30-40대 남성들의 패션 라이프스타일 요인이 외모관리행동에 미치는 영향

이순화ㆍ임은혁ㆍ전호경(Soon Hwa LeeㆍEun Hyuk YimㆍHo Kyung Chun) 한국인체미용예술학회 2016 한국인체미용예술학회지 Vol.17 No.1

The purpose of this study was to analyze the effects of fashion life style factors on appearance management behavior and to show how self-monitoring influences appearance management behaviors. Subjects for the study were men aged in their thirties and forties living in Seoul and Gyeonggi province. For the purpose of the study, the survey was conducted using convenience samples. A total number of 370 questionnaires were used for data analysis. For statistical analysis, factor analysis and multiple regression analysis were performed. The results of this study indicated that a fashion lifestyle was composed of four factors-fashion/appearance-oriented factor, ostentation-oriented factor, rational consumption- oriented factor, and dignity-oriented factor. The dependent variable of the study was appearance management behavior. Appearance management behavior consisted of interest in skin care and interest in fashion. A statistical analysis of multiple regression revealed that a fashion life style significantly influenced interest in skin care and interest in fashion. When subjects were categorized into two groups by self-monitoring, both respondents with high and low self-monitoring showed that fashion/appearance oriented factors significantly influenced interest in skin care. Fashion/appearance oriented factor influenced interest in skin care more for the subjects with high self-monitoring than for those with low self-monitoring. In contrast, fashion/appearance oriented factors had greater influence on interest in fashion for those subjects with low self-monitoring than those with high self-monitoring.

Absence of Physicality in Fashion -Focusing on the Deformation of the Body Parts-

Yim, Eun-Hyuk The Korean Society of Costume 2009 International journal of costume and fashion Vol.9 No.1

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of concealing, revealing, and deforming the body. Using �body�t o analyze the clothing form, my study develops a framework by which to classify the absence of physicality in fashion focusing on the deformation of the body parts. The absence of physicality denotes the break away from the idealized and standardized body for mass productions. It tends to experiment with extreme exaggeration in form refusing to subscribe to the traditional values that build on the balance and symmetry of the body, which opposes the sartorial convention and symbolism that results in the discord between signifiant and signifi? f clothing.

Absence of Physicality in Fashion

Eun Hyuk Yim 한국복식학회 2009 International journal of costume and fashion Vol.9 No.1

패션에 표현된 몸의 사실성 부재

임은혁(Eun Hyuk Yim) 한국디자인문화학회 2013 한국디자인문화학회지 Vol.19 No.2

몸에 관한 미의식은 시대와 문화 뿐 아니라 개인과 사회를 반영하면서 복식의 형태를 결정한다. 나아가 복식은 몸의 은폐, 노출, 왜곡 등을 통해 복식의 도구적기능을 초월하면서 몸의 의미를 재구성한다. 포스트 모더니즘 패션에서 몸이 변화 가능한 대상으로 변모하였음에 따라 몸에 대한 새로운 정의가 요구된다. 패션 디자이너가 구체화시킨 형상은 우리가 시각문화에서 몸을 이해하는 중심이 되므로, 본 연구는 포스트모던 패션에 나타나는 몸을 보는 시각을 바탕으로, 몸을 복식형태 분석의 근거로 삼아 신체부위의 확장을 중심으로 패션에 표현된 몸의 사실성 부재 현상을 파악하도록 한다. 연구방법은 문헌연구를 통해 포스트모던 패션의 몸에 관한 시각을 이론적으로 고찰하며, 패션 및 복식사 관련 서적, 컬렉션지와 패션 잡지에서 얻은 여성복사진 자료를 중심으로 실례들을 내용 분석하는 사례연구를 행한다. 연구범위는 21세기 전환기라 할 수 있는 1996년 S/S 컬렉션에서 2004년 F/W 컬렉션까지 발표된 여성복 디자인으로 몸의 사실성이 부재하는 사례를 추출하여 총 198점의 디자인을 토대로 한다. 연구 결과는 다음과 같다. 몸의 사실성 부재는 대량생산을 위한 이상화되고 표준화된 몸으로부터의 이탈을 의미하며, 몸의 대칭과 균형을 기반으로 하는 관습적인 가치의 수용을 거부하기 위해 신체부위를 극단적으로 과장하는 실험의 결과라 할 수 있다. 몸의 사실성 부재는 복식의 관습과 상징을 의도적으로 거부함으로써 복식의 기표와 기의 사이의 부조화로 나타난다. The aesthetic consciousness of the body determines the form of dress, reflecting the time and culture as well as the individual and society. Moreover, dress reorganizes the meaning of the body, while transcending their instrumental functions of concealing, revealing, and deforming the body. As the body in postmodernism fashion is being considered as a manipulatable object, the needs for the redefinition of the body has arisen. Using the body to analyze the clothing form, this study develops a framework by which to classify the absence of corporeality in women`s fashion focusing on the extension of the body parts. As for the research methodology this study conducts literature survey to investigate the perspectives on the body in postmodernism fashion. This study proceeds to examine subjects of the fashion collections of the turn of the twenty-first century which are from the S/S 1996 to F/W 2004 and samples the total of 198 outfits which represent corporeal absence through the case analysis. The absence of corporeality denotes the deviation from the idealized and standardized body for mass production. It tends to experiment with extreme exaggeration of the body form which refuses to subscribe to the traditional values that build on the balance and symmetry of the body. The absence of corporeality opposes the sartorial convention and symbolism which results in the discord between signifiant and signified of clothing.

패션에 나타난 팝 아트의 영향

임은혁(Eun Hyuk Yim) 한국복식학회 2005 服飾 Vol.55 No.1

Throughout the history of fashion and fashion collections, fashion design has been influenced by fine arts. Philosophy and concept of fine arts has been inspiration on the development of fashion design which brings on the close interrelation between fine arts and modern fashion. In` order to analyze the affect of fine arts such as Pop art on fashion this study inquires into new perspective that considers different social contexts on the premise that acknowledges the essential difference between the genre of fine arts and design. This study researches the influence of Pop art which has been inspiration on fashion designers since the birth in the I960s and often appears in recent fashion trends. In view of the results achieved in this study, Pop art-inspired fashion does not concern the aesthetic contemplation of everyday life in western society anonymously as in Pop art but deals with pop art as new ideas in a way that adopts images randomly from designer`s convenience which is equivalent to the conception of pastiche. In addition, it was inferred that Peter Pan syndrome exert influence as a mental process and Kidult trend operate on Pop art-inspired fashion as a social phenomenon. On the basis of the theoretical background, the formative features in Pop art-inspired fashion from Spring/Summer 2000 to Spring/Summer 2004 collection has been analyzed. The results fall on the following four categories; those are the use of Pop color which resembles the Hard-edge technique in Pop art, direct appropriation of Pop art such as Andy Warhol and Roy Lichitenstein`s works on clothes and accessories, adaptation of Pop art`s subject using brand names of mass products or icons in mass culture as design motives, and application of representation method in Pop art such as Andy Warhol`s silk screen techniques or Tom Wesselman`s composition of pictures.

고스 하위문화 스타일의 미적 특성

임은혁 ( Eun Hyuk Yim ) 한국패션비즈니스학회 2013 패션 비즈니스 Vol.17 No.2

Subcultural style is the center of subcultural identity and the clothes and adornments are the most visible symbol of membership. The Goth subculture has associated tastes in music, aesthetics, and fashion. The style symbolized the strong subjective subcultural identity held by most Goths and acted as the practical basis to demonstrate their commitment to the subculture. This study investigates the aesthetic and the style of Goth subculture in its heyday of 1980s which has continued to affect mainstream fashion and culture since its birth. In order to inquire the concept of subculture and its style, this study executes literature survey as well as investigates the images of street style magazines to analyze the visual elements. The stylistic and the aesthetic characteristics of Goth subcultural style analyzed in this study are grouped into four categories as follows: first, Victoriana, which embodies the fear of death and the nostalgia for the past using Victorian morning dresses and corsets, second, vampirism, in that some Goths who are fascinated by vampires are costumed in vampire figures to advocate diabolism and decadence, third, sexual ambiguity of male Goths which emphasizes feminine appearance in the pursuit of androgyny, and fourth, sexual fetish of female Goths which represents aggressive eroticism utilizing fetish paraphernalia.

일본 아방가르드 패션의 미학

임은혁(Eun Hyuk Yim) 한국복식학회 2007 服飾 Vol.57 No.1

현대 패션에 표현된 몸의 파편화

임은혁(Eun Hyuk Yim) 한국복식학회 2007 服飾 Vol.57 No.6

이사벨 톨리도 컬렉션에 나타난 유기적 기하학

임은혁(Eun-Hyuk Yim) 한국의상디자인학회 2016 한국의상디자인학회지 Vol.18 No.4

탈(脫)신체적 패션 디자인에 관한 고찰

임은혁(Eun Hyuk Yim) 한국복식학회 2007 服飾 Vol.57 No.4