공간적 오브제로서 의자디자인에 나타난 특성에 관한 연구 - 덴마크 디자이너 아르네 야콥센과 베르너 팬톤의 작품을 중심으로 -

권은정 ( Eunjung Kwon ) 한국공간디자인학회 2017 한국공간디자인학회논문집 Vol.12 No.2

(Background and Goal) Among various objets, chair design is influenced by spatial size, shape and characteristics of consumers. Chair in the space is usually affected by consumers, and sometimes it causes their behaviors; through these, various communication happens. In other words, chair is an essential factor that composes space, and it plays a medium between human and space as objet. Therefore, prospecting chair design in stance of space design is worthy enough to implement. (Research Method) In this research, we try to analysis chair design of Arne Emil Jacobsen and Verner Panton in aspect of space objet among numerous sorts of chairs. First of all, we considered traits and developed background of modern design in Demark and arranged concepts about relationship between space and objet as theoretical contemplation. For the next, we looked into traits through 8 pieces of chair design arts of Arne Emil Jacobsen and Verner Panton. Finally, we analyzed and classified traits of chair design of two maestros by their functions of shape, material, end and space, and we drew a conclusion. (Result) As chair design of Arne Emil Jacobsen and Verner Panton was analyzed in aspect of space objet, chair design of Arne Emil Jacobsen expressed organic forms in metaphorical way, and pursued simplicity to the exclusion of unnecessary decorations. Additionally, it pursued humorous and flexible formativeness as an united body forming back and seat together. For materials and end, minimizing materials, production process, and integrating new technology of plywood molding method were pursued. For spatial function, stacking functions which are light and able to store helped to get comfortable movement and minimize space, and it offered comfort by shaping personal space wrapping people`s body. Additionally, it could be transformed in various shape, and it made us to use it in multiple ways according to necessity of space. Chair design of Verner Panton pursued dynamic shapes and abstract curves following tendency of pop arts. They used various materials such as synthetic resins and metal rather than timber which were found by experiments using new materials, and prefer primary color with high chroma. For spatial functions, they offered various options and variables to positions and locations, and made a border between space and chair ambiguous. Also, they pursued light and practical design. (Conclusion) Finally, we contemplated functions in space, and analyzed examples or arts relevant to chair design as space objet. As space objet, we could figure out chair was a device factor which were fitting on aim of space, and it induced users to participate, and it was functionally and physically objet. In the future, we hopefully expect that this article can be used as a baseline data for research about space, chair, and compatibility between space and human`s behaviour based on this result.

국내 유휴공간의 문화적 재생을 위한 공간디자인정책 현황 연구

황동호 ( Dongho Hwang ),채정우 ( Jungwoo Chae ) 한국공간디자인학회 2018 한국공간디자인학회논문집 Vol.13 No.6

(Background and Purpose) As the population of Korea decreases, vacant spaces such as empty houses and other buildings are increasing rapidly. According to data from the National Statistical Office's National Employment Survey, which is released every five years, the number of empty houses nationwide increased about 26% between 2010 and 2015. This represents a dramatic increase when compared to the period between 2005 and 2010, which was characterized by a 9% increase. These vacant spaces become slums in the city. They are used for crime and do not provide psychological stability as spaces for human settlement. However, the rapidly growing number of vacant spaces has the potential to become a new resource rather than a factor with public sector problems. Many studies on industrial heritage and vacant space have emphasized the necessity of “cultural regeneration.” Among the studies on the cultural reproduction of the vacant space, the analysis and evaluation of the situation through space planning and research are underway. Through this, we analyze the present situation comprehensively and present a basic plan for space design policy for the cultural reproduction of vacant space. (Method) In this study, we analyze policies related to space design for the cultural reproduction of vacant space in Korea through literature review and data analysis. In addition, we examine the relationship between regulating laws and promoting laws in the current legal system. We investigate the implications of space design policy and laws for the cultural reproduction of vacant space; on the basis of this analysis, we draw up policies and plans for the cultural management and utilization of vacant space in the future. (Results) For the cultural revitalization of vacant space, policies and legislation related to software are needed in place of the current hardware-specific policies. For this process, the government, users, and professional space designers need to play a role. It is necessary to make the vacant space DB and to construct the design space for the reproduction space. (Conclusions) This study is a preliminary study to establish space design policies for the cultural reproduction of vacant space in Korea. The basic plan derived from the present situation analysis may be used as a basis for further research examining the policy of recycling cultural space, the plan for fostering recreational space designer experts, and the design policy for recycled space. This suggests a policy to solve the problem of the public part in the area of space design. It constitutes an information service of vacant space and a professional organization.

스페이스 마케팅을 활용한 복합문화공간에 관한 연구

김동훈(Kim, Dong-Hoon),홍미랑(Hong, Mi-Rang) 한국실내디자인학회 2015 한국실내디자인학회 학술대회논문집 Vol.2015 No.10

The 20th century but enjoying the abundant life materially times through standardized mass production, it entered the 21st century with the introduction of the value of diversity, with an emphasis on personal time and began the consumption of cultural activities. Exhibition, I need a place that can be done a variety of cultural activities such as shopping As was complex cultural space are formed, stimulating the cultural tastes of consumers who are increasingly high, it began to increase interest in design. Accordingly, while highlighting the importance of the design industry was emerging designers showcasing a variety of product design, due to the gentrification phenomenon was driven designers to encounter problems in the existing grounds. This study is to investigate the complex cultural space, and to focus on the sale of the design products, while meeting the needs of consumers looking for a variety of design products at the same time, it proposes a spaces a space to protect the designer. It is fostering the design industry and help the economic independence based designer space that can induce bonding between designers and sellers, increase the quality of future design industry, to meet the needs of made various consumer space the object of the present invention to offer. By grafting a space marketing to introduce the concept of marketing in this area samgo based on the basic elements of `space for guiding the pulling in customers` presents space as a directional selling design items, and as active as design centers promote the creation and economic effectslt proposes a study of the space.

서비스디자인을 적용한 문화예술공간에 관한 연구 -금호아트홀 연세를 중심으로-

윤세정 ( Sejeong Yun ),이정교 ( Junggyo Lee ) 한국공간디자인학회 2016 한국공간디자인학회논문집 Vol.11 No.5

(Background and Purpose)Modern society is transforming into an economic service society, triggered by the increase in interest in service, as well as diversification in the consumers`` experiences and needs. Demands are also increasing for cultural art experiences. Thus, appropriate service design is essential in cultural art spaces to satisfy consumers`` demand. This research analyzes how service design elements are applied in cultural art spaces to identify its primary role. (Method) This research will study the principles and trends in service design, and service design elements`` application in spaces will be extracted through an element analysis. The scope is narrowed based on such criteria to the Kumho Art Hall Yonsei among various cultural art spaces, and its spacing is also specified. The researchers analyzed the service design elements in the space by coding the Touchpoint method in the Kumho Art Hall Yonsei, and examined each case in the property. This method analyzed service design characteristics, which were then applied to a touch point in each detailed space. It then studied how these characteristics are reflected in the cultural art space depending on the service design``s components. These theories were considered and reflected in the case analysis`` results; the results were ultimately derived regarding the roles and values of the service design as applied to cultural art spaces. (Results)First, the space provided a fluent cultural art experience, and service to the users was harmonious between the space and the service design property. Second, the space with the highest distribution result among other cultural art spaces was the one that reflected the users`` experiences and needs: convenience, interaction, and information. Third, the service design property with least distribution result needed self-complimentary strategies to satisfy service users`` needs in their active space experience. (Conclusions)The researchers discovered through this study that service design is an essential element to improve corporate image as this satisfies the users`` needs for cultural art experiences. Additionally, it could be predicted that it is necessary to plan cultural art spaces to evenly distribute the characteristics by reflecting the service design components that form the space. Further, it was confirmed that the service design property is a necessary prerequisite to adapting optimized space design programs and high-quality space design policies in an economic service society. Finally, research must be sustained regarding service designs for the user``s experiences in various spaces.

의료공간디자인 실무인재 양성을 위한 교육프로그램 연구-역량중심교육과정 개발 중심으로-

이종세 ( Jongse Yi ) 한국공간디자인학회 2016 한국공간디자인학회논문집 Vol.11 No.5

(Background and Purpose)The change in the level of importance of health for individuals is demanding regular and constant upgrades in the medical environment. Thus, medical organizations, from small medical clinics to hospitals, government medical provision centers, and Silver Towns, require professional medical environment designers to create new environments for rehabilitation and treatment spaces and construct modern structures with automatic systems. Therefore, a new education program for professional medical environment designers who are capable of maintaining and supervising medical facilities is necessary for the upcoming medical era. The following research suggests a change to the medical space design program, a study of design by combining studies of medicine and engineering, to extend students`` maximum capability to work as professional medical environment designers. (Method)First, aligned with changes to the domestic and foreign medical industry``s paradigm, early research and consideration of reference materials was conducted. Second, the specialized education programs of foreign education institutions, which have content about medical space design, were analyzed and advice from construction and interior designing companies with medical space design experience was requested to develop effective and innovative directions for the current specialized education system. Last, research was conducted on an education model that focuses on enhancing students`` executive ability to collect and analyze data and analyze. This process is critically helpful in creating an optimal education model for the medical space design program. (Results)The strategies of the medical space design program are as follows. First, to specialize the hands-on exercises at the actual work place to enable students to generate medical treatment and healing environments. Two tracks of space design and space management will be taught separately along with hands-on exercises for each track. One differentiated part of the program is that the students will learn how to structure medical space where medical equipment and machines can be utilized conveniently and effectively, and healthy healing space based on the value of environment friendliness. The students will be involved in medical space designing work in small and large hospitals and other medical organizations or medical treatment centers. Second, the space administration track is to train professionals who have problem solving skills to efficiently manage modern medical equipment and facilities that are frequently used in the new medical industry. In addition, the students will go through experience-based education by participating in medical space designing projects in collaboration with the university hospital. This enhances their capability to handle hands-on duties for better performance in their future careers. (Conclusions)In summary, the new field-base medical space design program intends to produce well-rounded designers who are capable of being allocated to field projects immediately following graduation. Participating in the program, along with hands-on projects of creating medical spaces for the university hospital and collecting related skills certificates, will be a milestone for students to reach their successful destinations and positions in society.

디자인 교육에 있어 조형상의 네거티브 공간에 대한 재인식 및 중요성에 관한 연구 -3차원 디자인 관련 전공을 중점으로-

이영표 한국디자인문화학회 2022 한국디자인문화학회지 Vol.28 No.1

The appropriate way to approach design is to have a strong belief in our intuitive sense of form and space, with consideration for functional needs. These principles are necessary in order for design to be a product both designer and consumer alike can appreciate and enjoy. Space is one of the essential design elements where we can find and identify individual characteristics in art and design. The main concepts of space―positive and negative space or volume in design―is to encourage us to observe two opposite circumstances as a whole, not as two different extremes. It blurs the line between subject and object, and rather embraces them as a whole. Instead of drawing a divide between positive and negative space, the two can work harmoniously as a system of reciprocity.1) From my experiences of having taught design students, they have not unlocked the full potential use of negative space. Therefore, the objectives of this study is to stimulate a revitalized recognition for negative space, in which may pave new ways of seeing and thinking. Through implementing this new lens, designers will not only generate new forms, but will be able to unleash a new dimension of aesthetics where physical objects can partake to make our environment a richer place. The range and method of this study introduces ways for how creative and experiential application of negative space(volume) in design education can satisfy the consumer and market’s needs. In order to meet this standard of design, the systematic aesthetic theory and practice in both professional and academic settings will be pivotal. In the result, students will be more knowledgeable of the importance of negative space in design. By support of this study, research was built from materials related to 3-dimensional negative space consisting of published books, various journals, photos and digital references. On top of my research, my experience teaching design for many years have also contributed to this design study. This study is for readers to understand the aesthetics of abstract 3-dimensional forms and their relation to negative space and volume. To explain the basis of negative space in abstract form, the study features case studies conducted by students in which they analyzed a variety of geometric and organic forms through the process of experimental 3-dimensional sketches. The contents and results of this research emphasizes the ares of design education in which are neglected and understated. Especially for those students who major in 3-D related design, the innovative and systematic training of abstract 3-dimensional forms must be at the foundation of their education and throughout their design practice. Consequently, this study is an opportunity for creative institutions to re-evaluate and re-establish the core values for what defines a successful design product – both aesthetically and functionally. 디자이너는 자신의 직관적인 형태와 공간 대한 강한 믿음과 동시에 기능적 요소도 함께 고려되어야 한다. 이에 따른 결과로서 우리 모두 감상하고 즐길 수있는 디자인이 될 수 있을 것이다. 여기에 공간은 우리가 예술과 디자인에서 개성과 특별함을 식별할 수 있는 필수적인 디자인 요소 중 하나이다. 디자인에서 포지티브 공간과 네거티브 공간(볼륨)의주된 개념은 우리가 이 두 가지 다른 극단 또는 상반되는 상황을 전체적으로 관찰하도록 재인식하는 것이다. 그것은 포지티브 공간과 네거티브 공간 사이에 선을 긋지 않고 주제와 대상 사이의 경계를 어우러지게하거나 전체적으로 포용하는 것이다. 상호보완 시스템이라 할 수 있다. 하지만 디자인 교육 경험을 통해 학생들의 네거티브 공간에 대한 이해의 부족으로 네거티브 공간을 감성적이고 깊이 있게 다루지 못하고 있다. 따라서 연구의 목적은 기하학적 형태에 대한 디자인사고의 재인식 및 교육 과정 확대를 통해 잠재된디자인 전공 대학생들의 창의적 사고를 자극하여 그들이 디자인의 기본을 이해하고 나아가 디자이너로서의 역량을 키워나가는 교육적 도움을 주고자 한다. 연구 방법과 범위는 기본적 네거티브 공간(볼륨)에대한 개념과 적용방식의 인식을 중심으로 다양한 소비자와 시장의 요구와 수요를 충족시키기 위해 더욱보완된 디자인 학교 교육의 나갈 방향을 전문적으로제시하는 것에 중점을 두고 있다. 이에 따른 결과로서디자이너 자신의 디자인을 표현하는 방법을 알도록훈련하여 사회적 요구에 부합된 디자인 인력으로 성장해 나갈 수 있도록 기초 디자인 교육의 체계화를제시하고 있다. 이를 위해 이번 연구에서는 네거티브공간(볼륨)에 관한 단행본 및 다양한 문헌들과 그림자료, 인터넷 자료들을 활용하고, 본인의 수년간 교육적 경험을 토대로 연구가 진행되었다. 따라서 이번 연구는 네거티브 공간과 볼름에 관련된기본 형태를 이루는 추상적 3차원 조형과 3차원 디자인 관련 사례 분류, 재료 및 감각 훈련 등 기초 디자인 교육에 관한 연구내용이 포함된다. 기초 디자인 교육 연구를 위한 다양한 네거티브 공간에 대한 3차원적실험 작업 과정을 설명하고, 기준이 된 추상적 기본형태와 유기적 기본 형태 스케치 작품들로 완성된 다양한 3차원 학생작품들의 사례들을 제시하고 있다. 본 연구의 결과로서 미래 지향적인 디자인 교육의목표와 내용을 전면적으로 재검토하는 계기가 되길바라고, 구체적으로는 그동안 심도 있게 다루지 못해온 체계적인 추상적 3차원 조형 교육이 3차원 디자인관련 전공 학생들에게 심도 있게 교육되길 기대한다. 이러한 교육을 통해 우리 디자인 교육의 경쟁력을 높이고 심미성과 기능성을 갖춘 창의적인 디자인 제품의 가치를 제공할 수 있기 때문이다.

반려묘 공생 가구디자인이 리빙공간에 미치는 영향

엄경희,유서여 한국디자인문화학회 2022 한국디자인문화학회지 Vol.28 No.3

In the modern society, young people rush the urban development and choose living alone actively so that single-person households are continuously increased, however, emotional loneliness has been emerged as an issue. Thanks to the companion animals, the difficulties of single-person households were resolved somewhat, yet, significant time and energy should be spent to take care of pet dogs and cats. Compared to pet dogs, cats are quiet, independent, clean, and good for staying indoors with easy caring, hence, people to choose them as the companion animals are increased. Also, as their position was enhanced within the family, people try to improve the quality of life with cats and meet their basic demands, resulting in a variety of designed products only for cats. Among them, furniture living together with cats is sold upon its demand, however, the durability and functions are poor not to satisfy the consumers’ demands. In addition, as the consumer market is rapidly changing, the demands on the furniture for pet cats with living together function are increased, which requires the furniture designs urgently so as to live together with cats in the living space. Therefore, the objective of this study is to analyze the effects of furniture design living with cats on the living space so as to assist the basic data on the design development in the area of furniture design industry and creation of new market. The study method is the literature review to prepare the theoretical foundation. Companion cats were analyzed with online data and the cases on the furniture for cats were investigated. With regard to the study scope, bedroom, living room, kitchen, and entry space were selected to deduct the following conclusions. First, the furniture design for cats in the living room should be realized as the specific design according to the consumers’ functional needs on the furniture to meet the social interaction between people and cats. According to the coexistence principle of furniture shape and environment, the artistic concept of the shape can play a lubricant role of living space only if it is integrated into the environment living with cats. Second, bedroom space requires sufficient comfort as a resting area. The furniture design for cats in the bedroom should be ergonomic considering the size, shape, color, material, and arrangement and satisfy the preference of cats to achieve the goals of practicality, comfort, and beauty. Third, practicality and convenience of the kitchen should be considered sufficiently. The furniture for cats can be used to divide the functional areas, which can expand the storage space as well as the physical space visually to add the interest in the space. Fourth, the entry space should be focused on organizing interactive environment considering comfort and stability. Using the characteristics of cats favoring caves and elevated places, the furniture design for cats combining with shoe rack and storage closet can be considered. Entry space as well as the space for cats should be secured as much as possible. The door should be designed considering the risk of cats that can hit when the door is opened. Hence, reasonable furniture for cats can facilitate the communication between people and cats and establish closer relationship. Analyzing and considering the needs of furniture for cats in the living space, high potential to create the new market in the furniture industry is anticipated if new types of furniture design is developed to be appropriate for interactions between people and cats.

“A” Parametric Approach Combined with Operations Research Model for Estimating “A” Cost of Space Systems at Conceptual Design Phase

Byoungsoo Kim,Seokmin Ahn 한국항공우주학회 2008 한국항공우주학회 학술발표회 논문집 Vol.- No.-

Throughout the earlier era of space exploration, the main space systems design driver was the concept of maximizing space mission performance under weak time and cost constraints but with conservative technology risk constraints: i.e., "design-to-performance". Design-to-performance attempted to satisfy a set of predefined performance requirements at minimum risk and cost: performance first and cost second. However, after the end of the Cold War, as the non-military, commercial aspects of space missions appeared more important than before, cost became a more dominant factor. In this new environment, space systems design became a difficult problem to model. Now, the objective of space systems design is to maximize mission goals under firm cost and schedule constraints but with prudent technology risk acceptance, or, equivalently maximizing space mission performance per estimated unit cost. Therefore, space missions should be designed and scoped to emphasize overall mission success within cost and schedule constraints by incorporating sufficient margins, reserves, and subsystem resiliency and by readily adopting innovative ideas. The real question in the space systems design domain under this approach is no longer. "Can we build the same space system for less money?" Rather, it is "Can we achieve or exceed the overall space mission objectives for agreed upon or less money and time constraints by readily adopting more innovative new technology?" Currently, space systems designers, therefore, tend to pursue a proven space systems design architecture or modify an existing idea rather than incorporating totally new system design alternatives. This tendency can be described by the "design-to-cost" philosophy that necessarily introduced the concept of "faster, better, cheaper" (low-cost, small-sat). In this paper, spurred by this new, more challenging environment, we are to show possible approaches to answer "a solution" of a space systems design at conceptual phase for a specific mission. Here. "a solution" is defined as the most favorable alternative design for the system on the basis of the decision-making design criteria.

인터랙션 디자인 표현유형을 반영한 전시공간 특성

김경태(Kim, Kyoung-Tae),한혜련(Han, Hae-Ryon) 한국실내디자인학회 2016 한국실내디자인학회논문집 Vol.25 No.5

This study was to research and study whether the types of interaction design perform the effective functions and roles as the exhibition space that audiences want centered in the digital media exhibition space. It was to suggest effective space characteristics through analyzing how the interaction design was expressed at the exhibition space and its application. For the analysis, it completes theoretical inquiry on the classification of the space characteristics according to the concept type of interaction and design characteristics. Based on it, it directly visited the exhibition space that reflected the interaction design centered in Seoul City, experienced the given experience, and designed the analyzing frame by composing a checklist after the observation research. Through the designed analysis, it performed a site questionnaire to audiences. It induced the conclusion as follows after analyzing the case space that reflected the interaction design type. First, the program analysis of the space that has the variability is necessary through a variety of digital analysis as there is a limitation that the characteristic of digital media has. Second, in the concept type of the interaction design, it needs the interaction stage among people that can communicate with audiences and stimulate their senses through vidual factors. Third, in the characteristic of the interaction design, it should try to use effective contents to get over the limitation of the space through the interaction in the designated space in case of exhibition. In the following research, it needs to study on the variety of stage plans in detail by supplying contents to audiences and grafting to the exhibition space continuously through using the interaction design that uses digital media at there.

유니버설디자인이 적용된 생활 공간의 제품 디자인 특성에 관한 연구

임민택 한국공간디자인학회 2025 한국공간디자인학회논문집 Vol.20 No.1

(연구배경 및 목적) 유니버설디자인은 누구나 손쉽게 사용할 수 있는 디자인을 말하며, 현시점에서 범용 디자인을 대표하는 개념으로 보인다. 본 연구는 유니버설디자인과 적응성 공간의 교집합의 디자인 영역을 탐구하는데 의의를 두고 있다. 유니버설디자인의 방법론으로, 적응성 공간의 특성을 살펴보고, 그 특성과 생활 공간에서의 유니버설디자인 제품의 유효성의 관계 구조를 고찰하는 데 연구의 목적이 있다. (연구방법) 유니버설디자인과 적응성 공간에 대해서 이론적 고찰을 진행한 후, 유니버설디자인 생활 공간의 특징과 가변적 가치에 대해서 탐구하였다. 그리고 이의 특성이 차이 생성적인 변용 특성임을 점검하고, 이것을 프레임으로 하여 거실, 침실, 주방, 욕실, 현관으로 구분한 생활 공간의 유니버설디자인 제품에 대해 사례 분석을 진행하였다. (결과) 유니버설디자인 생활 공간에서 더 나은 차이를 갖기 위해서는, 좀 더 다양한 장소성의 변용을 가져올 수 있어야 한다고 판단하였다. 이를 위한 디자인 특성으로, 접근가능성과 형태 변형의 물리적 요소, 지속 가능성과 시간 변이의 비물리적 요소, 지각 가능성과 관계 변화의 인적 요소의 특성들을 정리하였다. 또한, 각각의 제품 변용 특성들에 대해서 사용자의 수요, 제품 기능의 각 요소, 사용 가치 등을 제품별로 분석한 결과를 도출하였다. (결론) 본 연구는 유니버설디자인의 범위 중, 제품과 공간의 교집합 영역에 주목하였다. 그리고, 유니버설디자인이 적용된 공간이 비표상적인 가치 체계를 기반으로 하고 있음에 대해서 논하였다. 이를 통해 유니버설디자인이 적응성 공간 기반의 변용을 통해서 더 나은 장소성을 만들어 나갈 수 있는 대안임을 말하고자 하였다. 유니버설디자인이 적용된 제품을 생활 공간에 적용함으로써, 적응성 공간의 변용이 유니버설디자인적인 가치가 있음을 제언하고자 한 것이다. 향후 확장 연구로서, 다양한 유니버설디자인 제품의 개발 방향성에 대한 연구와 유니버설디자인을 통한 장소 변용 연구가 공간과 제품의 재전유 시스템으로 이어질 수 있는 가능성을 제시하고자 하였다. (Background and Purpose) Universal design is a design concept that anyone can easily use. Universal design seems to be a concept representing general purpose design at this point in time. This study is to find the design area of the intersection of universal design and adaptive space. As a methodology of universal design, the purpose of this study is to examine the characteristics of adaptive space and to examine the relationship structure between the characteristics and the effectiveness of universal design products in living space. The researcher hopes that through this study, universal design and the concept of design will develop. (Methods) Spaces and products should be used conveniently by more diverse people in more diverse places. Therefore, the research was conducted as follows. After the theoretical consideration specialized in the universal design and adaptive space, we pursued the characteristics and variable values ​​of the universal design living space. And, it was checked that these characteristics are Modification characteristics that make a difference. With these characteristics as a frame, case analysis was conducted on universal design products in living spaces divided into living rooms, bedrooms, kitchens, bathrooms, and porches. (Results) In order to have a better difference in the living space of universal design, it was judged that it was necessary to be able to bring about a more diverse modification of place. As design characteristics for this, the characteristics of the physical elements of accessibility and shape transformation, the non-physical elements of sustainability and time variation, and the human elements of perceptibility and relationship change were summarized. In addition, for each product modification characteristic, the result of analyzing the user's demand, each element of the product function, and the value of use by product was derived. (Conclusion) This study focused on the intersection area of product and space among the scope of Universal Design. In addition, it was discussed that the space to which Universal Design is applied is based on a Non-representative value system. Through this, I tried to say that Universal Design is an alternative that can create better placeness through adaptability space-based transformation. By applying the product to which Universal Design is applied to the living space, it was intended to suggest that the modification of the adaptive space has universal design value. As an extended study in the future, it was intended to present the possibility that research on the development direction of various universal design products and research on place modification through universal design could lead to a Re-appropriation system of space and products.