A Perspective Study of the Theological Aesthetics considered in Convergency Engineering Technology

Hong Jin Keun 한국융합학회 2017 한국융합학회논문지 Vol.8 No.2

본 논문에서는 신학적미학이 무엇인지 그리고 이 신학적 미학의 기준으로 인간의 가치 기준의 표준이 되는 성경으로부터 근거를 조사한다. 다른 관점에서 동물과 식물의 유일한 설계가 미학이라는 견지에서 살펴보았 다. 우리가 고안하고 창조할 수 있는 또다른 다양한 아름다움을 가지는 적용에 대해서도 살펴보았다. 그런데 이러 한 설명은 사물을 설계하고 만들기 위해 적용되고 실용가능한 적용 뿐 아니라 아름다움을 위해서도 인지된다. 이런 관점으로부터 우리는 신과 창조세계 그리고 신학적 미학의 관련성을 유추할 수 있다. 우리는 인간이 만든 그리고 만들 융합공학기술과 신학적 미학이라는 함의에 대해 살펴보았다. 왜 융합공학기술에 신학적 미학이라는 도구가 필요한지 그리고 중요한지 라는 문제를 논의하였다. 우리는 이 사회에 보다 건강하고 도덕적이며 윤리적인 융합공 학기술을 개발하여, 인류에게 보다 가치있고 건강한 미래의 삶을 제공하기 위해, 신학적 미학이 함의된 기술 진보 라는 측면에서 더 많은 논의가 필요할 것으로 사료된다. In this paper, we investigates the basis of the theological aesthetics and the Bible as the standard of human value standards on the basis of this theological aesthetics. In another approach, unique designs of plants and animals were described in terms of aesthetics. These descriptions were then employed to design and create things, recognised for their beauty as well as practicable applications. From this point of view, we can deduce the relevance of God, the created world, and theological aesthetics. We review the implications of human engineering and the art of convergence and engineering theology. We discussed why the need for a tool of theological aesthetics in convergence engineering is important. We will need more discussion in terms of technological progress in which theological aesthetics is embodied in order to develop more healthy, moral and ethical convergent engineering skills in our society and to provide a better and healthier life for mankind.

An Agent-based Aesthetic Engineering Model in E-Business

Jungmo Yoon,Jaesoo Kim 한국산업응용수학회 2006 Journal of the Korean Society for Industrial and A Vol.10 No.1

Most Internet shopping mans simply show goods catalogs where a customer looks at and chooses the figure and specification of an article. In this way, click the banner and buy something seems to be the norm on today's Internet. To create an environment, which suits and satisfies customer's needs it is required not only to show simple goods information but also develop a specialized and tailored selling support system using Aesthetic Engineering. The role of the marketing support system in electronic commerce is to maximize a customer's degree of satisfaction by grasping the customer's taste and to search the most suitable goods for the customer's demand. When the goods, which suit a customer's taste, are not found as a result of search, however, showing products and merchants which suit customer's needs using a customer's sensitivity information is desired. An agent system, which applied a blood type that is one of the important factors which generates attractive quality characteristics that appeal to the inner needs of today's consumers has been proposed. In this paper, an agent-based marketing support system, which took Aesthetic Engineering of consumer's perceptual design elements and sensory attributes about a product and unified the new goods design development support agent using case-based reasoning is proposed.

그래픽노블 <파리 다시보기>의 비판적 읽기: 근대 기계를 향한 편향

이수진 인문콘텐츠학회 2019 인문콘텐츠 Vol.0 No.53

The Graphic Novel Revoir Paris and the exhibition Machines à dessiner are recent works of François Schuiten and Benoît Peeters, who have played an important role in French comics for over 35 years. While these are superficially different texts, we can discover an intrinsic nostalgia shared through in-depth observations. These two works deal with machines and architectures of the Belle époque as major narrative and aesthetic motifs. They emphasize the sophisticated functionality of the mechanism. The series Cités obscures of these two artists is also composed of works whose modern architecture is at the heart of the story. They emphasize the inventive mind of modernity. The reason why these two artists are acknowledged as a prestigious artist is that they have been engaged in creative work with original style paintings and storytelling. However, it is doubtful whether the characteristics of Creativity, Originality and Experimental spirit are revealed in their recent works. Revoir Paris is an SF genre based on the future background of the year 2156, but it’s connotation is past regression. While emphasizing the visibility of revealing the sophisticated mechanisms of the machine, authors ignore digital machines which is today’s technology. In this paper, firstly, we try to connect the characteristic of Revoir Paris with the characteristic of Modern architecture and Steam Punk. Secondly the characteristic of Machines à dessiner will be connected with the concept of Phantasmagoria proposed by Walter Benjamin. And the thirdly I would like to trace meanings of Mechanic Beauty revealed in the work of Schuiten and Peeters by applying the concept of Engineer’s Aesthetic of Le Corbusier, representing Modern Architecture. 본 논문은 40년 이상 프랑스어권 문화에서 중요한 작가로 인정받고 있는 프랑수아 스쿼이텐과 브누아 페테레스의 최근작에 관한 비판적 독서를 목표로 한다. 두 작가는 2014년 그래픽 노블 <파리 다시보기(Revoir Paris)> 1권을 발표하고, 유사한 세계관을 전시로 시각화한 <그림 기계(Machines à dessiner)>를 2016년부터 2017년까지 개최한다. 2016년에 <파리 다시보기> 2권, 2018년에 통합본을 발표한다. 열거한 작품들은 서로 다른 콘텐츠이지만 심층적으로는 공통의 함축 의미를 갖고 있을 뿐만 아니라 작가들의 명성을 있게 한 연작 <모호한 도시들 (Cités obscures)>과도 밀접한 연관을 맺고 있다. <모호한 도시들>은 1983년 첫 번째 앨범으로 시작된 이후, 그래픽 노블 11편, 가이드북, 컨퍼런스, 소리극, 전시 등의 파생 작품 13편 등으로 구성된 거대한 세계관을 구축하는 시리즈이다. 요컨대 두 작가는 프랑스 문화계에 지대한 영향을 미치고 있다. 그들의 작품 세계는 공통적으로 ‘모던(modern)’을 주요 모티브로 한다. 주지하다시피 19세기 말 20세기 초에는 새로운 기계들이 대거 발명되고, 신소재로 건축한 새로운 형태의 건물들이 부상하고, 모더니즘이라는 새로운 형식의 예술 작품이 등장하였다. 이 두 작가가 예술가로서 인정받은 이유 역시 독창적인 스타일의 그림과 스토리텔링으로 창의적인 작품 활동을 펼쳐왔기 때문이다. 하지만 그들을 정의하는 ‘새로움’, ‘다름’, ‘실험정신’ 등의 특성이 최근작에서도 드러나는지는 의문이다. <파리 다시보기>는 2156년 미래를 배경으로 하는 SF 장르이지만, 함축 의미는 과거 회귀적이다. 기계의 정교한 메커니즘을 드러내는 가시성을 강조하지만, 오늘날의 기술인 디지털 기계들은 외면한다. 본 논문에서는 첫째 <파리 다시보기>의 특성을 모던 건축 및 스팀펑크의 장르적 특성과 연계하고, 둘째 <그림 기계>의 특성을 ‘판타스마고리아’ 개념과 연계하고, 셋째 모던 건축의 대가 르코르뷔지에가 강조한 ‘엔지니어 미학’ 개념을 적용하여 스쿼이텐과 페테레스의 작품에서 드러내는 ‘기계의 아름다움’에 담긴 함축적 의미를 추적하고자 한다.

공학설계(工學設計)와 공업설계(工業設計) 간의 협업차원

이병종(Byeong-Jong Lee) 대한기계학회 2018 대한기계학회 춘추학술대회 Vol.2018 No.12

Nowadays, to find good design solutions of the variety of problems and tasks in the development of technical products, socio-economic-technical processes, procedures and methods with system theory are increasingly important. Technical artefacts can be represented as systems and its overall tasks can be defined as inputs and outputs of its overall functions. But technical artefacts or systems do not operate in isolation. Generally they are part of a superior system. To fulfil its overall function, such a system often involves humans who interact it. That interaction between humans and technical artefacts/systems can be called as a interface. Hereby the engineering design’s main field is the technical artefact/system itself and the industrial design’s is the interface of the technical artefact/system. In the semiotic theory’s view point, collaborative tasks and activities between engineering and industrial design are within developing practical functions. Aesthetic and symbolic functions are main fields of industrial design.

A STUDY ON CONSTRUCTION OF KANSEI DATABASE WITH GIRDER BRIDGE FOR ASSESSMENT OF AESTHETICS

( Wataru Shiraki ),( Keiichi Yasuda ),( Makoto Adacil ),( Masahiro Dogakl ) 한국감성과학회 2000 춘계학술대회 Vol.2000 No.-

In the last years by the recognition and social capital maintenance of join local people of importance of bridge scenery and design we have get new business, and we have real understood the reflection which be given to the users sensitivity engineering science. We make as object the bridge and subject the design and with questionnaire we make an examine. we made verification of each different judgment. we applied the social capital maintenance into the sensitivity engineering science and discuss about how we can tie the design.

A Study on the Application of Cultural Semiotics in the Attractive Factor of Flower

Chia-Hui, Huang,Wen-Hui, Chen,Kim, Young Sam 한국일러스트레이션학회 2017 일러스트레이션 포럼 Vol.18 No.51

The purpose of this study is to explore the application of cultural semiotics in the attractiveness factor of flower arrangement. In addition, the study also applies the evaluation grid method of Miryoku Engineering to summarize the attractiveness factor of flower arrangement. After conducting an interview with the use of 14 originally-invented flower arrangement cards, we have found that the applications of cultural semiotics in the attractive factors of flower arrangement can be mainly subdivided into the following categories: "floral style", "field space", "food culture", "local feature", "nostalgic memory", "spiritual aspect", and "installation art". From the evaluation grid method of Miryoku Engineering, we know that the first three keynotes to the applications of cultural semiotics in the attractive factors of flower arrangement are "color design", "focus contrast", and "artwork size". On the other hand, creative factors such as "beautified", "serene", "modern", "leisure", and "situated" are also widely applied to the abstract cause. This study is mainly designed to summarize the application of cultural semiotics in the attractive factor of flower arrangement, which provides future flower arrangement with an improvement standard and application criteria to refer to.

공학ㆍ과학ㆍ미학ㆍ인문학 및 사회과학 분야간 지식융합을 위한 수렴영역 분석

박성미(Sung-Mi PARK) 한국수산해양교육학회 2013 水産海洋敎育硏究 Vol.25 No.5

The purpose of this study was to analyze on the convergence for knowledge fusion in the filed of the engineering, science, aesthetics, humanities and social sciences. For the study, the related literatures were reviewed focusing on the convergence in the basis of the inter-disciplinary. In addition, interviews with 5 professors in the field of the engineering, science, aesthetics, humanities and social sciences were analyzed. The keys of analysis were perspective of academic disciplines. The findings of this study were as follows; most of professors recognized the inter-disciplinary of engineering, science, aesthetics, humanities and social sciences. But, there were some barriers engineering of professors in inter-disciplinary.

An Agent-based Aesthetic Engineering Model in E-Business

( Jung Mo Yoon ),( Jae Soo Kim ) 한국산업응용수학회(구 한국산업정보응용수학회) 2006 한국산업정보응용수학회 Vol.10 No.1

Speculative Poetics in Cathy Park Hong`s Engine Empire

( Robert Grotjohn ) 21세기영어영문학회 2015 영어영문학21 Vol.28 No.3

This essay considers Korean American poet Cathy Park Hong’s Engine Empire as a post-racial text in a questionably post-racial America and how that postracialism might transgress some assumptions behind the reception of Korean American texts in Korea. Building from Ramon Saldivar’s theorization of a “speculative realism” that shows a “postrace aesthetic,” the essay focuses on the first and third sections of Hong’s collection. In “Ballad of Our Jim,” the first section, Hong speculates a 19th-century American landscape that stretches from Kansas to California. In “The World Cloud,” the third section, she imagines a future California landscape and an internalized cyber-scape. Both sections show that ethnicity, which seemed to have lost visibility in illusions of a post-racial American society, remains integral to seeing and understanding the coming majority-minority American make-up. Korean and American reading contexts become interdependent in Hong’s “postrace” speculations that point toward a future that may be constantly re-imagined through various minority perspectives.

디지털 애니메이션의 새로운 형식미학적 가능성에 대한 탐구 - 엔진-애니메이션의 제안과 사례들에 대하여

함준서 한국영상학회 2018 한국영상학회 논문집 Vol.16 No.5

다양한 디지털 영상 미디어의 등장과 발전에 따라 애니메이션에 대한 논의가 풍부하게 이루어지고 있다. 다만 그러한 논의의 출발이 되는 애니메이션의 정의와 본질에 관한 문제는 애니메이션이 영화의 시대에 있을 때, 정확하게는 셀룰로이드 필름위에 존재할 때 이루어졌거나, 또는 비디오나 디지털 미디어의 최종 상영형식에 의존하여 이루어지는 경우가 많아, 이에 대한 재검토가 필요한 상황이다. 본 연구는 그 정의를 먼저 재검토하여 애니메이션의 본질적 속성은 무엇인가를 밝히고 있다. 애니메이션은 결국 움직이는 이미지라는 환영을 직접적으로 조작하여 만들어 내는 것이다. 그 환영을 위해 이미지가 어떤 단위로 업데이트되는가 하는 문제는 이제 중요하지 않게 되었다. 디지털 애니메이션의 새로운 미학적 가능성은 프레임이나 픽셀을 검토할 때 보다는 그것이 만들어지는 방법론에서 찾아야 한다. 이에 따라 본 연구는 엔진-애니메이션을 제안한다. 오늘날의 애니메이팅이라는 것은 결국 키프레임을 어떻게 조작하는가의 문제로 환원되는 것이다. 엔진-애니메이션은 이 키프레임의 조작이라는 행위도 애니메이션의 본질적 속성을 담보할 수 없을 것을 가정한다. 지금까지 물리적인 현상을 재현하기 위해 제한적으로 사용되어 왔던 물리엔진의 전면적 사용은 키프레임의 소멸을 요청할 것으로 본다. 본 연구는 이에 따라 물리엔진을 물리현상의 재현을 위해 사용하는 것이 아닌 작품 전체를 작동하는 새로운 방법론으로 삼는 두 작가의 작품세계를 검토한다. 그들에게 물리엔진의 사용은 미학적 선택이었으며, 그것을 통해 그들은 전에는 볼 수 없었던 새로운 차원의 움직이는 이미지를 제시하거나 지각하게 하거나 개입하게 함으로서 애니메이션의 형식적 경계를 실험하고 있다. Discussions have been active about animation in various forms of digital image media. However, with regard to the issues of definitions and the essence of animation, which form the starting point of such discussions, questions arise as to whether animations are created in the age of cinema, precisely on celluloid film, or as part of the final screening form of videos or digital media. This situation therefore calls for a review. In this study, we initially review the definition of and clarify the essential attributes of animation. Animation is created by manipulating the illusion of moving images. The question of which unit of an image is updated for the illusion is no longer important. The new aesthetic potential of digital animation should be found in the methodology in which it is created, rather than when examining a frame or pixel. Therefore, this study suggests the concept of engine animation. Creating motion from an image relies on the operation of the current key frame. Engine animation assumes that the act of manipulating a key frame cannot guarantee a decisive meaning. The extinction of the key frame will require the full use of the physical engine, which has been used thus far to reproduce physical phenomena. This study examines the works of two artists who use the physical engine as a new methodology to accomplish entire works instead of reproducing physical phenomena. Their use of the physics engine is an aesthetic choice through which they experimented with the formal boundaries of animation by presenting, perceiving, or engaging in new dimensions of moving images never seen before.