실시간 상태 공유를 위한 비대면 스터디 애플리케이션

임유경(Yukyung Lim),김소연(Soyeon Kim),박윤우(Yoonwoo Park),김재희(Jaehee Kim),임지훈(Jihoon Lim),서연주(Yeonju Seo),임준규(Junkyu Lim),이태현(Taehyun Lee) 한국HCI학회 2023 한국HCI학회 학술대회 Vol.2023 No.2

코로나19로 인해 업무, 여가 생활 등의 주된 활동 장소가 주거 공간으로 바뀌었다. 특히 학교, 학원, 독서실, 카페와 같은 기존의 학습 공간 또한 주요 학습 환경이 주거 공간으로 변하며 타인의 시선을 통해 적절한 긴장 수준을 유지할 수 있는 이전과 달리 생활 공간과 분리되지 않아 생기는 집중 저해 요소 때문에 학생들은 어려움을 겪는다. 이러한 어려움을 극복하기 위해서 학생들은 다른 사람과 함께 있는 듯한 긴장 수준을 제공해주는 어플리케이션을을 활용하여 각자의 실시간 학습 상태를 공유하고 학습 몰입을 유지하려 노력한다. 본 연구에서는 이러한 배경을 바탕으로 포스트 코로나 시대의 새로운 디지털 경험 제공을 위해 머신 러닝을 활용한 실시간 상태 공유 비대면 학습 애플리케이션을 제안한다. 변화된 환경 속에서의 학습 경험을 이해하기 위해 12명의 학생을 대상으로 반구조화 심층 인터뷰와 에스노그래피를 실시하였다. 그 결과 학생들의 학습 몰입과 만족에 영향을 미치는 실시간 상태 공유 방식을 발견했고, 이를 바탕으로 주거 공간에서도 학습몰입을 경험할 수 있는 비대면 학습 애플리케이션을 제작하여 변화된 학습 환경에서의 학습 만족을 경험하도록 하였다.

[발언과 논평] 동네도서관 만들기

임유경(Lim, Yookyoung) 대한건축학회 2019 建築 Vol.63 No.7

냉전의 지형학과 동백림 사건의 문화정치

임유경 ( Lim Yu Kyung ) 역사문제연구소 2014 역사문제연구 Vol.18 No.2

The main subject of this paper is the East Berlin North Korean Spy Ring Incident that oc-curred in 1967. The purpose of this study is to reconstruct the incident and examine its cultural-political meaning on the basis of previous researches and a fact-finding report of the National Intelligence Service. By studying diplomatic documents of the Korean Government, statements of the Korean Central Intelligence Agency, and articles of the press as well as records of people who were involved in the incident, this paper identifies several issues which should be discussed more intricately. In the second chapter, I look into the cultural-political meanings of the East Berlin North Korean Spy Ring Incident within the framework of the Cold War. The incident shows the rapid changes that took place in Korean society and the strained relations between South and North Korea in the late 1960s. This incident is worthy of notice because it illustrates the way the two different systems represented in South and North Korea accepted the Cold War in different ways. A hot war atmosphere can be detected in the midst of the in-ternational Cold War. The two different systems in the Korean Peninsula started to break “the balance of terror” formed by the United States and the Soviet Union in the late 1960s when the Cold War was multipolarized. South and North Korea attempted to shift the re-gime in what could be considered a retrograde movement for what would the atmosphere of international detente in the early 1970s. It is important to remember that this incident reveals the locality of the Cold War. In the third chapter, I examine the cultural-political meaning of the East Berlin North Korean Spy Ring Incident in the context of the reconstruction of the “anticommunist system.” According to Heinlich Hanover, who was a lawyer of Isang Yun, this incident compelled people to reflect critically on the free world`s governments, which were caught up in anti-communism during the 1960s. This incident clearly shows a series of processes by which the Park Chung-Hee regime used anticommunist ideology to spread the effects of power all over the country. In this chapter, I discuss how anticommunism had an effect on the formation of the concepts of “normality of order” and “specificity of Korea” in the 1960s by dealing with the East Berlin North Korean Spy Ring Incident. I also analyze notes from the Korean Central Intelligence Agency which were at the center of this incident. This incident reveals the process by which the Korean Central Intelligence Agency turned into an administrative technocrat under the Park Chung-Hee regime in the 1960s. Finally, in the forth chapter, I examine the meanings and effects of the East Berlin North Korean Spy Ring Incident and the ensuing cases related to the disturbing of the public peace in the late 1960s. Although these incidents occurred independently, they did not exist separatedly. Being recalled, arranged, and mediated in a specific frame, they took on the same meaning. The purpose of this chapter is to explore this mapping process and its important role in the militarization of the whole nation and fortification of the whole country. Specifically, I study the echo of “the duet of construction and national defense” in Korean society in the late 1960s and how the country developed under this condition. I al-so examine how the combination of construction and defense metaphorically expressed the division of South and North Korea and became a medium for constructing a “solidarity of terror.”

[발언과 논평] 한국 도시건축 논의의 전개와 과제

임유경(Lim, Yookyoung) 대한건축학회 2024 건축 Vol.68 No.7

1980년대 출판문화운동과 옥중기 출판 연구

임유경 ( Yu Kyung Lim ) 민족문학사학회·민족문학사연구소 2015 민족문학사연구 Vol.59 No.-

The purpose of this paper is to establish the fact that the “prison writing publishing boom” that happened in the 1980s was partly brought about by the publishing culture movement and was an event that made the South Koreans look back at the important changes that had occurred in the South Korean society. To achieve this purpose, an attempt was made to reconstruct the detailed contexts of the prison writing publishing boom by reviewing the rapidly changing political situation and the publishing trends in the 1980s. The prison writings in South Korea need to be dealt with and regarded as important because they will enable the people to face “the memories that should not be erased” of oppressed and anonymous people, and to approach the “untouchables” of the anti-communist country. These special writings can not only be considered a form of lit-erary writing but also have the value of historical materials that can form “eyes looking at the contemporary history.” The significance of reviewing the diaries written in prison,their meanings, and the researches that have conducted on them lies in the fact that such endeavor can equip the South Koreans with a more extensive and comprehensive understanding of the contemporary Korean history and is a practical and conscious effort to tear into the homogeneous and empty time of universal history by tracing the unwritten history.

상온 상압의 이산화탄소 저장용 탱크를 위한 예냉과정의 비선형 모델링 및 비례-적분 제어 적용

임유경 ( Yu Kyung Lim ),이석구 ( Seok Goo Lee ),단승규 ( Seung Kyu Dan ),고민수 ( Min Su Ko ),이종민 ( Jong Min Lee ) 한국화학공학회 2014 Korean Chemical Engineering Research(HWAHAK KONGHA Vol.52 No.5

Storage tanks of Carbon dioxide (CO2) carriers utilized for the purpose of carbon capture and storage(CCS) into subsea strata have to undergo a pre-cooling session before beginning to load cryogenic liquid cargos inorder to prevent physical and thermal deterioration of tanks which may result from cryogenic CO2 contacting tankwalls directly. In this study we propose dynamic model to calculate the tank inflow of CO2 gas injected for precoolingprocess and its dynamic simulation results under proportional-integral control algorithm. We selected two cases inwhich each of them had one controlled variable (CV) as either the tank pressure or the tank temperature and discussedthe results of that decision-making on the pre-cooling process. As a result we demonstrated that the controllinginstability arising from nonlinearity and singularity of the mathematical model could be avoided by choosingtank pressure as CV instead of tank temperature.

조소문화협회의 출판,번역 및 소련방문 사업 연구 -해방기 북조선의 문화,정치적 국가기획에 대한 문제제기적 검토

임유경 ( Yu Kyung Lim ) 성균관대학교 대동문화연구원 2009 大東文化硏究 Vol.66 No.-

특집논문 : 불가능한 명랑, 그 슬픔의 기원 -1960년대 안수길론

임유경 ( Yu Kyung Lim ) 한국문학연구학회 2013 현대문학의 연구 Vol.0 No.49

1960년대를 살아냈던 많은 문학자들은 자기를 관조하는 자기를 작품 에 등장시킴으로써 ``명랑의 불가능성``을 탐사하는 데 기꺼이 자신의 ``미천 한 용기``를 걸었다. 이 탐사가 용기를 필요로 했던 것은 ``명랑할 수 없음``이 곧 ``시대와의 불화``와 급속히 조우하고 있었기 때문이다. 그리하여 이 용 기는 직설적인 방식을 통해 발휘되기도 했지만, 많은 경우 한 걸음 떨어진 자리에서 발현되었다. 이 ``비켜선 자리``는 작가 자신의 말마따나 ``비겁함`` 으로 인해 비롯된 것이면서, 동시에 처해 있는 현실 속에서 그가 택할 수 있는, 정치적 공간을 개시하기 위한 최선의 ``방법적 위치``이기도 했다. 이 글에서는 현실로부터 ``비켜 선 자리``에 자신이 서 있다고 생각한, 혹 은 그러하다고 평가받은 작가들과 그들의 작품을 어떻게 읽어야 할 것인 가 하는 물음을, 리얼리스트라는 문학자로서의 정체성을 끊임없이 의식 하며 현실과 마주했던 안수길과 그의 작품들을 통해 탐색하고 구체화 해 보고자 했다. 안수길에게로 관심이 가닿았던 것은, 그의 어떤 소설 속 주 인공의 초라하고 비겁하고 꺼림칙해하는 모습과 ``도무지 명랑해지지 않는 다``는 고백이 유독 오래 잔상을 남겼기 때문이다. 그의 소설에서 ``명랑의 불가능성``은 단지 ``명랑할 수 없음``만이 아니라 ``명랑을 연출하는 것의 어려움``까지도 포함하고 있었다. 이것은 자기 안에 내재해 있는 불온한 심리 를 조심스럽게 예감하는 것, 나아가 시대와의 불화가 불가피함을 대면하 는 것이었고, 이에 따라 여느 사람들처럼 자신의 삶을 명랑하게 기획할 수 없을 것만 같은 예감을 감당하는 것이기도 했다. 안수길은 1960년대 정치권력의 통치술에 대한 예감을 소설을 통해 표 출하는 데 꽤나 적극적인 작가였다. 그의 소설은 이철범의 표현을 빌리자 면 ``예민한 정치 감각``의 소산이자, 검열의 힘을 근거리에서 체감하며 그 자장으로부터 자유롭지 못했던 작가 자신이 느꼈던 ``불온한 것에 대한 감 각``을 구현한 것이었다. 명랑의 불가능성이 규율 메커니즘에 길들여진 자 신을 다른 자기가 바라보는 순간에 의해 촉발되는 것이라 할 때, ``방관 자``(bystander)로 보일 수도 ``사열관(査閱官)``으로 보일 수도 있는 이 위치 에서 ``불가능한 명랑``을 인위의 힘으로 변형하지 않고 가장(假裝)하지 않 는 일, 그리고 작품의 미열을 보존하는 일, 안수길에게는 이것이 자신이 실현시킬 수 있는 ``시민윤리``의 최대치였다. courage` on exploring ``impossibility of cheerfulness` by making an appearance of contemplative self in to their own works. These explorations needed a courage because the impossibility of being cheerful had to facing ``the disagreement with the epoch``. Hence, this courage was revealed often in some distant place of historical reality. It is reliable to regard escapism was appeared by ``cowardice`` in some sense, as the writer himself had confessed, but it is also important to evaluate these dispositions as the best ``methodological position`` to open political space that he could choose in the reality in which he was situated. How should we read the writers who chose to take a distant position from reality or who were evaluated to be so and their works? The basic critical viewpoint of this article is condensed in this question. In this article, I attempted to give shape to the aforesaid critical view through examining Ahn Soo-gil, who was constantly aware of his literal identity as a realist who was facing reality and his literary works. I was becoming interested in Ahn Soo-gil because a shabby, faint-hearted, and uncomfortable character of his novel and the confession of ``never becoming cheerful`` left afterimage especially for long. In his novel, ``the impossibility of cheerfulness`` includes not only ``inability to become cheerful`` but also ``difficulty of performing cheerfulness.`` This impossibility meant revealing inherent political rebellion of his own. Furthermore, this certain disagreement applied the inevitable confrontation to his own time so that the dissent of the writer could link to the premonition that he was not able to plan his cheerful life as ordinary people. Ahn Soo-gil was a writer who actively expressed his premonition about the ruling techniques of political power in the 1960s. His novel, in Lee Cheol-beom`s words, was a product of ``acute political sense.`` It also meant to give shape to the ``sense toward rebellious things`` which the writer himself felt who experienced the power of censorship at a close range and was not free from the magnetic field. If it is able to describe that the impossibility of cheerfulness was triggered when the other self looked at himself who was disciplined by regulation mechanism, Ahn soo-gil`s tendency not to disguise ``impossible cheerfulness`` with artificial power and tendency to preserve the mild fever of the works, could be revaluate as the most faithful ``citizen moral`` for the writer, who was situated in the position that could be seen either as ``bystander`` or as ``inspector``

나의 젊은 조국 -1940년대 한설야의 부권의식과 청년/지도자 서사-

임유경 ( Yu Kyung Lim ) 한국문학연구학회 2011 현대문학의 연구 Vol.0 No.44

해방기 ``한설야의 김일성 이야기``는 어떤 관점에서 읽힐 필요가 있을까. 이 물음의 초입에서 제시해봄직한 화두는 ``젊음``과 ``부권의식``이다. 이 화두들은 당시 작가가 갖던 청년상, 지도자상, 나아가 국가상과 밀접하게 연관되어 있던 것이기에, 그의 40년대 글을 독서하는 자리에서 중요하게 다루어져야 한다. 또한, 이는 ``아비/자식의 이야기``에는 물론이고 한설야 자신의 자화상에도 긴박되어 있는 것이었기에, 해방 이후만이 아니라 해방 이전의 글들을 논의할 때에도 반드시 짚어볼 필요가 있다. 이 문제의식을 질문의 형태로 전화시키면 이러하다. 김일성과 청년들에게 표명했던 한설야 특유의 관심을 우리는 어떻게 설명할 수 있을 것인가. 김일성 이야기를 성문화하고 청년들을 이야기 속 주인공으로 삼는 과정에서, 그는 이 주체들을 어떻게 형상화 하고자 하였던가. 그리고 이때 그는 어떠한 발화 위치에 자신을 놓았는가. 나아가, 해방 이전과 이후에 걸쳐 지속적으로 쓰여진 ``아비와 아들에 관한 이야기``는 해방 후의 ``김일성과 청년의 이야기``에 어떻게 접속되었는가. 여기에서 표출되는 그의 ``부권의식``은 어떠한 성격을 가지며, 그는 이 당시에 스스로를 ``진정한 아비``로 성장시키기 위한 논리와 동력을 어디에서 찾을 수 있었던 것인가. 이 글은 이와 같은 문제의식을 바탕으로, 1940년대에 집필 및 출간된 글들을 주요 논의 대상으로 삼아, 한설야의 ``해방/전-후``에 걸친 자기/세계 인식의 궤적을 조감하고 이에 관계되었던 그의 심리와 욕망을 가늠해 보고자 한다. 부연하면, 해방 전후의 작품들을 폭넓게 검토함으로써, 아울러 각 텍스트 간의 상호 관련성을 비교 분석함으로써, 김일성의 삶을 문학적 차원에서 재구하는 방식과 그 특이성을 점검하고, 해방 이전의 작품들에서 엿보이는 부권의식의 전화 과정, 특히 해방 이후의 청년/김일성 이야기에 이 부권의식이 어떠한 방식으로 투사되거나 전이되었는지 살피려 한다. From what viewpoint does ``Han Seol-ya`s Kim Il-sung narrative`` in the liberation period need to be read? The suggestible topics at the entrance of this question are ``youth`` and ``paternity consciousness``. These topics were closely connected with the representation of youth, leader and nation in Han Seol-ya`s works. It is the reason that they should be regarded importantly in the place where his writings in the 1940s are read. These were tightly bound not only with ``the narratives of father and son`` but also with Han Seol-ya`s own self-portrait. In this perspective, we should surely look back on this when discussing the writings not only after the liberation but also before the liberation. Such critical mind can be converted in the form of questions as follows. How can we explain the unusual interest that Han Seol-ya expressed in Kim Il-sung and young people? In the course of codifying Kim Il-sung narratives and making young people main characters in the stories, how did he try to give shape to these main agents? And at this time, which position did he locate himself in speaking act? Furthermore, how were ``the narratives of father and son`` written continuously before and after the liberation connected to ``the narratives about Kim Il-sung and the youth?`` What characteristics that were expressed here did his ``paternity consciousness`` have and where was he able to find the logic and dynamic force to make himself grow into the real father at that time? Based on these critical inquiries, this paper attempts to have a bird`s-eye view of the locus of Han Seol-ya`s self/world perception in the period of ``before and after liberation``, taking the writings that were written and published in the 1940s as main objects of discussion, and assess his mentality and desires connected with this. To enlarge further upon this point, this paper will broadly examine his texts before and after the liberation and conduct comparative analysis on correlations among these texts. And based on this, I attempt to reveal the methods in which Han Seol-ya restructured the life of Kim Il-sung in terms of literature and its uniqueness. Furthermore, I examine the conversion process of the paternity consciousness shown in the texts before the liberation, and particularly the methods in which this paternity consciousness was projected or metastasized to the youth/Kim Il-sung narratives after the liberation.

설계공모로 진행하는 공공건축 생산과정의 특성 연구

임유경(Lim, Yookyoung),박태홍(Park, Taehong) 대한건축학회 2024 대한건축학회 학술발표대회 논문집 Vol.44 No.1

This study investigates the characteristics of the public building production process, in which the design is selected through architectural competition. The process is complex and involves various stakeholders, leading to divided decision-making responsibilities and a lack of consistency. The regulations and requirements also continually change over the project duration, and there is high uncertainty in the site conditions. Despite these factors, the legislation and project management are strict, and the system is rigid, causing design changes. Considering the characteristics of the public building process, it is necessary to revise the system that obliges the implementation of architectural design competitions.