in the homeostasis of calcium and phosphorus. The authors measured the bone metabolism indox with the purpose of determining the usefulness of renal transplantation in patients with renal osteodystrophy. This was accomplished by observing the changes in the serum levels of calcium, phosphorus, alkaline phosphatase, PTH, and osteocalcin, and in the bone scintigraphy and degree of bone loss by scanning densitometry before and 1 month after renal transplantation in 9 patients with end renal disease and renal osteo dystrophy. The results were as follows: 1) The serum calcium level was significantly increased to the normal range one month after kidney transplantation (7.28±0.96 mg/dl vs 9.12±0.14 mg/dl, p<0.01), 2) One month after kidney transplantation, the serum level of phosphorus, PTH and osteocalcin were significantly decreased compared with pretransplantation values (phosphorus : 3.17±0.74 mg/dl vs 7.92±1.66mg/dl, p<0.01; PTH: 0.47±0.11 ng/ml vs 4.67±3.79ng/ml p<0.05; osteocalcin : 3.47±0.87ng/ml vs 24.41±9.04 ng/ml p<0.01) 3) There was a significant decrease in the bone scan score after renal transplantation compared with the pretransplantation value (- 0.2±0.4 vs 1.1±0.3, p<0.05). 4) There were no differences in serum alkaline phosphatase (ALP) activity and the index of bone density before and after renal transplantation (ALP: 56,67±23.02IU/L vs 40.33±17.27IU/L, p>0.1; bone density △Gmax 3.43±0.19 vs 3.46±0.85 △Gmin 2.83±0.41 vs 2.76±0.73, and MCI 0.62±0.08 vs 0.67±0.03, all p>0,1). In conclusion, renal osteodystrophy with end stage renal disease is corrected by successful renal transplantation.

한국과 헝가리의 가면극 비교

유진일 ( Jin Il Yoo ) 세계문학비교학회 2010 세계문학비교연구 Vol.32 No.-

Having begun with memorial service for Dionysus in the 6th century B.C. in ancient Athens, theater has developed in different forms in different countries through the Middle Ages to the present day. Of the forms, mask plays are still performed as festival or performance plays in almost all countries across the world. In Korea, a mask play is called “Talchum.” “Tal” and “chum” mean “mask” and “dance” respectively. Today, Talchum encompasses all the traditional mask plays. To the 1970s, “Gamyeongeuk” was used as an academic term. Currently, both Talchum and Gamyeongeuk are used without distinction. Of three elements, i.e. mask, dance and theater, the term Talchum emphasizes the first and second, but also includes the third. Originally, only the mask dance in Hwanghae-do [province] was called Talchum and those in other regions were referred to as Sandaenori, Deulnoreum, Ogwangdae etc. In Hungary, mask plays are performed during the “Farsang,” a form of carnival. The Hungarian “Farsang” is a word derived from the German “Fasching” and its Austrian and Bavarian dialect “Vaschung.” Hungarian mask plays are different from Korean Talchum standardized as a genre of folk art. Unlike Talchum, they have no separate professional dancer or performer. Masks are stressed in Talchum, while costumes are stressed in addition to masks in Hungarian mask plays. Talchum has established itself as a form of performance art, whereas Hungarian mask plays are part of Farsang rather than a form of performance art. Despite such differences, Hungarian mask plays can be incorporated into mask plays, like Korean Talchum in that they use masks, show acts and communicate dialogues to participants. The present study is aimed to compare the mask plays between Korea and Hungary founded by the Magyar from Asia. Though about one thousand years have passed since the Hungarians settled in Europe in 896, this study is in tended to look into the common and different points between the two people rooted in Asia, using the genre of a mask play. This is because such comparison will help understand the identities and cultures of the both peoples. Korean and Hungarian mask plays are considerably different from each other in form and content despite the commonness that the both peoples are Asian ones. The Korean Talchum, one of drama genres, has established itself as an important performance art. On the contrary, the Hungarian Farsang mask play is performed as part of Lent, a Christian event. Therefore, it is part of Lent festivity rather than an independent art genre. Korean masks contain various expressions according to characters, while Hungarian masks do not have expressions as fine as Korean ones. Though different from each other in form and content, the both mask plays have something common in human universal emotion and Weltanschauung.

코스톨라니와 두려움 모티브

유진일 ( Jin Il Yoo ) 세계문학비교학회 2004 세계문학비교연구 Vol.10 No.-