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Ali Dogan,H. Murat Arslan,Huseyin R. Yerli 국제구조공학회 2010 Structural Engineering and Mechanics, An Int'l Jou Vol.35 No.4
This paper presents effects of anisotropy and curvature on free vibration characteristics of cross-ply laminated composite cylindrical shallow shells. Shallow shells have been considered for different lamination thickness, radius of curvature and elasticity ratio. First, kinematic relations of strains and deformation have been showed. Then, using Hamilton’s principle, governing differential equations have been obtained for a general curved shell. In the next step, stress-strain relation for laminated, cross-ply composite shells has been given. By using some simplifications and assuming Fourier series as a displacement field, differential equations are solved by matrix algebra for shallow shells. The results obtained by this solution have been given tables and graphs. The comparisons made with the literature and finite element program (ANSYS).
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Dogan, Ali,Arslan, H. Murat,Yerli, Huseyin R. Techno-Press 2010 Structural Engineering and Mechanics, An Int'l Jou Vol.35 No.4
This paper presents effects of anisotropy and curvature on free vibration characteristics of cross-ply laminated composite cylindrical shallow shells. Shallow shells have been considered for different lamination thickness, radius of curvature and elasticity ratio. First, kinematic relations of strains and deformation have been showed. Then, using Hamilton's principle, governing differential equations have been obtained for a general curved shell. In the next step, stress-strain relation for laminated, cross-ply composite shells has been given. By using some simplifications and assuming Fourier series as a displacement field, differential equations are solved by matrix algebra for shallow shells. The results obtained by this solution have been given tables and graphs. The comparisons made with the literature and finite element program (ANSYS).
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國際競爭力 提高를 위한 裡里貴金屬團地 Commercial Jewelry Design의 發展方向에 關한 硏究
尹汝玉 圓光大學校 1991 論文集 Vol.25 No.2
Most of companies located in IRI Jewelry Complex are hardly accommodate international Jewelry market due to lack of funds and inefficient production system. So, jewelry industry in IRI has not grow up to HIGH-PROFITINDUSTRY and it just contented with labor profit of it`s production. For the sake of escaping of Ithis depressed situation, we need innovation of management system, new and high quality product. It is most recommendable that company has it`s own designers and at the same time, for some companies which can not have it`s own one, there must be a Designer Service such as sa Designing Organization. one of the schemes of above idea is that the foundation of ANNEX DESIGNING LABORATORY. The way of innovation product, we can say, planning product and second designing it. During planning, management section and it`s relative patty go together to innvate product. In the course of designing, of it`s accommodation of systematic and objective idea, it can have repletion to Marketable Product.
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유인근,윤여완,양극영 원광대학교 2004 論文集 Vol.33 No.-
This study aims to evaluate the feasibility of remodeling business by predicting the future price of apartment house after remodeling using Hedonic Price Model. The data concerning such 8 independent variables as location, unit size, unit plan, landscape, parking, the number of elapsed years after completion, number of units, brand per apartment unit from 25 regions in Seoul metropolitan city were collected and evaluated by established evaluation criteria. The coefficients affecting the price of apartment unit were made by way of linear multi-regression and put into Hedonic Price Model. The feasibility evaluation model for apartment was made and verified by data of remodelled apartment. The predicted results using suggested evaluation model coincide with actual apartment market situations.
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呂石基 동국대학교 연극영상학부 1967 演劇學報 Vol.1 No.-
입센이 이른바 사회극이라 할 수 있는 계열의 최초의 작품인 『사회의 기둥』을 발표한 것은 1877년의 일이었다. 그 작품이후로 '78년에는 『인형의 집』을 완성하였고, '81년에 『유령』을 '82년에는 『민중의 적』을 세상에 내 놓았다. 대체로 『사회의 기둥』에서 『민중의 적』에 이르는 이 시기는 그의 작가적생애에 있어서 가장 창작력이 왕성했던 시기였다고 할 수 있으며 이 일련의 작품들이 그의 작품목록가운데 가장 많은 반향을 불어 일으켰다는 사실에 대해서도 이론의 여지가 없다. 입센이라고 하면 그의 사회문제극적 작품을 연상하고 그 사회문제극의 계열이 바로 이 작품들이었다는 사실은 극작가 입센의 전모를 올바르게 이해하는데 이따금씩 편파적 견해를 낳기도 하였지만 그가 근대리얼리즘연극의 선구적 존재이자 최고봉이었다는 연극사적 평가의 대부분은 바로 이 일련의 작품들이 1870년대에서 '80년대에 걸처 전구라파극계에 감격적 쇼크를 주었고 크나큰 센세이숀을 일으켰다는 사실에 기인하는 것이다. 이 말은 물론 단순히 『인형의 집』여성문제를 다루었다든가 『유령』이 유전의 무서운 결과를 이야기하였다든가 『민중의 적』사회적 부패를 찔렀다든가 하는 작품의 소재에서 노출되는 이른 바 사회문제적 성격을 두고 이야기하려는 것은 아니다. 입센이 이 작품들을 통해서나타내고자 하였던 것은 보다 더깊이 뿌리박고있는 인간과 사회에 대한 동찰이었다고 보아야겠으며 그이 못지않게 강조해 두어야 할 점은 그러한 깊이 있는 동찰을 극화시키는데 있어서의 그의 빈틈없는 방법 - 근대 리얼리즘의 짜임새있는 작극법의 거의 완벽한 모델이라고 할 수 있는 그의 드라마투르기다. 입센적 방법이라고 할 수 있는 이 새로운 드라마트르기를 확립하는데 있어 그는 프랑스의 듀마(Dumas), 오지에(Augier)등의 사회성을 띈 극작가들의 수법에서 얻어온 바가 많다고 하지만 이 시기에 와서 비로소 그가 완성하기에 이른 압축과 긴밀의 드라마는 입센으로 하여금 타의 투종을 용서치 않는다. 그 가운데서도 『유령』을 한개 완벽한 모델이라고 말하는데 거의 모든 평가의 의견이 일치하고 있는데 그 수법, 특히 극구성의 여러가지 특색와 그 구성을 통한 주제부각의 솜씨를 작품분석의 방법을 통하여 찾아보기로 한다. 입센 중기의작품의가장 큰 특색은 한마디로 해서 압축과 절약이라고 할 수 있다. 드라마가 필요로 하는 것은 가장 집약적으로 그리고 효과적으로 사건과 인물과 행동을 간추릴 수 있는가 하는데 있다고 보는 점에서 입센은 오히려 희랍고전극작가에 더 가깝다고 할 수 있다. 『유령』에서는 삼막구성에 단일무대, 5인의 등장인물을 써서 약 12시간의 과정만으로 한 인물의 비극을 뚜렷이 부각시키고 있다. 고전극에서 볼 수 있고 또 고전주의자가 주장하는 바 「삼통일의 법칙」에 대해서 입센은 하나의 법칙으로서 주장한 일도 없고 도대체 그러한 외재적 규정자체를 부인하는 그였지만 극이 압축과 절약아래 이뤄져야만 가장 극적인 효과를 올릴 수 있다는 입장이 스스로 고전극적 방법과의 일치를 본 것이다.
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김여수(Yer Su Kim) 철학연구회 1970 哲學硏究 Vol.5 No.-
The intention of this paper is three-fold: 1. to outline Wittgenstein`s early attempt to formulate anew the principles of what I call the tradition of essentialistic philosophy through an analysis of the theory of meaning as embodied in the Tractatuss Logicophilosophicus, 2. to analyse the aporetic situation which such an essentialistic theory of meaning creates, 3. and finally to give a brief account of the anti-Platonistic, polyrnorphic and contextualistic view of the meaning as embodied in the Philosophical Investigations. I have defined that attitude in philosophy the Platonistic or essentialistic which demands a crystalline purity in our knowledge of the world. Such an epistemological purity is to be gained through the intuition of essences. The Platonistic philosophy in this sense has an ostensive theory of meaning as its epistemological basis. According to this theory, the crystalline pure and absolute knowledge of the world is gained by bringing the units of our language and the objects signified by those units into a clear, one-to-one correlation. The signified object, the meaning, is well-defined, simple and clear. Such an object is generally sought in the transcendent, metaphysical entities not subject to the conditions of time and space. The first and most radical formulation of this view is Plato`s theory of meaning as embodied in the theory of ideas. Wittgenstein`s Tractatus is seen in the context of the efforts at the turn of the century to renew the tradition of the essentialistic philosophy in face of the challenge posed by the success of natural sciences. Starting with the logical analysis of language, Wittgenstein seeks the final elements of meaning in the atomistic, simple and metaphysical objects, which in turn is brought into a clear ostensive relationship with the units of our language. This relationship is established by what Wittgenstein calls the picture theory of meaning. The picture theory of meaning is based on a highly metaphysical theory concerning the world and the language. According to this theory, the world consists of atomic facts, which in turn is a configuration of the objects, the substance of the world. The molecular facts, the complexes of atomic facts, can be analyzed into atomic facts. The language consists of names, which represent objects, atomic propositions, which represent atomic facts and molecular propositions, which represent molecular facts. The untenability of this theory of the world and the language is established by means of the following arguments. 1. The picture theory of meaning is shown to apply to only one level of the units of our language, namely, the atomic propositions. The correlation between the name and the object is possible only through denotative relationship. Since the sense of an atomic proposition can be understood only onthe assumption of an ostensive relationship between the name and the atomic fact, the tenability of the picture theory of meaning depends the soundness of the denotative relationship between the name and the object. 2. No clear picture of the concept of the object, the cornerstone of the Wittgensteinian theory of the world, can be gained. Not only does Wittgenstein fail to give a clear idea of what an object might be, but it is also shown to be impassible to work out a logically coherent interpretation of that concept. 3. Wittgenstein`s arguments establishing the existence of the objects are shown to be petitio principii arguments: the arguments for the existence of objects and stomic facts are based on the ostensive theory of meaning, which in turn is based on an implicit assumption of the existence of the final metaphysical elements. Such an aporetic situation leads Wittgenstein to abandon his early attempt at redefinition of the Platonistic, essentialistic philosophy. In the Philosophical Investigations, meanings are no longer seen as clear unitary structures.
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