문혜정

문혜정 충북연구원 2009 앞,뒤 바라보다 Vol.- No.1

중국 ‘有無相生’ 미학의 현대적 수용

문혜정 중국인문학회 2011 中國人文科學 Vol.0 No.49

In the process of globalization , Orient has followed Occident and works of art has been westernized. Hence modern art only has been commodity estimated by economic value. It is important to look back Oriental thought thinking much of harmony in the materialistic contemporary world. In this thesis, coexistence of 'to be' and 'not to be' esthetics thinking much of harmony of contents and form is investigated in the Oriental thoughts. Coexistence of to be and not to be esthetics is Oriental esthetics thinking much of harmony of contents and form. 'Not to be' is reason, principle of universe, and unlimited power. 'Not to be' is psychological element. Chinese artists want to describe 'not to be, in the works of art and that has raised the values of them. But it is not until we can recognize 'to be' that we can refer 'not to be'. we must not make a mistake of forgetting importance of 'to be' due to overestimating 'not to be'. In fact, problem of modern art is to forget 'to be' by resorting to 'not to be' in the premise of high level psychological world. Because some people has ignored 'to be' by resorting to metaphysical reason, absurd works of arts has been widespread. Hence in this time to look back Chinese coexistence of 'to be' and 'not to be' esthetics will be the clue for recognizing problem of modern art.

세계 복권산업의 콘텐츠 활용방안과 정책적용 사례분석

문혜정 글로벌문화콘텐츠학회 2016 글로벌문화콘텐츠학회 학술대회 Vol.2016 No.2

이 연구의 목적은 복권산업에서 콘텐츠가 어떻게 생성되고 활용되며, 어떠한 기반기술을 바탕으로 정책에 적용되는지 선진국의 사례를 분석하는 것이다. 분석결과 사행산업에서 콘텐츠의 활용은 사행산업의 매출을 높일 뿐만 아니라 기반기술과 콘텐츠 산업 등 관련 산업을 육성시키고 국가의 경제력을 향상시켜, 정부의 새로운 재원마련 수단이 되어가고 있는 것을 확인하였다.

서예시장의 플랫폼 구축 가능성 연구

문혜정 한국동양예술학회 2023 동양예술 Vol.60 No.-

司馬遷의 蕭何 인물평을 통해 본 ‘適變’ 분석

문혜정 중국인문학회 2013 中國人文科學 Vol.0 No.55

This thesis investigates the concept and value of "Adequate change" based on Chinese history book "Shiji". This thesis explains character “Suhe” connected with Adequate change in their contemporary situation. Simaqian estimated that Suhe’ merit was excellent and his name was transferred to descendants. He also suggested contrary aspects of Suhe and Hanxin. This thesis investigates three causes of these contrary situations focused on brilliant Suhe, Hanxin killed by Liubang and other incidents. First, I mention in this thesis that Flexibility connected with contemporary period is important. Second, I mention that prestige made by changing aspects is respected as its own value obtained. Third, I mention that Adequate change can be affirmatively accepted according to changing situation.

문예 창작시의 몰입-‘情景交融’의 특징과 효과

문혜정 중국인문학회 2014 中國人文科學 Vol.0 No.58

This paper suggests that Interal-external communication and Flow theory by prof. Mihalyi Csikszentmihalyi can solve the contemporary lower concentration and the loss of thinking ability. This paper investigates the concepts of the Flow and Interal-external communication. These two factors have common roles in the fact that we look at the objects and interact with them, arriving at fusion and selflessness, resulting in affirmative life style. The Flow is the experience that happens sometimes in our life, Interal-external communication is one of the Flow experiencing in literature writing. Various literature activities lead to The Flow experience frequently, letting the students concentrate on their studies, futhermore making your life more valuable.

中國文學理論에 나타난 ‘間의 소통’ 문제 고찰

문혜정 중국인문학회 2012 中國人文科學 Vol.0 No.50

It is one of characteristics to aim for communication. This thesis investigates various aspects of communications revealed in Chinese literary thorey ti reflect on modern social problems. Communication can be harmony and reconciliation of relationship. This thesis investigates four viewpoints - human to human, human to space, human to time, and interdisciplinary communication. Relationship of human to human is communication with one another, human relationship which is the important role of social life. Relationship of human to space is communication of human to concrete space, naturalism which thinks much of environment. Relationship of human to time is communication of the past, present, future in the stream of time, accepting affirmative factors in the past and the present, developing the present and the future. The present is kairos time with meaning in this communication. In the end, interdisciplinary communication is that of literary theory and other science. Because that literature develops by itself have its limit, we need to have deep understanding and interchange between literature and other science.

司馬遷 ‘富’의식의 현대적 수용—≪史記≫ <貨殖列傳>을 중심으로—

문혜정 중국인문학회 2014 中國人文科學 Vol.0 No.56

Si Ma Qian was the historian who changed the concept of wealth and reestablished individual economic activity. He said that accumulating wealth could not be forbidden but promoted on the contrary. Si Ma Qian suggested two factors essential to achieve wealth. First, He said that accumulating wealth must not harm other people. Futhermore, rich people have to give ohers charity and sympathy. Second, he asserted that people can get wealth by buying and selling goods timely. People must have eyes on contemporary trend and must utilize those streams to be rich. Wealth becomes the axis of people' concentration now. Si Ma Qian' wealth concept is not only to emphasize accumulation of wealth but to coexist and to collaborate with other people. Si Ma Qian' wealth concept can be adopted by modern people because above mentioned two factors are useful to develop warmhearted capitalism.

現 중국서예 流派 형성 動向

문혜정 중국인문학회 2010 中國人文科學 Vol.0 No.44

Chinese calligraphy is developing fast as various schools have been formed. This thesis refers to the way Chinese calligraphy schools were formed, to the origin of them and to the features of respective school. First, the cause by which Chinese calligraphy schools were formed is as follows. One was the absence of apprenticeship because China concentrated on building socialism, ignoring the development of Chinese calligraphy. The other was to establish characteristic calligraphy world because Chinese calligraphy institute was founded early in 1980s and new power group of calligraphy emerged. Chinese calligraphy schools have consisted of Classicism , Neo-Classicism, Fashion style, Modernism, Post-Modernism, Academism because of above mentioned things. These schools of characteristics are as follows. First, Classicism tries to succeed to tradition rather than up to date trend. Though it have limits of persisting traditional calligraphy, it can be thought much of in the aspect of connecting modern times with the past. Second, Neo-Classicism reflects on contemporary needs and tides, at the same time, based on succeeding to tradition. Third, Fashion style is a kind of Neo-Classicism but the school having strong and unique characteristics in regard to emphasizing individuals. Fourth, Modernism has avant-garde tendency. It seeks to enlarge visual and time-space representative effect. Fifth, Post-Modernism is originated from reflection on Modernism' extreme attempt. It is the school formed by mixing Classicism, Neo-Classicism and external trend of literature. Sixth, Academism is new calligraphy school, accepting merits of Classicism, Neo-Classicism and Modernism all over, futhermore, studying with ideological concepts. Above mentioned, prevalence of schools formed with similar philosophy and concept means that Chinese calligraphy goes to the way of prosperity out of hesitating on the dividing line between success and failure.

‘理趣’의 개념과 그 형성요건에 대한 小考

문혜정 중국인문학회 2011 中國人文科學 Vol.0 No.47

The meaning of Liqu and the contemplation about formation condition of it Liqu is the aesthetic mood through saying reason, needing writer's profound philosophical contemplation. Being combined with real life, Liqu is particular concept even in Chinese literature. The thing which we are careful about is that we are indulged in Lizhang, which array reason meaninglessly. Because the poem that is absorbed in Lizhang is array of saying reason simply, the interactions of poetic inspiration and poetic concept being blocked, being the poem that is not real poem, we cannot taste it at all. Like this, the one of the methods not absorbed in Lizhang is roundabout thing like metaphor or figure speech through saying reason. Without detail explanations, coordination of the essential part of nature and writer's inspiration is the good method which derive Liqu through metaphoric method. Although we cannot understand the real meaning of Liqu, the pursuing effort that we would like to investigate Liqu which derives consideration of human nature and arrives at subtle border is helpful that we can understand literary works and appreciate them.