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고은미의 “Double Concerto”에 사용된 12음에 의한 캐논 기법
고은미 이화여자대학교 음악연구소 2005 이화음악논집 Vol.9 No.-
This essay is abstracted from my dissertation, the Double Concerto with Analysis consists of two parts, While my doctoral dissertation has put emphasis on sectional analysis of Double Concerto, this essay was intended to develop a new theory on the canon based on twelve notes. The essay consist four part. The first part, the preliminary theory for the composition of the Canon. focuses on PTO, the basis for the canonic theory in the in preparation for the second part. The second part, analysis of the composition is divided into five sections with a formal analysis of the composition and its structure based on pitch progression with variations. The third part, explains the form and The fourth part, analysis of structural orchestration. The primary object of composing the Double Concerto is an improvement of the concept in regard to linear, horizontal, and harmonic relationships of traditional canon. Traditional Canon has had three basic drawbacks: (1) Dux and Comes is limited by concept of consonace and disonance in mode. And it is limited by complement relationship in tonal harmony; (2) Inspite of that the concept of Dux and Comes in canon is based on polyphony texture basically, the concept is composed of monophony imitation in melodic line; and (3) Rhythmic organization of Dux and Comes in traditional canon has not been dealt distinctively from pitch function. In order to remedy those defects in the traditional canon, this Double Concerto has taken the following new alternatives: (1) New complementary relationships are developed between the Dux and Comes in twelve-tone procedure; (2) Melodic line of Dux and Comes is constructed polyphonically. And Comes is constructed according variations of melodic interval of Dux ; and (3) Pitch function is applied to rhythmic organization. The theory which is used in this composition should not be limited to the present composition only, but also can be served as a generalized theory applicable to any canonic composition with twelve-tone. This Double Concerto attempts to remedy drawbacks exsisting in the traditional canon with the payment of special attention to maintaining the basic principle and theory found in the canon and develop canon for twentieth century based upon twelve-tone theory.
고은미 역사학회 2023 역사학보 Vol.- No.257
Although there are some elements that are claimed to comprise characteristics and particularities that are unique to Japanese society, they are sometimes part of universal trends depending on the era and region in which they are identified. This paper examined the existence of samurai, samurai regimes, and kamikaze (神風, lit. “divine wind”), which is a fundamental element behind the historical assertion that Japan is a divine land, and indicated that they cannot be regarded as exclusive to Japan. The said claim of being uniquely Japanese can only be accepted when the subjects of comparison are limited to the three countries of Korea, China and Japan and to the specific period of time known as the transitional period to modernity. The fact that such imagery, which was in reality limited to a specific time and space, prevailed to be applied to all eras is attributable to the overwhelming influence of modern times. This paper intends to criticize the limitations of this premise through a contemporary review. 일본 사회의 특징 혹은 특수성이라고 주장되는 요소는 어떤 시기, 어떤 공간에서 파악하느냐에 따라 보편적인 경향의 일부이기도 하다. 본고에서는 일본 역사의 특징이라고 주장되어 온 무사의 존재나 무사정권, 혹은 일본은 신국이라는 주장의 근거가 되어왔던 ‘가미카제(神風)’ 등을 검토하여 해당 요소들이 일본만의 특징이라고는 할 수 없다는 점을 지적하였다. 해당 주장은 근대전환기라는 특정 시기에 그것도 주된 비교 대상을 한중일 삼국에 한정했을 때만 인정된다. 그러나 특정 시기, 특정 공간에 한정된 이러한 이미지가 전 시대에 통용되는 것은 근대라는 시기가 가지는 압도적인 영향력 때문이라고 할 수 있다. 본고는 이러한 전제가 가지는 한계를 동시대적인 검토를 통해 비판하고자 하였다.
정신건강의학과 자문 의뢰된 암 환자의 항우울제 내약성 비교 연구
고은미,박진성,하주원,임세원,김태석,하지현,백종우,이병철,최병무,이강준,김성완,양종철,고영훈,오강섭,Ko, Eunmi,Park, Jin-Seong,Ha, Juwon,Lim, Sewon,Kim, Tae-Suk,Ha, Jee Hyun,Paik, Jong-Woo,Lee, Boung Chul,Choe, Byeong Moo,Lee, Kang-Joon,Kim, Sun 한국정신신체의학회 2013 정신신체의학 Vol.21 No.1
연구목적 암환자들은 다양한 정신건강의학과적 증상을 겪으며 약물 부작용에 취약하다. 본 연구는 정신건강의학과 자문 의뢰된 암환자에서 항우울제의 내약성을 비교하고자 한다. 방 법 9개 대학병원 및 종합병원 정신건강의학과에 자문 의뢰된 암 환자들을 후향적으로 검토하여 자료를 분석하였다. 가장 빈번하게 처방된 세가지 항우울제(Escitalopram, Mirtazapine, Paroxetine)의 6개월 동안 치료 중단율을 비교하였다. 결 과 처방 빈도는 Escitalopram 150(47.2%), Mirtazapine 92(28.9%), Paroxetine 76(23.9%) 순서로 항우울제 투여 중단 비율은 세군 간 유의한 차이가 없었다. 입원 환자에 비해 외래 환자에서 유의하게 약물 중단 위험도가 높았다(p<0.0001). 결 론 임상 현장에서 암환자의 항우울제 치료 중단율은 약물 종류에 따라 차이가 없었다. 치료 순응도 향상을 위하여 암환자의 특성을 고려한 개별 접근이 필요할 것이다. Objectives : Many patients diagnosed with cancer suffer from various psychiatric symptoms such as depression, anxiety and insomnia as well as cancer itself. Patients with cancer are more vulnerable to possible adverse events of psychotropic medications. Although antidepressants are widely used among cancer patients, there is little information about tolerability of antidepressants. This study was conducted to compare tolerability of antidepressants in cancer patients referred for psychiatric consultation. Methods : The participants were cancer patients who had been referred to psychiatrist for their psychiatric symptoms. We retrospectively analyzed the data of patients diagnosed with cancer from 9 general hospitals in Korea. The discontinuation rate for a 6 months period after treatment initiation for three antidepressants(Escitalopram, Mirtazapine, Paroxetine) were compared. Results : Antidepressants were prescribed for 96.3% of subjects and Escitalopram 150(47.2%), Mirtazapine 92(28.9%) and Paroxetine 76(23.9%) were prescribed frequently in order There were no significant differences in discontinuation rates among the three antidepressants during the 6 month period after initiation of pharmacotherapy. But there was a difference in discontinuation rates between inpatients versus outpatients(p<0.0001). Conclusions : In a naturalistic setting for the antidepressant treatment for cancer patients, it seems that there are no differences in discontinuation rates among these three antidepressants. It is therefore essential that such interactions are carefully considered when treating patients of antidepressants who already have cancer.