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      • 밀짚 기본사료 급여시 HCHO 처리 Alfalfa 엽(葉) 분미의 보충이 면양의 반추위액(反芻胃液) 성장에 미치는 영향

        강희신,R. H. Weston 한국낙농학회 1985 韓國酪農學會誌 Vol.7 No.2

        밀짚 基本飼料로 飼育되는 緬羊에게 HCHO 4.37% 水準의 處理 Alfalfa 葉 粉末 및 無處理 粉末의 補充時 反芻胃液의 性狀을 調査하여 다음과 같은 結果를 얻었다. 1. 處理 Alfalfa 葉 粉末의 補充은 反芻胃內 NH₃態 窒素濃度를 約 17% 相當 減少시키며, 蛋白質의 減成化를 充分히 抑制하고 있음을 알게 되었다. 2. Alfalfa 葉 粉末의 HCHO處理效果는 飼料攝取后 1.5時問 以內 또는 그 直前后까지 持績되나 2.5時間까지는 維持되지 않는다. 3. 反芻胃液中 總酸 및 個別脂肪酸의 濃度는 n-Valerate의 경우 飼料 攝取后 0.5時間 Isovalerate의 경우 2.5時間 境遇를 除外하고 差異가 없다. 卽 n-Valerate는 HCHO處理로서 減少되나 Iso-Valerate는 오히려 增加된다. 4. 反芻胃液中 NH₃-N 및 VFA에 對한 時差別 變異(增減)에 對한 回歸分析의 結果로서 數個의 同歸方程式을 誘導하고 그 可能性에 對하여 討論되었다. To study the ruminal status of the sheep fed the basal diet of wheaten chaff mixture supplemented with and without HCHO treated alfalfa leaf meals at the level of 4.37% of the crude protein content of the meal, four Border Leicester x Merino male sheep fitted with ruminal cannulae were kept in the metabolism cages and fed by using continuously rotating feeder for three hours intervals according to the switch over design. The results obtained were summarized as follows; 1. The ruminal ammonia N concentration (mg N) of sheep supplemented with the HCHO treated alfalfa leaf meal was significantly (p<0.05) reduced by about 17.0% compared to that of untreated group. 2. The reduction in ammonia N concentration was lasted for up to 1.5 hours after feeding with HCHO treated meal supplementation, but this effect was not found by 2.5 hours after feeding. 3. The effect of HCHO treated alfalfa leaf meal supplement on the ind. VFAs of ruminal fluid showed that there was a significant (p<0.05) reduction in the n-valerate concentration at 0.5 hours after feeding, whereas the iso-valerate was increased at 2.5 hours after feeding. 4. Several regression equations were derived from the concentration of ammonia N and volatile fatty acids by hour intervals after feeding. Possible reasons for these were discussed in some details.

      • KCI등재
      • 젖소 반추위내(反芻胃內)에 현수(懸垂) 발효되는 두과(荳科) 및 화본과작물(禾本科作物)의 분해도 측정에 관한 연구 : 제 1 보 : 고 또는 저 에너지 사료섭취시 두과 , 화본과 건초류(乾草類)의 건물·유기물 소실율 측정 I. In situ dry matter and organic matter disappearance rates of legumes and grasses fed high and low energy diets

        강희신,유시희,이형구,나주엽 한국낙농학회 1994 韓國酪農學會誌 Vol.16 No.4

        국내 야생에 자생하고 있는 두과자원과 화본과자원의 효율적인 활용 방안을 제시하고자 누관이 장착된 Holstein 젖소 1두를 이용하여 in situ 건물 소실률과 유기물 소실률을 알아보고자 본 실험에 착수하여 다음과 같은 결과를 얻었다. 1. 저에너지 사료 섭취시 두과 시료인 아카시아, 칡 및 살갈퀴의 반추위내 평균 건물 소실률은 각각 37.9, 43.3 및 43.8%이며 화본과 시료인 NH₃-N 처리 볏짚, 억새 및 수수의 평균 건물 소실률은 각각 30.1, 27.7 및 42.2%였고 두과 및 화본과 전체 평균은 각각 41.7및 33.3%였다. 2. 고에너지 사료 섭취시 두과시료인 아카시아, 칡 및 살갈퀴의 반추위내 평균 건물 소실률은 각각 27.6, 37.1 및 34.7%이며 화본과 시료인 NH₃-H 처리 볏짚, 억새 및 수수의 평균 건물 소실률은 각각 31.0, 17.9 및 37.5%였고 두과 및 화본 과 전체평균은 각각 33.1 및 28.8%였다. 3. 저에너지 사료 섭취시 두과시료인 아카시아, 칡 및 살갈퀴의 반추위내 평균 유기물 소실률은 각각 24.0, 42.3 및 49.0%이며 화본과 시료인 NH₃-N 처리 볏짚, 억새 및 수수의 평균 유기물 소실률은 각각 25.3, 23.9 및 17.1%였고 두과 및 화본과 전체 평균은 각각 38.4 및 22.1%였다. 4. 고에너지 사료 섭취시 두과시료인 아카시아, 칡 및 살갈퀴의 반추위내 평균 유기물 소실률은 각각 20.7, 42.3 및 53.2%이며 화본과 시료인 NH₃-N 처리 볏짚, 억새 및 수수의 평균유기물 소실률은 각각 30.9, 29.9 및 28.6%였고, 두과 및 화본과 전체 평균은 각각 38.7 및 29.8%였 다. A nylon bag technique was used to investigate the effect of feeding two energy levels of Low(R;C=8;2) or High(R;C=2;8) diets on the dry matter and organic matter disappearance rates(%) of Legumes; Robinia pseudo acacia(acacia), Pueria thunbergiana(kudzu), Vicia Angustifolia(angustifolia), or Grasses; Oryza sativa(3% ammoniated rice straw), Miscanthus purpurascens(eulalia), Sorghum bicolor(sorghum-pioneer 188) suspended in the rumen of dairy cow. The results obtained were summarized as the following; 1. With the low energy diets the average DMDR(%) for the suspending hours of 0∼72 in the rumen with legumes; acacia, kudzu and angustifolia were significantly different(P<.05) with 37.9, 43.3 and 43.8%, respectively. And the average DMDR(%)for the suspending hours of 0∼72 in the rumen with grasses; NH3-N treated rice straw, eulalia and sorghum were significantly different(P<. 05) with 30.1, 27.7 and 42.2%, respectively. And the total average DMDR(%) for suspending hours 0∼72 in the rumen with legumes and grasses were 41.7 and 33.3%. 2. With the high energy diets the average DMDR(%) for the suspending hours of 0∼72 in the rumen with legumes; acacia, kudzu and angustifolia were significantly different(P<. 05) with 27.6, 37.1, and 34.7%, respectively. And the average DMDR(%) for the suspending hours of 0∼72 in the rumen with grasses; NH₃-N treated rice straw, eulalia and sorghum were significantly different(P<.05) with 31.0, 17.9 and 37.5%, respectively. And the total average DMDR(%) for suspending hours 0∼72 in the rumen with legumes and grasses were 33.1 and 28.8%. 3. With the low energy diets the average OMDR(%) for the suspending hours of 0∼72 in the rumen with legumes; acacia, kudzu and angustifolia were significantly different(P<.05) with 24.0, 42.3 and 49.0%, respectively. And the average OMDR(%) for the suspending hours of 0∼72 in the rumen with grasses; NH₃-N treated rice straw, eulalia and sorghum were significantly different(P<.05) with 25.3, 23.9 and 17.1%. And the total average DMDR(%) for suspending hours 0∼72 in the rumen with legumes and grasses were 38.4 and 22.1%. 4. With the high energy diets the average OMDR(%) for the suspending hours of 0∼72 in the rumen with legumes; acacia, kudzu and angustifolia were significantly different(P<.05) with 20.7, 42.3, and 53.2%, respectively. And the average OMDR(%) for the suspending hours of 0∼72 in the rumen with grasses; NH₃-N treated rice straw, eulalia and sorghum were significantly different(P<.05) with 30.9, 29.9 and 28.6%. And the total average DMDR(%) for suspending hours 0∼72 in the rumen with legumes and grasses were 38.7 and 29.8%.

      • KCI등재

        『眞美大觀』과 일본 고대 불교조각

        강희정(姜熺靜) 한국미술연구소 2009 美術史論壇 Vol.- No.28

        The first illustrated art catalogues in Japan, the Selected Relics of Japanese Art(Shinbi Taikan, 『眞美大觀』) was published from 1899. Until 1908, the publisher Shimbi shoin(審美書院) had completed all 20 books in the set. This set of the illustrated art catalogues can be highly valued as the first publication in Japan, which had established the foundation of Japanese art history during the Meiji(明治) period. These series presented almost every significant art works from the earliest times to the end of the Tokugawa(德川) period. The publisher said in the introductory remarks that they collected the important art relics from the Buddhist temples in Nara(奈良) and Kyoto (京都) and the private collections. All the books which bound Japanese style, have two types of plates, the foldout collotype plates on thick paper and the non-foldout collotype plates on thin woven paper folded over a sheet of thicker backing paper. And each plates are protected by a very thin paper like a tissue on which is printed the description and explanation on the plate in Japanese and English. The pictures in the books were photographed and collotyped by Ogawa Kazumasa(小川一眞) who participated in 'the survey and investigation of treasures in Ginki province(近畿寶物調査)' from 1888 with Ernest E. Fenollosa and Okakura Tenshin(罔倉天心). The photographs that Ogawa had taken during those periods were used several times in the publications including the Selected Relics of Japanese Art and the Histoire de l'Art du Japon. The publications with the collotyped photographs of Ogawa show us the first photographic reproduction of cultural property and the visual popularization through those photographs. From the Meiji period, the Japanese bureaucrats and intellectuals who served the government thought that the Buddhism and its art were equal to the Christianism. Therefore they argued the most important culture in Asia was the Japanese Buddhist art which the Japanese had preserved for a long time. In this point of view, the editors of the series, the Selected Relics of Japanese Art, chose the image of the Shakya(釋迦) triad in Kondo(金堂) of Horyuji(法隆寺) as the first plate in the book, volume one. Whether the art works could be a model for the artists was the only significant standard for the selection of the art works for the books. And the editorial boards regarded the ancient ones as the classic, which could be worth while for the scholars to investigate. Shimbishoin informed that the Selected Relics of Japanese Art was awarded the Gold Prize for printing in the 1900 Paris World Exposition. The series, which were the first illustrated art catalogues that fitted with the policy of the Meiji government, were the publication that opened the beginning of reproduction and distribution of cultural assets by photographs. Also the series projected by semi-governmental management were a visual embodiment of the Japanese art history constructed in the Meiji period.

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