http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 조규화 ( Kyu Wha Cho ) (검색결과 7 건)
- 무료
- 기관 내 무료
- 유료
-
-
장지혜(Ji Hye Jang),조규화(Kyu Wha Cho) 한국디자인문화학회 2008 한국디자인문화학회지 Vol.14 No.4
The purpose of this study is to analyze the plastic characteristics of Louis Vuitton bags by its type and shape, material, color, pattern, decorations in order to give information about foundation of the development of Korean handbags and help suggest predict future hand bag trends. The methods of this study are documentary research and demonstrative research. For the documentary research, mainly previous researches and fashion related data were used. For the demonstrative research, the total of 505 design samples of Louis Vuitton bag were selected from 2001 S/S season to 2008 F/W season fashion collection of firstview.com, & style.com, and mode et mode. The results of this study are as follows; First, the type and shape of bags are tote(30%), flap(25%), shoulder(18%), boston(4%), clutch(8%), hobo(4%), barrel(3%), etc(4%). Second, the material data shows that mixed(46%), leather(27%), patent(8%), fabric(7%), synthetics(6%), suede(4%), etc(2%). Third, the patterns are symbolic(35%), combination(36%), solid(11%), geometrical(11%), abstract(4%), nature(3%). Fourth, the colors are largely monochrome(29%) and multicolor(71%). In case of monochrome, chromatic color(17%) is more than achromatic color(12%). The chromatic color is consisted of R(32%), Y(14%), YR(13%), P(13%), G(11%), B(9%), GY(3%), PB(2%), RP(2%), BG(1%). The multicolor is consisted of the similar coloration(48%), contrast coloration(18%) and accent coloration(5%). Fifth, the decoration data shows that combination(49%), plain(30%), metallic(16%), handcrafted(4%).
-
-
이서윤 ( Seo Yun Lee ),조규화 ( Kyu Wha Cho ),김지영 ( Ji Young Kim ) 한국패션비즈니스학회 2014 패션 비즈니스 Vol.18 No.2
The purpose of this study is to develop a wedding dress design using digital clothing program to produce an actual dress. The level of actualization of the wedding dress design through digital clothing was evaluated by comparing the shape, ornament details, material, and tone. Also, the direction of improvement was sought by apprehending the limitations for the future of wedding dress design created by digital clothing. In order to evaluate the level of actualization on major design techniques of wedding dress, design planning of 4 dresses was performed based on the major images of wedding dresses. Virtual dress was created using DC Suite program and an actual wedding dress was produced using the pattern created in the process of virtual dress designing. The wedding dress designed by digital clothing was superior in silhouette or expression of pleats, but they rather lacked in expressing corsage, 3-dimensional objects, sheen material or double material. However, by supplementing a few functions, digital clothing can be effectively utilized in wedding dress design with the convenience and speed of digital operation. The digital clothing performs rapid production in the design development stage, modifies simply and confirms in real time and is highly effective, Therefore, if a program designed for wedding dress is developed, its effectiveness will be improved to maximize the customer satisfaction, and it will significantly reduce the time and cost which will make a great contribution to the wedding industry.
-
-
조규화,서유리 한국의류학회 1995 한국의류학회지 Vol.19 No.2
This study, on the American hippies and their fashion, is composed of an examination of the following: the social and cultural circumstances of America in the late 1960's, the characteristics of the hippies that appeared in the midst of the foresaid background, how those factors materialized in the hippies' distinctive fashion and how they influenced fahion to come. The hippies were composed of the young generation that revolted against all general conventional values of American society and seceded from it, seeking for the ideas of love and freedom. They expressed their newly defined culture-rock music based on drug culture, psychedelic art, rejection of an established society and ethnic tastes that sprang up from nostalgia concerning nature-by means of their own distinctive fashion. And as a revival of the hippies' fashion, neo-hippie and grunge fashions newly appeared in the F/W season of 1992 and afterwards, adding fresher and more abundant sensibility to the original image and layered look of the hippies. The hippies' fashion has not only played a significant part in modern fashion history but will continue to exert its influence in the 1990's as the hippies generation are presently the center of American culture and leaders of world culture. In conclusion, various sorts of "individuality" and "the pleasure in the wearing itself" expressed by the original layering of the hippies' fashion presents new promise in the coming development of fashion.
-
秦始皇陵 출토 병용의 服飾 硏究 : 胡服과의 관련성을 중심으로
김소현,조규화 한국의류학회 1993 한국의류학회지 Vol.17 No.1
This study intends to find out the correspondence of the costumes of the terracotta warriors at the tomb of Qin Shi Huang to the dress of nomadic people. The Chinese took the dress of nomadic people into their costumes so that they might practise shooting arrows from horse back in the Age Of Wars. The terracotta warriors at the tomb of Qin Sin Huang provide us with substantial evidence that Qin Dynasty inherited the system of wearing the dress of nomadic people from Zhao. Figures of calvarys wear the jackets of nomadic people, but figures of other warriors wear Han jackets. This means that the aim of taking the dress of nomadic people is to be convenient in practising shooting arrows from horse back. Nomadic people adjusted their jackets to left, because they road on a horse from left for being the tunga only on the left. But calvarys adjusted their jackets to right. In those days, China didn't have a tunga. So there was no necessity for riding from left. And Chinese were accustomed to adjusted their jackets to right. This is the reason why calvarys adjusted their jackets to right, though they wear the dress of nomadic people. Soldiers wear trousers. Some have puttee, some have their leg bounds. All the soldiers tightened their coats or jackets with belts which were inhereted from nomadic people. They wear either shoes or short boots. The figures are classified according to rank, espicially in their hats and armours. General wears a cap adorned with pheasant' feathers, officer wears an unadorned cap, and men are hatless or in turbans. Calvary's headgear looks like a p'ing-chin-tse which was correspondence to the headgear of nomadic people. Soldiers wear armours according to duty, and armours are differentiated by rank. From the state of terracotta warriors, I think that the warriors were made from BC 246 to BC 210 which is equal to the date of making the tomb of Qin Shi Huang. Then the date of making the terracotta warriors was between 60 and 100 years since the king Wu Ling of the state of Zhao took the dress of nomadic people.
ScienceON연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
