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국내대학 패션분야 교육의 특성화를 위한 교육과정 개발 -패션비즈니스 교육을 중심으로-
정재은 ( Jae Eun Jung ),이주원 ( Choo Won Lee ),한연희 ( Yeon Hee Han ) 한국패션비즈니스학회 2011 패션 비즈니스 Vol.15 No.1
In order to develop a new fashion business curriculum, this study attempts to evaluate fashion business curriculum in both domestic and foreign schools and to analyze their existing training programs. The results of this study shows that the analysis of domestic fashion business curriculum shows that ``in the field`` knowledge is in need for the new fashion education program where students can be more exposed to the industry environments especially in the area of markets, sales, distribution and management. Also, the analysis of fashion marketing curriculum of F.I.T and PARSONS school of design demonstrates their emphasis on practical as well as academic programs in marketing, distribution and merchandising. In addition, the research on sales person training program reflects that future sales persons will need stronger knowledge in customer analysis, product display and shop management. Based on these findings, this investigation proposes a revised second year fashion business undergraduate program. The academic program in this updated module will place heavier emphasis on such fields as marketing, distribution, product planning and sales management. Also recommended is that the second year students will be exposed to real-world experience by participating in various internships and workshops offered by major companies in the fashion field.
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웹 4.0시대의 패션데이터 활용을 위한 연구: 오픈패션 개념과 오픈패션 라이선스 제안
김하연,김민균,이여진,최우진 한국패션비즈니스학회 2024 패션 비즈니스 Vol.28 No.5
Traditionally, design knock-off has been negatively perceived as it can undermine the unique value of a brand by unauthorizedly appropriating a designer's creative efforts without compensation. On the contrary, the piracy paradox refers to the idea that knock-off in design can actually promote innovation within the fashion industry and benefit creators. This study proposes a new concept called “Open Fashion” by applying an open-source license framework from the software industry to fashion data. Open Fashion aims to promote sharing and utilization of fashion data, offering institutional mechanisms to address the issue of design knock-off from ethical and economic perspectives. Based on concepts of “open-source licenses” widely used in the software industry and “creative commons (CC)” licenses in the content field, this study developed an “Open Fashion License (OFL)” tailored to fashion data. This study examined open-source licenses basedon the latest “Open Source Software License Guide” provided by NIPA and “creative commons (CC)” licenses in the content field. It applies them to fashion data. The Open Fashion License is finalized basedon review and consensus of five experts. Consequently, this study proposed three types of OFL, depending on whether the original creator's work was modified and the obligation to redistribute modified data: 1) Permissive, 2) Copyleft, and 3) Source-Available. This study seeks to promote ongoing innovation and growth in the fashion industry by creating ethical and transparent systems that could formalize the cyclical nature of fashion, as described in the piracy paradox theory.
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라캉의 주이상스 개념을 통한 레이 가와쿠보의 디자인 분석
허가영 한국패션비즈니스학회 2024 패션 비즈니스 Vol.28 No.5
This study aimeds to reinterpret Jacques Lacan's concept of jouissance as a creative driving force in contemporary fashion design and to analyze Rei Kawakubo's radical designs through this lens. Lacan's jouissance is a complex concept that, transcends general pleasure theory. It has gained attention in sociocultural contexts where conventional phenomena are difficult to explain. This approach has proven especially valuable in analyzing artistic developments that defy interpretation through existing aesthetic theories. In this research, I derived three aspects of jouissance: ‘pleasure of pain’, 'pleasure of forbidden', and 'pleasure of lack'. I then used them to analyzed Rei Kawakubo's designs. Specifically, I systematically analyzed Kawakubo's avant-garde and unconventional designs appearing in each collection by interpreting baffle and uncomfortable designs as ‘pleasure of pain’, departure from existing fashion conventions as 'pleasure of forbidden', and infinite creative drive as 'pleasure of lack'. Regarding the significance of this study, it explored how the concept of 'pleasure', a fundamental human desire, was reflected in contemporary fashion design. It also presents a new perspective that reinterprets jouissance as a fundamental driving force in fashion design. This approach strengthens the view of fashion design as a medium, reflecting human needs and desires. It can contributes to designers exploring more fundamental sources of inspiration in their creative processes. By introducing a psychoanalytic perspective to fashion design research, this approach is expected to present novel possibilities for interdisciplinary research and contribute to expanding the theoretical horizon of fashion design.
ScienceON
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