댄스스포츠 우수 선수들의 경험에 대한 심층적 접근

박주영 ( Park Ju Yeong ) 한국스포츠심리학회 2003 한국스포츠심리학회지 Vol.14 No.2

This study was to investigate enjoyment sources of positive experience and stress sources of negative experience to show the best movement keeping high levels of performance in eleven dance sports elites. This study was conducted with in-depth interview and the results were followed. First, the enjoyment sources were collected and analyzed in raw data of 299,20 categories, and 8 dimensions using inductive method while dance sports elites experiences. Subjects experienced many kinds of enjoyment sources in participating dance sports. Specific sources included the ability experience, the enjoyment of dance sports itself, the social approval and reward, the positive relationship, the benefits of life, the aspects of skills in dance sports, the win and competition, and so forth. Especially, the dance sports elites in korea showed a few different enjoyment sources(example, enjoyment of dance sports itself and benefits of life) that had not been reported in previous studies. Second, the stress sources were divided into raw data of 317, 19 categories, and 8 dimensions using the inductive method while dance sports elites experiences. The stress sources were varied in experiences. Sources included bad relationship with a partner, the fear of results in competitions, the negative relationship, the burden of practice, the individual loss of dance sports, worried in not approved rules and associations, worried in the future and the management of private institutes, and so forth. The specific characteristics of stress sources in dance sports displayed bad relationship with a partner, worried in not approved rules and associations, the problem of managing private institutes, and worried in the future demonstrated higher frequency than other studies conducted before in western society. Third, the enjoyment and stress sources were located at the continued lines and in the opposite locations. These sources had a relation with the interchange. In other words, if a dance sports athlete positively recognizes a situation, the source would act as an enjoyment, whereas if a dance sports athlete negatively recognizes a situation, the source would act as a stress. Based on the results of the range in analyzing with the inductive method, the categories of 39 from 16 enjoyment and stress sources were bound to 6 divisions as a partner, relationships, the changes of life, dance sports skills, the job in the future, and competitions.

댄스 스포츠가 중년여성의 혈중지질 및 렙틴에 미치는 영향

김경숙,서혜림,김세종,이현미,조현숙,전병학,백영호 한국생명과학회 2004 생명과학회지 Vol.14 No.1

The purpose of this study was to examine the effects of Dance Sports on body composition, blood level of lipids and leptin in the middle-aged women. The 24 subjects for this study were divided into three groups by the % fat classification non-obese control group (n=8, CG), obese group with Dance Sports (n=8, OG), and normal group with Dance Sports (n=8, NG). They performed Dance Sports with 60∼80% of HRmax, for 60min a day and three times per week during 12 weeks. The body composition, blood levels of total cholesterol, HDL-cholesterol, LDL-cholesterol, triglyceride and leptin were examined before and after Dance Sports. The percent body fat was decreased in OG and NG significantly. The blood levels of HDL-cholesterol were increased in OG and NC after the Dance Sports. The blood levels of triglyceride was significantly decreased in the same groups. Other serum lipids were not changed significantly. The blood levels of leptin were decreased in OG and NC after the Dance Sports. But the lowering effect of Dance Sports in the obese group (OG) was not improved compared with that in the normal group (NG), suggesting that Dance Sports on the obese group (OG) has no further improving effect in the change of blood lipid and leptin. These results suggest that Dance Sports has a beneficial effect on the change of blood levels of HDL-cholesterol and leptin.

댄스스포츠에 있어서 음악적 미

이경숙 한국체육철학회 2012 움직임의철학 : 한국체육철학회지 Vol.20 No.1

In Dance Sport, as music has a lot closer relationship with sense and emotion than any other art, its effect, something direct without any cognitive activities, has various powers of musical tones and dynamic movements at every event. The sound accompanying the movements of dance sports offers the aesthetic opportunity enabling us to experience the strict emotion of each event in the coaction with dance and music, in other words, the activity having the both. Accordingly, for this study, I explored its meaning of the aesthetic characteristics as well as the general contents in the field by realizing the theoretical status of dance and music, i.e. the music for dance sport, with the topic of "Musical Aesthetics in Dance Sport". Especially, dance sport are expressed as a variety of tones, the elements which music contains for each event, and its form is of uniformity and balance, but they also are the kinds of dances which can be expressed in free forms that can try everything. And, owing to the music, we can concretely express all the emotions of dances by maintaining the atmosphere created only by dance sport and distinguishing the various musical tones expressed at each event, and the musical aesthetics comes to be composed of the movements consistent with it. In other words, music has rhythm, beat and tempo, and therefore it is indispensible for us to understand the traits of speed, rhythm, and dynamic movement which are different form one another depending on the characteristics of the music by event. This proves that dance and music exist in a double structure and that their contribution to each other is not to be separated. I could confirm theoretically that both dance sport and music can develop their own aesthetics in the extensive scope just as the general aesthetics, considering dance sport as a type of sport-art from the viewpoint of their artistic traits, include natural, artistic and human aesthetics for the subjects of study. 댄스스포츠에 있어 음악은 그 어떤 예술보다 감각 및 감정과 밀착됨에 따라서 그 영향은 인식활동을 거치지 않는 직접적인 것으로 종목별 움직임의 역동성과 음악적 색깔의 다양한 위력을 발휘한다. 댄스스포츠의 움직임과 함께 수반되는 소리, 이 양자를 모두 아우르는 활동으로 춤과 음악 모두를 동반하는 상호 공동작업 속에서 각각 종목별 영역의 엄밀한 정서를 경험할 수 있는 미적 기회를 제공한다. 따라서 이 연구에서는 ‘댄스스포츠에 있어서 음악적 미’라는 주제 아래 춤과 음악 즉 댄스스포츠의 음악에 대한 이론적 연구의 현황을 인식하고 그 지평에서 일반적인 내용은 물론 미적인 성격까지 아우르는 것으로 그 의미를 탐색해 보았다. 특히 댄스스포츠는 종목별로 음악이 담고 있는 요소, 다양한 색깔로 표현되고 형식은 종목별로 나타나는 통일성과 균형을 고루 갖추고 있는 반면, 무엇이든 시도할 수 있는 자유스러운 형식으로 표현할 수 있는 춤이다. 그리고 그 음악으로 인해 댄스스포츠만의 연출되는 분위기를 유지하고 종목별로 나타나는 다양한 음악적 색깔을 구별함으로서 춤의 모든 감정을 구체적으로 묘사할 수 있으며, 그에 부합되는 움직임 속에서 음악적 미를 구성하는 것이다. 즉 음악에는 리듬, 타임(박자), 템포가 있고, 종목별 음악의 성격에 따라 빠르기, 리듬, 역동적 움직임의 특징을 이해하는 것이 필수적이라고 할 수 있을 것이며, 이는 춤과 음악에 이중적으로 의존하며 양자의 기여는 분리할 수 없음을 확인한다. 아울러 이러한 댄스스포츠를 그 예술적 성격에 비추어 운동예술의 하나로 보아 일반 미학이 자연미와 예술미 그리고 인간미까지 그 연구대상으로 하는 것처럼, 댄스스포츠와 음악적 미 역시 광범위한 범위에서 자신의 미학을 꾸려나갈 수 있음을 이론적으로 확인할 수 있었다.

댄스스포츠에 대한 대학생의 인식과 가치조사 연구

박영숙(Young Suk Park) 한국사회체육학회 2004 한국사회체육학회지 Vol.0 No.21

The purpose of this study was to analyze the recognition and the value on the university student` dance sports. More specifically, this study was to examine the differences of recognition of dance sports to University Student`s general index and the differences of value dance sports in physical, psychological, and social status Subjects of this study were sampled the 400 university student of Jeonlabuk-Do using stratified cluster random sampling method. The method of statistics used to analyze to collected data were cross-analysis, Chi-Square, Twoway(ANOVA). Based on the procedures and results, the following conclusions were warranted: First, dance sports has been commercialize through the mass media. More women than man, more people with sports activities than not, and more people with an exception in dance sports rated higher level of recognition and value, with an exception, men who had experienced dance sports had a higher value and recognition than men Second, men show higher physical value in sports activities and experienced dance sports, women show higher psychological value in sports activities, men show higher psychological value in experienced dance sports, women show higher social status value in sports activities, men show higher social status value in experienced dance sports.

사회과학분야 : 댄스스포츠에서 경험하는 행복감의 유형과 특성: Q 방법론적 접근

이종길 ( Jong Kil Lee ),송대진 ( Dae Jin Song ) 한국무용과학회 2015 한국무용과학회지 Vol.32 No.3

The objective of this study is to understand the types and characteristics of happiness gained through dance sports and inquire into the perception of happiness as well as the difference in the perception by applying a Q methodology targeting male and female adults who participate in dance sports. The method employed for this research was Q methodology which is often adopted for subjectivity research. Q populations were formed through open questionnaires with five questions and individual interviews targeting ten beginners and advanced learners of dance sports, out of the total 42 Q populations before selecting 25 statements as final Q samples. P samples have been selected out of participants who are taking part in dance sports, among whom twenty beginners and twenty advanced learners according to the participating period were considered properly and selected; data was processed to analyze the main factor by using QUANL 1.2 program for PCs, and Varimax was used for the rotation method. Results I. Types of DanceSports happiness came in five different categories. They were named first type (n=15): ``health promotionㆍdesire for amusement pursuing type``, the second type (n=10): ``relation-orientedㆍvitality pursuing type``, the third type (n=7): ``emotional stability pursuing type``, the fourth type (n=7): ``technique acquisitionㆍimmersion pursuing type``, the fifth type (n=1): ``self-achievement pursuing type``. The types that showed differences of perceptions between advanced learners and beginners most significantly were the first and the third type, in all types of feelings of happiness about dance sports, enhancement of positive perception about dance sports as well as negative perception about repeatedly practicing important movements of dance sports appear; however, there exist no common perceptions of happiness about dance sports as there is little similarity among types. It is regarded that the types of happiness about dance sports felt by the participants that it is thought that this study will help to revitalize dance sports, and furthermore help the overall sports for all.

댄스스포츠 선수들이 인지하는 ‘좋은 파트너’의 유형 및 특성

이종길(LeeJong-kil),송대진(SongDae-jin) 한국체육학회 2017 한국체육학회지 Vol.56 No.3

This research intended to understand the types and characteristics of good partner gained through dance sports by applying a Q methodology targeting dance sport players. Q populations were formed through open questionnaires with five questions and individual interviews targeting five dance sport players, out of the total 36 Q populations before selecting 25 statements as final Q samples. Selected armature 31persons and professional 8persons severally nine persons, total dance sport player 39 persons as P samples have the dance sport player now active. Major factors were analyzed through PC-QUANL program; and Varimax was utilized for rotation method. Results I. Types of good dance sport partner came in three different categories. They were named type 1.(n=17): ‘passionㆍflow-pursuit type’, type 2.(n=13): ‘considerationㆍcommunication-aim type’, type 3.(n=9): ‘respect relation-trust type’. Type 1. Realize that partner have an passion to dance sport, have a same purpose with me and good focus to balance, on the contrary, de-emphasized personal connections to other dance sport players or teachers, have a clean rumor and care of me apart from dance sport, Type 2. Realize that instill respect to partner and care for partner on the other side of the fence, need a good communication, de-emphasized move to belong to my association and teacher of partner, personal connections to other dance sport players or teachers, Type 3. Realize that good focus when doing practice and have an passion to dance sport and instill respect to partner, keep one's promise each other, de-emphasized move to belong to my association and a meticulous nature, long time dance sport experience. A point of sameness : Good dance sport partner is Realize that partner have an passion to dance sport.

스트릿댄스의 스포츠에 대한 귀속성 구명

강덕모(Kang, Deuk-Mo),강유원(Kang, Yu-Won),류주선(Ryu, Ju-Sun) 한국체육과학회 2018 한국체육과학회지 Vol.27 No.3

This study aimed at the academic establishment of "Can street dance belong to sports" under the current situation that it has been incorporated into the sports institution. To attain the above goal, the following study questions were set: First, what are the conceptual definition and category of dance and sports? Second, what is the necessary and sufficient condition for street dance to belong sports? This study attempted to investigate such study questions. As a result, the following findings were obtained: It can be said that street dance currently belongs to dance, a part of arts. That is, it takes on its own character in terms of dance for participation and dance for performance, the general classification system of dance. In addition, it could be found through demonstration that street dance did npt completely correspond with the definition and classification system of sports. Second, it can be said that the same rules should first be applied at the institutional level so that street dance may perfectly belong to sports. But it is judged that the institutional incorporation of street dance into sports should occur under the condition that it holds on to the playful essence inherent in it and retains its own identity.

댄스스포츠를 통한 인성교육 담론

이경숙 한국인격교육학회 2019 인격교육 Vol.13 No.1

This study aims to expand the research area of personality education and accumulating human capital with dance sport as a field of physical education through the discourse upon personality education based on the theme of ‘Discourse upon personality education through dance sport’. Dance sport helps in finding value in the other with vivid experiences in care and consideration through the relationship of partners (male and female couples) and their positive interaction. In other words, the personality as the practical conclusion of dance sport is the expression of new thinking and illustrates the cognitive method connected with personality education as trust, care and respect (self-respect and mutual respect) for others. In addition, one union, shown as partners (male and female couples) that cannot be separated from 'something', recognizes the difference between men and women, and based on these differences, leads to an independent thought of personality education through dance sport. Eventually, in the discourse on personality education through dance sport, the exhilarating experience (empathy) of feeling better (pleasure and joy) becomes the clue to increasing sensitivity through the partnerships between men and women as well as body movements considering the unique characteristics of dance sport, and it shows that the sensitivity can be applied. For the experience in subjective sensitivity to connect with the objective force (dance) of a subject, the natural harmony of sensitivity can be achieved through dance sport as discourse on personality education. Finally, discourse on personality education through dance sport is the fundamental interest in personality to confirm that possibility. Therefore, it is necessary to verify the effects of developing personality education programs through dance sport for the development of personality education, and more specific application of this can be explored in the future. 본 연구는 ‘댄스스포츠를 통한 인성교육 담론’이라는 주제 아래, 체육의 한 분야인 예술로서 댄스스포츠가 인성교육 담론을 통해, 인성교육의 연구영역을 확장하고 인성자본을 축적시킴에 있다. 댄스스포츠는 파트너(남녀 커플)와의 관계 및 긍정적 상호작용은, 관심과 배려 속에 생생한 경험들로 타자의 가치를 발견하는 데에 이르도록 도와준다. 즉 댄스스포츠의 실천적 귀결이 되는 인성은 새로운 사고의 표현이며, 타자에 대한 신뢰와 배려, 존중(자기존중과 상호존중)으로서 인성교육과 연결된 인지 방식을 가진다. 또한 파트너(남성과 여성)로서 보여 지는 하나의 합일은 ‘어떤 것’과 분리시킬 수 없으며, 남성과 여성의 차이를 인정하고 이러한 차이를 근거로 댄스스포츠 인성교육의 독립적인 사고로 이끌어 낸다. 결국 댄스스포츠 인성교육 담론은 댄스스포츠만의 갖고 있는 특성을 고려한 남녀 커플의 파트너십, 신체움직임을 통한 타자와의 경험 속에서 스스로가 겪었던 기분 좋아(즐거움과 기쁨)지는 짜릿한 경험(감정이입)은, 감수성을 키우는 단서가 되고 감수성이 작용될 수 있다는 것을 보여주게 된다. 즉 주관적인 감수성에서 벌어지는 경험을 어떤 대상의 객관적인 힘(춤)과 결부시키려 할 때, 인성교육 담론이라는 댄스스포츠를 통해 감수성과 자연스러운 조화가 이뤄진다. 끝으로 댄스스포츠의 인성교육 담론은 그 가능성을 확인하는 인성에로의 근본적인 관심이다. 따라서 인성교육의 발전을 위해서는 댄스스포츠 인성교육 프로그램을 개발하여 효과를 검증하는 필요성을 확인하고, 이에 대한 좀 더 구체적인 적용을 앞으로의 연구과제로 남겨놓는다.

댄스스포츠 연구 분야에 대한 종합적 정리 및 사회학적 주제 도출

김대희,남상우 한국스포츠사회학회 2018 한국스포츠사회학회지 Vol.31 No.3

This study aims to classify articles on dance sports and discuss the sociological themes that can be discussed for theorizing. More specifically, the authors tried to discuss the lack of a sociological perspective in dance sports studies, comprehensively reviewing the 13-years studies on that issue from 2005 to 2017, and set the research problems to explain some cases related to the issues about dance sports with sociological analytic categories. To this end, we analyzed 340 dance sports research published on the journals of kinesiology and discussed sociological research among them in detail. After that, the authors also drew five analytic themes in according to the sociological analytic categories–structural, relational, and procedural aspects–and social concepts and theories to further theorization in the sociology of sport field. Those themes were follows: first, the problems in private academy-centered athlete development system of dance sports; second, structural violence embedded in complex relationships among dance sports associations; third, partnership problems caused by gender imbalance; fourth, enclosure culture unintentionally constructed by private dance sports academies for strong bond among members; fifth, sociological approach into popularization of dance sports. 이 연구의 목적은 댄스스포츠와 관련된 사회학적 주제를 범주화하여 정리하는 것이다. 이에 따라 연구자들은 첫째, 2005년부터 2017년까지 13여 년 간 이루어진 댄스스포츠 연구물을 종합하면서 사회학적 관점의 연구가 부족함을 밝히고, 둘째, 사회학적 분석 차원을 빌려 댄스스포츠가 어떻게 사회학적으로 논의될 수 있는가를 구체적 사례를 중심으로 설명하고자 하였다. 이를 위해 체육학 관련 학회지에 투고되었던 340편의 댄스스포츠 연구물이 주제별로 분석되었고, 그 중 사회학적 주제로 분류된 연구물에 대한 논의가 이루어졌으며, 그 후 사회학적 분석 범주 ― 구조적, 관계적, 과정적 차원 ― 에 따라 다양한 이론적 개념 및 명제를 적용, 총 다섯 가지의 향후 논의할 만한 주제와 관련 현상을 기술하였다. 그 내용은 첫째, 사설 학원 중심의 엘리트 선수 양성 체계가 지니는 문제점, 둘째, 댄스스포츠 협회 간 조직적 억압성이 가져오는 구조적 폭력 양상, 셋째, 성비 불균형에 따른 파트너십 문제, 넷째, 회원 관리를 위한 댄스스포츠 학원의 울타리(파티) 문화 해석, 그리고 다섯째, 댄스스포츠의 대중화 과정과 그에 따른 미디어의 역할과 관련한 논의가 그것이었다.

국제 댄스스포츠 경기 참가 선수들의 의상디자인 분석 - 댄스스포츠와 패션의 다학제적 관점을 중심으로 -

허정선(Huh, Jung Sun) 한국전시산업융합연구원 2019 한국과학예술융합학회 Vol.37 No.3

오늘날 국제댄스스포츠대회에 많은 국내 선수들이 참여하면서 차별화된 댄스의상의 수요가 증가하고 있다. 본 연구는 경기용 댄스의상 연구가 미비한 실정에서 국제 경기의 다양한 무대의상을 분석해야 할 필요에서 시작되었다. 본 연구의 목적은 국제경기대회에 참가하는 선수들의 의상을 분석하여 자료화하는 것이다. 연구의 방법과 범위는 다음과 같다. 2017 UK Open 대회와 2017 WDSF 대회에 참관하여 국제경기용 댄스의상의 트렌드와 차별화된 디자인 및 조형적 특성을 분석하였다. 연구결과 및 내용은 다음과 같다. 첫째, 댄스스포츠 국제경기 종목은 스탠더드댄스와 라틴아메리칸 댄스로 나눠지며, 댄스 동작의 특성이 완전히 달라 차별화된 의상 컨셉을 가지는 것으로 분석되었다. 둘째, 두 대회의 스탠더드댄스 의상 실루엣은 피트 앤드 플레어 실루엣을 가장 많이 사용하였고 그 다음 트럼펫실루엣으로 나타났다. 두 대회 모두 라틴 댄스의상은 관능미를 표현하기 위한 슬림 실루엣에 슬릿을 깊게 넣은 형태와 노출을 많이 보여주는 실루엣으로 나타났다. 셋째, 색채와 디테일 분석 결과는 두 대회 모두 관능미와 화려함을 더하기 위해 검정색과 원색을 주로 사용하였고, 다양한 비즈 장식과 프린지, 깃털 등을 많이 사용하고 있었다. 결론적으로 두 대회의 차이점으로는 UK Open은 클래식한 디자인을 더 추구한 반면 WDSF 대회는 현대적인 다양한 디자인 요소들을 보여주는 것으로 나타났다. 이러한 연구결과를 바탕으로 국제경기에서 국제적 경쟁력을 가질 수 있는 무대의상 개발을 위한 초석을 마련하고자 한다. Today, Many athletes have participated in the international dance sports competitions, and the demand for differentiated dance costumes is increasing. However, research of dance costumes for domestic professional athletes is insufficient compared to the development of stage costumes for foreign athletes. The purpose of this study was to analyze and document the costumes of the athletes participating in international competitions and analyzed the trends and design characteristics of the 2017 UK Open Championships and 2017 WDSF Championships. The results and contents of the study are as follows. First, the dance sports international sports are composed of standard dances and Latin American dances. The characteristics of the dance movement and costume concepts are completely different. Second, the analysis of the silhouette characteristics of the standard dance costume of both UK Open and WDSF showed that the fit and flare silhouette was the most used, followed by the trumpet silhouette. Third, the result of analysis of color and detail showed that both of them used various beads ornament, fringe and feather in black and primary color to add sensuality and splendor. In conclusion, the difference between the two shows was that the UK Open pursued more classic designs while the WDSF competitions displayed a variety of modern design elements. Based on the results of this study, we will lay the groundwork for the development of stage costumes that have international competitiveness in international games.