CIC형 보청기용 범용 이어쉘 제작을 위한 파라미터 추출 및 시뮬레이션

에르덴바야르,전유용,박규석,송영록,이상민,U, Erdenebayar.,Jeon, Y.Y.,Park, G.S.,Song, Y.R.,Lee, S.M. 대한의용생체공학회 2010 의공학회지 Vol.31 No.4

Most of the ear shells of hearing aids are manufactured manually, and it is one of the reasons that the cost of the custom-made hearing aids can be increased. Thus it is required to manufacture the ready-made ear shell for the purpose of easy manufacturing and decrease in cost. In this study, we extract parameters in order to manufacture the ready-made ear shell for CIC type hearing aids and simulate to reconstruct the ear shell using the extracted parameters. To parameter extraction, we set up the eleven parameters for the ready-made ear shell based on anatomical characteristics of the ear canal, and we found values of the parameters from twenty-one impressions in their 20s and twelve impressions in their 60s using aperture detection and feature detection algorithms. Classifying the parameters by size, we also determine the parameters of ready-made ear shell into three types for people in their 20s and two types for people in their 60s. Each ready-made ear shell was simulated to reconstruct using figured parameters, and evaluated the rate of agreement with unused impressions for setting parameters. To evaluate the ready-made ear shell, we calculate the volume ratio and intersection between of the each impression and ready-made ear shell, and the intersection ratio using the intersection volume and ready-made ear shell volume. As a result, the volume ratio was about 70%, and volume match ratio was also up to 70%. It means that the ready-made ear shell we simulated is the significantly matched to impression.

레디메이드(Ready-made)의 차용과 확장에 관한 연구 - 장 탱글리(Jean Tinguely)를 중심으로

김허경 유럽문화예술학회 2010 유럽문화예술학논집 Vol.1 No.1

Jean Tinguely (l925-1991)was an artist who combined Dadaism with moving sculptures. Key word of post war contemporary art can be Ready Made of Marcel Duchamp (1887-1968). How "Ready-Made" was borrowed and extended in contemporary art? Duchamp's selection and presentation of Ready-Made , everyday object, as a work were intended to show that 따t work is borrowing from original works rather than creating something new. Jean Tinguely extended the category of an object d’art that is found in areas of everyday life through Duchamp’s Ready-Made concept and included ecological, social and historical contexts it implied. He borrowed and extended Ready-Made concept to seek new relationships between life and aπ by searching various media including kinetic art , insta11ation and happening while using waste materials. This study examined the overall characteristics of Tinguely’s works. To this end, this study examined Tinguely ’ s works by classifying them into material aspect and methodical aspect based on Duchamp’s Ready-Made. In addition, this study analyzed works in detail to understand movement, time orientation, spatiality and audience’s position deepened by Tinguely as extension of Ready-Made. Through this study, it was found that Tinguely ’ s Ready-Made was existential reflection of life as a way to accept a11 intemal factors including artist, work and audience In particular, borrowing and extension of Ready-Made expressed in Tinguely’s works showed the possibility as contemporary public art in that they correspond with environmental characteristics of modem that are moving and changeable in terms of form and meanmg.

보청기용 범용 이어쉘을 위한 설계 파라미터에 관한 연구

에르덴바야르(Erdenebayar-Urtnasan),전유용(Yu-Yong Jeon),박규석(Gyu-Seok Park),송영록(Young-Rok Song),이상민(Sang-Min Lee) 대한전기학회 2011 전기학회논문지 Vol.60 No.5

In this study, main parameters: aperture, first bend and second bend which express a structure of ear canal are extracted in order to modeling and manufacture the ready-made ear shells of hearing aids. The proposed parameter extraction method consists of 2 important algorithms, aperture detection and feature detection. In the aperture detection algorithm, aperture of 3-D scanned virtual ear impression and parameters relating to ear shell of hearing aid are determined. The feature detection algorithm detects first bend, second bend, and related parameters. Through these two algorithms, parameters for aperture, first bend, and second bend are extracted to model the ready-made ear shell of hearing aid. The values of these extracted parameters from 36 people’s right ear impression are analyzed and measured statistically. As a result of the analysis, it has been found that it is possible to classify ready-made ear shell parameters by age and size. The ready-made ear shell parameters are classified 3-size for 20 years old and 2-size for 60 years olde. Using 3D rhino program, virtual ready-made ear shell is reconstructed by parameters of every type, and simulated to model it. A final product was produced by transferring simulation result with rapid prototyping system. The modeled ready-made ear shell is evaluated with the objective and subjective method. Objective method is the comparison volume ratio and overlapped volume ratio of ear impression from randomly chosen 18 people and ready-made ear shell. And subjective method is that the final product of ready-made ear shell is used by users and the satisfaction number drawn from well fitting and comfortable testing was evaluated. In the result of the evaluation, it has been found that volume ration is 70%, big and middle size ready-made ear shell products are possible, and the satisfaction number is high.

레디메이드를 활용한 지속가능한 패션의 가치 제안

정희정 ( Jung Hee Jung ),최철용 ( Choi Chul Yong ) 한국패션디자인학회 2020 한국패션디자인학회지 Vol.20 No.4

본 연구는 다다이즘의 예술에서 보이는 레디메이드의 예술적 특징을 정립하고 현대 패션에서 나타난 레디메이드 사례를 통해 지속가능성의 유형별 특성을 분석함으로써 국내 지속가능한 패션 분야에 대한 미적 가치를 제안하고, 레디메이드를 활용한 다양한 실험적 패션 트렌드를 통해 지속가능한 패션의 가치를 제안하는 선행적 연구로서의 의의가 있다. 연구의 목적은 모스키노, 메종 마르지엘라, 준야 와타나베, 베트멍, 빅터앤롤프의 디자이너 브랜드 컬렉션을 중심으로 레디메이드를 활용한 디자인 사례의 조형적 특징을 분석하고 지속 가능한 패션의 특성을 고찰하는 것이다. 이를 위해 다다이즘의 특성과 개념을 정립하고 위 브랜드 컬렉션에서 보이는 레디메이드의 조형적 가치를 분석한 결과 첫 번째로 오브제 고유의 미적 형태가 상실되어 새로운 조형성을 가지는 재창조성, 두 번째로 기성품의 형태를 활용하지만 기존 미의식과 개념을 벗어난 탈개념성, 세 번째로 형태를 재조합하여 새로운 형태를 만들어내는 비정형성, 마지막으로 시대적 해학과 재미를 표현한 유희성 등의 4가지 조형적 특성으로 도출되었다. 이러한 특징들을 가진 지속가능한 패션의 가치로는 첫째, 버려진 제품을 재사용하는 환경성, 둘째, 재료의 비용 절감을 통한 이익 창출이 가능한 경제성, 셋째, 기성품을 패션에 적용한 예술적 희소성 등으로 나누어 제안한 결과 경제성과 희소성이 높게 나타나는 것을 알 수 있었다. 레디메이드를 활용하여 디자인의 예술적 가치를 더함으로써 환경성과 희소성을 높이고 이를 활용해 경제성의 시너지를 낼 수 있는 지속가능한 패션 가치를 제안하였다. 본 논문의 연구 결과가 지속가능한 오브제의 다양한 레디메이드의 표현 특성을 가진 패션디자인 분야의 범위를 확장하고 새로운 가이드라인으로 활용되기를 바란다. This study aims to establish the artistic characteristics of ready-made in Dadaist art and to raise the aesthetic value of the domestic sustainable fashion field by analyzing the characteristics of each type of sustainability through the ready-made cases in contemporary fashion, and analyzes the value of sustainable fashion through various experimental fashion trends using ready-made. The purpose of the study is to analyze the formative characteristics of design cases using ready-made, focusing on the designer brand collections of Moschino, Martin Margiela, Junya Watanabe, Vetements, and Viktor & Rolf, and to examine the characteristics of sustainable fashion. As a result of establishing the characteristics and concept of Dadaism and analyzing the formative value of ready-made shown in the above brand collections, first, there was re-creation with new formativeness due to the loss of the original aesthetic form of the object, and second, the form of ready-made products. However, it was derived from four types of formative characteristics, such as non-conception that deviated from the existing aesthetic consciousness and concept. Thirdly, atypicality that recombined the form to create a new form, and finally, the humor of the times and the playfulness expressing the fun. The value of sustainable fashion with these characteristics was divided into the eco-friendliness of reusing discarded products, the economy that can generate profits by reducing the cost of materials, and the artistic scarcity of applying ready-made goods to fashion, and the result showed that the economic feasibility and scarcity were high. The research proposed sustainable fashion value that can enhance eco-friendliness and scarcity by utilizing ready-made to add artistic value of design and create synergy of economic feasibility. It is expected that the findings of this paper will expand the scope of the fashion design field with the various expressive characteristics of ready-made of sustainable objects and be used as new guidelines.

남성복 구매형태에 따른 정보원 선택 , 위험지각 , 추구혜택의 차이에 관한 비교 연구

황선진(Sun Jin Hwang),김노호(No Ho Kim) 한국복식학회 2001 服飾 Vol.51 No.7

The purpose of this study to compare the purchasing behaviour of men`s business suits, among custom suits, system order, and ready-made suits, centering around the choice of information source, risk perception and benefits sought. The survey of this study was collected from 450 adult male in Seoul. The data was analyzed by factor analysis and ANOVA. The result of this study were as follows : 1. Custom suits, system order, and ready-made suits consumers have a significant difference in the choice of information source. The consumer attaching most importance to the impersonal information source is the system order users, custom suits users, and ready-made suits users respectively. However there was no significant difference in the personal source among 3 different purchasing behaviour of men`s suits. 2. For the risk perception, 1) the group who perceived the highest in economic risk is the system order users, followed by custom suits users, and ready-made suits users. 2) the group who perceived performance risk as being the highest concern is the ready-made suits consumers, followed by system order user, and custom suits user. 3) the group who perceived the socio-psychological risk as the Highest is the ready-made suits consumers, and followed by custom suits user and system order users. 4) there is no difference among the three groups with respect to the fashionability loss risk. 5) the group of the highest perceiving the useful loss risk is the ready-made suits consumers, and the next is system order users, custom suits users. 6) the group of the highest perceiving the time and convenience loss risk is ready-made suits users, and the next is system order users, custom suits users. 3. For the benefit sought, the group of the highest perceiving the aesthetics is custom suits consumers, and the next is system order users, ready-made suits users.

마르셀 뒤샹의 레디메이드 개념이 반영된 현대 도자예술 연구

김미경 ( Mikyoung Kim ) 이화여자대학교 도예연구소 2019 陶藝硏究 Vol.- No.28

대부분의 예술가들은 사회적 제약과 본인의 창작욕구 사이에서 갈등하며 작품을 탄생시키는데, 이는 문화 예술 발전의 한 과정이라 할 수 있다. 예술의 역사를 살펴보면, 예술가들은 사회적으로 고정된 시선에서 자유를 갈망하며 취했던 행동은 예술의 진보적 결과를 낳게 되었으며, 그 과정에서 창의적 행위는 예술에 대한 물음과 그에 대한 답을 찾게 하였다. 지금 이 순간에도 많은 예술가들은 전통, 정치, 종교, 철학, 그리고 생활양식과 같은 고정된 사회적 제약에서 자유롭게 창작을 끊임없이 시도하고 있다. 20세기 초반 마르셀 뒤샹 (Marcel Duchamp, 1887-1968)의 레디메이드 실험은 당시의 고정된 사회 문화적 프레임으로부터 벗어나 개인적 언어와 독창성을 실현한 전위적 개념 예술의 시발점이었다. 뒤샹의 레디메이드 실험의 대표적 작품인 ‘샘’은 예술 작품의 전통적 정의를 전환하는 새로운 계기가 되었다. 뒤샹의 ‘샘’은 기성품(레디메이드, Ready-made)이라는 일상용품이 예술적 오브제로 기능이 전환될 수 있다는 개념에서 시작되었다. 작가의 생각에 의해 선택된 오브제는 그 자체로 예술적 기능을 가지게 되는 것이다. 즉, 예술가의 물리적 제작과정을 통해 창조된 작품이라는 전통적 예술작품의 정의는 현대예술 분야에서 다양하게 변형되고 해석될 수 있게 되었다. 현대예술 분야에서 개념을 기반으로 창작 행위는 순수 예술 뿐 아니라 공예영역에서도 마르셀 뒤샹의 ‘샘’ 이 전과 이 후로 확연히 구분 시켜놓았다. 이러한 과정에서 전통공예에 머물러 있던 도자를 순수한 예술의 목적으로 하는 새로운 조형예술 영역으로 범위를 확대 시키는 시발점이 되었다. 본 논문에서, 첫 번째로 연구자는 대량 생산을 목적으로 탄생한 산업도자 분야의 캐스팅 기법의 도자제품이 예술적 오브제로서의 가치와 순수 예술로서의 새로운 시각을 제시하는데 마르셀 뒤샹의 레디메이드 개념으로부터 어떠한 영향을 받았는지 조사하였다. 두 번째로 최근의 실용 위주로 생산된 산업 도자 제품들이 도자 예술가들에 의해 어떻게 기능적인 면보다 작가의 창의적 생각과 실험을 통해 예술적인 측면에서 이루어지고 있는지 분석하였다. 끝으로, 마르셀 뒤샹의 ‘레디메이드’ 실험과 관련하여 기성 오브제를 도자예술 분야에서 다양하게 해석하는 국내 작가작품 사례와 연구자의 작품들을 분석한 다음, 철저하게 실용과 기능을 위해 생산된 산업 도자제품도 작가의 개념과 실험을 통해 기능성을 넘어서는 예술작품으로서 다양한 조형적 요소와 미적 가치를 가진다는 점을 제시하였다. Most artists produce art works through overcoming the struggle between social restraint and their creative wants, which can be explained as a process of cultural development. Looking back through art history, Artists’ forefront thinking beyond the immovable idea and norm in society have triggered the advanced enhancement in art and, in doing do, their creative movements have allowed to answer to questions regarding the notion of art. Even now artists effort continuously to make art free from fixed social constraints such as tradition, political system, religion, philosophical norm, and life style. In the beginning of 20C, Marcel Duchamp’s ‘Ready-made’ experiment was a starting point of avant-garde conceptual art fulfilling artist’s personal language and creativity free from the fixed social and cultural frame at that time. Duchamp's representative work of ‘Ready-made’ experiment entitled ‘Fountain’ became a momentum changing the traditional notion of art work. Duchamp’s ‘Fountain’ was a sort of object installation form which was implemented by the concept based on the change of the function from a daily commodity of ready-made into an artistic object. That is, owing to Duchamp’s conceptual experiment, the traditional notion of art work, which can be created by artist's physical productive process, was able to be transformed diversly and to be interpreted broadly within the practice of contemporary art. The conceptual based creation in contemporary art divides craft into before and after Duchamp era, like fine arts. In turn, this process became a starting point which allowed ceramic, which has been recognized as a form of traditional crafts, to become a sort of new plastic art form aiming at a work of fine art. Firstly, in this paper, the researcher investigated how Duchamp’s ‘Ready-made’ concept has influenced on casting technic-based ceramic art, which is originally deemed as a massproductive work in industrial ceramic area. Secondly, the researcher analyzed how recent ceramic artists have produced industrial ceramic works utilizing their creative idea and artistic experiment rather than the functional aspect of the industrial works. In Conclusion, after analyzing the selected ceramic artists’ works, who interpret found objects diversly in connection with Duchamp’s ‘Ready-made’ experiment, the researcher suggested that today’s industrial ceramic works also retain the new and various visual and formative elements as well as aesthetic value.

중국수출(中國輸出) 여성기성복(女性旣成服)의 치수(値數)에 관(關)한 연구(硏究) -한국(韓國) 여성복(女性服)을 중심(中心)으로 한 중국(中國) 여성복(女性服)의 대응치수(對應値數) 제시(提示)-

심부자 ( Boo Ja Shim ) 한국패션비즈니스학회 2004 패션 비즈니스 Vol.8 No.4

This research suggest the correspondent sizes of female ready-made clothes to export to China on the basis of those of Korean women`s ready-made clothes. The following is the concrete coverage of this research: ·Analyze the physical measurements and body types of the women in their 30s and 40s in the area of Ningbo, Jeolgang Province in China. ·Compare the body measurements of Chinese and Korean women. ·Hold compensation measurement by an basic torso pattern test to raise precision of the direct and indirect body measurements. ·Establish the corresponding and representative sizes of women`s ready-made clothes to go to China. ·Make basic torso pattern and sample clothes reflecting representative sizes. ·Hold adjustment and compensation through the wearing evaluation by Chinese consumers on the spot. ·Finally suggest the correspondent sizes of women`s ready-made clothes to export to China

장애인을 위한 기성복 개조법 제안 : 휠체어를 사용하는 장애인을 중심으로 for the wheelchair users

홍성순,석혜정 한국의류학회 2003 한국의류학회지 Vol.27 No.8

The purpose of the study is altering ready-made garments for the wheelchair users. Some alterations ready-made garments suggested for the wheelchair users are applicable to the physical conditions using the wheelchair, which create limitations in the use of clothing. Alterations ready-made garments were suggested 3 parts of the altering on the tops and 3 parts of the pants. Datachable sleeves at the elbow, adding the action pleats on the shoulder and back openings with zipper were adapted on the tops. The altering crotch length form the center back, changing position of the pocket and adding the pleats at the knee were adapted on the pants. The snap-tapes, zipper and hook&eye were used for the altering the ready-made garments.

남자 운동선수의 기성복 재킷의 맞음새와 만족도 연구

서미아 ( Mi A Suh ),이보나 ( Bo Na Lee ) 복식문화학회 2011 服飾文化硏究 Vol.19 No.1

Jacket is popular ready-made garment among college students in their early 20s. However, ready-made jackets, which are designed to fit normal people, are not likely to fit sportsmen well who have highly developed muscles in particular parts of their bodies. And muscle development is quite different among sportsmen according to the types of sports and bodily movements. Therefore, ready-made jackets can not be expected to fit sportsmen well as they fit normal people who have different shapes of bodies from sportsmen. The purpose of this study is to investigate the factors of fitness and comfortableness of jackets for sportsmen in their early 20s according to the types of sports to provide basic data for designing suitable garments for them. Research method, 362 college sportsmen in their early 20s were surveyed from June 2nd 2009 to June 9th 2009, and 360 of them were processed statistically, with 2 of them having been discarded for lack of sincerity. Among Taekwondo players, Arm Length was the most complained part, among wrestlers, Biacromion Length was the most complained part, among fencers, ``Waist Circumference`` was the most complained part, among swimmers, Biacromion Length was the most complained part, among apparatus gymnast, ``Hip Circumfetence`` was the most complained part, among track athletes and handball players, more than 20% answered that the jackets did not fit them in every parts. It was understood that different sportsmen complained of particular parts of the jackets and that parts of the jacket should be adjusted according to bodily shapes of different sportsmen. This study was made to investigate the factors to be considered in producing ready-made jackets for college sportsmen. It is hoped that more patterns will be developed on the basis of the original form of jacket and the result of this study.

남성 정장 바지원형 설계에 관한 연구

이정란,백경자 한국의류학회 2001 한국의류학회지 Vol.25 No.8

The purpose of this study was to establish a sizing system according to size and dimension whereby manufactured pants can be classified and develop men's formal pants pattern based on the analysis of ready-made and educational pants pattern. The first, we surveyed the sizing systems and the basic pants patterns of the men's ready-made wear companies. Secondly, through the survey data of the domestic men's ready-made clothing industry, we proposed a new sizing system. Lastly, after compared three different types of ready-made pants manufactured according to their patterns and an additional type of pants made after the educational pattern, the new men's basic pants pattern were developed. The findings were as follows: 1. Survey of the domestic ready-made garment industry showed that each company classified its own manufactured goods according to its own sizing system; moreover, they each used its own unique patterns which appeared to be resulted from a combination of two factors: the experience of a patterner and foreign know-how technology. 2. New sizing system was developed with 12 steps from size 74-88 to size 96-106 based on the high frequencies of the companies' . 3. New basic patterns for men's formal pants were developed: Inseam length = 80cm, crotch line = H/4+4.6cm, pants ham = 23.5cm as basic lines and front waist girth = W/4+9.1cm as drafting line. 4. The superiority of the new basic patterns were been demonstrated by a high approval rate of the subjects who participated in testing.