Othello: Nothing에서 시작된 비극적 질투

최경란 단국영어영문학회 2005 Athenaeum Vol.11 No.-

Edward Albee의 The Zoo Story에 나타난 현대인의 고립감 : Jerry의 자살의 동기를 중심으로

최경란 檀國大學校英美文化硏究所 1997 英美文化 Vol.6 No.-

This paper is an attempt to build up a new outlook to explore the rich metaphors alluding to human alienation and bondage as described in Edward Albee's The Zoo Story. It goes through the characteristic narratives of the play to amplify human alienation as the primary curse of the modern society. The paper gives ample examples to illustrate the complex spectrum of arenation as they relate to human disintegration and social breakdown. The tragic implications of loneliness and alienation of modern men are personified in Jerry, the hero of the play. Through a new interpretative framework he is observed as the terminally bound human being struggling to obtain a break-through toward freedom. His tragic ending is explained in terms of the imposing impersonality of the modern society and the enfeebled and submissive human reaction to the binding and cruel environment. The paper takes heed to human emotion taking precedence of social apparatus in coping with the tragic environment. It also notes of the prevailing scene of human miseries in which one can be more vulnerable to suffering, when emotionally deprived. The paper also notes the important trait of the play giving discredit to personalized and artificial human contacts to restore human relations. The paper tries to trace multiple meanings concealed behind the personal tragedy. It is framed within the social rehabilitation to be build upon common bondage and shared emotion among human beings. In this way, the disconnected relations among men in the modern society are interpreted more as signifying imperfections of the human community than personal maladjustments and limitations. This paper endeavors to set forth the important metaphor of the play; the futile act of the hero to have a solid union with a fellow human being is ironically the very act promising a lead into human salvation. The metaphor became transparent by the tragic end of his self-denial which comes out as not an act of condemnation but an act of new promise to human resurrection.

희곡의 한 형태로서 희극 : 주로 Shakespearean Comedy를 중심으로 Chiefly on Shakespearean Comedy

崔京蘭 단국대학교 1983 論文集 Vol.17 No.-

Division of Shakespeare's plays into comedies, tragedies, and histories is somewhat arbitrary, for Shakespeare himself did not make the division we observe today. First of all, it is very difficult to define the meaning of comedy. Most definitions of comedy go back to Aristotle's Poetics. Since Aristotle we have been accustomed to think of comedy as drama concerned with the ridiculous in human nature and ending happily; of tragedy as drama of man's nobility, ending unhappily. But a story beginning in sadness and ending in happiness can hardly be an adequate essential quality of Shakespearean comedy. Shakespearean comedy is an Elizabethan type of comedy. However, it differs from Elizabethan drama. It is commonplace to speak of the different kinds of Shakespearean comedy. Shakespeare comedy is usually divided into four categories-early comedies, festive comedies, dark comedies, and romances. Each of these categories has its own characteristics. Especially Shakespeare's two plays, All's Well That Ends Well and Measure for Measure, are called 'dark comedies' or 'problem plays'. The lovers in these two plays do not show as much delight as the lovers in the earlier comedies. However, the plays end well as a result of skillful planning called 'bed-trick', and those characters who had hated each other are reconciled. The impression that remains, however, is one of sadness and disillusionment. Shakespeare's last plays written between 1608 and 1611 Cymbeline, Pericles, The winter's Tale, and The Tempest are called romances by critics. These plays are concerned with wonderful actions that cover a long period and are full of findings as well as losses, reconciliation and forgiveness. The dominant motif in these four plays is the restoration of losses.

King Lear의 이해 : 주·부플롯의 병치를 중심으로 Chiefley on the Parallelism of Two Plots

崔京蘭 단국대학교 1985 論文集 Vol.19 No.-

The purpose of this study is to show the parallelism of two plots-the story of King Lear and the story of Gloucester. These two stories are net separated, but complimentary. That is, each story is a commentary on the other. At the beginning of the play Lear wants to unburden himself of the 'cares and business of government' and keep only 'the name and all th'addition'. That is, he would like to enjoy being king without assuming the responsibilities of kingship. When he asks his daughters to tell the degree of love for him, his favorite daughter, Cordelia, refuses to say anything. He becomes angry, disinherits her and divides kingdom between her two sisters, Goneril and Regan. Then two daughters turn against Lear. Gloucester in the subplot is a victim of the trick by his illegitimate son, Edmund. He is blind to the characters of his two sons, Edgar and Edmund. Lear and Gloucester are both blind to the good and bad in their children, and both choose to trust the bad and reject the good. They start their own tragedy by a foolish misjudgment: Lear invites tragedy by three errors of understanding-errors with regard to the nature of kingship, the nature of love, and the nature of language (the value of certain statements about love) ; Gloucester is dismayed by what Edmund tells him about his ligitimate son, Edgar, but forms no plan of his own. By their mistakes both Lear and Gloucester are rejected and treated cruelly by their bad children. Lear's anger caused by his daughters' ingratitude develops into insanity. After going mad, Lear gradually can see reality and starts to see his daughters as they are. The mental and physical anguish that Lear undergoes indeed lead him to a deeper and truer perception of life and his own nature. Further, he learns to be patient under affliction. The educative or redemptive function of suffering for Lear is emphasized by the essential similar pattern in the Gloucester subplot. Gloucester, too, learns from his agony. That is, Gloucester becomes a wiser man after his blindness. Gloucester acknowledges his faults, pities the miserables, and realizes the ordinance of god's distribution. At the encounter between the blinded Gloucester and the maddened Lear, Lear's insight, reason in madness, seems to be most intuitive, because he can now distinguish the reality of truth from the appearance of falseness. The tragedy is that these self-knowledge comes too late. Finally, they reconcile with their children that they have wronged. The final scene of the play is remarkable for the number of deaths. Gloucester and Lear die of their emotions, the ultimate measure of the intensity of their sufferings. Their feelings are literally unbearable. King Lear, one of the greatest Shakeapeare's tragedies, makes us feel a sense of dread at the human condition itself.

Coriolanus小考

崔京蘭 단국대학교 영어영문학회 1988 Athenaeum Vol.- No.4

Coriolanus는 절대적인 가치 앞에서 타협할 줄 모르며, 현실세계에 용납되기에는 너무나 출중한성격의 소유자이다. 만일 그가 평민들과 같이 상황에 따라 변할 수 있는 성격을 지녔다면, 그리고 마지막 장면에서 Aufidius가 모욕과 조롱으로 그의 자존심을 손상시켰을 때, 분노로 자신을 잃지않고 군중들을 흥분시키기 않았다면 그의 비극은 초래되지 않았을련지도 모른다. 결국, 이 작품은 두 대립되는 인간성 또는 상충되는 가치 사이에서의 갈등으로 비극의 pattern은 형성되어 진 것이다. 즉, 이들 두 세계, Coriolanus와 평민들과의 대립되는 세계가 모두 양 극단으로 치우친다는 공통점을 지니고 있다. 이와같이 작품 안에 대립되는 두 요소의 적절한 배치와 진행으로서 Coriolanus는 Shakespeare의 다른 비극작품에 못지않는 예술적 조화를 이룬 작품이라 하겠다.

커피전문점의 유형과 공간디자인 마케팅 표현요소 연구

최경란,임선우,성윤정,안은희,박진아,김개천,이찬,정상진,이재정,윤재은,하준수,조현신,박신미 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.4

고등학생 무용경연 참여자의 완벽주의 성향과 경쟁불안과의 관계

최경란,박미영 한국무용예술학회 2019 무용예술학연구 Vol.76 No.4

The purpose of this study is to examine the relationship between perfectionism and competitive anxiety among dance high school students preparing for college entrance examination in the evaluation situation of dance competition. This study can be concluded as follows; 1) Perfectionism and cognitive anxiety were correlated positively with each other (r=.363) at the level of p<.05. Specifically, students' cognitive anxiety was affected by such variables as excessive concern about mistake, parents' criticism, suspicion of performance and individuals' criteria. 2) Perfectionism and physical anxiety were correlated positively with each other at the level of p<.01. (r=.275). Specifically, students' physical anxiety was affected by such variables as excessive concern about mistake, parents' criticism and suspicion of performance. 3) Perfectionism and confidence were correlated negatively with each other at the level of p<.01. (r=-0.06). Specifically, students' confidence was affected by such variables as parents' criticism, individuals' criteria and suspicion of performance.

해양보호생물인 거머리말의 보전에 대한 대중의 지불의사액 - 조건부 가치측정법의 적용

최경란,김주희,유승훈 해양환경안전학회 2022 해양환경안전학회지 Vol.28 No.5

Zostera marina (ZM), a type of seagrass registered as a marine protected species in South Korea, provides valuable ecosystem services to humans, such as improving marine water quality, providing food, spawning grounds and habitats for marine life, and absorbing carbon dioxide. Therefore, the government is seeking to preserve ZM by designating ZM-protected areas. This study examined the public willingness to pay (WTP) for the preservation of ZM using contingent valuation. The one-and-one-half-bounded model was adopted for WTP elicitation, and the single-bounded model was also applied for comparison. The spike model was employed to deal with many zero WTP responses. The household average WTP was estimated as KRW 4,087 per year, securing statistical significance. The national value was KRW 84.1 billion per year. The preservation value of ZM estimated in this study can be used as important data for economic analysis of various projects or policy implementation for its preservation. 우리나라 해양보호생물로 등록된 거머리말은 해양수질 개선, 해양생물의 먹이와 산란장, 서식지 제공, 이산화탄소 흡수 등 인간에게 중요한 생태계서비스를 제공한다. 정부는 거머리말 보호구역 지정을 통해 훼손된 서식지를 복원하여 거머리말을 보호하고자 노력하고 있다. 본 연구는 조건부 가치측정법을 적용하여 거머리말의 보전에 대한 대중의 지불의사액을 추정한다. 구체적으로 전국 1000가구를 대상으로 한 설문조사를 수행하여 자료를 수집했으며 이때 지불의사 유도방법으로는 1.5경계 모형을 채택하였다. 수집된 자료의 분석에는 영의 WTP를 다루기 위해 스파이크 모형을 적용하였고, 단일경계 모형도 추정하여 1.5경계 모형과 비교한 결과, 두 모형 사이에 큰 차이가 없는 것으로 나타났다. 거머리말의 보전에 대한 평균 지불의사액은 연간 가구당 4,087원으로 추정되었고 통계적으로 유의했다. 이 값을 전국 가구로 확대하면 국가적인 가치는 연간 841억 원에 달한다. 이 값은 거머리말의 보전에 대한 경제적 가치 또는 편익으로 해석할 수 있으며 거머리말 보전과 관련된 정책 수행에 대한 경제성 분석 시 중요한 기초자료로 활용할 수 있다.

현상적 투명성의 개념을 통한 문루건축 공간의 상호 연계성 연구

최경란,임선우,성윤정,안은희,박진아,김개천,이찬,정상진,이재정,윤재은,하준수,조현신,박신미 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.4

조선시대 수변정자건축의 자연추구기법 연구

최경란,임선우,성윤정,안은희,박진아,김개천,이찬,정상진,이재정,윤재은,하준수,조현신,박신미 대한건축학회 2010 大韓建築學會論文集 Vol.26 No.05