활동 중심의 바른 생활과 대화학습의 실제

강희명 한국초등도덕교육학회 2002 초등도덕교육 Vol.10 No.-

조셉 컬렉션에 나타난 니트웨어의 미적 특성

강희명 한국니트디자인학회 2018 패션과 니트 Vol.16 No.1

Joseph, who came from Moroco, moved to London in 1960’s and opened a select shop called Joseph. Joseph started as a select store but became a major knit fashion brand which won “the Knitwear Designer of the Year” four times. Joseph Ettedgui died in 2012 and brand creative director, Louis trovi, succeeded him. She maintained Joseph’s identity and showed refined design based on simple tailoring with unique coloring and let Joseph emerge as a noticeable collection in London Collection. The aesthetic characters of Joseph knitwear are amorphous de-constructivism, clarity of max and match, minimalistic sportism and modern traditionalism. Joseph knitwear shows contemporary and simple sensibility using textile combination of de-constructivism, various techniques and patterns.

업사이클링 니트 패션디자인의 특성 연구

강희명,이유미 한국니트디자인학회 2018 패션과 니트 Vol.16 No.2

Up-cycle means making recyclable products into high value added ones by providing esthetic creativity. Recently up-cycle reflects the social trend of seeking the diversity of values and environment quality. Up-cycle can be specifically explained by re-design. This research studied the pattern of knit fashion design which showed the characteristics of upcycling. The patters were 1. The finishing of scarce design by recycling the material, 2. recycling of industrial waste, 3. reduce design, 4. luxurious design with scarcity. There were recycling of thread, dismantling and restructuring, and collage in the expression. The knitwear has many advantages such as easiness of dismantling using thread, and wholegarment knitting which can save material.

패션 일러스트레이션에 관한 연구 : 단순미를 중심으로

강희명,김혜경 동덕여자대학교 디자인 연구소 2000 디자인포럼21 Vol.3 No.-

과학기술의 발달은 신소재와 비쥬얼 형식을 제공하면서 현대 예술의 영역을 확대시키고 있으며, 패션 일러스트레이션이 시대의 상황을 반영하는 예술성 있는 작품으로 인정 받은 현재, 새롭고 다양함을 필요로 하게 되었으며 패션의 이미지를 대중에게 효과적으로 전달함과 동시에 예술적 감동을 주는 현대적 시각 언어로 발전하고 있다. 패션 일러스트레이션의 예술성, 독창성의 중요함이 인식됨에 따라 기술, 예술 분야의 접목이 이루어지고 있으며, 이에 따른 다양한 시도가 이루어짐과 동시에 컴퓨터 기술의 발전은 예술작업의 도구로 활용되어, 패션 일러스트레이션에 접목시킴으로써 새로운 기법과 형태의 표현기법을 응용한 창의적인 이미지를 전달하고 있다. 본 연구의 내용 및 방법, 이론적 배경으로는 패션 일러스트레이션의 개념, 초기부터 현대에 이르는 패션 일러스트레이션의 변화와 발전 과정을 살펴보았고 단순화 형의 표현기법과 특성, 단순화 색의 특성, 판화기법 및 꼴라쥬, 컴퓨터기법 등이 현대의 패션 일러스트레이션에 활용되고 있는 사례들을 작가들의 작품과 국내외 서적, 화보, 팜플랫, 사진 자료 등을 통해 살펴보았다. The advancement of science and technology, by offering new materials and visual forms, is contributing to the expansion of the modern art's horizon. As fashion illustration is gaining recognition as a form of art which mirrors today's realities, it has also become increasingly necessary to add variety and newness. Fashion illustration is thus becoming the visual language of the modem world, capable of conveying artistic emotion, and at the same time able to effectively communicate the image of fashion to the masses. The increasing awareness of artistic talent and ingenuity as essential components of fashion illustration is yielding greater fusion between fashion illustration and art & technology. This has resulted in the use of the advanced computer technology as a tool for crafting artistic expressions, such as fashion illustration, and this new tool has opened-up new possibilities for expressing images and colors. Further, the computer-aided fashion illustration is emerging as a new technique for expression. The content, methodology, and the theoretical background of the study are as follows: The concept of fashion illustration, history of fashion illustration from its inception to modern date is reviewed and the art of Henri Matisse and the simplicity has been researched throughout past studies published in Korean and overseas journals. The expression method and characteristic of the simplification method and the ways computer techniques are applied in modern fashion illustration are reviewed through the work pieces of artists and illustrators. First, at present where distinction between pure and applied art has become unclear and distinction of pure and popular art has become meaningless, picture(graphic) is something that can serve as a source of inspiration and motive, used as a tool for effectively expressing the inner desire of human beings and at the same time means to enhance artistic, aesthetic, and creative sense of illustration. Second, Third, illustration of simplicity method satisfies the color, shape, human desire and value of the design that is newly pursued in the age of chaotic disorder and the public taste which prefers visual simplicity and minimalism and thus is the right method for the upcoming century.

도덕과의 열린교육을 위한 대화학습과 수업실제

김종문,강희명 대구교육대학교 1999 論文集 Vol.34 No.-

산학연계 캡스톤 디자인 사례 연구 - 3D CAD 시스템을 활용한 니트 조직 개발 -

강희명,기희숙,기희숙 디자인융복합학회(구.한국인포디자인학회) 2022 디자인융복합연구 Vol.21 No.6

본 연구는 (주)마리벨르 코리아와 산학협력 캡스톤디자인 프로젝트로 진행 하였으며 방법은 니트 패션 환경분석, 산업체의 아이텐티티 및 기업 철학을 반영하여 주제를 정하고, 니트 조직 개발을 하였다. 산업체 실무진과 논의하여 컨셉을 정하고 학생들과 협업하여 니트 조직 개 발과 이를 적용할 아이템을 선정하였다. 프로젝트는 조별 세부 주제를 선정 하고, 주제에 적합한 색상, 소재, 원사를 지정한 후 디자인 협업과 리서치를 하였다. 니트 조직은 니트 디자인시스템 SDS ONE APEX를 활용하여 개발 하였고, 개발된 니트 조직을 3D 버추얼 시뮬레이션하여 다변화 가 가능하 도록 과제를 진행하였다. 시뮬레이션 결과물은 산업체와 소통하여 최종 적 으로 하나를 결정한 후 니트 편직을 수행하였다. 이 방법은 디지털적이고 지속 가능한 방식으로 비용과 시간을 절감할 수 할 수 있다고 본다. 기업밀착형 캡스톤디자인 수업방법은 학생들의 산업체 현장의 이해를 높일 수 있으며 산학공동기술개발 형태의 산학협업 비즈니스 구도를 찾을 수 있 다는 장점이 있다. 다양한 캡스톤 수업을 통해 교육과정을 개발과 상품의 고부가가치를 높일 수 있는 다양한 사례를 제시할 수 있으리라 본다.

현대 니트패션에 나타난 뉴트로(New-tro)특성에 관한 연구

강희명 한국니트디자인학회 2021 패션과 니트 Vol.19 No.1

Retro culture, which has recently been popular in the fields of culture and arts such as music, health and fashion, is described as a new trend of retro, and is a variety of social phenomena that reinterpret past culture with a modern sense. Compared to retro, which creates memories and nostalgia in the past, there is a difference in reinterpreting it from the perspective of the younger generation, which is the past that Newtro has not directly encountered. Because the subjects of consumption are different, there is a characteristic that completely different fashion and images are created through reinterpretation. Modern society is in high demand for individuality and diversity, and Newtro is included in designs and items that can meet the demands of modern people as inspiration for various designs. In a research by a fashion information company that reflects this, Newtro was selected as one of the top 10 issues in the fashion industry in 2019, and the "Newtro" trend, which modernly reinterpret cultural elements in the 80s and 90s, will have a lot of impact on society after 2020 following last year. Analyzing newtro trends is considered appropriate at the current time and is considered suitable to capture the characteristics of knit fashion as a design element, but I think it is meaningful because not much research has been done yet. The research method aims to conduct theoretical and empirical research at the same time, and to analyze the socio-cultural phenomenon and the high-fashion brand that combines sports and street concepts with high-fashion.

경계선 성격장애 성향자의 이분법적 사고와 단일차원적 사고

강희명,이영호 한국인지행동치료학회 2014 인지행동치료 Vol.14 No.1

본 연구는 경계선 성격장애 성향자를 대상으로 경계선 성격장애의 주요 병리 기제인 이분법적 사고를 확인하고 그 특성을 알아보았다. 이를 위해, 대학생 678명(남자 298명, 여자 380명)을 대상으로 경계선 집단, 회피성 집단, 통제 집단을 선발하여 대인관계 상황 시나리오를 제시하였다. 이분법적 사고를 유발하기 위한 자극으로 여섯 개의 시나리오(거부, 유기, 무시, 보살핌, 부정적 사건, 중립사건)를 제시하고, 시나리오의 인물에 대한 평가를 실시하였다. 그 결과, 경계선 집단은 경계선 성격장애의 특정적인 정서적 주제(거부, 유기, 무시)에 대한 인물 평가에서 회피성 집단이나 통제집단보다 이분법적 사고를 많이 하였다. 또한 경계선 성격장애의 특정적 주제인 보살핌 시나리오, 경계선 성격장애와 무관한 부정적 사건 시나리오, 그리고 중립사건 시나리오에서는 통제집단보다 이분법적 사고를 많이 하였지만 회피성 집단과는 차이가 없었다. 다음으로 경계선 집단의 단일 및 다차원적 사고 경향을 탐색했다. 단일차원적 긍정-부정 사고 점수를 집단별로 비교한 결과, 경계선 집단은 유기 및 거부 시나리오에 대한 인물 평가에서 회피성 집단이나 통제집단보다 단일차원적 사고를 많이 하였다. 영역별로 이분법적 사고 점수를 살펴본 결과, 경계선 특정적 주제(거부, 유기, 무시)에 있어 경계선 집단은 능력-품성 영역과 정서성 영역에서 회피성 집단이나 통제집단보다 이분법적 사고를 많이 하는 것으로 나타났다. 끝으로 본 연구의 임상적 함의와 제한점 및 향후 연구방향을 제시하였다. This study set out to investigate the dichotomous thinking of individuals with BPD tendency. For that purpose, total 678 college students(298 men and 380 women) were divided into the borderline, avoidant, and control group and presented with interpersonal situation scenarios. Total six different scenarios(refusal, abandonment, invalidating, caring, a negative event, a neutral event) were presented to cause dichotomous thinking, and the subjects were asked to assess characters in the scenarios. As a result, the borderline group exhibited more dichotomous thinking in the assessment of characters in the borderline-specific emotional topics(abandonment, refusal, and invalidating) than the avoidant and control group. The borderline group also engaged in more dichotomous thinking in the scenarios of caring, which is one of the borderline-specific emotional topics, the negative event of nonspecific topic, and the neutral event than the control group with no difference from the avoidant group. Then the borderline group was examined for its uni-dimensional and multi-dimensional thinking tendency. As a result of comparison of uni-dimensional positive-negative thinking scores among the groups, the borderline group did more uni-dimensional thinking in the assessment of characters in the abandonment and refusal scenarios than the avoidance and control group. As for dichotomous thinking scores according to the areas, the borderline group did more dichotomous thinking in the ability-character and emotionality area on the borderline-specific emotional topics(refusal, abandonment, and invalidating) than the avoidant and control group. Based on these results, the implications and limitations of this study were discussed.

현대니트패션디자인에 나타난 지속가능성 경향 연구

강희명 한국니트디자인학회 2020 패션과 니트 Vol.18 No.1

Sustainability knitwear is a social phenomenon, a form of behavior in which fashion products have a sense of social ethical responsibility with environmental consideration in all processes from planning and production to the disposal of products. The classification criteria of preceding research varied, but the large category was fashion with ecological link, fashion with utility, and fashion by social ethics. The three categories were being selected in a variety of ways based on design elements. This study looked at the characteristics of sustainable knit fashion design by classifying them as eco-friendly sustainability, economic sustainability and social fairness-based sustainability. In the eco-friendly sustainability, we studied the eco-friendly elements in the verb, the method of weaving, and the process of the economic sustainability, and the amount of raw material, time-saving, and light. Knit fashion is easy to regenerate, disassemble, and can save a verb by using a method of rectification. The rehabilitation of industrial chemicals shows a lot of deconstruction and reconstruction. We were working a lot to develop eco-friendly and functional sources using industrial waste. In the knitted method of knit, we could see the reduction of the verb, time reduction, and lightening. While efforts were being made to produce fair trade products made of fair trade products that pay fair value to producers due to their persistence by social ethics, this part still had a weak threshold.

현대 추상회화를 모티브로 한 패션디자인 연구

강희명,김혜경 한국패션디자인학회 2009 한국패션디자인학회지 Vol.9 No.1

For the progress of the fashion industry, we need to seek high quality and differentiation of the wears and one of the way is to develop design motif. The purpose of this study is to make creative designs by selecting inspiring paintings from the abstract painting in the first half of the 20th century, analyzing their artistic beauty and introducing their motif. The methodology of the study is composed of document study and manufacture. To design fashion that I researched papers regarding abstract painting and surveyed the concept, back ground, orgin, and development of abstract paintings. Based on this study, I studied design cases which took motif from abstract painting. The result of this study is as follows. The seek of pure from which was prevalent in every area of Art Vivant in the first half of the 20th century, was present in Cubism, Futurism, Fauvisme, Purism, Neo-plasticism, Suprematism, Constructivism, and Expressionism. Each school has its abstract idea in various ways and it gave inspiration to creative fashion design. The color and simple forms of the early 20th abstract paintings was appropriate for functional dressing and modern art. The design concept is casual feminity in luxurious mood. Motif of abstract paintings was expressed with design factors such as line, shape, and pattern and feminie sense was expressed with creativity and current trend. The motif was taken from the painting of Hemri Matisse, Wassily Kandinsky, Robert Delaunay, Piet Mondrian, and Paul Klee who made a great contribution to abstract painting history in the early 20th century. I analyzed their color and shape and retranslated them into the motif of my works. As a result, the vivid color of abstract paintings was appropriate for modern sensibility and the shape of abstract paintings was appropriate for creating simplicity and functionality of modern art. As fashion is evolved to reflect the current culture, I also suggest the potential of design as high value product in the 21st century by combining functionality and art into my work.