Micropatterning of Cells on Poly(dimethylsiloxane) Surface by Electron Irradiation

이은제,권호제,황인태,정찬희,최재학,노영창,조성오 한국고분자학회 2011 한국고분자학회 학술대회 연구논문 초록집 Vol.2011 No.1

고에너지 알파입자빔 저선량 조사를 이용한 소수성 고분자의 젖음 특성 변환

이은제,김정우,공영배 한국표면공학회 2020 한국표면공학회 학술발표회 초록집 Vol.2020 No.6

Enterovirus 71 infection and vaccines

이은제,신윤주,김정환,김태균,장선영 대한백신학회 2017 Clinical and Experimental Vaccine Research Vol.6 No.1

Hand, foot and mouth disease (HFMD) is a highly contagious viral infection affecting young children during the spring to fall seasons. Recently, serious outbreaks of HFMD were reported frequently in the Asia-Pacific region, including China and Korea. The symptoms of HFMD are usually mild, comprising fever, loss of appetite, and a rash with blisters, which do not need specific treatment. However, there are uncommon neurological or cardiac complications such as meningitis and acute flaccid paralysis that can be fatal. HFMD is most commonly caused by infection with coxsackievirus A16, and secondly by enterovirus 71 (EV71). Many other strains of coxsackievirus and enterovirus can also cause HFMD. Importantly, HFMD caused by EV71 tends to be associated with fatal complications. Therefore, there is an urgent need to protect against EV71 infection. Development of vaccines against EV71 would be the most effective approach to prevent EV71 outbreaks. Here, we summarize EV71 infection and development of vaccines, focusing on current scientific and clinical progress.

분리 3중 충돌형 분사요소 혼합특성

이은제,이성웅,조용호,윤웅섭 한국추진공학회 2001 한국추진공학회 학술대회논문집 Vol.2001 No.11

분리 3중 충돌형 분사요소의 혼합특성 (Ⅱ)

이은제,조용호,김병윤,윤웅섭 한국항공우주학회 2001 한국항공우주학회 학술발표회 논문집 Vol.- No.-

Fabrication of superhydrophobic surfaces by electron irradiation of poly(tetrafluoroethylene) film

이은제,황인태,정찬희,최재학,노영창,조성오 한국공업화학회 2010 한국공업화학회 연구논문 초록집 Vol.2010 No.1

장곡사 금동약사여래좌상의 복장 발원문과 발원자들

신은제(申銀齊) 미술사연구회 2015 미술사연구 Vol.- No.29

The Bulbokjang(佛腹藏) ritual concerned with Making of Buddhist statue had prevailed from the middle of Goryeo Dynasty to the late Joseon Dynasty. Performing the rite, the participants to the rite wrote the dedicatory prayers, named Balwonmun(發願文). The dedicatory prayers introduced us the classical character of participants to a rite, the time when it was written out, the hope of participants. In this paper, I am purposed to study of the dedicatory prayers of the Gilt-bronze Seated Bhaisajyaguru(Medicine Buddha) Statue in Janggoksa temple. Through the research, I will understand the classical character of participants to making of the statue, the hope of participants. The optative sentences were written in 1346, consisted of 9 sheets. The optative sentences had the names of about 1,117 participants. The name of participants and their wish was written in each sheet. Particularly, the dedicatory prayers written by Baeg’un had the most participants and was longest. There were the four scraps of silk fabrics which were written in names, they were stitched up the dedicatory prayers on Baeg’un’s dedicatory prayer. I think that this was affected by the devotion to Buddha Bhaisajyaguru. As you know, only upper class in Goryeo Dynasty had a family name, the participants who got a family name could be looked on as upper classes. According to my analysis, about 35% of them had a family name, therefore they belonged to upper classes. When compared with other dedicatory prayers, especially ones of the Gilt-bronze Seated Amitabha Statue in Munsusa temple, which about 43% of participants was upper classes, the lower classes participanted more in the making of Buddhist statue in Janggoksa temple than in Munsusa temple. Because Buddha Bhaisajyaguru saved the people from disease and death, the lower classes devoted him. By the way there were officials among upper class’s participants. The officials whose public posts were written in that, were 13 people. Most of them were the military officers. I was interested in the fact that there were 29 Gunbuin(郡夫人), who belonged the high level women. A lot of high level women participated in making of the statue, for they believed that Buddha Bhaisajyaguru had ability to transform to a man a woman who couldn’t reach the state of nirvana.

앤서니 브라운 그림동화 ‘돼지책’의 기호학적 의미 분석

유은제 한국기초조형학회 2018 기초조형학연구 Vol.19 No.1

The study analyzed how gender equality in the family is reflected in Anthony Brown's "Pig Book".Using Roland Barth 's mythical semantic analysis framework, we analyzed how conflicting and overcoming gender roles appear in the family. Finally, I examined the gender role attitudes of men and women and their social implications. The first part of the 'Piggy book' represented the unequal relationship between men and women. In other words, the figure of father and two sons living comfortably at the sacrifice of mother was expressed at home. In the development of the conflict, it proved the mother's presence by showing how inconvenient a home without a mother is. At the end of the conflict resolution, family stability and peace showed that co-existence was possible by cooperating with each other, not by someone 's sacrifice. In order to maximize these contents, the signifier used in the 'pig book' emphasized the unreasonable life of men and women through the contrast of color, the act of the person, and the clothes that are faithful to the traditional gender roles. When mom left, dad and son gradually became messy and eventually turned into pigs, and pigs patterns were used repeatedly on wallpaper and accessories. In the scene where the conflicts were resolved, all the family expressed with smile and brightly using the color to express the fact that the case was resolved. In addition, it showed the gender equality that the work of the man and the woman is not distinguished by showing the mother repairing the car, and expressed in the meaning of the improvement of the status of the woman. As a result of the above analysis, the writer hopes for the pursuit of happiness of family through coexistence rather than sacrifice. For this, writer is sending a social message of gender equality. In order to express these messages, writer is using artistial imagination and formative devices to satirize existing patriarchy and to urge the adoption of gender equality with light warnings. 본 논문에서는 가족 내에서 나타나는 양성평등의 양상을 앤서니 브라운의 ‘돼지책’을 통해 파악하였다. 분석방법으로는 기호학적 방법론인 롤랑바르트의 신화적 의미 분석틀을 이용하여 가족 내의 성역할 태도의 양상과 갈등전개, 극복양상을 극대화하기 위해 작가가 활용하는 기표의 특성을 파악하였다. 그리고 최종적으로 소구하는 남녀의 성역할 태도와 그 사회적 의미가 무엇인지 살펴보았다. ‘돼지책’의 도입부에는 여성의 희생으로 인해 아빠와 두 아들이 편안한 삶을 누리는 불합리한 남녀관계를 표현하고 있었다. 갈등의 전개에서는 엄마가 없는 가정이 얼마나 불편한지 보여줌으로써 엄마의 존재감을 입증하였다. 갈등이 해소되는 결말에서는 가정의 안정과 평화는 가족 모두 협력해야 가능하다는 것을 보여주고 있었다. 이러한 내용을 극대화하기 위해 ‘돼지책’에 사용된 기표를 살펴보면, 도입부에서는 색채의 대조, 인물의 행위, 전통적 성역할에 충실한 의복을 통해 남성과 여성의 불합리한 삶을 강조하였다. 갈등의 전개 장면에서는 엄마의 역할이 사라지면서 돼지로 변한 남성들과 더러워진 복장, 배경과 소품에 돼지 형상을 표현하였다. 갈등이 해소되는 장면에서는 가족 모두 웃는 표정과 밝은 색채를 사용하여 사건이 해결되었음을 표현하고 있었다. 또한 엄마가 차 수리를 하는 모습을 통해 여성의 지위 향상과 양성평등이 이루어짐을 표현하였다. 이상의 분석결과, 작가가 최종적으로 소구하는 성 역할 태도는 희생보다는 공존이 가족 모두를 행복하게 한다는 양성평등의 사회적 메시지를 발산하고 있는 것으로 파악되었다. 이러한 메시지의 소구를 위해 작가적 상상력과 조형적 장치를 사용하여, 기존의 가부장적 가족상을 희화함으로써 가볍게 경고의 메시지를 발산하고 있었으며, 양성평등의 성역할 태도를 가족 구성원들이 수용할 수 있도록 표현하고 있음이 파악 되었다.

고려시대 전장의 규모와 공간구조

신은제(Shin Eun-Jae) 부산경남사학회 2007 역사와 경계 Vol.65 No.-

The ‘Farm(田莊)’ was the grand private land made in Unified Silla, was developed through society change in NaMalYeoCho(羅末麗初). Generally the grand private land of Koryo Dynasty has been named NongJang(農莊). It has been known that NongJang(農莊) of Koryo Dynasty was formed and was developed in the course of society change of the late Koryo Dynasty. It is very important how to define the grand private land and NongJang(農莊). I regard the grand private land in Koryo Dynasty as the ‘Form' which was already made in Unified Silla, because if I use a conception of NongJang(農莊) it will threw some persons into a confusion. The Farm of the Koryo Dynasty was used together with JeonYeo(田廬), JeonSA(田舍), JeonWon(田園), ByeolEop(別業), NongJang(農莊), ByeolYa(別墅), was made up of JangSa(莊舍), cultivated land, vagetable field etc. The Farm was managed by slave labor, they were servants and ruined people. A few servants didn't have family, they jointed compulsive service in JangSa(莊舍) of the master of the Farm. But most farming servants had family, they had cultivated land. Hence the Farm was based on a small farmer's management. About 15 farm families were under the rule of the Farm of the Koryo Dynasty, area of cultivated land was about 700Durak(斗落-a Korean measure of farmland) The Farm was made up of JangSa which has a tile-roofed house or a grass-roofed house, cultivated land, and vegetable field etc. There were owners, managers, residential areas, corrals and storehouses. Cultivated land was divided into dry field?paddy field and vegetable field. Vegetable field was place in which firewood was collected, sometimes which was used as grazing. Like a lord of manor in the West, landlords of the Koryo Dynasty had possessed ‘Farms'. They set up some offices named JangSa(莊舍) and had some managers who had tasks to collect ground rents and carry them to landlords, to supervise peasants.

웹툰의 일러스트와 스토리 품질이 만족과 소장가치에 미치는 영향

유은제 한국일러스트레이션학회 2019 일러스트레이션 포럼 Vol.20 No.58

Webtoon is basically a genre that provides pleasure of enjoyment as the most popular visual medium composed of illustrations and stories. This study was to investigate the effect of Webtoon's illustration and story quality on satisfaction and collection value. We set up research models and hypotheses based on previous studies and conducted questionnaires on subscribers. First, Webtoon 's illustration and story quality have positive effect on satisfaction. Second, only the illustration quality has a positive effect on the collection value. Third, satisfaction has a positive effect on the collection value. Fourth, Satisfaction between story quality and collection value did not show significant mediating effect, but satisfaction between illustration quality and collection value showed partial mediating effect of positive influence. In other words, the quality of illustration has a direct effect on the collection value and it is an important variable that influences the collection value through satisfaction. Through this study, it was confirmed that illustration quality is a key factor contributing to the collection value. Also, by understanding the relation between illustration, satisfaction, and collection value, it is meaningful that this research has once again recognized what fundamental factors that Webtoon writers should have in producing webtoons. 웹툰은 기본적으로 일러스트와 스토리로 구성된 가장 대중적인 영상매체로 향유의 즐거움을 제공하는 장르이다. 본 연구는 웹툰의 일러스트와 스토리 품질이 만족을 매개하여 소장가치에 미치는 영향을 구체적으로 파악하고자 하였다. 이를 위해 선행연구를 바탕으로 연구모형과 가설을 설정하고 구독자를 대상으로 설문을 실시하였다. 분석 결과, 첫째, 웹툰의 일러스트 품질과 스토리 품질은 만족에 정(+)의 영향을 미치는 것으로 나타났다. 둘째, 웹툰 품질 중 일러스트 품질만이 소장가치에 정(+)의 영향을 미치는 것으로 나타났다. 셋째, 만족은 소장가치에 정(+)의 영향을 미치는 것으로 나타났다. 넷째, 스토리 품질과 소장가치사이에서 만족은 유의한 매개효과가 나타나지 않았으나, 일러스트 품질과 소장가치 사이에서 만족은 정(+)의 영향으로 부분매개효과를 미치는 것으로 나타났다. 즉 일러스트 품질은 소장가치에 직접적인 영향을 미칠 뿐 아니라 만족을 경유해서도 소장가치에 영향을 미치는 중요한 변수임을 알 수 있었다. 본 연구를 통해, 일러스트 품질이 소장가치에 기여하는 핵심 요인임을 확인하였다 또한 웹툰의 일러스트 및 스토리 품질과 소장가치의 관계를 파악함으로써 웹툰 작가 지망생들이 웹툰 제작 시 갖추어야 하는 본질이 무엇인지 다시 한 번 인식하게 하였다는데 본 연구의 의의가 있다.