DEVELOPMENT OF HIGH VALUE-ADDED TEXTILE PRODUCTS WITHIN THE GLOBALIZATION OF THE KOREAN WAVE

Mi Suk Lee,Kyung Hee Chung,Song Mi Lim,Qingqing Luo 글로벌지식마케팅경영학회 2015 Global Fashion Management Conference Vol.2015 No.06

Fresh attention is being paid to lifestyle brands offering differentiated contents and value such that the 21st century is now being called the age of global lifestyle. Recently national income has been increasing and a broad lifestyle culture has been established. Thus, brands with Scandinavian (Sweden, Denmark, or Norway), culture sensitivity, and design have deeply permeated the domestic market which has led to a domestic consumers' lifestyle trend (Chung& Park, 2004; Kwon, 2013; Magnus & Chrystin, 2003). In particular, such global lifestyle brands as Marimekko (Finland), CathKidston (UK), and Muji (Japan) have secured competitiveness in the global market as textile products which reflect its country's cultural identity (Lee& Park, 2014). Meanwhile, a new word, Hanban (韓版)which refers to Korean brands or products that were created from the Korean wave (韓流), which refers to Korean dramas or songs. Korean culture has been commercialized and grafted into various industries. In particular, a strong wind of Hanban in fashion cultural products not only has spread the Korean lifestyle to the world, but has enhanced its influence on related industries as well as fashion. Although certain major Korean companies launched lifestyle brands such as Jaju, Modern House, Butter, and Pum to help realize a Korean lifestyle brand business, most products sold in Korean lifestyle brands focus on overseas imported goods,so it is difficult to find Korean images on these products(Bang, 2004; Lee & Chung, 2013). The size of the lifestyle market is growing as a high value-added industry that can lead consumers' lifestyle trends, and there is a growing interest for Korean fashion cultural products. Therefore, the purpose of this study is to attempt to develop textile designs for Korean-made high value-added products with the improvement of Korean brand values. For study methodology, the status of lifestyle brands at home and abroad was examined and textile designs were developed for lifestyle brand B. For the development of the textile designs, demand required by brand B was researched and a textile design concept was established based on fashion and interior decoration trends. Then, a textile was designed using a motive that can effectively represent the identity of brand B and the Korean image. Adobe Photoshop 6.0 and Adobe Illustrator CC programs were used for the standardized textile design motif, pattern development, and colorway. The results were as follows. First, global lifestyle brands such as Marimekko, CathKidston, and Muji sell differentiated lifestyle products from other brands by applying motifs and colors which symbolize their country's and city's cultural image on textile products and displaying their own identity and peculiarity. On the other hand, Korean lifestyle brands such as Casamia, Hanssem, Kosney, and Art Box do not plan or produce their own design, but will import and sell foreign textile fabric or textile products with high recognition, or copy imported fabric. Thus, their textile design is unsatisfactory to express their own identity and satisfy consumers' needs. Second, as to the development direction required by brand B, a Korean lifestyle brand, the focus was to first, 'design American and European products using colors and techniques which reflect Korean image trends', Second, to create a 'design with Scandinavia's peculiar simplified line and sensitive color', and finally, to make a 'flower pattern design with good sustainable market feasibility'. Based on the direction and 2015 S/S color and textile trends, three concepts were established: Global Tribe, Bunny in the Wonderland, and Beyond Nature. Global Tribe is a folk paintin g(Minhwa) representing the Korean image well, and was reinterpreted in a modern sense. Bunny in the Wonderland is a modern Scandinavian style design using a rabbit, a symbol of brand B, as the main motif. Beyond Nature used a flower motif in various expression techniques and images. A textile design was developed by extracting from a folk painting, a rabbit, and a flower motif and standardizing a motif in watercolor, pen, and graphic techniques. It was digitalized by a scanner and a pattern was made via the steps of color adjustment and repetition. Three kinds of textile designs were developed according to three concepts and four kinds of colorways were made for each design. This study attempted to develop a textile design as Korean-made high value-added textile products. It is meaningful to suggest textile design with Korean cultural images and brand identity. Further study will focus on the development of fashion cultural products and DIY products to commercialize developed textile design.

토양환경지도 자료를 이용한 콩밭 토양의 화학성 비교

박지숙,이민진,정재원,김미혜,이서연,지윤미,한준호,김유학,공명석,한광현,노희명 忠北大學校 農業科學硏究所 2015 農業科學硏究 Vol.31 No.2

It is important to interpret the soil chemical properties in order to effectively manage the farmland. This study was conducted to investigate the soil chemical properties of upland soybean field according to the soil series at 32 upland fields located in the parts of Gangwon-do. Soil sampling sites were selected by using the National Statistics DB and KSIS DB that is a soil environment information system provided by the Rural Development Administration. Soil samples were collected from 0~15 cm of top soil before seeding or transplanting, air-dried, passed through a 2 mm sieve, and analyzed for soil pH, EC, organic matter, available phosphorus (P2O5), exchangeable potassium, exchangeable calcium and exchangeable magnesium. The average chemical properties have exceeded the each nutrient optimum range level of RDA, except the organic matter in experimental soil 2015. And despite application of conventional fertilization, each soil series nutrient contents were change respectively. The results of this study suggest that conventional fertilization should be applied based on the analysis about the amount of accumulated nutrient contents in the soil.

한국비서자격시험의 개선점과 비교연구

남자현,이미정,이미영,이아영,정해금,최유정,이미숙,전인선,정혜림 이화여자대학교 법정대학 비서학과 1997 비서학연구 Vol.- No.17

ATHB12, an ABA-lnducible Homeodomain-Leucine Zipper (HD-Zip) Protein of Arabidopsis, Negatively Regulates the Growth of the Inflorescence Stem by Decreasing the Expression of a Gibberellin 20-Oxidase Gene

Ora Son,허윤선,김윤경,이현정,김성한,김미란,남경희,이명석,김부용,박종범,박정안,이석찬,Atsushi Hanada,Shinjiro Yamaguchi,이인정,김승기,윤대진,Eva So¨derman,천충일 Sookmyung Women's University Research Institute of 2010 여성과 건강 Vol.6 No.1

ATHB12, an ABA-lnducible Homeodomain-Leucine Zipper (HD-Zip) Protein of Arabidopsis, Negatively Regulates the Growth of the Inflorescence Stem by Decreasing the Expression of a Gibberellin 20-Oxidase Gene

Ora Son,허윤선,김윤경,이현정,김성한,김미란,남경희,이명석,김부용,박종범,박정안,이석찬,Atsushi Hanada,Shinjiro Yamaguchi,이인정,김승기,윤대진,Eva So¨derman,천충일 Sookmyung Women's University Research Institute of 2010 여성과 건강 Vol.6 No.1

한,중,일 전통극 복식의 미적특성 비교

양정원(Joung Won Yang),이미숙(Mi Suk Lee) 한국디자인문화학회 2011 한국디자인문화학회지 Vol.17 No.3

본 연구의 목적은 비교문화적인 관점에서 중국의 경극과 일본의 가부키와 함께 한국의 가면극 복식에 초점을 맞추어 삼국의 전통공연복식의 외적 조형성과 복식에 내재된 가치를 종합적으로 분석함으로써 전통공연복식의 공통점과 차이점을 통해서 우리공연문화의 정체성을 확립하는데 있다. 연구 방법은 선행연구 및 관련 서적을 중심으로 한·중·일 전통극의 발전과 특징을 살펴본 후, 양유미, 이미숙에 의해서 연구된 한·중·일 삼국 전통극 복식의 미적특성을 토대로 삼국 전통극의 복식에 나타난 조형적 특성과 내재적 특성의 공통점과 차이점을 비교 분석하였다. 연구의 결과는 다음과 같다. 첫째, 한·중·일 전통극 복식의 조형성의 공통점은 카프탄의 비구축적인 형식, 중첩착장에 의한 부피감의 연출 등이다. 둘째, 조형적 특성의 차이점은 가면극은 H형 뿐 만아니라 A형의 실루엣도 나타났던 반면에 경극과 가부키는 복식의 형태는 전반적으로 H형 실루엣이었다. 착용방식에서는 삼국 모두 겹쳐 입는 방식을 취하지만 가부키의 중첩착용은 표의류를 여러 벌 중복 착용하여 습색의 미를 연출한다는 점에서 가면극, 경극의 경우와 차이를 보였다. 가면극 및 가부키 복식은 거의 대부분이 직령 우임으로 착장시 깃의 비대칭적 균형을 보이는데 반해 경극은 비대칭의 깃의 형태가 두드러지게 나타났다. 복색의 경우 가면극은 흑백의 대비배색, 소색(素色), 원색 사용이 많은 반면에 경극과 가부키 복색은 다양한 문양과 조우하여 다양한색 배색의 색채미가 돋보였다. 또한 가면극 복식이 무지(無地)가 지배적으로 사용되었던 반면에 경극, 가부키 복식은 옷의 전면에 다양한 문양이 표현되어 장식성이 강한 것으로 나타났다. 셋째, 한·중·일 전통극 복식의 조형적 특성의 가장 큰 차이점은 화장법에서 찾을 수 있다. 가면극은 가면이라는 도구표면에 분장을 한 반면에, 경극과 가부키는 얼굴 표면에 추상적인 형태의 도면화장을 하였다. 경극의 도면화장은 성격화장인 검보, 미화화장인 단 배역의 준반으로 구분되며, 가부키의 경우는 성격화장인 구마도리와 미화화장인 온나가타의 백색화장이 특징적이다. 넷째, 한·중·일 전통극 복식의 내재적 특성의 공통점은 감춤의 미와 비움의 미가 삼국의 전통극 복식에서 보편적인 가치로 나타났다. 다섯째, 한·중·일 전통극 복식의 내재적 특성의 차이점은 가면극의 벽사의 미와 경극·가부키의 상징의 미, 가면극의 해학적 관능미와 가부키의 은폐적 관능미, 경극의 위용적 과장미와 가부키의 숭고적 과장미, 가면극의 소박의 미와 경극·가부키의 장식의 미가 각각 대별된다. 한편 전통극에 나타난 독자적인 특성은 가면극의 해학의 미와 가부키의 습색의 미라고 할 수 있다. 본 연구는 동아시아 국가와의 문화비교를 통하여 객관적 시각에서 우리의 전통문화의 가치를 이해하고 자국문화의 정체성 제고에 기여하리라 기대한다. The purpose of this study is to establish the identity of Korean performing arts through the similarities and differences by analyzing the external plasticity of the three countries` traditional performing costumes and the immanent values focusing on the Korean mask drama along with Beijing Opera of China and Kabuki of Japan from a cross-cultural perspective. The method of this study was to examine the precedented studies and the related books around the development and the characteristics of Korean, Chinese and Japanese traditional plays at first and then did a comparative analysis on the similarities and differences of plastic characteristics and immanent properties represented on the three countries` traditional play costumes based upon the aesthetic characteristics of those countries`s traditional play costumes researched by Yang, You-mee and Lee, Mi-suk. The result of the study is as follows: First, the common grounds of the formativeness of Korean, Chinese and Japanese traditional play costumes are the unconstructive style of the kaftan and the creation of a sense of volume by overlapped wearing. Second, the difference of the plastic characteristics is whereas the mask dramas showed the H-line and the A-line silhouette, the costume styles of Beijing Opera and Kabuki were generally of H-line silhouette. The way of wearing is that all three countries took the means of wearing clothes in layers, but the overlapped wearing of Kabuki showed a difference from the cases of the Mask drama and Beijing Opera in terms of creating a beauty of ‘Seubsaek’ by overlapped wearing of several pieces of outer coats. Whereas most of the costumes of Mask drama and Kabuki were straight collars with the right gore to show asymmetrical balance of the collars when wearing, Beijing Opera prominently showed asymmetrical collars. In case of the colors of the costumes, while Mask drama used contrast colors of black and white, achromatized colors and primary colors, the costumes of Beijing Opera and Kabuki set off brilliancy of multi-colors and color scheme encountering various patterns. Whereas solid and plain fabrics were dominantly used for the costumes of Mask dance, a wide array of patterns were expressed on the front of the clothes of Beijing Opera and Kabuki to show strong decorative properties. Third, the greatest differentiation of the traditional play costumes of Korea, China and Japan can be found in the method of makeup. While they put on makeup on the surface of a tool, a mask, in the Mask dance, they put on abstractive makeup on the surface of a face in the Beijing Opera and Kabuki. The facial makeup of Beijing Opeara is classified into ‘Gumbo’, a character makeup and ‘Junban’, beautified makeup for a minor role, and in case of Kabuki, ‘Gumadori’ of a character makeup and ‘Onnagata’ of beautified makeup are the distinguishing features. Fourth, for the common ground of immanent nature of the traditional play costumes of Korea, China and Japan, the beauty of concealment and the beauty of void were shown as universal values in the three countries` traditional play costumes. Fifth, the differences shown in the comparison of the immanent properties of the three nations` traditional play costumes are generally classified into the beauty of exorcism of Mask drama and the beauty of symbolism of Beijing Opera and Kabuki, humoristic voluptuous beauty of Mask drama and a cover-up voluptuous beauty of Kabuki, splendid beauty of exaggeration of Beijng Opera and the sublime beauty of exaggeration, the beauty of simplicity of Mask drama and the decorative beauty of Beijing Opera and Kabuki while the independent nature shown in the traditional plays can be the beauty of satire of Mask drama and the beauty of ‘Seubsaek’ of Kabuki. This study is to understand the value of Korean traditional culture from an objective point of view through the comparison of cultures of Eastern Asian countries and anticipate to contribute to establishing the identity of its

정상인과 정신지체인,다운증후군 환자에서 치주질환 원인균의 출현율

이해송,김선미,최남기,오종석,강미선,임희정,양규호 대한소아치과학회 2006 大韓小兒齒科學會誌 Vol.33 No.3

청소년의 신체증상과 자아 존중감에 관한 연구

이미숙,최영,유지숙 대한신경정신의학회 2000 신경정신의학 Vol.39 No.2

연구목적: 본 연구는 Thomas의 청소년 증상목록(Adolescent Symptom Checkist : ASC)을 한국판으로 표준화하고 우리 청소년들이 호소하는 비특이적인 신체증상의 빈도, 성별, 학교 계열별, 학년별 차이, 자아존중감과 상관성을 알아보고 외국의 결과와 비교하고자 한다. 방법: 광주광역시 인문계, 실업계 남·녀 고등학생 794명이 참여하였으며 그들의 평균 연령은 17세 였다. 우리말로 번역된 Thomas 등의 청소년 증상목록(ASC), Rosenberg의 자존감 척도(Self-esteem Scale) 그리고 간이정신진단 검사 9개 척도 중 우울증 척도와 신체화 척도 문항이 사용되었다. 통계처리는 SPSS 8.0을 이용하여 내적 일치도 Cronbach a를 구하고 남녀군, 학교 계열별 비교는 t-test, 학년간의 비교는 ANOVA를 사용하였다. 결과: ASC의 내적일치도는 Cronbach a .89로 매우 높았다. 문항간 상관의 평균은 .29(.09∼.58)로 모든 문항간 상관은 계적으로 유의하였으며 문항 - 전체 상관의 평균은 .49(.23∼.63) 이었다. 또한 간이 정신진단 검사의 신체화와 우울 하위척도와는 정적 상관이 있었다. 전체 대상군의 약 17.8%가 고위험군이 었으며 외국의 11∼15% 보다 높았다. 69.4%는 지난 1년 동안 비특이적 신체증상을 주소로통 원을 찾은적이 있었고 26.2%는 최근 병원 치료를 받은 기왕력이 있었다. 남·녀의 신체증상은 p<.01 수준으로 여자에서 유의하게 높았으나 자아존중감의 남녀차이는 없었다. 인문계와 실업계간의 신체증상과 자아존 중감의 차이는 없었다. 그리고 학년간의 신체증상은 <.05 수준으로 학년이 올라감에 따라 증가하였으나 자아존중감은 차이가 없었다. 신체증상과 자아존중감의 상관은 p<.01 수준에서 부적 상관이 있었으며 이것은 남·녀, 인문계, 실업계, 각 학년 모두에서 일관되었다. 결론: ASC는 청소년의 신체증상을 평가하는 도구로서 신뢰도가 높아 임상에서의 유용성을 시사한다. 또한 청소년의 상당한 수가 의미있는 신체증상을 호소하며, 여학생이 남학생보다, 학년이 높을수록 신체증상 이 증가하며 신체증상을 많이 호소하는 청소년은 낮은 자아존중감을 갖는다는 것을 알았다. Objectives: The aims of this study were to develop the Korean version of Adolescent Symptom Checklist(ASC) which was devised by Thomas et al.(1988), to investigate descriptive data of somatic symptoms which our adolescents reported and to find the correlation between somatic symptom and self-esteem. And furthermore we compared our results with those of foreign countries. Method: The subject group was composed of 794 students who go to commercial or academic high school in kwangju city. they completed self rating questionnaires which include ASC, Self-esteem scale and somatization and depression subscales of SCL-90-R. The descriptive statistice, reliability and validity of ASC, means of somatic symptom and self-esteem for each group and correlation of somatic symptom and self-esteem were examined. We would consider an adolescent as belonging to high risk group if their score on the ASC was one or more standard deviations above the mean. Results: Seventeen point eight percent of all subjects were in high risk group and the pacentage was higher than 11-15% of foreign countries. Sixth nine point four percent had visited to hospital due to their somatic symptoms during the past 12months and 26.2% were treated by doctors recently. Internal consistency(Cronbach a .89) was high. Inter-item correlations were all positive and ranged from .09 to .58 with a mean of .29 and item-total correlations varied from .35 to .60 with a mean of .48. The ASC was significantly correlated with the somatization and depression subscales of SCL-90-R. Somatic symptoms of female group were much more frequent than those of male group. The higher their grade is, the more somatic symptoms they complained. There were signiticant negative correlations between somatic symptoms and self-esteem in all groups. Conclusions: By the result of this study, we suggest that ASC can be used as a tool for evaluation of adolescent's somatic symptoms. We showed that the frequency of somatic symptoms in adolescents were higher in females than in males, and were higher in upper grade than in lower grade. We also showed that the more somatic symptoms they complained, the lower self-esteem they had.

고등학생들의 시험불안과 대처전략

이미숙,이형영,최영 大韓神經精神醫學會 1995 신경정신의학 Vol.34 No.4

Objects : The purpose of this study was to see the relationship between the level of test anxiety and coping strategy in high school students. Methods : The subjects were 952 high school students(411 boys and 541 girls) in Kwangju. A self reporting questionnaire, test anxiety scales and coping strategy scales were handed out to the students on April 1994. Result : 1) Test anxiety scores in gradeⅠ and Ⅱ were higher than those in grade Ⅲ. Test anxiety scores were correlated with difficulty in attention, depressive mood and suicidal ideas. 2) The high test anxiety group used more coping strategies than the low test anxiety group and coping strategies were varied among high test anxiety groups according to the grade. 3) Test anxiety correlated positively with coping strategy. 4) Predicting factors of test anxiety were grade, attention difficulty, depressive mood, suicidal idea, withdrawal or disengagement, life evert, internal suppression of emotion and distance. Conclusion : The above results suggest that test anxiety correlated positively with coping strategy and the high test anxiety group used much more coping strategies in order to overcome stress using their potential inner resource than the low test anxiety group.

한·일어의「동사+동사구성」의 체계에 관한 연구(Ⅰ)

이미숙 명지대학교 인문과학연구소 1999 인문과학연구논총 Vol.20 No.-