일반논문 : 이청준 소설에 나타나는 섬의 속성과 의미 고찰 - 「이어도」, 「섬」, 『당신들의 천국』, 『신화를 삼킨 섬』을 중심으로

이성준 ( Sung Jun Yi ) 반교어문학회 2015 泮橋語文硏究 Vol.0 No.40

이청준은 섬이라는 지리적 공간을 깊이 있게 통찰한 작가로 유명하다. 비교적 초기작이라 할 수 있는 「이어도」, 「섬」에서부터 『당신들의 천국』을 거쳐 말기작인 『신화를 삼킨 섬』에 이르기까지 섬을 통한 탐색을 계속했다. 그런데 이에 대한 관심과 연구가 부족한 실정이다. 이런 점을 감안하여 이청준 소설에 나타나는 섬의 속성과 의미, 현실대응 논리를 고찰하여 ‘이청준 바로읽기’에 일조하려 한다. 「이어도」와 「섬」의 공간은 구체성을 결여/소거한 알레고리적 공간임을 확인할 수 있다. 실제 공간인 홀섬이나 제주도가 작가의 의도에 맞게 표현 공간으로 변형되어 있다. 두 텍스트의 섬은 양가성을 가진 공간이면서 전도 내지는 전복, 역전의 공간이다. 『당신들의 천국』은 알레고리와 리얼리티가 혼합된 중간적 공간이다. 전체적으로는 알레고리적 공간이다. 지배와 피지배의 함수관계, 바람직한 운명 공동체, 자유와 사랑의 천국 실현 의지 등의 의미를 가진 공간이다. 그런 한편 지배자의 배반으로 인해 고통 받고 버려진 삶을 사는 소록도 원생들의 아픈 삶을 간직한 섬이고, ‘오마도 간척사업’이 이루어지는 리얼리티 공간이기도 하다. 『신화를 삼킨 섬』은 역사·사회적 공간이다. 중앙정부나 국가권력의 굿마당노릇을 해온 제주는 삼별초에서부터 현대사의 비극인 4·3에 이르기까지 편가르기 속에서 비극이 끝없이 되풀이된 곳이다. 신화를 삼킬 정도로 불행한 제주역사를 온몸으로 증명하는 ‘생활세계’요, 역사적 공간이다. 섬-텍스트를 통해 파악할 수 있듯이 이청준은 시대 상황에 대한 현실대응 논리로 서술방식을 선택했다고 볼 수 있다. 이를 통해 삶과 삶의 의미를 탐구하는 한편, 구체적 역사현실을 통한 역사의식까지 보여줌으로써 우리 소설의 지평을 넓히고 있다. Yi Cheong-jun is known for a writer of great insights into an island as a geographic space. This reputation stems from his continuous investigation on islands in from his relatively early works, ``이어도(Ieodo)`` and ``섬(The Island)``, passing "당신들의 천국(Heaven of Yours)" to "신화를 삼킨 섬(The Island Swallowed a Myth)" in the last years. However, there is a lack of an interest and research in this, and a misrealing on the texsts occurs, as well. Considering these points, this study intends to contribute to ‘proper reading of Yi Cheong-jun’ reviewing the feature and the meaning of the islands in his novels. The spaces in ``이어도(Ieodo)`` and ``섬(The Island)`` are identifiable as allegorical spaces lacking/erasing concreteness. Dokdo Island and Jejudo Island, the real spaces, are modified to representative spaces according to the writer’s intention. The two islands of texts are the spaces with ambivalence and, at the same time, those of inversion or overthrow, reversal. "당신들의 천국(Heaven of Yours)" is an intermediate space where allegory and reality are mixed together. It is an allegorical space overall. It is a space implying functional relations between dominance and subdominance, desirable groups sharing a common destiny, and realization will of heaven of freedom and love. It is also a space bearing heartbreaking lives of the patients (lepers) who suffer from the ruler’s betrayal and abandonment, and a reality space where omado-reclamation project is progressed. "신화를 삼킨 섬(The Island Swallowed a Myth)" is a historical and social space. Jejudo-Island, which has acted as a Gudmadang(where authority is spread) of the central government or the state power, is a space of repeating tragedies from Sambyeolcho to 4·3 Resistance, a tragedy in Korean modern history. It is a lived-world and a historical space proving unfortunate history of Jejudo-Island enough to swallow a myth. Like this, Yi Chung-jun kept trying and exploring from allegory to realism through islands. It is broadening the horizon of Korean novels by seeking lives and the meaning of life and showing historical consciousness through detailed historical realities.

제주어 문학의 위상과 가능성 -양전형의 『허천바레당 푸더진다』를 중심으로

이성준 ( Sung Jun Yi ) 제주대학교 탐라문화연구원 2013 탐라문화 Vol.0 No.43

We have seen seven books of poetry written and published in Jeju dialect but little concern or studies have been made on them. While raising some questions, I have tried to evaluate and arrange some points in this essay. Starting from this point of view, I have studied one of them, 허천바레당 푸더진다(Look Out, Otherwise You Will Fall Down) by Yang Jeon-hyung. This is my second study on the literature written in Jeju dialect. I have noticed that Yang has achieved a particular skill in writing his texts, compared to previous works done by other poets who used to depict the situations of Jeju of 1960s or before the period. However, Yang chose to see and depict Jeju in present point of view. It is meaningful to see that he revives the current topics helping readers understand his texts easily. He tried to employ as many oral expressions as possible, thus enabling readers to experience synesthesia covering senses of sight, hearing, touch, smell, and taste. It is stimulating to find that his works revive the characteristics of dialects and put them into printed texts as well. We can hardly find a macro-discourse in his text. However, general text is found searching for it through micro-discourse. It is significant to see him revealing the Jeju people``s way of thinking through the plain life of them as well as describing the current features of Korean rural life in general It is noticeable that he employs the principle of ``first-scenery last-sentiment``, a common technique when writing Chinese poetry, to maintain tension through turns and delays of events. It is highly evaluated that he uses a perfect Jeju dialect and feels free from the pressure of precedent text leading him to create his own world of poetry.

제주어 문학의 가능성과 한계 -김광협의 『돌할으방 어디 감수광』을 중심으로-

이성준 ( Sung Jun Yi ) 배달말학회 2012 배달말 Vol.51 No.-

Literary language of Jeju, using examples from a small but full-fledged use the Kim Kwang-Hyeop`s ``Greetings to Dolhaleubang``. However, by highlighting only the ``first``, I investigated the piecemeal literary approach but this text seems to have been neglected. This paper, a comprehensive review of the text, while away from the tendency of these existing, and will examine the significance and limitations of the text planning. This text is published in the 1980s and foremost to forestall despite not assume that it was time to the 1960s, was equipped with a circle of Jeju. Also 1960s of jeju people`s lives, juju`s customs and shaping people`s consciousness. Multiple narrative techniques adopted this time to oversee the various customs and life of Jeju that are characteristic. However, ``first`` Despite pioneering in the 1960s, use inappropriate language of Jeju and Jeju situation does not fit into a statement Jeju situation did not express correctly points can be pointed out to the limit. This point can be connected and the life of the poet, who lived in Seoul for a long time to leave hometown, Jeju. Nevertheless, this text so far as the Preceding text Jeju language poetry on having a lot of impact. Trailing text of Jeju as a creative language most of the 1960s, described as the center of that, the current look, but in the past that shape the look of Jeju, Jeju`s indigenous emotions pursued by the consciousness of my residents drawing can see the text that affects the trailing text.

『바리데기』의 분석심리학적 접근

이성준 ( Sung Jun Yi ) 배달말학회 2011 배달말 Vol.48 No.-

Hwang Sukyung`s work ``Barydegi`` to understand the origin-text is that the ancestors of the shaman mythology ``Barydegi`` and C.G.Jung`s Analytical Psychology, M. Eliade`s Shamanism is necessary for understanding. This article first origin-text and ``Barydegi`` compared to examine the intertextuality. Medium through which the ancestors of modern reinterpretation of the myth that the text ``analytic transformation`` and said that, both the text that appears in the ritual of the shamans, Perspective on the soul, cosmology says that has not changed significantly. Next, Analytical Psychology major method of communication with the unconscious, aktive Imagination. using methods such as dream interpretation, psychology of Bari, accidents, unusual behaviors, as well as the ability of Bari(historica lperspective, predicting the future, and people·animals Nonverbal conversation, etc.) to analyze, ``Barydegi`` Analytical Psychology and the origin-text-based discourse reveal that manifestation. Also ``Barydegi`` nature of the origin-text M. Eliade`s Shamanism and the strong ties that the report, the text appears in the relevant pixel of Shaman M. Eliade`s Shamanism and the comparative analysis. Bari`s ``Hell Tour`` Out-of-body experience(OBE) a mystical experience, based on is done, the M. Eliade a structured set of Shaman`s ghosts and the connection between power and Jungian ``unconscious with the active dialogue`` based on the discourse Tues that says. In addition, recurring dreams of Bari`s ``Hell Tour`` Analytical Psychology and the Analysis of how to interpret dreams by performing in Individuation(Selbstverwirkli-chung) reveal that closely dream. Bari through this dream ``water of life`` to realize the meaning of being sent the way of Individuation, Jungian Individuation and it also reveals the deep might be related. Through the examination of this series, ``Barydegi`` Analytical Psychology, Shamanism, folklore elements and the origin-text to accommodate a modern reinterpretation in terms of ``modern-day hero story`` that reveals.

텍스트의 역동성과 재생산에 대한 시론(試論) ―다른 장르로의 재생산 과정(창작 경험)을 중심으로

이성준 ( Sung Jun Yi ) 한민족문화학회 2012 한민족문화연구 Vol.41 No.-

This paper attempts to complement the laser structured ``literary text model of communication``, trying to find a mechanism to refine the process and the communication of a literary text are reproduced as text. That highlighted aspects of the transport theory inmates accommodate aesthetics, reader-response criticism, mutual, but in fact, draws attention to the ``active communication`` does not provide a specific mechanism of reproduction, and neglect the fact that Of the laser in the era of universal genre deconstruction and post the model to reproduce the new text does not clarify the mechanism. Paper is to complement the exam that discuss the nature of the strong. Complement my creative experience, in order to find the mechanism of reproduction of in W. Iser``s theory did not materialize. Had transformed poetry had transformed poetry, novels, picture to switch to popular songs from the poetry, and transformed back to the 3rd text based on the author``s experience, the film had transformed poetry. Is being described as based on my personal experience can be subjective and arbitrary. However, reproduction mechanism that tracks the influence of reproduction that may arise in the course of a variety of psychological reactions of audience or situation, such as the proportion of the ``communication model of the art text`` to extend ``literary text model of communication`` between the arts, genre switch systematize the process and variations on that, the mechanism of the process to reproduce a new text to accommodate the text specifically says that a prisoner providers to change and a new perspective to reproduce the text, in the process of tracking that dimension of communication literature other artistic genres, including but not limited to the point that you can look at the art among communication patterns by considering the point that you can look at the significance.

이청준 소설에 나타나는 제주,제주민 의식 -「이어도」와 『신화를 삼킨 섬』을 중심으로-

이성준 ( Sung Jun Yi ) 우리어문학회 2015 우리어문연구 Vol.53 No.-

Yi Chung-jun is a special interest and affection for Jeju has had two novels and creative. Relatively early work can be called ‘이어도(Yieodo)’ and his later work in “신화를 삼킨 섬(Island swallowed Myths)” has a Jeju·Jeju residents are reflected in consciousness. ‘이어도(Yieodo)’ through the duality associated with the legendary island of Jeju Yieodo draw residents found the life and consciousness. In addition, “신화를 삼킨 섬(Island swallowed Myths)” through the wounds of the tragic recent history of Jeju 4·3 movement, the history of Jeju, Jeju residents found to draw consciousness. Two text that appears in the consciousness of the residents of Jeju, the first is a longing for the land. Trapped on the island, far from the land, must bear all the suffering and the pain came back to get away from the fate of parties expressed the desire of the residents of Jeju. Next, the reluctance of outsiders due to exclusivity. Historically, since the Goryeo Dynasty, occupied most of the outsiders have come to Jeju people, or the people who ruled Jeju residents, or those who suppressed the people of Jeju or Jeju residents was the exploitation of people. Thus, the resistance of the outsiders characteristics of Jeju residents can be called. Third, refusal·resistance against what is unjust. In particular, for the unfair denial of fate and destiny, and exposed to the resistance through out the text. As fate or destiny, but humans can not possibly avoid rejection and resistance because it is bound to have a limit. After all the frustration and resignation to fate, which is in compliance with this last drawn. This consciousness is the natural environment of Jeju residents, historical and socio-cultural situation and came to get it to be in inseparable, Jeju residents in the study of consciousness and there searchers pointed out that match the characteristics of the residents of Jeju. Thus, both the text, Jeju and Jeju residents as well as the background of consciousness and reason, which is relatively more drawn and, as the author``s love and concern for Jeju, Jeju residents through a variety of materials are the result of consciousness called to be identified be.

영화 「축제」에 나타나는 다큐멘터리 속성과 기법 고찰

이성준 ( Sung Jun Yi ) 영주어문학회 2011 영주어문 Vol.21 No.-

Movie Festival with a novel study has been focused on intertextuality. But now, in terms of film study of the technique is needed. In Festival, the documentary makes a variety of techniques have been used. Typical techniques include the voice-off, interview techniques, and include the use of subtitles. Through voice-off that is the truth of the story, the documentary will enhance the property. Audience stories of the characters talk more than the voice-off and tend to believe. Advantage of the fact that these are Festival will be called. Particularly difficult to present images to convey information effectively is very important when considering a strategy that will describe the technique is. In addition to novels, to convey the story effectively present information extracted Equally shall have the meaning. Interview techniques to highlight the concern of rising from the scene the audience is trying to secure the trust of. Intended to have last audience, rather than appointed incident happened at the scene of the events concerned, it is because you have a property trust. The flashback scenes, interview techniques available for use to maintain a fast tempo to convey the story effectively. In an interview technique to compress the story by presenting the story to give the elasticity of the device is being used as. Therefore, this technique Festival to give the elasticity of the main techniques of effective story telling can see that. Festival with a subtitle using the funeral customs of Korea are described in more detail. The reason is very simple. Korean-style funeral procession, and its meaning does not know the procedure and its people stand to tell the meaning. Therefore, the general director for the fictional film techniques to present and realistic information is presented through the written language. In this regard, Festival He took a new film making techniques and deserve respect as well, see assessment. Now the audience or viewers are tired of fictional movies and dramas seem to be. The popularity of this trend, enjoying the historical drama, with a real person fiction, peppered with a variety of materials that popular movies and drama that seems to be related to. The trend already noticed in 1996, Festival in the documentary, directed by Im Kwon-taek`s technique utilizing the ability to predict the future is a director can be assessed.

영화 <축제>에 나타나는 한국의 장례의식(葬禮儀式)과 의미 고찰

이성준 ( Sung Jun Yi ) 영주어문학회 2012 영주어문 Vol.24 No.-

Film festivals in Korea`s traditional funeral ceremony is clearly apparent. Subtitles by utilizing the name of the funeral and procedures, and disclosing the meaning, as well as Korea`s traditional funeral ceremony is to show the documentary technique. However, some rituals omitted results owing to the subject leads to a weakening, but a traditional funeral ceremony is faithfully reproduced. Festivals appears in the meaning of the funeral ceremony may be examined in three aspects. First, the Koreans` ideas about life and death, and filial piety is to reveal. Funeral rituals that make up the heart of filial piety as an element is inextricably bound to the example that there can be seen. Next, through funeral rituals to keep the community will be strengthened. This thing is fading in our society that increasingly makes sense in that it reproduces. Finally, through a funeral properties of the festive, and the chagrin of the explanation for the elimination of emotions, as well as the meaning of play is that ruminates. But these are things that take precedence over, through funeral rituals of Korea`s tradition and culture, ritual, and can see that may be revealed. It says about this subject and purpose of this study will do.