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국문장편 고전소설의 망자 추모에 담긴 역학과 의미 : 서모, 아내, 아우 제문 분석을 중심으로
정선희(Jeung Sun-hee) 韓國批評文學會 2010 批評文學 Vol.- No.35
The present paper reviews a certain type of novels enjoyed in the period from the late 17th to the end of the 18th centuries: series novels written in Korea vernacular to describe stories of three generations of a family. The paper focuses its attention on the eulogies for the deceased based on the assumption that they would offer an insight into the life of the contemporary people. The tone of a eulogy varies depending on the familial status occupied by the deceased person. A dead concubine is praised for her frugality and respectful attitudes toward the first wife. And the eulogy for a lawful wife expresses a deep sorrow of losing the cherished companion, while that for one's younger brother usually extolls his capabilities and brotherly love. These eulogies show power relations among the characters in the novels, as well as their status both in the family and in the story itself, and the value system shared by the contemporary readers. The characters depicted at great length after death with long eulogies and detailed descriptions of their funeral processes are usually the most important characters in the story. In addition, their virtues praised in the process represent the model virtues expected from an idealized person of the same social roles, thereby exposing the values entertained by the contemporary people. Finally, the analyzed eulogies in the novels share some common features with real eulogies of the late Joseon Dynasty--that is, the very emotional expression of a profound grief over the loss of a loved one, often with the addition of impressive illustrations or quoted conversations.
정선희 ( Sun Hee Jeung ) 한서대학교 동양고전연구소 2012 동방학 Vol.24 No.-
This paper aims to explore the context about four big capitals; Hanyang, Songdo, Pyongyang, Uijoo of <Suh Yoo Rok> written by Mok Tae Lim, a novel writer of Kyung-Nam. This book is about a trip from Kyung-Nam to Uijoo in the early nineteenth century. These cities were on the north of the Han river. They were the paths of envoys and the old royal capitals, and were of importance as border areas. The author wrote what he had seen and heard and expressed his heightened feelings by writing long Boos in these cities. He described Hanyang as the Royal capital with affluence while Songdo as an old, lonely capital out of luck. He described Pyungyang as a beautiful capital founded by Dangun and Gija and Uijoo as a border capital that envoys and merchants passed by. It is significant in the sense that an ordinary scholar of Kyung-Nam described the features of capitals he traveled realistically and recorded tales related to relics and history when it was difficult to travel.
문학 : 가부장제하 여성으로서의 삶과 좌절되는 행복 -<소현성록>의 화부인을 중심으로-
정선희 ( Sun Hee Jeung ) 한서대학교 동양고전연구소 2011 동방학 Vol.20 No.-
The present paper reviews Sohyeonseongnok, or The Story of So Hyeon-seong, a family novel written in the late 17th century. Focusing on the life of Lady Hwa, the lawful first wife of the So family, the paper examines the theme of a woman`s desire and happiness. For Lady Hwa, the biggest obstacle to happiness is the patriarchal ideals of womanhood cherished by the contemporary society. The lady has a desire to receive exclusive love from her husband, to raise her son well, to help him inherit the right of primogeniture, and to wield power over the household affairs as the first wife. However, she has to suppress her desire and tries to live according to patriarchal ideals of a good wife, a good daughter-in-law or a good mother. In the novel, she is often scolded by her husband, her mother-in-law and her sister-in-law, and is guided by them toward the normative ideals. However, this novel also has occasional episodes in which delicate descriptions of the lady`s feelings let the reader have compassion and empathy for her, facilitating a multi-layered interpretation of the character.
고전소설의 주인공 ; 영웅호걸형 가장(家長)의 시원(始原) - <소현성록>의 소운성
정선희 ( Sun Hee Jeung ) 한국고소설학회 2011 古小說 硏究 Vol.32 No.-
Sohyeonseongnok, or The Story of So Hyeon-seong, is a notable work of Literature that marks the beginning of Korean novel. This paper reviews this novel with a focus on one character: So Un-seong, the protagonist`s third son, who is characterized by his heroic and masculine qualities and talents. He is a freewheeling, unrestrained man who is keenly interested in martial arts and military strategies. He follows his desires, but never allows women to do the same or to take pride in themselves. In the end, however, he matures to be a dignified patriarch, and then finally becomes a king, supported by the emperor who regards him highly. The prototype of a heroic patriarch was repeatedly reproduced and recreated in Korean family sagas that were written after Sohyeonseongnok. Specifically, the novel`s sequel deals with many episodes concerning So Un-seong, which makes its narratives more dynamic and masculine that the main novel. Due to this character and the narratives surrounding him, the main novel and its sequel display distinct stylistic differences in their narrative development as well as the method and perspective of their descriptions.
장편고전소설에서 여성 보조인물의 추이와 그 의미 -여성 독자층,서사 전략과 관련하여
정선희 ( Sun Hee Jeung ) 한국고소설학회 2015 古小說 硏究 Vol.40 No.-
This paper figures out lengthening strategies of novels and argues that they are related to female readers`` reasoning and desires by studying female assistant characters`` aspects, the development of changes of roles and its meaning in representative Korean full-length classical novels. The novels as subjects of study can show a process of formation, historical flow, aspects of changes and typical characteristics. In short, this paper analyzes three generation long-length classical novels of 17th and 18th century, which are <SoSsiSamdaerok>, <YooSsiSamdaerok>, <ChoSsiSamdaerok>, <LimSsiSamdaerok>. Since there are gaps of several years to a hundred years between them, it is possible to figure out differences between Korean full-length classical novels and their dynamism by studying characteristics and the development of changes of female assistant characters. In addition, it is possible to find out that lives, desires and tastes in novels of female readers in the late Chosun Dynasty are reflected in descriptions of female assistant characters.
정선희 ( Sun Hee Jeung ) 한민족문화학회 2011 한민족문화연구 Vol.36 No.-
The present paper examines ancient Koreans` living culture described in classical Korean family novels. In particular, this paper places a special focus on entertainments, and considers their patterns and functions. Entertainments, defined here as spontaneous activities conducted with pleasant tension at a setting different from that for daily activities, include the baduk (traditional board game) and tuho (arrow throwing) games, as well as playing a poetry-writing game, chattering over drinks, traveling, and watching regal or noble processions. In the novels reviewed, entertainments help change the atmosphere of a story and refresh its characters` minds. In addition, they serve as a source of important information about a certain event or person; aggravate or resolve conflicts; and mediate or confirm solidarity. In sum, scenes depicting entertainments in these novels tend to add charm to the narrative and reveal the lively aspects of the everyday life, contrasting to the austere lifestyle of typical upper-class families.
정선희(Jeung Sun-hee) 국어국문학회 2011 국어국문학 Vol.- No.158
The present study reviews supporting characters of the classical Korean novel Three Generations of the Jo Family (Jossisamdaerok), in which these characters assist either the protagonist or the antagonist in their respective endeavors. The purpose is to examine their characteristic deeds, and consider the narrative effect they create in the story. The magician who helps the evil antagonist uses magic tricks or potions. The Buddhist nuns who help the protagonist get prophecies and revelations in their dreams. Some court maids and wet nurses conspire to assist the antagonist by devising meticulous schemes with an aid of their families and relatives. Some other court maids and ladies-in-waiting are so loyal to the good-hearted heroine that they risk their lives and use their wisdom to help her. Some other characters offer written memorials to the king or to the related authorities, bringing the matter at hand into public attention. These various supporting characters, each playing important roles, add to the fantasy and entertaining quality of the story, and increase the reality and plausibility of the incidents. The diverse roles of the supporting characters contribute to adding depth and detail to both the characters in general and the narratives of the story. They also make the storyline complicated enough to evolve into a full-length novel. The features mentioned above are not found in earlier works such as: A Dream of Two Dragons (Hyeonmong ssangnyonggi), the earlier sequel of this novel, and The Story of So Hyeon-seong (Sohyeonseong-rok), a novel of the preceding era. Therefore, it is concluded that the detailed description of the supporting characters and their contributions to the story are advanced characteristics of the Korean “Three-Generation Novels” written relatively later in time.