소설『82 년생 김지영』을 거울로 비춰 본 중국 ‘바링허우’ 여성의 삶과 문화적 재현

韓潭 중국어문학연구회 2020 중국어문학논집 Vol.0 No.122

This paper began by noting that the novel “Kim Ji-young Born in 1982” which has been explosive in Korea and China, is a sympathetic narrative for East Asian women who are placed in the reality of the Confucian patriarchal system and neo-liberalistic system. Using this novel as a mirror as the new ‘Women"s Writing’ method, we are going to look at the life of ‘Post-80s’ women of China"s Kim Ji-young generation and the issue of reenactment in the mass media. Before entering Chinese discussion, Chapter 2 analyzes the epic strategy of this novel as a feminist novel. Identifying which narrative strategy led to the most popular and political text of ‘Kim Ji-young Born in 1982’ is a prerequisite to understanding this novel as a new ‘Women"s Writing’. In addition, this work can compensate for the fact that most Chinese media articles and writings related to “Kim Ji-young” do not lead to in-depth criticism as they are only a single introduction of the work or empathy. Based on sociological research, Chapter 3 examines Kim Ji-young"s shadow cast over the life of a ‘Post-80s’ women. And listen to the actual voice of the ‘Post-80s’ women reader of “Kim Ji-young”. In Chapter 4, we looked at the ‘Post-80s’ married women"s problems and reproduction methods through the 2019 Chinese drama “Hope All Is Well With Us” which allows us to imagine the future of Kim Ji-young. This work is meaningful in looking into the lives of Korean and Chinese women who shared the shadow of ‘Kim Ji-young’ and by using the novel as a reference to the new ‘Women"s Writing’ method, thinking about the ‘Women"s Writing’ that we should pursue and urging women"s consciousness.

기록, 시차, 젠더-기록과 미디어의 관점에서『82년생 김지영』 읽기-

강수환 인하대학교 한국학연구소 2022 한국학연구 Vol.- No.67

The terms ‘parties involved’, ‘sympathy’, ‘empathy’ frequently used to describe the phenomenon of Kim Ji-young Born in 1982. However, paradoxically, this text employs a male psychiatrist as the narrator to exclude Ji-Young Kim’s genuine voice and inner world, making it challenging for the reader to identify. In order to understand why the text succeeded in capturing the readers’ complete sympathy and affection rather than assimilating them into the logic of the ‘system of representation,’ this paper analyses the inside and outside of the text from the viewpoint of writing and media. In that sense, this paper primarily analyzes Kim Ji-young, Born 1982, but it also aims to look at how literature and the situation of the nowadays digital discourse networks relate to one another. There has been a subtle fundamental shift in online discourse networks as smartphones have become increasingly popular than personal computers(PC). This is due to the fact that a smartphone, unlike a PC, provides the user full freedom to use it without any time or space restrictions as one person responds to one media. In contrast to the time when discourse was constructed around the gender group, who on average had more exclusive ownership of PCs in the home, the popularization of smartphones produced new material conditions. The offset of the ‘time difference of gender’ is pointed out as the resulting effect. This paper examines the impact that the above-mentioned change in the discourse network condition had on the production and acceptance of this text. 『82년생 김지영』 현상의 논의에서 빈번하게 언급되는 수사로는 ‘당사자성’, ‘공감’, ‘이입’ 등이 있다. 하지만 역설적으로 이 텍스트는 남성 정신 상담의를 서술자로 내세움으로써실제 김지영의 목소리와 내면을 지워 독자로 하여금 위와 같은 방식의 동일시를 수행하는 것을 어렵게 하는 특징을 지닌다. 이 글은 소설이 ‘재현=대표=표상의 체계’의 논리로 독자들을수렴시키지 않으면서도 동시에 전폭적인 공감과 정서의 변용을 끌어낸 원리를 규명하기 위해, 기록과 미디어의 관점에서 텍스트의 안팎을 분석한다. 그런 의미에서 이 글은 일차적으로 『82년생 김지영』 에 관한 분석을 수행하나, 크게는 오늘날 디지털 담론 네트워크의 상황과 문학 사이의 관계를 범박하게나마 고찰하려는 의도 역시 포함하고 있다. PC 중심이 아닌스마트폰이 대중화한 시대에 이르면서 온라인 담론 네트워크에는 미묘한 토대적 변화가 일어난다. PC와 달리 스마트폰은 한 명의 사용자가 하나의 매체와 대응함으로써 시공간을 떠나사용자에게 전적인 사용 권한을 부여하기 때문이다. 스마트폰의 대중화는 가정 내 PC에 대한 배타적 소유권을 평균적으로 더 많이 점했던 젠더 집단을 중심으로 담론이 형성되던 시기와는 다른 물적 조건을 형성했고 ‘젠더 간 시차’의 상쇄는 그로 인한 효과로 지목된다. 이글은 위와 같이 변화한 담론 네트워크의 상황이 본 텍스트의 생산과 수용에 어떠한 영향을일으켰는지를 분석한다

언어 네트워크 분석을 통한 페미니즘 텍스트 읽기에 나타난 남성 독자와 여성 독자의 의미 구조 분석 : 소설 <82년생 김지영>을 중심으로

김세화 ( Kim Se Hwa ),최숙기 ( Choi Sook Ki ) 한국독서학회 2020 독서연구 Vol.0 No.56

본 연구의 목적은 소설 『82년생 김지영』을 읽은 대학생 남녀 독자 48명을 대상으로 독자 성별 변인에 따라 페미니즘 텍스트를 읽은 독자의 의미 구조양상을 분석하는 데 있다. 연구 결과는 다음과 같다. 첫째, 『82년생 김지영』이라는 페미니즘 텍스트 읽기 과정에서 전체 독자집단은 주인공 김지영의 모습을 통해 현실 사회에서 여성의 성차별적 구조에 대해 인식하고 젠더 담론에 대한 자신의 견해를 형성하는 양상이 의미 구조로 분석되었다. 둘째, 『82년생 김지영』과 같은 페미니즘 텍스트 읽기에서 독서 토의ㆍ토론은 독자들의 의미 구조를 형성하는 데 중심적 역할을 수행하는 것으로 나타났다. 독서 토의ㆍ토론을 통해 독자들이 질문을 떠올리고 이에 대해 이야기하는 과정은 젠더에 관한 독자 의미 구조를 형성하는 매개적 역할을 하고 있음을 확인할 수 있었다. 셋째, 독자 성별 변인에 따른 분석에서 남성 독자집단은 페미니즘 텍스트를 통해 여성의 성차별을 간접적으로 경험하지만, 소설의 통계적 왜곡과 편향에 대한 의미 구조를 형성함으로써 텍스트에 대한 저항과 의혹을 보였다. 넷째, 여성 독자 집단은 성차별에 대한 토론 경험에 대해 중요하게 인식하고, 군가산점 문제나 젠더간 극단적 갈등 우려에 대한 의미구조를 보였다. The purpose of this study is to analyze the semantic structure of readers who read feminist texts. Forty-eight participants who read the novel Kim Ji Young Born 1982 were broken down according to gender. The results of the study are as follows. First, in the process of reading this feminist text, the entire reader group recognized the gender discrimination structure against women in the real world through the appearance of the protagonist Kim Ji-young and formed a sense of gender discourse in the sense of meaning. Were analyzed. Second, while reading feminist texts such as Kim Ji Young Born 1982, reading discussions have been seen to play a central role in shaping readers’ meaning structure. Through reading discussions, it was confirmed that the process of reading and talking about readers plays a mediating role in shaping readers’ meaning structure about gender. Third, in the analysis on the readers’ genders, the group of male readers indirectly experienced women's gender discrimination through feminist texts but showed resistance and suspicion about the text by forming a semantic structure for statistical distortion and bias in the novel. Fourth, women's readers' groups, importantly, recognized the experience of the discussion on gender discrimination and showed a meaning structure for the issue of military add-on or extreme conflict between genders.

소설 『82년생 김지영』에 대한 여성주의 상담적 분석: 사례개념화를 중심으로

김희선 한국목회상담학회 2019 목회와 상담 Vol.32 No.-

This study introduces the case conceptualization based on feminist counseling theory by adapting the story of the novel, 『Kim Jiyoung born 1982』. Case conceptualization refers to a process in which a counselor establishes counseling strategies and goals for a client by utilizing both her own counseling theories and the client's information. Case conceptualization produces different counseling goals and strategies based on the particular set of theories used by the therapist. Feminist counseling theory aims to minimalize the role of gender-based discrimination and its limitations in the counseling process by equipping the therapist with the analytical lens of gender, power, and culture. Feminist counseling theory seeks to strengthen the clients' innate abilities to better navigate the challenges they face in their unique social context. In this article, I use feminist counseling theory to analyze 『Kim Ji-young』 by addressing the various forms of oppression that women face in society. Next, as a part of the pastoral theological reflection of the client Kim Ji-young, I explore the ways Kim may experience empowerment. I suggest that Kim's process of healing will require the following two elements: 1) the recovery of her humanity through encounters of empathy and respect; 2) restoration of her sense of belonging through positive experiences of community, in particular communality fostered among women. 본 연구는 소설 82년생 김지영의 이야기를 사례로 채택하여 여성주의 상담이론에 근거해 작성한사례개념화 구성을 소개한다. 사례개념화는 내담자의 정보를 기초로, 상담자가 자신의 상담 이론에 비추어 내담자의 문제에 대한 종합적 이해를 시도하고 그에 따라 상담목표 및 전략을 세우는 개념형성과정이다. 사례개념화는 상담자가 사용하는 이론에 따라 접근과 방식을 달리한다. 여성주의 상담은 성별에 근거한 차별과 제한을 벗어나 내담자의 다양한 삶의 경험을 젠더, 권력, 문화적 관점에서 분석하고 그에 따라 내담자의 역량을 강화시키는 것을 지향하는 상담이론이다. 이 연구에서는 여성주의 상담이론적 관점에 따라 가부장제 사회에서 여성이 처한 다양한 억압의 사회적 맥락, 성역할, 권력과 문화의 관점에서 김지영을 분석하고 그 후 김지영의 역량강화의 방법을 모색한다. 내담자 김지영의 인간성 회복을 위한 목회신학적 성찰로 연구자는 목회상담의 장 속에서 이루어지는 공감과 존중을 기반으로 이루어지는 영혼돌봄의 경험을 통한 인간성의 회복, 그리고 여성들의 연대로 이루어진 공동체 속에서 이루어지는 공동체성의 회복을 제안한다.

영화 <82년생 김지영>의 여성인물과 서사 분석

이태리,진성현 한국문화융합학회 2022 문화와 융합 Vol.44 No.4

This paper compares the narrative of the movie <Kim Ji-young Born 1982> with the novel to analyze the elements and structure of the cinematic narrative. The methodology of this study is to identify the eight elements of Nutshell Technique and the point where each element was placed to reveal the box office factors based on the running time. This study presents the essential elements of the narrative structure that must be equipped to adapt into a successful story when producing a film based on a novel. In addition, the analysis using the schematic diagram along with the eight elements of Nutshell Technique is valuable as the first attempt in a domestic study. The main theme of this paper’s narrative analysis with woman character in the movie <Kim Ji-young Born 1982> stems from the increased rating of male netizens after its release despite of controversy over gender conflicts. This is understood as a result of the novel and the movie’s narrative having a clear difference. Therefore, it could be confirmed that this difference was more effective in arousing sympathy from the audience and was consistent with the box office style remarked in Nutshell Technique.

일본의 한류 붐과 현대 한국 페미니즘 문학 ―『82년생, 김지영』을 중심으로―

이가현(李佳?) 한국일본문화학회 2023 日本文化學報 Vol.- No.96

This paper examines the factors behind the popularity of Korean feminist literature, which is currently gaining popularity in Japan, especially the novel Kim Ji-young, Born 1982. Paying attention to the acceptance and current popularity of Korean literature in Japan, it was confirmed that the popularity of Korean literature in Japan is part of the Korean Wave. Korean literature, has long been regarded as third-world literature, yet, it has maintained popularity as K-literature, following K-pop and K-beauty, focusing on feminism, and being influenced by the accumulated Korean Wave. Furthermore, research on Japanese womens language and the atmosphere of the literary world showed that research on womens issues has continually accumulated, Particularly since the 1990s, many works have been created depicting women in difficulties under the patriarchy. However, Japanese women were enthusiastic about Kim Ji-young, Born 1982, which has been released at a time when sexual discrimination still occurs, as womens issues have not been recognized as a social issue. This may be because the novel naturally projects social problems while portraying individual daily lives. By establishing that the direct expression of everyday life in Kim Ji-young, Born 1982 is a critique of society and a nation that promotes misogyny on behalf of individuals, it was confirmed that Kim Ji-young, Born 1982 is gaining popularity in Japan.

번역서 표지에 대한 사회기호학적 분석 및 평가—「82년생 김지영」 번역서의 앞표지와 주제 간의 일관성을 기준으로

마승혜,김순영 한국번역학회 2022 번역학연구 Vol.23 No.3

The first encounter with a book occurs at the cover, and the book cover influences readers’ decision-making about whether to buy the book or not. If the book cover has little relevance to the original content and theme, the book may be misrepresented, ultimately misleading the readers who attempt to predict the content based on the book cover. In this respect, this study analyzes the book covers of Kim Ji-young, Born 1982 translations. Contributing to the globalization of Korean literature, this novel was delivered into other cultures with various cover illustrations at the front. The main themes of this novel are disclosing identity crisis of women in Korean society, constructing solidarity among women, and sharing anxiety and grief with other women. The congruence between the cover design and the theme of the book is one of the important elements for successful cover designs. Therefore, this paper takes a social-semiotic approach to analyze the book covers of Kim Ji-young, Born 1982 translations published in 20 countries and evaluates them on the basis of congruence between the cover and the theme.

페미니즘 리부트 이후 한국 여성영화의 일면: 영화 <82년생 김지영>론

전지니 한양대학교 현대영화연구소 2020 현대영화연구 Vol.16 No.3

The purpose of this study is to discuss the movie KIM Ji-young: Born 1982 (2019) as the film, which dramatized the novel KIM Ji-young: Born 1982 (2016) as the novel, which had been the best seller and had been at the center of the gender debate by the world of popular culture, in relation to having been prompted a discussion about the gender hierarchy and the material deflection within the film world after ‘feminism reboot.’ As it is known, a movie became a target of persistent controversy up until the release from the production presentation phase. With being linked mainly with a social aspect to be discussed, a full-fledged argument over a work was not triggered. Considering this matter, this study complexly examines the direction of adaptation, the orientation of a film, and a significance in the acceptance process starting from the controversy over a movie. Specifically, the aim is to inquire into the direction of commercial film based on women’s narrative and ‘woman’ film in South Korea following the year in 2020. 본고는 ‘페미니즘 리부트’ 이후 영화계 내 젠더 위계와 소재의 편향성에 대한 논의가 촉발된 것과 관련하여, 베스트셀러이자 대중문화계 젠더 논쟁의 중심에 있었던 소설 82년생 김지영(2016)을 각색한 영화 <82년생 김지영>(2019)에 대해 논의하고자 한다. 알려진 것처럼 영화는 제작 발표 단계부터 개봉 이후까지 지속적인 논란의 대상이 됐으며, 주로 사회상과 연동하여 언급되면서 작품에 대한 본격적인 논의는 촉발되지 않았다. 이 같은 점을 감안하여, 본고는 영화에 대한 논란에서 출발해 각색의 방향, 영화의 지향점 및 수용 과정에서의 의미 등을 복합적으로 살펴본다. 이 같은 작업을 통해 여성서사를 기반으로 한 상업영화의 목표 지점 및 2020년 한국 이후 ‘여성’ 영화의 방향을 논의할 것이다.

Kim Ji-young, Born 1982 Revisited: Statistical Evidence from Time Use Surveys

HOYONG JUNG 서울대학교 사회발전연구소 2021 Journal of Asian Sociology Vol.50 No.1

This study conducts a graphical and empirical analysis of a day in the lives of South Korean women by employing data from the 2004, 2009, and 2014 Korean Time Use Surveys to examine the gendered difference of time use through the lens of life course. We focus on the Kim Ji-young generation, who were born in the 1970s and 1980s, and who face conflicts in their daily time use due to traditional and modern gender norms. While the real-time allocation of 24 hours was similar between men and women when they were between the ages of 20-29 in 2004, gender differences in actual time allocation became noticeable after marriage and childbearing when the cohort reached the ages of 25-34 in 2009 and 30-39 in 2014. Women in a dual-earning household are less likely to work and or spend time on leisure and social activities in their non-working hours, while they assume more responsibility for household chores and family care, which possibly indicates a lower quality of life. Furthermore, we find that married men have a crucial role in sharing the burden of housework shouldered by women in the home.

경력단절여성은 <82년생 김지영>을 어떻게 읽는가?: 경력단절을 경험한 유자녀 기혼여성의 해독을 중심으로

박지훈 한국여성커뮤니케이션학회 2022 미디어, 젠더 & 문화 Vol.37 No.3

By analyzing how women who experienced a career break read the film <Kim Ji-Young: Born in 1982>, this study explores the ways that married women with a child (children) are interpellated in Korean society and their implications. The respondents of our study did not necessarily sympathize with Kim Ji Young’s desire to get back to work. It is not because the respondents do not support women’s realization of their dream via their participation in the labor market. It’s rather because of their awareness that career women are still primarily responsible for the childcare and housework and thus must endure mental and physical tiredness. The respondents also felt in the film the negative perception of stay-home-moms as lazy and incompetent and expressed their discomfort about the reproduction of a derogatory term such as ‘mum-roach.’ The respondents’ reading of the film indicates the married women’s precarious position in Korea. The patriarchal culture that assigns the primary role of childcare and housework to women and the neoliberal discourse that regards stay-home-moms as lazy and incompetent ultimately require married women to perform both role perfectly. 본 연구는 경력단절을 경험했던 여성들이 영화 <82년생 김지영>이 재현하는 경력단절여성의 서사를 해독하는 방식을 분석함으로써 한국의 유자녀 기혼여성이 사회에서 호명되는 방식과 그 함의를 논의한다. 응답자들은 직장 복귀에 대한 김지영의 서사에 전적으로 공감하지 않았는데 이는 이들이 경제활동을 통한 여성의 자아실현을 부정적으로 보기 때문이 아니라, 김지영이 직장으로 복귀하더라도 그녀가 책임져야 할 가사와 육아·양육의 의무가 줄어드는 것이 아니며 오히려 더 큰 정신적·육체적 부담을 감당해야 한다는 사실을 잘 알고 있기 때문이다. 한편 응답자들은 경제활동을 하지 않는 전업주부를 무능하고 열등한 존재로 바라보는 사회적 시선을 영화에서도 느꼈으며 이에 대한 불편함을 드러냈다. <82년생 김지영>에 대한 응답자들의 해독은 한국 사회에서 유자녀 기혼여성이 처한 불안정한 위치를 드러낸다고 보인다. 기혼여성에게 육아·양육, 가사노동을 떠맡기는 가부장적인 문화, 경제활동을 하지 않는 여성을 자기계발하지 않는 나태하고 존재로 바라보는 신자유주의적 시선은 결국 유자녀 기혼여성에게 직장생활과 육아·가사 노동을 둘 다 완벽하게 할 것을 요구하기 때문이다.