초점 / 96년 미국 대통령선거 분석 : 다국적기업이 선거에서 이겼다

서영민 사회평론 1996 사회평론 길 Vol.96 No.12

다변량통계분석 및 유역환경모델을 이용한 금호강 중·상류 유역의 수질특성평가

서영민,권구호,최윤영,이병준 한국물환경학회 2021 한국물환경학회지 Vol.37 No.6

Multivariate statistical analysis and an environmental hydrological model were applied for investigating the causes of water pollution and providing best management practices for water quality improvement in urban and agricultural watersheds. Principal component analysis (PCA) and cluster analysis (CA) for water quality time series data show that COD, TOC, SS, and T-P are classified as non-point source pollutants that are highly correlated with river discharge. T-N, which has no correlation with river discharge and has an inverse relationship with water temperature, behaves like a point source with slow and consistent release. BOD shows intermediate characteristics between point and non-point source pollutants. The results of the PCA and CA for the spatial water quality data indicate that cluster 1 of the watersheds is characterized as upstream watersheds with good water quality and high proportion of forest. However, cluster 3 shows the most polluted watersheds with substantial discharge of BOD and nutrients from urban sewage, and agricultural and industrial activities. Cluster 2 shows intermediate characteristics between clusters 1 and 3. The results of hydrological simulation program-Fortran (HSPF) model simulation indicate that the seasonal patterns of BOD, T-N, and T-P are substantially affected by agricultural and livestock farming activities, untreated wastewater, and environmental flow. Spatial analysis of the model results indicates that the highly-populated watersheds are prior contributors to water quality degradation in the river.

유아의 즉지하기와 수학패턴과의 관계

서영민,정혜린 한국유아교육학회 2018 정기학술대회 논문집 Vol.2018 No.1

PET와 실리콘 고무의 내열접착특성 향상을 통한 자동차 머플러용 고무행거의 신뢰성 향상을 위한 연구

서영민,김환국,정용일,전경수,이민지 한국고분자학회 2018 한국고분자학회 학술대회 연구논문 초록집 Vol.43 No.2

에밀 졸라의 ‘유대인의 문제’에 관한 고찰 - 『돈 L’Argent』을 중심으로

서영민 한국프랑스학회 2019 한국프랑스학논집 Vol.107 No.-

Cette étude a pour but d’expliquer l’attitude de Zola devant la question juive ou devant l’antisémitisme, dans L’Argent, le dix-huitième roman dans le cycle des Rougon-Macquart. Il ne s’agit pas de tirer argument du fait que Zola a été le défenseur de Dreyfus et l’auteur de J’accuse. Car il pourrait y avoir la différence d’ardeur entre le Zola de 1891 et le Zola de 1898. Il y a une base idéologique au départ de projet de L’Argent. C’est cette équiation dans laquelle se résume ‘les juifs=l’argent= le mal’. Donc, Zola passe de la ‘question juive’, qui est l’équiation de ‘l’argent=les juifs’, à la ‘question de l’argent’. D’abord, Zola a, devant l’argent, la position nuancée qui restera la sienne. Il veut expliquer que l’argent, ce n’est pas le mal. Avant tout, il s’interroge sur les remèdes possibles pour penser les maux de la société contemporaine où l’argent règne en maître. Chez Zola, l’argent tient une place de plus en plus importante et de plus en plus complexe. Il met l’argent au centre de la quasi totalité des Rougon-Macquart, surtout dans L’Argent. Et puis, Zola entre directement dans la question juive, dès les premieres lignes de son ‘Ebauche’. “Ne pas oublier que la question juive va se trouver au fond de mon sujet; car je ne puis toucher à l’argent sans évoquer tout le rôle des juifs autrefois et aujourd’hui.” Ainsi L’Argent se caractérise par ouverture et une clôture marquées par le discours de l’antisémitisme. On examine le problème en le considérant non seulement sous l’angle de l’histoire, mais également dans une perspective stylistique et lexicologique pour penser le problème de l’antisémitisme. On redécouvert l'expression du sentiment et l’injure antisémites. Saccard est le seul antisémite du roman. Ce discours antisémite prend la forme soit du style direct, soit du style indirect ou du style indirect libre. Saccard incarne avec force le sentiment antisémite. Mme Caroline a pour fonction de lui apporter la contradiction, répliquant à la tirade antisémite finale de Saccard. Elle a dit par une remarque de tolérance universelle. “Pour moi, les juifs, ce sont des hommes comme les autres. S’ils sont à part, c’est qu’on les y a mis”. Et puis, aucune occurrence des termes ‘antisémite/antisémitisme n’apparaît dans le corpus des Rougon-Macquart, dans les dossiers préparatoires. En conclusion, une telle hypothèse doit être écarté sur beaucoups de points. Zola progresse par étapes successives, restant sur la même ligne de pensée, avançant par approfondissements successifs. On constate la preuve que pour la pensée antidreyfusarde, L’Argent n’est pas un roman antisémite.

IEEE 802.21(Media Independent Handover) 표준화 동향

서영민,장영민,김용호,박수홍 한국컴퓨터통신연구회 2007 OSIA Standards & Technology Review Vol.27 No.1

영국 아동건강가정방문서비스의 현황과 과제

서영민 한국보건사회연구원 2018 국제사회보장리뷰 Vol.5 No.-

영화 음악을 활용한 유아음악활동의 협력적 실행과정과 교사와 유아의 변화

서영민,정지혜 한국어린이미디어학회 2018 어린이미디어연구 Vol.17 No.4

This study is a collaborative action research by researchers and teachers about the educational application of cinematic music that is usually dismissed by kindergartens on music activity. Data was based on filed video and field work reports, and analyzed qualitatively. Cinematic music used in music activities were played by projecting the soundtrack “BANG BANG” from the film “Great Expectations” and “Mission Impossible” from the film “Mission Impossible” on a wall. The action research was performed by kindergartens on music activity for 3 cycles. Through the process of this study, we instircpected collaborative action research and analyzed change of teacher and children. Study results indicated teacher showed pleasure in teaching music activity. Through the process teacher concretely explored about musical and motional elements. Also they recognized diversity of media in music education for children. They showed interest in beat with distinct feature of the cinematic music, resulting in a knowing phrase in music and were immersed in cinematic music. In conclusion, this study became the basis for invigorating the current kindergarten teaching environment by introducing a new method of teaching music. The need for a wide variety of media to teach and learn through music was recognized, and teaching methods for musical activities became more open and flexible. 본 연구의 목적은 유아교육기관에서 영화음악을 활용한 유아음악활동의 협력적 실행연구의 과정과 교사와 유아의 변화를 알아보는 것이다. 이를 위하여 동영상 촬영 및 현장관찰일지를 바탕으로 기록하였고 분석하였다. 만3세 유아 15명을 대상으로 영화 [위대한 개츠비]의 음악 ‘BANG BANG’과 [미션 임파서블]의 음악 ‘Mission impossible’을 활용하여 3차에 걸친 유아음악활동을 실행하였다. 이 과정을 통해 나타난 협력적 실행과정을 성찰해보고 교사와 유아의 변화를 알아보고자 하였다. 연구 결과, 교사는 협력적 실행과정을 통해 음악활동 지도의 즐거움을 알게 되었으며 이 과정에서 음악적, 동작 요소에 대하여 구체적으로 탐색하고, 음악교수학습 매체의 다양성에 대한 필요성을 인식하였다. 유아는 영화음악의 특색 중 두드림의 즐거움을 느꼈고 유아들의 춤에서 프레이즈를 발견하였으며 음악에 몰입하였다. 본 연구는 음악교육에 있어 한정된 교수 학습 매체만을 사용하는 유아교육현장에 새로운 교수학습매체 활성화하는 토대를 제공하여 유아교육 현장의 음악활동을 개선하는데 의의가 있다.

Implanted biomaterials to regulated cell functions with femtosecond laser patterning

서영민 한국공업화학회 2021 한국공업화학회 연구논문 초록집 Vol.2021 No.1

기능적 문제가 없는 성인 가성 탑상두개의 외과적 교정: 증례 보고

서영민,정승문 대한성형외과학회 2003 Archives of Plastic Surgery Vol.30 No.1

Oxycephaly, which is a frontal deformity in which the forehead is recessed and tilted backwards, is usually caused by the premature fusion of mainly the coronal and sagittal suture. In 1926, David M. Greig proposed to classify oxycephaly into three different forms; true oxycephaly, delayed oxycephaly and false oxycephaly. False oxycephaly is a simple morphotype of the skull without any clinical symptoms which does not affect the brain in any way. Surgical repair of oxycephaly for adults can include cosmetic considerations and the prevention or possible improvement of functional symptoms such as headaches, vomiting and visual disturbance. Furthermore, in adults who does not have any functional problems, cosmetic surgery can be done. But oxycephaly of adult patients need more complex and extensive surgical interventions than that of infant patients. A-21-year-old male who had a retroverted forehead, pointed head and a flat fronto-nasal angle, without any functional problems, was treated by a fronto- orbital advancement and a transposition between the frontal and fronto-parietal bone. This method provided us with a good frontonasal angle and a gently backward sloping forehead above the supraorbital bar. An acceptable aesthetic appearance was achieved 6 months after the operation. This remodeling technique is adequate for resolving the aesthetic problems of adult false oxycephalic patients who does not have any functional problems.