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광배근 유리 피판술을 이용한 두피 및 두개골 결손의 재건
김성기,노시균,이내호,양경무,Kim, Seong-Ki,Roh, Si-Gyun,Lee, Nae-Ho,Yang, Kyung-Moo 대한미세수술학회 2013 Archives of reconstructive microsurgery Vol.22 No.1
Purpose: Reconstruction of scalp and calvarial defects should provide both aesthetic and functional aspects. The inelastic nature of the scalp and previous surgery or radiation preclude the use of primary closure or a local flap. With development of microsurgical technique, a free tissue transfer is a good option. We use the latissimus dorsi myocutaneous free flap for reconstruction. Materials and Methods: A review of all latissimus dorsi free flap reconstructions performed in nine patients from 2009 to 2012 was conducted. There were six males and three females, ranging in age from seven to 69 years, and nine different regions, including five temporal regions, two occipital regions, and two frontoparietal regions. The flaps ranged in size from $9.0{\times}10.0cm$ to $14.0{\times}15.0cm$. Recipient vessels available for microanastomosis were most often the superficial temporal vessels and two patients had anastomoses to the external carotid artery and internal jugular vein. Results: All flaps survived postoperatively. With a median follow-up period of 14 months, no major complications were noted. However, two patients developed minor wound dehiscence, and a hematoma was observed in one patient. Conclusion: We performed the latissimus dorsi myocutaneous free flap reconstruction, which is one of the most popular reconstructive methods. The latissimus dorsi myocutaneous free flap reconstruction has been proven successful in our patients with satisfactory results. During the long term follow-up period, even though depressions were observed on the defect area in some patients, they were treated successfully with cranioplasty. Therefore, we recommend the latissimus dorsi myocutaneous free flap for reconstruction of scalp and calvarial defects.
커뮤니케이션 전달방식의 변화에 관한 연구 -공연장공간을 중심으로-
김성기 한국문화공간건축학회 2010 한국문화공간건축학회논문집 Vol.- No.30
This study set out to examine about change to the delivery methods of communication in the space of performing arts centers. As for the connections between the stage and auditorium in the space of performing arts centers, there were the relations of complex communication observed between the performers and audience and among the audience in the primitive age, Greek, Medieval, and Elizabethan period. During the Roman Empire and Renaissance in Italy, there were the relations of simple communication between the performers and audience. The modern times sees mixtures of complex and simple communication according to the kinds of performance and space forms. As for the types of communication, they engaged in interactive communication in delivering messages on the highly religious stage during the Greek, Medieval, and Elizabethan period according to the functions of performing space. During the Roman Empire, Renaissance, and modern days, the one-way communication types were dominating on the entertaining stage. While they conducted verbal and letter communication in terms of messaging signs for words-based performances, they depended on nonverbal communication with gestures, touches, pictures and graphics for the actions- or scenes-based performances.
경제윤리학 재론(再論) -자본주의 정신 기원론을 중심으로-
김성기 충북대학교 산업경영연구소 2017 産業과 經營 Vol.30 No.1
도덕적으로 올바르고 전체를 위해 유익한 산업은 당연히 이윤을 초래하지만 이윤이 생겨나는 것이 반드시 도덕적으로 바르고 전체적으로 유익한 것은 아니었다. 이러한 역(逆)의 경우가 통용될 때 있는 그대로의 자본주의 정신이 나타난다는 것이다. 특히 21세기 자본주의처럼 가상세계의 현상이 실제 현실로 되어 나가는 최근의 상황을 감안하면 경제윤리와 자본주의 정신의 친화관계를 규정하는 인과관계는 변하고 있다. 전통적 경제학에서 특히 베버적 입장의 적합성은 낮아질 수밖에 없다. 하여간 경제체제의 변화가 크게 나타나지만 ‘시장’을 전제로 하는 한 모든 경제주체의 “자기책임의 완결”과 “공동성의 유지를 위한 타인에 대한 배려”라는 두 가지 원리는 동서고금을 통해 언제나 그 생명력을 보존하고 있는 것이 아닐까.