“젠더, 주민자치에서 꼭 짚고 넘어갈 문제···여성 참여 증가로 더 평등해진 것일까?” : 제16회 김선희 소장 ‘젠더와 주민자치’ 발제

김선희,채원호 한국자치학회 2022 월간 주민자치 Vol.127 No.-

Contents of Biotechnology in Technology Education Recognized by Experts

김선희,류창열 한국실과교육연구학회 2010 實科敎育硏究 Vol.16 No.1

The purpose of this study was to identify contents for biotechnology in technology education of the secondary school level. To accomplish this, this study employed literature review and modified Delphi survey. The modified Delphi survey that were conducted totally 3 times all consisted of structured items and the selected panel is composed of 33 persons. The results of this study are summarized below. Firstly, four categories of biotechnology contents were foundation of biotechnology, principles of biotechnology, utilization of biotechnology and impact of biotechnology. Secondly, the foundation of biotechnology included five sub-categories such as definition of biotechnology, history of biotechnology, terms related to biotechnology, characteristics of biotechnology (improvement & utilization of organism function, mass production), and technology related to biotechnology domain{bio-utilization technology (improvement of organism function - genetic manipulation, cell fusion, utilization of organism function - fermentation, culturing, cultivation, raising, breeding, bioreactor), biomimetics}. Thirdly, the principles of biotechnology included six sub-categories such as genetic manipulation, cell fusion, culturing, bioreactor, procedure of modern biotechnology(genetic manipulation or cell fusion →culturing→ bioreactor) and hands on activity corresponding to technology related to biotechnology domain. Fourthly, the utilization of biotechnology included five sub-categories such as the utilization in agriculture sector, the utilization in medicine sector, the utilization in environment sector, the utilization in energy sector, career exploration related to biotechnology. Fifthly, the impact of biotechnology included four sub-categories such as social impact of biotechnology, bioethics, biosafety(food, environment), the prospect of biotechnology.

미각 이미지와 푸드스타일링 디자인의 연관성 연구 :잡지에 나타난 한식메뉴 색채를 중심으로

김선희,김상희 한국외식경영학회 2013 외식경영연구 Vol.16 No.2

Modern consumers demands the delivery of the image of taste that can give an impression and interest through sensation as well as the satisfaction of a basic desire through food. This has influenced food culture, and food styling, which combines food and design, becomes increasingly important. This study derived results from analysis on correlation between food styling design found in menus of Korean food and taste sense adjectives and sensibility adjectives. The results of analysis, with design principles being applied, showed that asymmetrical balance and radial balance were frequently found in the food styling design of cooked vegetables (sukchae) on menus of Korean food, as for à la carte dishes, they were represented with the emotional image of "delicious," and red-color food was much found among them. Therefore, color database relating to the sense of taste will need to be developed and constructed for its application across the food design industry so that it may be used in various ways in the field of the food service industry. 현대의 소비자들은 음식을 통한 기본적 욕구는 물론, 감각을 통한 감동과 흥미를 줄 수 있는 맛의 이미지 전달을 요구하고 있으며, 음식문화에서는 이러한 영향을 받아 음식과 디자인이 결합된 푸드스타일링의 중요성이 커지고 있다. 본 연구에서는 한식메뉴에서 보여진 푸드스타일링 디자인과 미각적 감각형용사,감성형용사와의 연관성에 관한 분석 결과를 도출하였다. 디자인 원리를 적용하여분석해본 결과, 한식메뉴에서의 숙채류는 푸드스타일링 디자인에서 비대칭 균형,방사형 균형이 많이 나타났으며, 생채류는 비대칭 균형과 대칭 균형으로 원형인흰색그릇을 많이 사용하였다. 전류는 비대칭 균형이 많이 나타났으며 다양한 형태로 그릇에 리듬감 있게 스타일링 되었다. 육류는 고기 색이 강조되었으며 생선류는 흰색의 사각형과 원형그릇에 담겨져 리듬감 있게 스타일링 되었다. 찌개류는변화와 리듬감 있게 스타일링 되었으며 국류는 고명이 강조된 스타일링이다. 밥류는 푸드스타일링 디자인이 다양하게 나타났으며, 죽류는 그릇과 음식의 색이 보색으로 대비되었다. 마지막으로 일품류는 “맛있다”라는 감성이미지로 표현되며 빨간색상의 음식이 많았다. 그러므로 시각적 미각 이미지 특징들을 미각과 관련된 색채 데이터베이스를 개발하고 구축하여 푸드 디자인 산업 전반에 응용해서 외식 산업분야에 다양하게 활용해야 할 것이다.

건설부산물대책 행동계획 : 일본

김선희 대한지방행정공제회 1994 도시문제 Vol.29 No.309

일반 밀로 제조된 생면 스파게티 품질 특성

김선희,이조원,김보라,강재현,이동,윤소희,박지현,문보경 동아시아식생활학회 2014 동아시아식생활학회 학술발표대회논문집 Vol.2014 No.11

노인복지시설 종사자들의 여가태도, 여가만족과 조직유효성의 인과모형에 관한 연구

김선희 한국스포츠리서치 2007 한국 스포츠 리서치 Vol.18 No.3

분광타원법을 이용한 스퍼터된 Ta2O5 박막의 광학적 특성

김선희,이희연,정인우,현장훈,이성용,강만일,류지욱 한국진공학회 2009 Applied Science and Convergence Technology Vol.18 No.2

Ta2O5 thin films were deposited by RF magnetron sputtering method under various RF power, substrates and oxygen partial pressure. Elliptic constants were measured by using a phase modulated spectroscopic ellipsometer and analyzed with the Tauc-Lorentz dispersion formula and best fit method in the range of 310~1239nm. Also, transmittance spectra of the films were measured by UV-Vis spectrophotometer in the range of 300~1000nm. From these data, thickness of Ta2O5 and surface layer were analyzed and changes of magnitude and shape of dispersion of optical constants according to fabricated conditions were measured. Also, to evaluate thickness and optical constants data analyzed by Tauc-Lorentz dispersion formula, the measured and analyzed transmittance spectra were compared. In result of the comparison, two spectra were in good agreement each other. Accordingly, it indicates that our ellipsometric analysis is valid. 본 연구에서는 RF 파워, 기판의 종류, 산소분압비의 다양한 제작조건으로 RF 마그네트론 스퍼터링법을 이용하여 Ta2O5 박막을 제작하였다. 제작된 Ta2O5 박막의 분석을 위해 위상변조방식의 분광타원계를 이용하여 타원상수를 1.0∼4.0eV 영역에 걸쳐 측정하였고, Tauc-Lorentz 분산관계식을 이용하여 박막의 두께와 광학상수를 분석한 결과 제작조건에 따른 광학상수의 크기와 분산형태의 변화가 나타났다. 또한 분산관계식에 의해 분석된 박막의 두께와 광학상수를 이용하여 얻은 투과율 스펙트럼을 UV-Vis 분광광도계에 의해 측정된 값과 비교하여 타원상수 분석을 통해 얻은 두께와 광학상수의 신뢰성을 확인하였다.

Exploring the Effect of Four Factors on Affirmative Action Programs for Women

김선희,김서용 이화여자대학교 아시아여성학센터 2014 Asian Journal of Women's Studies(AJWS) Vol.10 No.1

Our study aims to explore determinants and mechanisms that support affirmative action programs (AAPs). Managing the programs and enhancing women’s well-being in organizational life requires knowledge about support for AAPs. Although many studies have examined attitudes toward these, they have confined their scope of research to their particular theoretical disciplines. Our study analyzes the impact of four primary factors―gender, political factors, psychological factors, and social structure on support for the programs. These in turn consist of eight variables, as we shall see, and we examine the varieties of causal mechanisms that are concerned with moderation and mediation, as well as the causal relationships within the variables. Our findings suggest that the four factors have comparative strengths in explaining support for AAPs and have moderating, mediating, and causal impact on them.

The Role of the Pattern Edge in Goldfish Visual Motion Detection

김선희,정창섭 대한약리학회 2010 The Korean Journal of Physiology & Pharmacology Vol.14 No.6

To understand the function of edges in perception of moving objects, we defined four questions to answer. Is the focus point in visual motion detection of a moving object: (1) the body or the edge of the object, (2) the leading edge or trailing edge of the object, (3) different in scotopic, mesopic and photopic luminance levels, or (4) different for colored objects? We measured the Optomotor Response (OMR) and Edge Triggering Response (ETR) of goldfish. We used a square and sine wave patterns with black and red stripes and a square wave pattern with black and grey stripes to generate OMR’s and ETR’s in the goldfish. When we used black and red stripes, the black leading edges stimulated an ETR under scotopic conditions, red leading edges stimulated an ETR under photopic conditions, and both black and red leading edges stimulated an ETR under mesopic luminance levels. For black and gray stripes, only black leading edges stimulated an ETR in all three light illumination levels. We observed less OMR and ETR results using the sine wave pattern compared to using the square wave pattern. From these results, we deduced that the goldfish tend to prefer tracking the leading edge of the pattern. The goldfish can also detect the color of the moving pattern under photopic luminance conditions. We decided that ETR is an intriguing factor in OMR, and is suitable as a method of behavioral measurement in visual system research.

조선 후기 동화사 염불암 극락구품도(極樂九品圖) 연구

김선희 사단법인한국교수불자연합회 2023 한국교수불자연합학회지 Vol.29 No.1

This study aims to identify the background of Donghwasa Yeombulam <Geungnak Gupumdo>(the 21st year of the King Dogwang, 1841) in the late Joseon Dynasty from a religious and socio-historical aspect, and analyze and identify the form and the iconographic characteristics implicit in the work itself so as to secure a position in art history. This Buddhist painting is <Geungnak Gupumdo> which is the iconography of 『Amitayurdhyana Sutra(觀無量壽經)』, one of the three principle Pure Land sutras. In particular, it was found to be upper-altar painting(上壇幀) through huo-chan at the bottom and historical record, proving that it also played a role in the post-buddhist painting of Geungnakjeon(Paradise Shrine). The expression of Pure land of Amitabha in the late Joseon period visualized real-world objects as direct and concrete images using a high level of imagination. The composition or structure of the screen is in harmony and balance, and the use of colors or pen and ink is refined and elegant. This pictorial feature is clearly distinguished from the form of the previous period 〈Paintings of the Paradise of Amitabha(觀經變相圖)〉. The form of welcoming the people reborn, which is divided into the two ritual altars of upper and lower (Amitabha Buddha Triad, Pond of Rebirth, Byeokjeonryeondae), is also compared with the form of the 12th view of Amitabha Buddha Triad(阿彌陀三尊佛), <Painting of sixteen visions of Amitāyur-dhyāna-sūtra(觀經十六觀變相圖)> in the collection of Seoboksa Temple in Japan around 1300. There are many examples of this form, such as <Geungnak Gupumdo>(1778) at Simjeogam of Jikjisa, <Geungnak Gupumdo> (1882) at Heungwonjeon of Pyochungsa, and <Geungnak Gupumdo>(1893) at Hogukjijangsa. The formal characteristics of this Gupumdo are being seen not only in Gyeongsang-do, but also in Seoul and Gyeonggi-do. The basic form of Yeombulam <Geungnak Gupumdo> is regarded to be modeled after the acceptance of pictorials that were a form of printmaking in the Ming Dynasty of China, the golden age of printmaking. With Hwasa's imagination, real-world objects are visualized as direct and concrete images. From this point of view, Yeombulam <Geungnak Gupumdo> well reflects pure land belief of the time, and it can be seen as a work that can achieve a position in the history of Buddhism painting because it has artistic creativity and iconographic features of the times. 이 글은 조선 후기 동화사 염불암 〈극락구품도〉(道光21년, 1841년)의 조성배경을 종교 및 사회사적 측면에서 규명하고 이와 아울러 작품 자체에 내포된 형식과 도상적 특징을 분석 규명하여 미술사적 위치를 확보하는데 목적을 두고 논의를 진행하였다. 이 불화는 정토삼부경(淨土三部經) 중에 『관무량수경(觀無量壽經)』의 내용을 도상화한 <극락구품도>이다. 특히 하단의 화기 내용과 사적기 기록을 통해 상단탱(上壇幀)임을 밝히고 있어 극락전의 후불화 역할도 했음을 입증하고 있다. 조선 후기 극락세계의 표현은 차원 높은 상상력을 발휘하여 현실 세계의 사물을 직접적이고 구체적인 이미지로 시각화하고 있는데, 화면의 구성이나 구도가 상호 조화와 균형을 이루며 색채나 필묵의 활용이 세련되고 유려(流麗)하다. 이러한 회화적 특질은 이전 시대 〈관경변상도〉 형식과 확연히 구별된다. 상ㆍ하 2단 구도(아미타삼존, 왕생의 구품연못, 일원상과 벽련대)로 나누어 왕생자를 맞이하는 형식은 1300년 경 일본 서복사(西福寺) 소장 <관경16관변상도(觀經十六觀變相圖)> 제12관(觀) 보관(普觀) 아미타삼존불 (阿彌陀三尊佛) 형식과도 비교된다. 이와 같은 형식으로는 직지사 심적암 <극락구품도>(1778년), 표충사 흥원전 <극락구품도>(1882년), 호국지장사 <극락구품도>(1893년) 등 많은 예들이 남아있다. 이런 구품도의 형식적 특징이 경상도는 물론 서울, 경기도 지역에서 보이고 있다. 염불암 <극락구품도>의 기본적 형식은 판화의 황금시대라 불리는 중국 명대 판화로 인쇄된 화보류가 수용되면서 이를 모본으로 하고 있음을 알 수 있으며, 여기에 화사(畫師)의 상상력으로 현실 세계의 사물을 직접적이고 구체적인 이미지로 시각화하고 있다. 이러한 관점에서 염불암 <극락구품도>는 당시의 정토신앙을 잘 반영하고 있으며, 예술적 창의성과 시대적 도상 특징을 지니고 있으므로 능히 불교회화사적 위치를 확보할 수 있는 작품이라고 볼 수 있다.