MATISSE繪話의 造形的 特性硏究

김은주 祥明女子大學校 大學院 1994 국내석사

Henri Matisse(1869~1954)는 Fauvism의 선두주자로 활약한 화가이 며, 주관적인 색채와 과장된 drawing에 의한 자유로운 표현으로 회화의 가 능성을 크게 하여 현대회화에 큰 영향을 준 작가이다. 그의 회화는 자연의 기본적인 특성을 파괴하지 않고 색채를 사용하여 평면 적인 장식성의 요소로 환원시키고 자연의 이미지를 어느 정도까지 단순화시킴 으로써, 원시적 생명감에의 동경으로 화면의 자유를 주었다. 이러한 마티스 회화의 조형적 특성은 평면적인 측면, 장식적인 측면, 추상적 인 측면에서 고찰해 볼 수 있는데, 그 연구 결과 평면성은 평면화된 색상의 대비와 조화에 의해 새로운 형태의 그림으로 표현되었으며 자연주의적인 묘사 방법에서 탈피한 고갱의 새로운 미학인 종합주의(Synthetisme)는 그 기법 이 마티스에 연결되어 발전하는데, 그것은 현대에 이르러 미국의 이른바 색면 추상으로 이어진다. 장식성은 마티스만의 독자적인 "장식적 표현"에서 볼 수 있는데 여기에서 장식은 디자인적인 치장으로 보여지기 위한 것이 아니라 화면을 평면적으로 환원시키기 위한 방법적 노력이었을 뿐 이었다. 이러한 장식에 사용된 주된 방법은 색채에 기본을 두고 있어 색채주의적 조형세계를 전개했다. 추상성은 마티스 회화에 있어서 개방된 화면을 추구함에 있어 필연적으로 요구되는 단순화의 과정에 색채와 데생이 갖는 표현성과 조형성을 일치시킴으 로써 색면에 의한 회화를 창조하게 되며 이러한 점에서 독특한 추상회화의 내 적 필연성을 보여주는 것이다. 그리고 이러한 마티스 회화에 조형적 특성의 절정은 꼴라쥬에서 볼 수 있다. 결과적으로 마티스가 현대미술에 미친 영향은 회화의 순수화에서 출발하여 색채와 데생이 갖는 조형성과 표현성을 꼴라쥬에서 종합한 기법적 측면과 색 채와 선이라는 고전적 개념에서 탈피하여 선과 리듬, 색채와 공간이 그것 자 체의 자율적인 세계를 형성하면서 존재자의 의미를 확증시켜주는 조형적 색면 에 의한 회화를 창조한 점은 독특한 추상회화의 결정적 특징을 보여주는 길잡 이로서 현대 미술에 미친 영향이 지대하다. 따라서 마티스가 전 생애에 걸쳐 추구한 선과 색의 해방으로부터 얻은 새로운 표현력의 개발은 현대에 작업을 하고 있는 젊은 작가들에게 선구적인 조형세계를 보여준 것이다. Henri Matisse(1869-1954), who was a leader of Fauvism, had an important effect on modern art which subjective colors and exaggerated drawings were expressed freely. Matisse reduced his paintings to the plane and decorative function without destroying natural properties, simplified natural images, and gave freedom to paintings in aspiring to a primitive liveliness. The formative characters of Matisse's work allowed to study in the sides of plane, decorative, and abstract function. Consequently, the plane function was expressed by contrast and harmony of being planed color. He developed synthetism, which was a new aesthetics of Gauguin, emerged from the descriptive methods of naturalism and it was linked Hard-edge. The decorative function can be observed in his own original "decorative expression". However, the decoration was not to be seen designed embellishments but effort to reduce a plane picture. The leading methods of these decorations were based on color and moulding. His achievements, abstraction concurred the process of simplification needed in persuing opened-picture and expressive and moulding function in color and dessin. Consequently, he created color-planed-painting and it shows the inner necessity of its own abstract painting. In addition to the crisis of his works, creative characters could see the collage. After all, Matisse synthesised plastic and expressive properties with color and dessin in the collage, shaped line and rhythm which emerged from classical concept, and created the color planed-painting by proving the meaning of existence. It had a great influence on modern art as a leader of artists who work for liberation from the line and color.

앙리 마티스 Henri Matisse 회화의 색채분석 연구

오경옥 단국대학교 2006 국내석사

금세기의 가장 잘 알려진 “색채화가”인 동시에 색면을 통해서 색채는 색 자체로 선이나 형태 등의 모든 조형 요소를 포괄하여, 회화 속에서 존재 가치를 획득한 앙리 마티스(Henri Matisse 1869-1954)는 현대 미술이 전개되는 출발점에서 주관적인 색채와 선에 의한 자유로운 표현으로 현대 회화에 많은 영향을 미친 화가이다. I장에서는 마티스의 연구 필요성을 느끼고, 미술사적 위치를 밝히며, 그의 회화의 목적이 “색채로 표현하는 것“이라는 점을 고찰한다. 전반적인 내용분석을 통해 마티스의 회화에 나타난 내용을 알아본다. Ⅱ장에서는 마티스의 시대적 배경을 알아봄으로써 야수주의 화가가 된 배경과 그 만에 세계를 얻게 된 동기를 전반적으로 살펴보아 마티스의 삶을 충분히 느끼도록 한다. Ⅲ장에서는 마티스 회화에 있어서 색채 분석을 해본다. 마티스의 초창기 색채모방의 시기(1890-1905)와 야수주의 시기(1905-1907)를 거쳐 야수파에 핵심인물이 되는 점과 실험적 시기(1907-1917)와 니스의 시기(1917-1929), 회화의 변형물 제작기(1929-1939) 마지막으로 색종이 작업 시기(1940-1953)까지 본론으로 넘어가면서 자세하게 기술한다. 과거의 색채 사용 기법에 대한 자신의 새로운 기법을 창조하기 위하여 새롭게 시도한 결과로 초창기 혼합기법을 사용한다. 그러나 결국 색면에 의한 보다 짜여진 그림을 제작 “색채 혁명”에 대해 고찰해본다.또 마티스의 작품이 세잔의 영향을 받아 이성적이고 고전적인 형태로 변화하는 것을 살펴보고, 또한 장식적이고 단순화되어 가는 과정도 고찰한다. Ⅳ장에서는 마티스가 현대 미술에 미친 영향을 전반적으로 알아보았다. 마티스가 일생동안 추구한 색채의 자율성은 야수주의 이후 더욱 순수하게 승화되어 색채 해방을 완성시켰다. 그의 이러한 색채를 통한 감정의 표현은 현대 미술사에 있어서 큰 업적이다. 마티스의 회화는 19세기 세잔의 전통을 계승하여 20세기 추상표현주의로 이어지는 큰 교두보를 마련한 미술사적 의의를 가지며, 여러 가지 관점을 살펴 볼 때 마티스의 색채는 현대미술에 어떤 영향을 미치고 있는가를 알아본다. V장에서는 마티스 회화의 색채 분석에 전반적인 흐름을 요약하면서 자신만에 독자적인 색채와 자율성을 알아본다. 이상과 같은 고찰을 통해 19세기 말에 있었던 여러 기법을 종합하므로써 20세기 미학의 새로운 출발점을 제시한 마티스 그림에 나타난 색채의 자율성과 색채 분석의 의미를 파악하고자 한다. Henri Matisse (1869-1954) obtained his value of existence in painting while comprehensively including the colors, lines, and shapes, while being the most famous "color painter" of the century. He influenced the modern painting upon its start, with subjective colors and free expression of lines. In chapter I, the research need of Matisse is raised, his position in the history of art is identified, and his objective of painting – "expressing with colors" – is contemplated. Through a general analysis on content, the import of Matisse’s paintings is examined. In chapter II, the periodic background of Matisse is reviewed to comprehend his process of becoming an artist, and developing his own world, thereby ‘feeling’his life. In chapter III, a color analysis of the Matisse’s paintings is made. The thorough description is made following the timeline of his works: color imitation (1890-1905), animalism (1905-1907), experimental (1907-1917), varnish (1917-1929), painting metamorphosis production (1929-1939), and last, the colored paper work (1940-1953). As a result of an attempt to create a new technique of his own, he uses the early mixing technique. However, a more structured is produced and examined under the "color revolution." Also, the process of which Matisse’s work is influenced by Cezanne and turns into reasonable and traditional form, decorated, and simplified is examined. In chapter IV, the general effect of Matisse on modern art is reviewed. The liberalism of colors pursued by Matisse was purely sublimated and completed the liberation of colors. Expression of emotions through such colors is a great achievement in the history of modern art. Matisse’s painting succeeds the tradition of Cezanne in 19th century and connects it to the abstract expressions of the 20th century: a number of significances are derived. By examining various aspects, the effect of Matisse’s colors on modern art is investigated. In chapter V, the general flow of Matisse’s color analysis is summarized to further identify his unique color and liberalism. Through such investigation, various techniques are generalized for ‘understanding of liberal colors’ and ‘analysis of colors,’ which suggests a new starting point for the 20th century aesthetics.

Henri Matisse 繪畵에 있어서 色彩에 관한 硏究

박말년 東亞大學校 大學院 1987 국내석사

This study is to inquire Matisse's Consciousness of Color and Its art historical relationship to modern arts. The main body of the work falls into three parts. The first part consider the impressionist school and the wild beast school as Matisse's situational background. The second part of this work is concerned with Matisses idea of color as a new understanding of the self. The three part of this work is concerned with Matisse's personality of color. The concept of color is expressly stressed by Matisse brought into the center of his thinking. For Matisse, genuine color consciousness forces as to the authentic human being, self-arts. Color as absolute consciousness cannot be expressed in the language of science, immediately the intimate core which makes up the values of those words disappear. It is ture that for Matisse idea of color can never be selective color is to Matisse the most fundamental power which brings artistic expression and communication. In fact, he praises the excellent achivement of modern arts. But Matisse's thought of color is acknowlegement of the limitations of color. The consciousness of the limitation of color is leading to the purity of color. Purity is decisive for the modern arts, and which today is the condition of truth in artistic consciousness itself. We find Matisse protesting against the blind acceptance of the tradition and customs of colors. His illumination of color is an attempt to a new color world. For Matisse color is the place to unity all colors without their own originality.

Henri Matisse 後期繪畵에 관한 硏究 : cut-out 作業을 中心으로

서지숙 朝鮮大學校 大學院 1997 국내석사

The pursuit of a pure figurative art in the painting was the product of the modern figurative idea which was appeared in the development of the arts in the 20th century and it was very remarkable. The ideological and technical attitudes of the painting are the objective formation of aesthetic sense of the world and they are all extremely ambitious trials. Self-establishement, assertion of personality and respect of freedom as the subjective conditions are the core of such trials. The spirit of such a subjective expression is the motive of the modern arts. This study presents the figurative characteristics shown in Matisse's works through the anlaysis of the works and investigates the abstract nature of paper : cut-out which is considered as an original expression technique in his latter days. The formation of Matisse's painting is based on the educational role and influence of Gustav Moreau (1826- 1898), Neo-impressionism and Cezanne's firm composition which give Matisse's painting a basic feature, the influence of Gauguin's pure and plane colors, that of Gogh who liberated the colors from proper colors of things in the modem arts, and his art is the basic idea of fauvism by creating the composition with colors. Matisse's technique which minimizes the number of dyes (most pure colors) and shows a simplification builds the figurative world of a new aspect in the process of figurative plane formation. Therefore, his pursuit all in his lifetime is the development of a new expression obtained from the liberation of line and colors and further the abstract expression peculiar to Matisse is ripened in his cut-out work and verifies the combination of the purest color and form. This technique is in an inseparable relation from wallpainting of Vence church to stand-glass and it seems to be an end of a perfect unification. Accordingly, the world of Matisse's works is started from color itself, creates a figurative painting which integrates line, form and color considered from the viewpoint of figurative value as a 'figurative work', simple form, fairness of primary colors and his handling of canvas without matiere express the concentration of internal spirit of painting rather than a formal surface and then it is evaluated that his art approaches to the essential meaning of the modern arts.

Matisse 繪畵의 特性에 대한 考察

김동호 朝鮮大學校 大學院 1986 국내석사

Matisse was a artist who appeared in the ear y 20th century and played an important role in developing modern art as the leader of Fauvism. He thought expressing what he felt more important than reproducing what he saw and believed that the nature of art was expressing one's feelings rather than unifying aesthetics. Early in his life. he dealt mostly with light and colorful landscapes influenced by impressionism. Later his works became some of the most import-ant paintings in the history of the 20th century's modern arts due to his sensational painting style. The character of the 20th century's arts was based on the establishment of ego and the assertion of individuality so that it could emphaisize the independence and freedom of paintings. This style of paintings was much more greatly expressed by fauvists. They expressed their feelings and enthusiasm on the canvas as plainly and decisively as possible. Plainess is reflections on the pure truth and symbolization of restoration to the true nature not having any false aspects. When we think that the modern art's essential characters are freedom, liberation, restorational values and purity, the plainess aimed at purity has a great importance. Matisse was one of the first artists who recognized the value at the pure line. Conclusively his world of art started with plainess and later unified formative, expressive character of colour and dessin in paper colle. He departed from the classical concept of colour and line and created formative paintings. Having devoted his life to the completion of new fauvistic paintings, he was a artist who had a deep sensibility and harmonious intelligence. He was heathy and led a bright life, kept his position and was not controlled by others. He confidently walked his way life. His rational, passionate and revolutional works are some of the greatest paintings of France

앙리 마티스(Henri Matisse)의 회화 작품에 관한 연구

鄭淸子 대구가톨릭대학교 2001 국내석사

Entering into the 20th century, an art movement that opened the first scene of the modern art was Fauvism which was raised its head by radically developing a new style of painting. The Fauvism pursued a delicate touch of brush and a self-controlling of color, expressing a sensitivity to the outside world through a daring use of loud primary colors. Henry Matisse(1869-1954), who was an actual pioneer of the Fauvism and one of the founders of the art of the painting of the 20th century as well, was a very sensuous and intellectual painter having a tremendous impact on the modern art by means of subjective color and exaggerated drawing. And he leaved a lot of masterpieces showing so many chances in the early period of the modern art. In his paintings, a natural image is simplified by making colors reduce to plane-decorative elements within the limit of non-breaking a basic property of the nature, and, therefore, led to show a freedom and liberation through the longing for a primitive life. Comparing with the contrast of brightness in the conventional paintings, such a plane paintings emphasized the contrast of colors, and contributed greatly to the return to an artistic level for the painting, which was placed in a sad plight of being a just decoration at that time, by faithfully expressing image of an object through an introduction of simplicity, plane, decoration and abstraction. The present thesis aims at establishing the position of Matisse in the history of art by closely examining his influences on the foundation of the modern art. In chapter 1, we investigated the trend of the times under which the formative character of Matisse's painting was developed. In chapter 2, we studied his realm of works by classifying works by years. Chapter 3 was devoted to the investigations of the abstraction of his works appearing in the simplicity, plane, and decoration on the paintings and the manner of cutting and patching colors or colored papers. Finally, based on such investigations, we concluded his influence on the foundation of the modern art and clarified the chances in the modern art offered by him.

Henri Matisse 繪畵의 造形性 硏究 : 人物 表現을 中心으로

송하준 홍익대학교 1999 국내석사

앙리.마티스(Henri Matisse)의 繪畵的 展開에 관한 考察

김경일 홍익대학교 1981 국내석사

앙리 마티스(Henri Matisse) 繪畵의 造形的 特性

한순미 弘益大學校 1990 국내석사

생 의 개념을 중심으로한 Hemri matisse의 평면회화 연구

김홍미 홍익대학교 1984 국내석사