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대한제국기 서양식 등대건축의 도입과정에 있어서 이시바시 아야히코(石橋詢彦)와 하딩(John Reginald Harding)의 역할에 대한 연구
김종헌(Jong-Hun Kim) 한국항해항만학회 2009 한국항해항만학회 학술대회논문집 Vol.2009 No.공동학술
The objective of this study is to analyze the process of lighthouse in the Daehan Empire. It has been considered that the lighthouse of the Daehan Empire had been built by Japanese lighthouse engineer Ishibashi Ayahico. But in this study, the rule of John Reginald Harding as an light house engineer in Korea from 1899 to 1906 will be said. It was considered that the first lighthouses in Korea were built in Incheon in 1903. But because John Reginald Harding came and designed lighthouse at Mokpo 1899, we need to research more carefully. And also many lighthouses have been placed along the coastline by selection by John Reginald Harding. So Korean Lighthouses had been developed by Ishibashi Ayahico as well as John Reginald Harding. 이 논문은 대한제국기 등대건축의 도입과정에서 이시바시 아야히코(石橋詢彦)와 하딩(John Reginald Harding)의 역할에 대하여 다루고자 한다. 지금까지 하딩에 대한 언급은 간혹 있었지만 G. R. Harding으로 잘못 알려져왔다. 이에 따라 하딩에 대한 행적을 찾는 것도 쉽지 않았고 하딩이 한국에서의 활동을 살펴보는 것도 어려웠다. 본 원고는 하딩의 정확한 이름과 그의 이력을 찾아내어 42개의 등대위치를 선정하는 등 29개의 등대를 디자인하고 컨설팅했다는 기록을 찾아내어 우리나라 등대건축의 기틀을 쌓았다는 사실을 밝히고자 한다.
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한국 근대문학 연구의 새 지평 ; 한국 근대 아동문학 형성기 동심의 구성방식
김종헌 ( Jong Heon Kim ) 현대문학이론학회 2008 現代文學理論硏究 Vol.0 No.33
This research thesis aims at illuminating literary examination with the focus on children literature, which appeared in the formation phase of children literature. The literary scope was concentrated on works by Bang Jeong-hwan(1899-1931), which was presented in the late 1920s and throughout the 1930s, Shin Go-song, and Jeong Ji-yong, including Yun Bog-jin(1907-1991). It is so because children literature among children literature movement not only emerged during the periods, by publishing children magazines. but also class confrontations bred conflicts surrounding the innocence of children, were noted during the periods. Since KAPF secured the position, it was not ``the innocence of children`` in children literature, but the concept of sociological innocence of children through children literature that KAPF workers criticized, in respect of presence of children good and pure like an angel. The periods saw feudal and ethnic contradictions co-existing in the social terms. In the literary circle, the neo- class and stratum was emphasized amid romanticism school. Korean modern children literature has become to take on the form, finding the identities of children, under such an exterior influence. One of problems was that class conflicts appearing after KAPF changed its direction for the first time, gave rise to the innocence juvenility of angel. In other words, class literature that KAPF pursued has come to assume uniform discourse through ideological identification, ignoring the subject of the innocence of children, as a part of bid to get rid of humanitarian innocence of children. But, based on lyricism in early children literature Shin Go-song formed the innocence of children, far from identification, promoting the class-oriented children view, with the criticism for Bang Jeong-hwan, The same was said for Yun Bog-jin. But, Jeong Ji-yong constituted the innocence of children, in the adverse direction, with no prompt response to enlightment or class-centered works. Instead, he sought to find out the innocence of children through inter-complementary conversations and communications, on the ground of inflexible adjustment. This research thesis was demonstrated that Korean children literature history has, so far, put a restriction on accepting the innocence of children like an angel criticized by great discourse of KAPF, as it was, rather than the presence of enlightenment-oriented innocence of mind appeared in youth movement.
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김종헌,김영태,이상규,Kim, Jong-Heon,Kim, Young-Tae,Lee, Sang-Gyu 한국지구과학회 2001 한국지구과학회지 Vol.22 No.2
충남 보령시 명암 지역에 분포하는 트라이아스기 후기의 아미산층으로부터 7개의 빗방울자국 표본이 발견되었다. 빗방울자국은 습윤한 아열대의 호성환경하에서 일시적 또는 계절적으로 건조한 기후에 수면의 저하시기에 형성된것으로 해석된다. 이들 빗방울자국은 하부 중생대 남포층군에서는 처음으로 발견된 것이다. Seven specimens of raindrop imprints are discovered from the Late Triassic Amisan Formation of Nampo Group distributed in the Myeongam area of Boryeong-City, Chungcheongnam-do. The raindrop imprints are interpreted to had been formed in lacustrine environments under subtropical humid climate during the lowered period of the surface of the water by temporally or seasonally arid climate. The raindrop imprints are the first finding in the Lower MesozoicNampo Group, Korea.
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김종헌(Kim, Jong-heon) 우리말글학회 2012 우리말 글 Vol.56 No.-
정운모(1945∼2000)는 산업화의 결과가 하나둘 가시적으로 드러나기 시작하던 1980년대에 활발한 시작활동을 하였다. 이러한 배경을 염두에 두고 자연을 보면, 그것은 문명의 반대쪽에 있는 순수가 될 것이다. 그의 동시는 대체로 자연을 모방하거나 어린이들의 생활을 자연에 은유하는 등 자연 친화적 성격이 극명하게 드러난다. 즉 그의 시에서 자연은 친밀한 장난감이기도 하며 또 아이에 은유되어 있기도 하다. 그래서 자연은 시적화자에게 즐거움을 주는 존재로 부각되어 있다. 그의 시에 자주 등장하는 구체적인 자연은 나무, 하늘, 새, 바람, 꽃,바위, 햇볕, 비 등이다. 이들 자연은 대부분 시각화되어 색깔을 지니고 있다. 이는 밝음 혹은 희망의 이미지로 동심과 소통을 가능하게 이미지화 되어 있다. 그의 시적 전략은 은유의 수사학과 물활론적 세계관에 바탕을 둔 동심동일화이다. 그러나 지금까지 그의 작품이 제대로 조명을 받지 못한 채 있다. 이는 그가 두 권의 시집을 낸 채 일찍 세상을 떠난 것이 가장 큰 이유일 것이다. 이에 본고는 정운모 동시에 나타난 자연의 이미지를 분석하여 그의 동시사적 위상을 정립하고자 한다. 이를 위해서 그의 동시에 다양한 이미지로 형상화 되어 있는 자연의 이미지와 동심과의 관련성을 찾을 것이다. 이로써 시인이 일관하고 있는 시적사유의 한 측면을 분석할 수 있을 것으로 믿는다. 그래서 글에서는 그의 첫 동시집『휘파람새』를 중심으로 시인이 추구한 동심이 무엇인가에 대해서 구체적으로 살펴보고자 한다. Chung Woon-Mo(1945∼2000) started his active writing of the poems in 1980s when the results of industrialization had been arisen one by one visibly. In his children"s poem, the character of nature friendliness is shown apparently such as the modification of the nature mostly or metaphoring the children"s life to the nature. Accordingly, when the nature is observed in consideration of the background of times, it will be the purity at the opposite side of civilization. The nature in his poem is a familiar toy and it has been metaphored to the children. Therefore, it was remarked as a being of pleasure to the poetic speaker. The specific nature which is appeared frequently in his poem is the tree, sky, bird, wind, flower, rock, sunlight and rain. These things of nature have the color with visualization mostly. These are made in images for possible communication with children"s mind with the images of brightness and hope. His poetic strategy is the identity to the children"s mind based on the metaphor rhetoric and a hylozoism view of the world. But his works have not been spot lighted correctly to date. It will be the biggest reason because he passed away early after publishing two collection of poems. Therefore, this study will establish his status in the history of children"s poem through analyzing the images of nature which were shown in his children"s poems. For this purpose, the connection between the images of nature which were made in his children"s collection and the children"s mind will be found at the same time. By means of this, it is believed that one side of the poetic consideration where this poet adheres will be analyzed. Because of this reason, what the children"s mind is will be looked into specifically focused on his first collection of children"s poem,『휘파람새, A bush warbler』.
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김종헌(Kim Jong-Hun),박상린(Park Sang-Lin),김덕우(Kim Deuk-Woo),박철수(Park Cheol-Soo) 한국건축친환경설비학회 2011 한국건축친환경설비학회 학술발표대회 논문집 Vol.2011 No.10
In the area of building simulation, modeling of occupants can be classified into three ways, (1) a deterministic approach, (2) a stochastic approach, and (3) a cognitive approach. The deterministic approach is most widely applied where occupants are modeled with a fixed schedule only. The probabilistic approach employs a statistical method to predict human behavior. The aforementioned two approaches regard the humans as static objects. To overcome this, a new modeling approach, so-called an agent-based simulation approach, is demonstrated in this work. By adopting the cognitive approach for agent-based simulation, occupants are modeled as agents who interact with their environments and other agents interactively. This study illustrates the difference between the cognitive approach and the deterministic approach, and benefits from agent-based simulation.
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