독자에 따른 읽기 전략의 활용 양상

김경주 국어국문학회 2003 국어국문학 Vol.- No.133

This paw is about the practical uses of reading comprehension strategies. For this study, I interviewed the different readers of their reading processes and the results were transfered by written language. And then they wee analyzed with readers' features and their reading comprehension strategies. In this study, I intended to explain the varieties of reading results and the causes of the varieties. The different readers used the different reading methods, and made the different reading results, because they had the different reading abilities and used the different reading comprehension strategies. And the causes of these differences were not only readers' vocabulary priorities and the abundance of schemata, but also their abilities of usage vocabulary knowledge and application abilities of reading comprehension strategies. Reading comprehension would be considered by the right viewpoint of reading comprehension, the interactive messes of reading, the variations of reading processes, and the varieties of reading results, etc. And in reading comprehension education, the readers as the learners would be taught by the right considerations of this reading comprehension. Finally I expect that this study will be used for the better education of reading comprehension.

자금세탁의 현황과 대응방안

김정규 원광대학교 2005 論文集 Vol.34 No.-

Money laundering is a major international issue. Countries around the world strive to combat money laundering activities. Specially, since the terrorist attacks against the United States on September 11, 2001, UN and international efforts to eliminate terrorism and counter terrorist financing. Today, international cooperation is more important than ever. In order to take a more active role in international anti-money laundering initiatives, we will strengthen cooperation and facilitate information exchange with foreign financial intelligence units. Joining the global anti-money laundering effort, the Korean government established the Korea Financial Intelligence Unit in November 2001, a specialized national agency responsible for receiving, analyzing and disseminating information on suspicious transactions. The Korea Financial Intelligence Unit is to prevent money laundering associated with serious crimes and to stop the illicit cross-border flow of funds that abuses the foreign exchange liberalization policy. The Korea Financial Intelligence Unit will ensure that a comprehensive and effective system is in place to detect and monitor illegal activities associated with money laundering. With such an anti-money laundering system, we expect that the Korean financial system will become more sound and transparent. I hope this report contribute to a better countermeasure of anti-money laundering.

Current Issue of Educating the Elderly

Jyoung Hyun Ham 한국노인복지학회 2005 International Journal of Welfare for the Aged Vol.13 No.-

페도토프와 페로프: 러시아 풍속화의 1840년대와 1860년대

권정임 ( Jyoung Im Kwon ) 한국외국어대학교 러시아연구소 2013 슬라브연구 Vol.29 No.2

본 논문은 19세기 중반 러시아 풍속화의 대표자인 페도토프(П. Федотов)와 페로프(В. Перов)의 작품세계를 그들이 활동한 시대인 1840년대와 1860년대의 시대적 특성 속에서 살펴보기 위한 글이다. 러시아 문학계에서 푸시킨의 예브게니, 혹은 고골의 아카키 아카키예비치와 같은 ‘작은 인간’ 부류들이 19세기 초반에 일찍부터 등장했다면, 러시아 미술계에서 이같은 부류의 인간의 출현은 상당히 늦게 이루어졌다. 페도토프와 페로프는 러시아 문학에서 시작되었던 이러한 ‘작은 인간’의 전형들을 화폭으로 옮겨오면서 러시아 풍속화의 새로운 장을 열었다. 1840년대를 자신의 주요 활동무대로 삼은 페도토프는 자유주의자로서의 면모를 띠며 자신의 화폭에서 당대의 구태와 악습을 실컷 조롱했다. 그는 자신의 많은 그림들에서 시대의 모습을 풍자한 것에 머물지 않고, 자기 자신을 희화화하며 희극배우의 기질을 여지없이 발휘하였다. 그는 시대의 미묘한 변화와 변화의 방향에 대한 도덕적 벡터를 제시하였던 것이다. 반동적 시대의 희생양이 되어 자신의 재능을 끝내 다 펼치지 못한 불운의 풍속화가였지만, 러시아의 비판적 리얼리즘 미술의 기초를 닦은 화가로서의 그의 묵직한 존재감은 러시아 미술사에 여전하다. 1860년대를 자신의 주요 활동무대로 삼은 페로프는 바자로프주의자 ? 혁명주의자로의 면모를 띠며 병든 시대를 세밀히 진단하고 그 환부를 도려내고자 메스와 채찍을 들었다. 페도토프식의 단순한 조롱과 풍자에만 머물지 않고, 한 발자국 더 앞으로 나가 거친 비판과 독설적인 폭로를 추구했다. 혼외자로 태어나 평생 예술적 반골의 삶을 추구한 페로프는 사회적 억압자들과 피억 압자들을 주시하며, 시대의 악에 대한 분노와 시대의 고통에 대한 슬픔을 화폭에 담아내었다. 그 가 추구한 러시아 사회에 대한 근본적인 부정의 시선은 곧이어 도래한 이동전람회파의 회화적 근간이 되어주었다. 시대의 병적인 징후를 포착하고 변화의 희망을 키워낸 페도토프와 페로프의 풍속화를 통해 러시아 미술은 시대의 도저한 흐름인 리얼리즘의 물꼬를 트게 되었다. 시대는 그들의 그림을 통해 새로운 눈과 의식을 얻게 되었다. This article is devoted to the representatives of the Russian genre painting of the mid 19th century - P. Fedotov and V. Perov. At that time, while in the circles of Russian literature appeared ``little man`` as Pushkin`s Evgenii or Gogol`s Akakii Akakievich, in the circles of Russian art of painting has appeared much later such a ``little man``. Fedotov and Perov, who have started to portray such people, belonging to the types of ``little man``, opened a new era of Russian genre painting. Fedotov had liberal character and laughed at old and bad customs of the his times. Fedotov, who had the temperament of the comic artist and liked self-caricature in his many paintings, was regarded as Russian Hogarth and offered moral vector in connection with delicate changes of times and direction of these changes. Although he was a victim of a reactionary times of Nikolai I and couldn`t deploy his outstanding artistic talent, he left the big trace in the history of Russian realistic genre painting. Perov had radical nature and took the whip and the lancet to make the diagnosis of social disease and cut the sick places. He not only focused on a simple mockery and satire, but also went further, seeking sharp criticism and exposure of social injustice and evil. Perov, who was born as a illegitimate son, and has lived all his life of a nihilist, watched social types of ``the oppressors`` and ``the oppressed`` and portrayed the anger against evil, sadness and suffering of times. His fundamental negative viewpoints on the Russian society had a great influence on the future of the russian fine art school ``the Wanderers``. Genre painting of Fedotov and Perov showed not so much the sweetness and fragrance of his times, as the bitterness and the symptoms of the times and the hope of change for a better world. Thanks to them, the pictures of Russian genre painting was able to take part in the world realistic art.

알렉세예프와 아이바조프스키: 돌과 물의 풍경화

권정임 ( Jyoung Im Kwon ) 한국외국어대학교 러시아연구소 2013 슬라브연구 Vol.29 No.3

본 논문은 19세기 전반 러시아 고전주의 풍경화와 낭만주의 풍경화를 각각 대표하는 두 화가인 알렉세예프와 아이바조프스키를 다룬다. 알렉세예프는 가장 뛰어난 러시아 도시풍경화가들 중 한 명으로서, 그의 풍경화는 인간의 건축과 자연과의 고요한 조화와 소박한 시적인 분위기를 특징으로 삼는다. 반면 아이바조프스키는 러시아 해양화가로서, 자연과의 극적인 만남을 추구하면서 하나의 화폭에 자연의 강력한 힘과 인간의 무기력함을 동시에 표현하려고 노력하였다. 화가 알렉세예프의 풍경화에서는 자연의 정복과 쟁취의 결과로 이루어낸 인간의 총체적이고 강고한 문화의 상징으로서의 ``돌``의 이미지를 살펴본다. 알렉세예프의 그림에서 페테르부르크는 숙명적인 홍수와의 투쟁에서 기적적으로 승리한 돌의 도시로 나타나는 반면, 모스크바는 대화재이전 시대의 전통적인 흰 돌의 도시로 그려지고 있다. 이 화가는 돌의 형상을 통해 다양한 러시아 도시들의 영혼을 화폭에 드러낸다. 여타 러시아 화가들과는 달리 아이바조프스키는 소위 ``해양화``라는 드문 영역을 개척하였다. 그는 바다 자체가 가지고 있는 셀 수 없을 정도로 다양한 모습과 거기에 투영된 인간의 격렬한파토스를 화폭에 담으려 했다. 그의 작품세계를 관류하는 ``물``의 이미지는 매력적이고 투명한 고요함과 신비함에 닿아 있기도 하고, 걷잡을 수 없는 두려움과 치명적 아름다움과 혼합되기도 하며, 때론 애국심과 자부심으로 뭉쳐 있기도 하고, 원초적 자연의 근원에 대한 성찰로 이어지기도 한다. 인간이 만든 단단한 돌의 문화를 파괴할 수 있는 거대한 자연력으로서의 물을 숭배한 화가가 바로 아이바조프스키였다. 돌과 물, 도시와 자연에 대한 고전주의와 낭만주의의 시각이 이 두 화가를 통해 오롯이 전달되고 있다. This article is devoted to two Russian landscape painters of the first half of the 19th century - F. Alekseev and I. Aivazovsky, who were representatives of the russian classical and romantic landscape painting respectively. Alekseev was one of the most prominent russian urban landscape painters, characterized by calm harmony of the human architecture with nature and modest poetic mood. And Aivazovsky was a russian marine painter, who tried to express the human powerlessness and the powerfulness of nature on a single canvas in search of a dramatic encounter with nature and passionate struggle between man and nature. In this article Alekseev` landscape painting is considered in connection with "a stone", which symbolizes human strong culture built by conquest of nature. Petersburg in Alekseev`s painting is the miraculous and victorious city of stone in the struggle with the fatal flood, while Alekseev`s Moscow is the traditional vibrant city of white-stone. This artist revealed the soul of different russian cities in the images of stone. Unlike other russian artists, Aivazovsky went down the narrow road, so-called "seascape painting". He tried to express the many seascapes and human pathos, inspired by them. The image of "water" in his works is connected with the charming and transparent silence of the mysterious sea, or a deadly beauty and overwhelming fear of the sea. Or it is connected with the pathos of patriotism and pride, or with the idea of the beginning of the mythological and primitive nature. Aivazovsky was a painter, who treated water with reverence just like the grandiose natural force, eliminating human strong culture of stone.

검도 지도자의 지도유형과 집단 응집력과의 관계 연구

정명권(Jyoung Myoung-Kwon) 한국체육과학회 2001 한국체육과학회지 Vol.10 No.1

This study was verified the relation to leadership style and cohesive power of group Korea art of fencing leaders' by searching their training people. The purpose of this study was to investigate theoretically and examine leadership style and cohesive power of Korea art of fencing group. All of leaders have had both side, intended to effort for lesson and intended members relationship(or negative and positive) aspects which influenced their training people. Are Theory X(intended to effort for lesson) and Y(intended to members relationship) still and effective classification in leadership frame by Blake & Mouton' 5 style for sport field. 1. Korea art of Fencing leader's were recognized middle of th road style by their training people. group's This leadership style had balanced on lesson and maintenance of membership. 2. The result of the cohesive power of fencing group somewhat were high level, because characters of fencing members were individually want to attend and fencing is some military arts, so unit and so strict. Middle of the road leadership style had intentional relation of 7 factor(against men to men power, personal authority, value of members, membership, enjoyment, team work, friendship) of cohesive power or not relation these factors. This study of multi regression analysis results were not relation cohesive power and two Dimensions of Leadership style but Korea art of fencing groups cohesive powers and leadership style had relation of 14.5%.

국유재산 관리실태 조사의 효율적 개선에 대한 연구 : 국가 재정수입 증대 및 소상공인 일자리 창출 중심

정태식(Jyoung, Tae-Shik),차용섭(Cha, Yong-Sub),박운선(Park, Woon-Seon) 한국부동산정책학회 2016 不動産政策硏究 Vol.17 No.1

This study has analysed the several factors of significant nature of overall survey on the national property widely spread over the nation and proposed several points to be reviewed for the further development of overall survey activities. Under the circumstance where the paradigm and policies on the national property has been rapidly changing, it is worth noting that national property takes a lion share of the national wealth and it should be utilized efficiently for the enhancement of wealth of the people. Quite recently, multiple of young part-time workers are participating in the overall survey work on the national property, which might bring them rather a limited job finding opportunities on the more specified and advanced areas and also this would negatively impact on the efficient use of the human resources from the macro economic view point. In this analysis we have introduced active utilization and mobilization of the existing man-power group of administer of public affairs who are well qualified and accumulated knowledge in the public work in the survey activities of national property. This will bring the formidable favorable effects on the enhancement of general sentiments of the people toward the national property and also having the reliable result of the survey. If the above method will be adopted and safely formed in the survey activities , this will be a cost-effective way and also increase Job-creation effect constantly and will save considerable amount of the national budget expended in a yearly basis.

청각장애 고등학생의 공감 특성

김자경 ( Ja Jyoung Kim ),강혜진 ( Hye Jin Kang ),구자현 ( Ja Hyun Koo ) 한국특수교육문제연구소 2011 특수교육저널 : 이론과 실천 Vol.12 No.2

본 연구는 청각장애 고등학생과 일반 고등학생의 인지적, 정서적, 표현적 공감 수준을 비교하고 이들 요인 간의 관계에 대해 분석함으로써 청각장애 고등학생의 공감 특성을 알아보고자 하였다. 이를 위해 청각장애 학교에 재학 중인 고등학생 15명과 일반 고등학생 19명을 대상으로 공감 수준을 조사하였다. 본 연구를 통해 얻어진 결과는 다음과 같다. 첫째, 인지적 공감 수준을 비교한 결과, 총점과 하위영역인 관점취하기와 상상하기 모두에서 두 집단 간 차이가 나타나지 않았다. 둘째, 정서적 공감 수준을 비교한 결과, 청각장애 고등학생 집단이 일반 고등학생 집단보다 낮게 나타났다. 셋째, 표현적 공감 수준을 비교한 결과, 청각장애 고등학생 집단이 일반 고등학생 집단보다 낮게 나타났다. 넷째, 청각장애 고등학생의 공감 요인 간의 관계를 분석한 결과, 인지적 공감 총점과 정서적 공감 총점, 인지적 공감 총점과 표현적 공감 총점, 정서적 공감 총점과 표현적 공감 총점 간에 정적 상관관계가 나타났다. 반면 인지적 공감의 하위영역인 관점 취하기와 상상하기, 관점취하기와 표현적 공감 총점 간에는 상관이 나타나지 않았다. 연구결과를 토대로 청각장애 고등학생의 공감 특성에 대한 교육적 시사점을 제안하였다. The purpose of this study is to compare cognitive, affective and communicative empathy level between high school students with and without hearing impairment and investigate the relationship among cognitive, affective and communicative components. The subjects of this study were 15 students with hearing impairment and 19 students without hearing impairment. Three scales of cognitive, affective and communicative empathy were used to measure the characteristic of empathy for them. The results of this study are as follows: First, there is no difference between high school students with and without hearing impairment in the cognitive empathy. Second, high school students with hearing impairment show lower level of affective empathy than high school students without hearing impairment. Third, high school students with hearing impairment show lower level of communicative empathy than high school students without hearing impairment. Forth, there are correlations between cognitive and affective empathy, cognitive and communicative empathy, affective empathy and communicative empathy among high school students with hearing impairment. However, there are on correlations between perspective-taking and fantasy, perspective- taking and communicative empathy.

아두이노를 이용한 전자드럼 구현

김유정(You-Jyoung Kim),장진환(Jin-Hwan Jang),김태원(Tea-Won Kim),김윤호(Yoon-Ho Kim) 한국정보기술학회 2016 Proceedings of KIIT Conference Vol.2016 No.6

간흡충에서 分離한 MITOCHONDRIA 分劃內 ADENOSINETRIPHOSPHATASE 活性度에 對한 實驗的 硏究

崔信貞,金煥均,趙貞植 부산의대 1969 부산의대잡지 - 부산대학교 의과대학 Vol.9 No.1