장편 『안개의 肖像』의 잡지 연재본과 단행본 간의 간극 고찰

안미영(Ahn, Mi-young) 한국어문학회 2016 語文學 Vol.0 No.131

This study took note of the gap between the version serialized in the magazine and the book version of The Portrait of Fog. This work was serialized in women’s monthly magazine Women’s Life from 1969 to 1970, and then its book version was published in 1973. At that time, writer Ku Hye yeong was working as a reporter for Women’s Life. In order to examine the characteristics of the serialized version, this study sorted out and analyzed Ku Hye‐yeong’s articles carried in Women’s Life during the period from the late 1960s to 1970. From the articles contributed by Ku Hye‐yeong, we could be inferred housewives’ ethics promoted by magazine Women’s Life in those days. The issues of the magazine in those days took First Lady Yook Yeong‐soo as a role model of Korean housewives and suggested it as housewives’ ethics to support the husband, to manage home, and to be concerned over national security. Novel The Portrait of Fog serialized in the magazine depicted love and parting of a young man and woman throughout the work in consideration of the appreciation taste of the readers who were housewives, and its later part suggested anti‐communist ideology with the Korean War as its background. While the serialized version lacked in theme consciousness and the degree of completion was markedly low, the book version had reinforced theme consciousness and showed consciousness of history. Having a young socialist as the hero of the story, most of all, the writer threw her effort in character creation, and criticized totalitarianism flooding in the left and right wings of the liberation space. Moreover, she revealed the writer’s negative view of socialism through the young socialist’s tragic end. What is more, the book version was more skillful than the serialized version in dealing with housewives’ ethics suggested by Women’s Life. In the work, the socialism‐oriented male character’s death was presented as a sacrifice of immature ideology, but the socialism‐oriented female character’s death was treated as a punishment upon a licentious woman who abandoned her husband and family. The author criticized totalitarianism of both the leftist and rightist powers in the liberation space, but solidified negation of socialism and impressed firmly housewives’ ethics suggested by the magazine by adding the label ‘socialist’ to the female character who abandoned the husband and home.

비단벌레(Crysochroa fulgidissima) 에탄올추출물의 NO 증강 및 염증인자억제활성

안미영,김순자,정혜경,서윤정,박해철,이영보,김미애,Ahn, Mi-Young,Kim, Soon-Ja,Jeong, Hye-Kyoung,Seo, Yun-Jung,Park, Hae-Cheol,Lee, Young-Bo,Kim, Mi-Aae 한국응용곤충학회 2011 한국응용곤충학회지 Vol.50 No.3

비단벌레(C. fulgidissima)는 동아시아에서 중풍을 치료하는 약으로 한국에서는 살충, 지양제로서 사용한 기록이 있다. 본 연구는 비단벌레의 에탄올 추출물의 내피세포에서의 산화질소(NO) 증강효과와 내피성 산화질소 합성효소(eNOS)의 양적 증가를 조사하였다. 그 결과 비단벌레 에탄올 추출물은 양성대조약물 sodium nitroprusside에 비해 65.9%의 NO 증강 효과를 가지는 것을 확인하였다. 또한 eNOS에 대해서도 농도 의존적으로 증가시킴을 확인하였다. 염증성부착인자인 ICAM-1과 VCAM-1 수치와 염증매개인자 프로스타글란딘 $E_2$를 조사하여 비단벌레 에탄올 추출물의 염증억제 기전을 조사한 결과, HUVEC 세포에서 농도 의존적으로 염증매개인자와 염증성부착인자의 감소를 확인하였다. 아울러 혈관성 내피성장인자(VEGF)의 낮은 수치를 HUVEC 세포에서 관찰할 수 있었다. 에탄올 추출물을 HPLC로 부분정제 후 GC-MS와 MALDI-TOF 분석을 통하여 일부 칸다리딘 성분 함유함을 확인하였다 Crysochroa fulgidissima (Bidan-beole, Spanish fly) is traditionally used as a crude drug and insecticide in the East Asia and Korea, respectively. This study investigated the effect of ethanol extract of C. fulgidissima on the NO production activity. The C. fulgidissima extract was a potent inducer of NO production in CPAE cells and a stimulator of endothelial nitric oxide synthase in a dose-dependent manner. This study also evaluated the anti-inflammatory activity of this extract by determining the level of ICAM-1, VCAM-1, and prostaglandin $E_2$ from HUVEC cells. Although C. fulgidissima extract was a potent inducer of NO production in the CPAE cells, it showed weak inhibitory effects on vascular endothelial growth factor (VEGF) production in HUVEC cells. HPLC and GC-MS analysis of the ethanol extract of C. fulgidissima revealed the presence of cantharidin.

헤세 문학의 수용, 자기완성의 수신서

안미영 ( Ahn Mi-young ) 한국문학언어학회(구 경북어문학회) 2017 어문론총 Vol.73 No.-

이 논문은 헤세 문학이 한국에 수용되는 과정에 주목했다. 헤세 문학 수용의 특이성을 살펴보기 앞서 한국문학사의 전개과정과 대비하여 헤세 문학이 수용되는 과정을 천착했다. 근대문단에서 헤세는 동양 친화, 낭만주의, 반전(反戰) 작가로 소개되었다. 해방기에는 1946년 노벨문학수상과 함께 헤세의 문학적 성과에 관심을 가지고 작품의 구체적인 경향을 소개했으나, 내면을 탐구하는 낭만적 작가로 수용했다. 1950년대에 이르면 한국 대학의 독어독문학과가 개설됨으로써 독학문연구의 토대가 마련되고 헤세 문학의 번역과 소개가 활발해진다. 1960년대 이후에는 독일에서 학위를 받는 전공 지식인이 강단과 평단에서 활동하면서 헤세의 전집간행을 비롯하여 학술적 접근이 이루어졌다. 한국의 헤세문학 수용자들은 정치적이고 현실적인 맥락이 아니라 학문의 완성과 지적 성장을 위해 그의 문학을 읽고 논의했다. 1960~1970년대 이르면 헤세 문학은 자기완성의 수신서로 수용되었다. 『싯다르타』를 비롯한 동양적 정취의 작품이 수신서로서 지식인 작가들에게 감응을 주었다면, 『데미안』을 비롯한 『크눌프』, 『나르치스와 골드문트』 등이 청소년의 성장소설 독본으로 수용되었다. 세계의 이해를 근거로 한 인간 탐구가 아니라 개인의 자기완성을 위한 수신서로서 헤세 소설을 수용했다. 헤세가 두 차례 세계전쟁을 경험하면서 현실에 저항하고 갈등했던 요소들이 배제 된 채, 성장소설이라는 범주에서 이해했으며 그 과정에서 방랑과 모험보다는 절제가 강조되었다. 헤세 소설이 자기완성의 수신서로 수용된 것은 수용자들의 지적 특이성에 기인한 탓이기도 하지만, 출판사를 비롯한 1960~70년대 한국사회의 전반적인 성격도 한 몫 한다. 1962년부터 경제개발 5개년 계획이 실시되는 등 성장 위주의 사회논리가 팽창했으며, 이 시기에는 고도의 경제성장을 목표로 자본주의가 급격히 확산되었다. 방랑, 시행착오, 모험보다는 정진(精進), 절제, 성실, 근면이 요구되었다. 그런 까닭에 인간이 지닌 자유에 대한 탐구가 깊이 있게 개진되기 어려웠으며, 경제활동을 위해 사회적 개인이 갖추어야 할 기능을 구비하는 데 초점을 맞추었던 것이다. This study focuses on the process of accepting Hesse literature in Korea. The attention was drawn to the 1960s and 1970s when it was considered that interest in Hesse literature reached its peak. Before examining the specificity of acceptance of Hesse literature, this study grasped the process of accepting Hesse literature in preparation for the development of Korean literature. Hesse was introduced as an oriental-friendly, romantic, anti-war writer in the modern literary world. In the liberation space, with the prize of Nobel Prize in 1946, the specific tendency of his works was introduced with deep interest in his literary achievement, but he was understood as a romantic writer exploring the inside. By the 1950s, the academic foundation of German language and literature departments at Korean universities was established and the translation and introduction of Hesse literature became more active. After the 1960s, scholarly intellectuals who received a degree in Germany started to work in the classrooms and theaters, and began to access scholarly approaches, including publishing a complete collection of Hesse. Korean accepters read and discussed Hesse novels for academic completion and intellectual growth, not political and realistic contexts. As early as the 1960s and 1970s, Hesse literature was accepted as a discipline textbook of self-completion. "Siddhartta" and works with other Oriental moods were received as discipline textbooks to respond to intellectual writers, and "Demian", "Knulp", "Narziß und Goldmund" were accepted as youth growth novels. It was not a human inquiry based on the understanding of the world, but Hesse novels as a discipline textbook for self-completion of the individual. His works were understood in the category of growth novel, excluding elements that resisted and conflicted with reality as Hesse experienced two world wars, and in the process, wandering and adventure were regarded as wasted and temperance was emphasized. Hermann Hesse`s novels in the 1960s and 1970s were embraced by the self-completion discipline textbooks, which is the intellectual peculiarity of Hesse literature accepters but we cannot overlook the nature of the society as a whole, including the publishers. At that time, the social logic of growth centered on the five-year economic development plan was implemented from 1962, and capitalism was spread rapidly aiming at high economic growth. The situation was demanding devotion, temperance, sincerity and diligence rather than wandering, trial and error, adventure. For this reason, it was difficult to deeply explore the freedom of human beings and the focus was on the functions to be equipped as human beings for social activities and economic activities.

태평양전쟁직후 한일(韓日) 지식인의 ‘식민지 조선’에 대한 기억과 은폐된 욕망

안미영(Ahn Mi-young) 국어국문학회 2010 국어국문학 Vol.- No.156

In this writing, this researcher tried to look at Korean-Japanese Intellectual's Memory & Concealed Desires for "Colony Chosun" right after the Pacific War targeting Che, Man-sik's 〈A Guilty Person of Our People〉 and Danaka Hidemis's 〈The Drunken Vessel〉, Both works were published in 1948 right after the War was ended, which shows Japanese and Korean intellectuals' introspection and period consciousness of Japan's colonial rule. Che, Man-sik repented of his cooperation with Japan and reflected on his consciousness as a father and husband. Further, he is putting the blame upon the empire's invasion and Choseon Dynasty's failure to comply with it. On the other hand, Danaka Hidemis. perceiving the colony Choseon as a space for an adventure and romance, borrows decadence as a strategy of keeping his distance from militarism in his writing. The memories of the colony Choseon enshrined by Choseon intellectuals and colony-owning country's intellectual just after the Pacific War have some points in common as follows. First, it's a self-contained mode. They are selectively arranging the context, in which they couldn't but abandon their responsibility, and the 'element' that can shift responsibility intensely on the objects and 'incidents' which they intend to memorize. The sense of guilt shown in the writing 〈A Guilty Person of Our People〉 by Che, Man-sik throws an exoneration will by don't keeping the family safe in 〈wife and children〉, and displaces an exoneration will to another one in a series of a granny having a good memory. Tanaka Hidemis, as a writer belonging to post-war Muraepa, thought of Choseon ,which was captured in his eyes, as a space for love and adventures. In his writing 〈The Drunken Vessel〉, he didn't reflect on intellectuals' lethargy but rationalized decadence by highlighting the ambition of irresistible militarists. Second. in the writing , they were aiming fortheir curing process. All these aspects. including the fact that the intellectuals in colony Choseon repented of themselves. and the colonial ruler's intellectuals stated their lethargy, are showing their reflection on the failure to do their responsibility for the nation and ethics of the period, and their curing process in the turmoil of World War Two.

이태준 장편소설에 나타난 ‘편지’의 기능과 한계

안미영(Mi-young Ahn),김화선(Hwa-seon Kim) 어문연구학회 2007 어문연구 Vol.54 No.-

This study was focused on what roles letters inserted in Lee Tae-joon’s long novels play in the stories. Letters inserted in the novels made some contribution to heightening the completeness of the novels over time. Letters appearing in the novels formed a part of rhetoric of the stories, strengthened the likelihood of incidents, and supported the creation of the characters’ personality. The significances of letters included in Lee Tae-joon’s long novels written in the 1930s are summarized as follows. First, the letters play the role of messengers for communication and instruction between men and women in the stories. Second, the letters provide mechanisms for forming individuals’ inner nature and describing characters’ personality. Third, various forms of letters function as turning points. In Lee Tae-joon’s long novels, letters are meaningful as starting points of new incidents. On the other hand, as the writer relied heavily on letters in narrating the stories, the novels attained popularity as readable stories, but failed to show new possibility of long novels in the 1930s.

소설의 이해와 적용을 통한 인문사고 함양 글쓰기

안미영 ( Ahn Mi-young ) 현대문학이론학회 2017 現代文學理論硏究 Vol.0 No.68

대학의 글쓰기 강좌는 인문사고 함양을 위해 어떠한 수업을 진행해야 할 것인가라는 문제의식에서 시작되었다. 내러티브의 이해와 적용은 문해력(Literacy)은 물론 인문소양 함양의 유용한 방법과 준거를 제공한다. `탈분과학문 연구(postdisciplinary studies)`로서 인문학의 새로운 가능성을 탐색해 보려는 시도로 문예학 서적에 의거하지 않고, 인접학문에서 소설의 가치를 어떻게 규명하고 있는지 살펴보았다. 문화진화론의 관점에서 이야기는 인간의 친사회성 증진을 위해 진화해 온 유용한 예술이다. 인문과학의 관점에서 내러티브는 인간 활동의 다양한 에피소드들이 결합된 것으로 삶을 통합적으로 이해할 수 있는 기본 틀이다. 이러한 내러티브의 가치에 주목하여, 수업활동자료로 소설작품을 활용했다. 김유정의 소설 `동백꽃`을 모티프로 삼되, 학습자들은 모둠별로 새로운 캐릭터를 창조하여 우리 시대 사랑을 조명하는 작품을 창작했다. 학습자들은 새로운 관점으로 오늘날 지향해야 하는 다양한 사랑의 모습을 작품에 담아냈다. 물신화, 화려한 도시문명, 전쟁과 같은 외압에도 견뎌내는 사랑의 힘을 그려 냈다. 학습자들은 창작과 공연 후, 각색본을 대상으로 비평문을 작성했다. 1차 비평문이 다양한 각색본의 분석에 주목했다면, 첨삭 후 수정한 2차 비평문에서는 각색본의 분석을 바탕으로 자신이 지향하는 사랑에 대한 독자적인 시학을 서술했다. 학습자들은 그들의 관점으로 지금 이 곳이 지닌 문제들을 창작으로 구현해 냈으며, 그 과정에서 그들의 가치관을 구체화하고 확장시켜 나갔다. What kind of lessons should a college writing course take to cultivate students` humanistic foundation? In this sense of problem consciousness, this study examined the actuality of writing for cultivating humanistic foundation utilizing novel works. Taking the novel as a material for class activity is because it focuses on the value of the narrative that the novel has. Understanding and creation of narrative provides useful opportunities for cultivation of humanistic foundation as well as analytical ability. As an attempt to explore the new possibilities of the humanities as `postdisciplinary studies`, this study examined how to identify the value of narrative in the neighboring disciplinary studies, not based on literary books. From the perspective of cultural evolution, narrative is a useful art that has evolved to promote human prosociality. From the perspective of cultural sciences, narrative is the union of various episodes of human activity and is a framework for understanding life in an integrated way. In a writing lecture in K college, this study analyzed the narrative of novel works for cultivating the humanistic foundation and made a new creation activity. They adopted Kim Yujeong`s novel `Camellia` as a motif but the learners created a new character for each group to create works that illuminated the love of our time. The learners put into their works various forms of love that they believed must exist these days with a new perspective. They drew up love enduring fetishism, brilliant urban civilizations, and external pressure of war. After the creation and the performance, the learners wrote the criticism on the adaptation patterns. If the primary criticism focused on the analysis of various adaptations, the second criticism after revision described the unique poetry of the love that they were pursuing based on the analysis of the adaptations. From their own viewpoints, the learners created the problems that there were at the present time by creation, and in the process they embodied and expanded their values.

1980년대 전반기 여성소설에 나타난 여성의식의 의의와 한계

안미영(Ahn, Mi-young) 한국비평문학회 2015 批評文學 Vol.- No.58

이 글에서는 구혜영의 『불뱀의 집』(1980)·『유라의 密室』(1982)을 대상으로 작가의 여성 의식을 분석하고 성취를 살펴보았다. 구혜영은 『불뱀의 집』에서 여성의 에로티시즘을 탐색했는데, 소설에 나타난 에로티시즘은 다음과 같은 세 가지 성격을 가지고 있다. 첫째, 여주인공은 에로티시즘을 통해 쾌감과 동시에 죄의식을 느낀다. 둘째, 여주인공의 섹슈얼리티는 동시대 상식을 벗어난 것으로 취급된다. 셋째, 작가는 에로티시즘으로부터 사랑을 분리해 낸다. 구혜영은 『유라의 密室』에서 여주인공을 통해 에로티시즘으로부터 분리된 사랑의 실재를 보여준다. 작중 여주인공은 한 남자에 대한 순정(純情)을 구현해 보이는데, 그것은 자기희생을 전제로 한다. 일련의 소설에서 구혜영은 여성의 성적(性的) 자기결정권을 보여준 것이 아니라, 공동체 질서유지를 위해 여성이 스스로 성(性)을 통제할 수 있어야 함을 계도한다. This study analyzed the author’s feminine consciousness and analyzed achievements observed in Hye-yeong Koo’s Bulbaemui Jip (The House of a Fire Snake) (1980) and Yuraui Milsil (Yura’s Secret Room) (1982). Hye-yeong Koo explored women’s eroticism in Bulbaemui Jip. The eroticism depicted in the novel has three characters as follows. First, the heroine feels both pleasure and guilt through eroticism. Second, the heroine’s sexuality is treated to have deviated from contemporary common sense. Third, the author separates love from eroticism. In Yuraui Milsil, the writer shows the reality of love separated from eroticism through the heroine. In the novel, the heroine implements her pure heart (純情) toward a man, and it presupposes self-sacrifice. In a series of novels, Hyeyeong Koo does not advocate women’s sexual (性的) selfdetermination but maintains that women should be able to control sex by themselves for keeping community order.

해방공간 귀환전재민의 두려운 낯섦

안미영(Ahn, Mi-young) 국어국문학회 2011 국어국문학 Vol.- No.159

This paper, concentrated on Chae Man-sik’s Boy Grows, pays attention to war refugees’ cultural shock and examines what the substantial of the fearful strangeness they were faced with is. To straightforwardly conclude, it was the absence of democracy. Chae Man-sik deplored the fact that he could not find any chance to see the realization of democracy in the motherland. Prior to analyzing the novel, this paper explores what the writer’s concerns are, in terms of Chae’s novels right after the Liberation. His concerns include the resolution of pro-Japanese residues, self-criticism, and the independence and foundation of the nation. After the Liberation, Chae addressed problems with the national foundation, and his main interest is in the ‘sovereignty’ among other characteristics of the modern state. He deplored his motherland’s conditions in which she was not able to recover and exert her sovereignty undergoing the U.S. military administration even though she had been independent of Japan. Creating Boy Growsin 1949, Chae Man-sik hoped a promising future of this land after the Liberation in terms of a boy who had no experience in the Japanese colonial age. Though it is sorry that this work was not completed, with his main concerns, he criticized the conditions of democracy right after the Liberation, and was interested in the recovery of democracy. The returnees’routes in the work include 4 areas, i.e., Manchu, the journey from Manchu to Seoul, Seoul, and the trip from Seoul to Iri. Especially, the thresholds connecting spaces made themselves standards not only for the moving subjects’identity but also for the clarification of the particularity of the reality where they existed. One of the most fundamental motivations of Joseon farmers’depart from Manchu for their motherland lied in their fantasy about democracy, which they believed would provide equality of opportunity. As they arrived at Seoul, they experienced unhomeliness, which was due to the totally undemocratic conditions of their motherland. Not able to bear the unhomeliness, they set out for farmland in Jeolla-do. The young brother and sister began a new life without their parents in Iri, Jeollado. As they led a life on their own, they were wakened to the reality. What the young boy found out was the reality in which democracy was taken advantage of for each individual’s benefit. As democracy was lost and was misunderstood due to each party at stake’s interest, mammonism and egoism (shadows of capitalism) were in full swing. Though his will in the novel was praiseworthy, the boy’s grow was quite incomplete. His incomplete grow suggests the incompleteness of the establishment of democracy.

전전(戰前) 세대의 소설에 나타난 유교적 휴머니즘 일고(一考) - 김이석 소설의 '선량한 인물'을 중심으로 -

안미영(Ahn Mi-Young) 한국언어문학회 2003 한국언어문학 Vol.51 No.-

This article is a review of pre-war writers' perception of post-war through Kim I-seok's novels- Kim I-seok is a representative pre-war writer who wrote the largest number of works in the 1950s. Whereas novels written by post-war generation writers express Western existentialism, those by pre-war generation writers express traditional Confucian humanism Kim I-seok's novels describe 'Well Confucian humanism. Their specific characteristics are as follows. His works have' characters of virtue.' Characters of virtue in his stories can be classified into 'faithfulness(忠)' and 'merciful(恕)' ones. 'Faithfulness' is to devote one's heart while 'mercy' is to understand others' heart by contemplating oneself. Characters in his works maintain their 'virtuous personality' by practicing the two kinds of virtue and ultimately realize Confucian humanism.

태평양전쟁직후 한일(韓日) 소설에서 ‘전쟁’을 기억하는 방식 비교 연구

안미영(Ahn mi-young) 한국언어문학회 2010 한국언어문학 Vol.72 No.-

This study examined how the war was remembered in Korean and Japanese novels written just after the Pacific War by comparing Park Rho ‐gap’s Hwan (歡) and Umezaki Haruo’s Sakurajima (櫻桃). The historical background of the two novels is both just before the 15th of August in 1945, and it ends with the news of the termination of the war on the 15th of August. In describing the atmosphere after the end of the war, Park Rho‐gap’s Hwan expresses ‘jubilation’ but Umezaki Haruo’s Sakurajima expresses futile despair like evanescently falling cherry blossoms in the form of ‘abstinence.’ In Park Rho‐gap’s Hwan, the code through which the author remembers the Pacific War is ‘unpatriotic person.’ As the war situation grows worse, Japan mobilizes Koreans for the war on the pretext that Koreans are also ‘criticizes’. That is, it assumes to give Koreans suffrage and treat them as ‘criticizes’ in reward for fighting in the war. Kim laments the fate of Korean young people conscripted for Japanese aggressive war, and criticizes the Japanese government’s deceptive schemes. Just before the liberation, Korean intellectuals focused their attention on Japanese exploitation policies but were ignorant of the progress of the 2nd World War and political situations. In Umezaki Haruo’s Sakurajima, the code through which the author remembers the Pacific War is ‘replacement.’ As the aggressive war initiated by Japan has reached its last stages, Japan mobilizes for the war not only the colonists but also its own innocent common people in the form of replacements, national service men, volunteers, etc. The writer spotlights conflicts between replacements and volunteers, and criticizes the human right abuses through replacements who are nothing to do with the war. The author points out problems in the war, but his sense of shame is somewhat mixed because it is his own country’s militarism that provoked the war. The fact that the codes for Korean and Japanese writers’ perception of the Pacific War are ‘unpatriotic person’ and ‘replacement,’ respectively, has a significant implication. From the 15th of August, 1945 on, Korean literature waged struggles to build an independent country based on the concept of ‘citizens’ and Japanese literature started its efforts to establish democracy based on the concept of ‘human rights.’