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낭만주의 발레 작품에 나타난 무용의상 특성 연구: 파리 오페라 발레단의「라 실피드(La Sylphide)」를 중심으로
엄한나 ( Hanna Um ),박영하 ( Youngha Park ) 대한무용학회 2020 대한무용학회논문집 Vol.78 No.1
This study was to analyze the characteristics of dance costume in Romantic Ballet「La Sylphide」. This study analyzed the characteristic from the La Sylphide video performed in Paris Opera Ballet theater in 2004. In the result, this study found that first, 1st plot and 2nd plot had contrasting characteristics in costume design. Second, the characteristic between group dance and Solo also had differences in men and women sexuality. Especially, the costume of fairy group emphasized fantasy and dreamy image in materials and trimming. Each Solo costume had special costume design for emphasizing each personal character.
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레옹 박스트의 무대의상에 내재된 오리엔탈리즘 특성- 발레 뤼스 초기 작품을 중심으로-
박경숙 한국무용교육학회 2018 韓國舞踊敎育學會誌 Vol.29 No.4
We can assign a great significance to the fact that Léon Bakst boldly broke formal framework when applying Orientalism to materialize his inspirations about the Orient using ballet stage costume design. Expression methods employed by this gifted artist suggested a new perspective via positive Orientalism based on longing for, respect and understanding of the Oriental culture. As a result of analyzing Léon Bakst’s costume, this study found that while he was not far away from the standpoint on the Orient commonly shared by all Western people, characteristics of Orientalism shown at his costume were extraordinarily positive breaking away from the existing negative view and created ideal images of Orientalism as equal culture with the West. That is certainly distinct from the views prevailed then. Though Bakst emphasized exotic eroticism in costume designs of his characters such as dancers, slaves and concubines that reflected his typical Orientalism, he shaped sensual and mysterious images in a sophisticated way and earned an international success, contributing to forming a new cultural trend. His style, bringing Oriental colors, design and accessories into fashion, not only drew a stroke in world’s fashion history, but also contributed to status enhancement and popularization of ballet. As a result of this study, characteristics of Orientalism contained in Léon Bakst’s costume were as follows. First, he made pioneering creational work by successfully using and expressing sort of societal concept called Orientalism in his own art world. Second, he achieved an overwhelming success by combining Oriental impression and sentiment with refined senses and dramatic expression, marking a new milestone in the history of ballet. Third, boldly shaking away from the existing Orientalism, he built worldwide style of Orientalism as an equal cultural system. Bold, creative and groundbreaking work of Léon Bakst might have suggested what a true artist should do, together with a great lesson, to all the students and learners who today learn, study and perform the arts of dance.
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조민정 ( Cho Minjung ) 한국디자인트렌드학회 2014 한국디자인포럼 Vol.42 No.-
신고전주의는 한 나라에 국한된 예술사조가 아니라 그 영향력은 서양 전역으로 범위가 매우 크며, 미술사뿐 아니라 사회 전반과 다른 예술 분야에 다양한 양상으로 전파되고 나타난 시대사조이다. 본 연구는 1820년대의 19세기 초의 신고전주의의 예술과 복식의 미적 특성을 고찰하고, 발레의상에 나타난 신고전주의 미적 특성과 비교하여 제시하였다. 건축, 회화, 조각, 복식 등의 예술에 나타난 신고전주의적 미적 특성은 객관적 조화와 단순성, 실용성, 고대 이상의 연상성, 인체의 관능미로 구분하였다. 발레의상의 신고전주의적 미적특성은 발레의상에서의 빠니에, 톤느레를 제거하고 수직적인 실루엣, 장식의 배제로 조화로운 형태의 구성 원리의 외관에서 파악된 조화와 단순성의 미적 특성과, 발레예술의 기술적, 기능적 본성을 위하여 쉬운 움직임을 위해 짧아진 스커트 길이와 높은 굽의 신발 대신 슬리퍼의 착용, 그리고 몸짓의 표현을 위해 몸에 붙는 얇은 옷 착용으로 나타난 발레의상에서의 기능의 실용성, 고전, 그리스·로마 시대의 복식 스타일과 한 겹의 얇은 머슬린으로, 로브의 발레의상으로 나타난 고대 이상의 연상성으로 구분 할 수 있었다. 그 시대의 사회문화와 인간생활을 대변하는 발레의상의 신고전주의는 조형 예술을 복식으로 표현하여 새로운 것을 창조하려는 발레의 새로운 방향을 제시하였다. Neo-Classicism is not the art trend which is only limited to one country but its influence is very vague throughout all western countries and it is the art trend that has influenced not only the arts but also the society at large and other field of arts. In this study, aesthetic characteristics of neoclassical arts and fashion are considered and suggested the comparisons with aesthetic characteristics of the ballet costume. Aesthetic characteristics of neoclassical arts such as architecture, paintings, sculpture and fashion are classified with objective harmony, simplicity, practicality, functional utility and association with ideal antiquity. Neoclassical aesthetic characteristics of the ballet costume are perpendicular silhouette with discarding panier and tonnelet, simplicity from elimination accessory, wearing slippers instead of high heels for ballet`s technique and association with ideal antiquity wearing robe style of ballet costume. The ballet costume that represents the social culture and human life of the age in Neo-Classicism, it expressed formative arts into fashion and suggested new direction of creating something new for ballet.
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이지연(Ji Yeon Lee),소황옥(Hwang Oak Soh) 한국복식학회 2012 服飾 Vol.62 No.6
The purpose of this study is to examine how the Hanbok is expressed in the ballet performances through the `` La, Chun-hyang``, a classic Korean ballet. ``La, Chun-hyang``, was performed from 2009 and 2010, but there were some differences in choreography by the director`s intention. According to these changes, the methods of expression of ballet objects were changed as well. Therefore, totally different personalities were shown despite the fact that theses were same performances. Every costume objects in dance performances like the ballet can be used to express the story and the characters. Moreover, the object designs of Hanbok portray creativity and originality that simultaneously refers to history. In order for stage costume objects to popularize, the making method and process have to be developed like the objects of the Hanbok that signified historicity.
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앙줄랭 프렐조카주(Angelin Preljocaj)의 「Blanche Neige」 작품에 내재된 콜라보레이션의 효과 연구
이시연 ( Shi Youn Lee ) 대한무용학회 2023 대한무용학회논문집 Vol.81 No.1
In order to revitalize and popularize dance performances in line with the trend of the 21st century, this study attempted to derive the effects of the collaboration inherent in this work by selecting the work of modern innovative choreographer Angeline Frelzoka. In order to understand the content of the work and the effect of collaboration, work videos, Internet data, and literature were studied, and dvd data were used for work analysis. The results of studying the effects of collaboration inherent in the work of Blanche Neige by Anjulen Freelzoka are as follows. First, the collaboration with Thierry Leprust's stage set emphasized the sophistication of the stage and the maximization of the work. Second, the collaboration with Jean-Paul Gautier's costume clearly showed the characters of the three main characters, the prince, Snow White, and the queen. Third, with the borrowing of Gustav Mahler's music, the storytelling of the work was emphasized to the audience and the sense of immersion was enhanced. As such, dance performance is a complex art, and the direction of understanding and grafting various attempts such as collaboration attempts is an important task and an essential flow in the dance world. In the future, Korean choreographers, like Freelzocaju and other foreign choreographers, will be able to secure the revitalization and popularity of dance performances if they perform creative performances through various and creative attempts and approaches such as collaboration.
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