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        조선후기 철화백자와 회화에 나타난 화조문양의 조형성 연구

        박현주 한국도자학회 2019 한국도자학연구 Vol.16 No.2

        White porcelains are a kind of ceramics that existed and prevailed through the early part of the Joseon Dynasty to its later part since its initial production in the 10th Century during the Goryeo Dynasty. In the 15th Century, hard porcelains were produced by the influence of white and blue porcelains of the Ming Dynasty of China. However, in the 17th Century, historic events of Japanese Invasion of Korea and Second Manchu Invasion made the purchase of expensive Chinese white and blue pigments no further available and, as a result, iron oxide porcelains (鐵 畵白磁porcelain made using iron oxide pigment) became hugely popular owing to their good accessibility of pigments everywhere in the country. Along the way, in step with wide distribution of porcelains to the countryside, local porcelain kilns were actively operated. The origin of iron oxide porcelains was from the 11th Century during the Goryeo Dynasty, and the 17th Century when iron oxide porcelains started to get popular in full fashion was their heydays. Iron oxide technique was a decoration method using pigment of ruddle mostly composed of iron oxide. This pigment tends to spread so quickly on the surface once contacting the water that producers must draw the picture in an extremely fast way, but they can express it freely. Iron oxide porcelains, in particular, expressed a diverse range of patterns such as birds and flowers, flowering plants, clouds & dragons and four gracious plants with a bold and picturesque stroke. This study, which conducted comparative research with bird-and-flower paintings during the Joseon Dynasty drawn in a similar period with bird-and-flower patterns out of a number of patterns of ceramics, sought to introduce unique pictorial expressions of iron oxide porcelains as shown at bird-and-flower patterns. For this, Chapter Ⅰ discussed the purpose and methodology of the study, while Chapter Ⅱ examined background of emergence of iron oxide porcelains and characteristics by each period to introduce iron oxide porcelains that expressed the sentiments of the Joseon society in a unique way. Chapter Ⅲ analyzed classification of bird-and-flower paintings and symbolism as appeared in paintings during the Joseon period and examined examples of work connected to the latter part of the Joseon period. Chapter Ⅳconducted comparative research with bird-and-flower paintings shown at folk paintings which were drawn in the similar period with bird-and-flower patterns of iron oxide porcelains that attempted diverse pictorial expressions out of diverse porcelains. And it found bird-and-flower patterns were drawn frequently not only in paintings but on ceramics because of their symbolism of good auspice. Along the way, Chapter Ⅴ attempted to vividly represent the feelings of patterns by linking old patterns of ceramics with today's 3D technique. This treatise was a follow-up of the researcher's previous comparative research with paintings regarding iron oxide patterns in grayish-blue-powdered celadon at A Study on Pictorial Expression Shown at Patterns of Grayish-blue-powdered Celadon: Focused on fish patterns at Gyeryongsan celadon. And it sought a comparative research between the patterns on paintings and those on porcelains. And the study suggested two works of 3D as an example in search for a fresh and unique method and the researcher would like to use them in ceramic creation and treatises in a path towards extending ceramics in the pictorial point of view in the future studies. 백자는 고려시대 10세기 이후 제작되기 시작하여 조선 전기에 걸쳐 말기까지 지속된 자기의일종이다. 15세기에는 중국 명대의 청화백자의 영향으로 경질백자가 제작되었고 17세기에는 임진왜란과 병자호란으로 인해 중국에 의존하여 구입했던 값비싼 청화안료가 더 이상 수급이 어려워지자 국내 어디서나 안료를 쉽게 구할 수 있는 철화백자가 크게 유행하였다. 또한 백자의보급이 지방으로까지 널리 확대되어 지방 백자 가마들이 활발하게 운영되었다. 철화백자의 기원은 고려시대 11세기경부터이며 본격적으로 유행하기 시작하는 17세기는 철화백자의 전성기이다. 철화기법은 석간주(石間硃)라는 산화철이 주성분인 안료를 이용하여 그림을 그린 장식기법을 말한다. 이 안료는 물에 닿으면 빨리 퍼지므로 아주 빠른 필치로 그려야하므로 그림을 자유롭게 그려 표현할 수 있다. 특히 철화백자는 대담하고 회화적 느낌의 선으로화조(花鳥)·화훼(花卉)를 비롯해 운룡(雲龍), 사군자류 등 다양한 문양을 표현했다. 본 연구는 백자의 여러 문양 중 화조문양과 비슷한 시기에 그려진 조선시대 화조도(花鳥圖)를 비교 연구함으로서 화조 문양을 통해 나타난 철화백자만의 특별한 회화적 표현을 소개하고자한다. 이를 위해 Ⅰ장에서는 연구의 목적과 방법을 논하고, Ⅱ장에서는 철화백자의 발생배경과시기별 특징을 고찰하여 조선사회의 감성을 특유의 방법으로 보이고 있는 철화백자를 소개한다. Ⅲ장에서는 조선시대 회화에서 등장하고 있는 화조도의 분류와 상징성에 대해 분석하고 조선시대 후기로 이어진 작품사례를 살펴보았다. Ⅳ장에서는 백자 중에서도 회화적 표현이 다채롭게 시도된 철화백자의 화조문양과 비슷한 시기의 그려진 민화에 나타난 화조도를 비교연구하였으며 화조문양은 길상적 의미의 상징성 때문에 회화뿐 아니라 도자기에서도 많이 그려진것으로 분석하였다. 또한 Ⅴ장에서는 도자기의 옛 문양을 오늘 날의 기술인 3D와 접목하여 문양의 느낌을 실감나게 재현하고자 하였다. 본 논문은 앞서 본인이 연구했던 박현주(2018).「분청사기 문양에 나타난 회화적 표현 연구: 계룡산 철화분청사기의 물고기문양을 중심으로」『한국도자학연구』Vol.15 No.2 2018. 에서 분청사기에서의 철화문양에 대해서 회화와 함께 비교연구 하였던 사례에 이어 후속으로 백자에서의 철화문양에 대해서 회화와 함께 비교연구 하고자 하였다. 아울러 본 논문에 좀 더 색다른방법을 모색하기위해 시범적으로 3D 두 작품을 제시하였고 이를 바탕으로 향후 이어지는 본인의 연구에서 도자기를 회화적 관점으로 확장하는 도자작품 창출과 대논문에 활용하고자 한다.

      • KCI등재

        대퇴골 내고정술 후 발생된 가성 동맥류에 의한 소모성 혈액 응고 장애

        박현주,임창무,전영수,정덕환,박현주 대한골절학회 1998 대한골절학회지 Vol.11 No.1

        A case of consumptive coagulopathy due to pseudoaneurysm, which occured as a complication of intramedullary nailing, was rarely reported. Pseudoaneurysm of peripheral artery is presented with pulsating mass and may show extrinsic indentations of the adjacent bone. The coagulopathy and bleeding responded to surgical elimination of the fistula and aneurysm. Diffuse intravascular coagulopathy or consumptive coagulopathy is infrequently associated with pseudoaneurysm of deep femoral artery. Laceration of major arteries are more common in open than in closed fractures. They usually occur only when a major artery is in close proximity to bone as complications to fracture. Diffuse intravascular coagulopathy or consumptive coagulopathy is characterized clinically by excessive bleeding, ecchymosis and petechiae and by laboratory evidence of a disease in the numbers of platelets and amount of fibrinogen and an increase of fibrin degradation products with prolonged prothrombin and partial thromboplastin times. When the two coexist, they create a difficult clinical problem that requires optimal medical and surgical treatments. If the appropriate treatment was delayed, serious complication such as sepsis or death could be occured. Prompt recongnition through appropriate laboratory tests and early surgical intervention was indicated essentially, We are reporting one case of coagulopathy associated with pseudoaneurysm of deep femoral artery that presented to the broad clinical picture.

      • KCI등재

        Effect of Palmitoyl-Pentapeptide (Pal-KTTKS) on Wound Contractile Process in Relation with Connective Tissue Growth Factor and a-Smooth Muscle Actin Expression

        박현주,안은진,Ae-Ri Cho Lee 한국조직공학과 재생의학회 2017 조직공학과 재생의학 Vol.14 No.1

        To evaluate whether Palmitoyl-pentapeptide (Pal-KTTKS), a lipidated subfragment of type 1 pro-collagen (residues 212–216), plays a role in fibroblast contractility, the effect of Pal-KTTKS on the expression of pro-fibrotic mediators in hypertropic scarring were investigated in relation with trans-differentiation of fibroblast to myofibroblast, an icon of scar formation. a-SMA was visualized by immunofluorescence confocal microscopy with a Cy-3-conjugated monoclonal antibody. The extent of a-SMA-positive fibroblasts was determined in collagen lattices and in cell culture study. Pal-KTTKS (0–0.5 lM) induced CTGF and a-SMA protein levels were determined by western blot analysis and fibroblast contractility was assessed in three-dimensional collagen lattice contraction assay. In confocal analysis, fibroblasts were observed as elongated and spindle shapes while myofibroblast observed as squamous, enlarged cells with pronounced stress fibers. Without Pal-KTTKS treatment, three quarters of the fibroblasts differentiates into the myofibroblast; a-SMApositive stress fibers per field decreased twofold with 0.1 lM Pal-KTTKS treatment (75 ± 7.1 vs 38.6 ± 16.1%, n = 3, p\0.05). The inhibitory effect was not significant in 0.5 lM Pal-KTTKS treatment. Stress fiber level and collagen contractility correlates with a-SMA expression level. In conclusion, Pal-KTTKS (0.1 lM) reduces a-SMA expression and trans-differentiation of fibroblasts to myofibroblast. The degree of reduction is dose-dependent. An abundance of myofibroblast and fibrotic scarring is correlated with excessive levels of a-SMA and collagen contractility. Delicate balance between the wound healing properties and pro-fibrotic abilities of pentapeptide KTTKS should be considered for selecting therapeutic dose for scar prevention.

      • KCI등재후보

        산림지역 VOC 플럭스 관측을 위한 측정방법 정도관리

        박현주,김소영,홍유덕,한진석,김기준 한국환경분석학회 2013 환경분석과 독성보건 Vol.16 No.3

        Biogenic volatile organic compounds (BVOC) are emitted from various plant species into atmospheric environment and playing an important role in the formation of photochemical oxidant. We established the enclosure chamber system for measuring BVOC flux in the field. In order to get the quality assurance and quality control data for the enclosure chamber system, some of VOC were tested by PTR-MS (Proton Transfer Reaction Mass Spectrometer). The enclosure chamber system was successfully evaluated in the field. Especially, PTR-MS allows real-time measurements of VOCs in the air with a high sensitivity and fast response time. The response factors and precisions were estimated and the time to reach equilibrium concentration in the chamber was examined. The measured response factor of VOCs was in the range of 2.40~18.31 and the elapsed time in the chamber was examined after approximately 70 min. The recovery of chamber system was higher than 80%.

      • KCI등재

        한국 뮤지컬의 중국 진출 유형과 사례 연구

        박현주,임대근 한국중국언어문화연구회 2014 한중언어문화연구 Vol.- No.35

        This study is intended to discuss the issues of ‘cultural exchange’ as a cultural movement and acceptance in progress between Korean and China. It focuses on the most active type of cultural exchange, the musical theater, and discussion highlights musical as performing art contents. This involves discussing the type and case of the musical theater between Korea and China, and it is limited to private sector of cultural exchange which is expect continuous flow in future. Therefore, various types of collaboration are widely presented through private enterprise companies such as CJ E&M as well as local festivals (e.g. DIMF). And it contains non-verbal performance which are openly discussed as another type of musical theater. “Finding Destiny” is chosen to discuss in this case study, which is successful in Korea, China, and Japan as of 2013. This original Korean musical was re-arranged through the collaborations in between countries to fit the local circumstances and became a good model of cultural exchange through musical theater. The case of “Finding Destiny” can be guidance and provide direction to the future Korea/China performing art exchange program. This case study particularly focused on the cultural exchange through musical theater which export to China. Korea musical’s oversea expansion is done through dual producing, non-verbal performance, and local festivals and conjunction with area. To re-adjust on language, character, story, actors/actress, and the producers to fit the local custom is another important layer to the successful Korea/China cultural exchange.

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