전설 서사론 연구 - 3항성에 기초한 서사 분석 모델 기획

오세정 ( Oh Se-jeong ) 한국기호학회 2020 기호학연구 Vol.65 No.-

서사문학 연구에서 허구성을 문학성의 주요 기준으로 세움으로써 전설은 이러한 기준에 도달하지 못하는 저급한 형식의 서사로 간주되어 왔다. 하지만 특정 기준으로 대상을 규격화시켜 바라보기 이전에 대상의 자체 특성을 파악하는 것이 선행되어야 한다. 전설이 갖는 서사로서의 고유한 특성을 살피고, 이를 바탕으로 전설의 서사 구성 원리를 찾아야 할 것이다. 전설의 정체성은 문학의 다른 서사와 달리 언어적으로 형성된 텍스트가 현실의 실제 대상을 지시한다는 데에 있다. 전설 텍스트를 하나의 기호로 본다면, 전설은 지시대상과 물리적ㆍ직접적 관계를 맺는 지표적 성격이 강하다고 할 수 있다. 그렇다면 전설의 서사 구성 원리, 즉 전설 서사를 형성하고 이해하는 방법을 탐색하려면 바로 이 점을 근간으로 해서 진행되어야 한다. 본 논의에서는 인간의 사고와 자연의 대한 보편 범주로 제시된 퍼스의 1차성, 2차성, 3차성의 개념을 활용하여 전설에 대한 서사 분석 모델을 기획하였다. 3항성을 참고하여 분석 모델의 단위와 단계는 다음과 같다. 1차 분석은 서사의 내적 형식에 대한 것으로, 이야기 구성의 요소와 배열 규칙을 기술한다. 2차 분석은 텍스트와 지시대상과의 관계에 주목하여 지시대상의 성격과 관계의 연결점을 파악한다. 3차 분석은 텍스트와 지시대상이 연결됨에 따라 형성되는 사유의 영역, 의미와 법칙을 파악한다. 이 서사 분석 모델에서 각 단위와 단계는 전설 서사의 형식 구조, 관계 구조, 의미 구조에 대한 분석이며 과정이라고 할 수 있다. 이 모델은 전설과 다른 서사와 변별되는 정체성을 잘 포착하고 있으며, 서사의 다양한 층위에서 구조를 체계적이고 종합적으로 파악할 수 있게 해 준다. In narrative literature research, as fictionality was established as the main criterion for literary value, legend has been regarded as low-level form of narrative that fail to reach this standard. However, it is necessary to first grasp the identity of the object before looking at it by standardizing the object on a specific criterion. Based on the identity of the legend as a narrative, it is necessary to find the principle of the narrative composition of the legend. The identity of the legend is that, unlike other narratives in literature, the linguistically formed text indicates the actual object of reality. If the legend text is regarded as a sign, it can be said that the legend has a strong characteristics of index that establishes a physical and direct relationship with the indicated object. Then, to explore the principle of the narrative composition of the legend, that is, how to form and understand legendary narratives, it must proceed based on the characteristics of index. In this paper, the narrative analysis model of the legend was designed using Peirce’s concept of firstness, secondness, and thirdness, presented as a universal category of human thinking and nature. The first analysis is about the inner form of a narrative, and describes the elements of the story composition and the rules of arrangement. The second analysis focuses on the relationship between the text and the indicated object and grasps the connection point between the character of the indicated object and the relationship. The third analysis identifies the domain of thinking, that is, meaning and laws, that are formed as the text and the indicated object are connected. In this narrative analysis model, each unit and step is an analysis and process of the formal structure, relational structure, and meaning structure of the legend. This model captures the identity of a legend that is distinguished from other narratives, and makes it possible to systematically and comprehensively grasp the structure at various levels of the narrative.

서사 패턴의 연관분석을 통한 이야기 장면 생성 방법

김정일(Jung-il Kim),이은주(Eun-joo Lee) 한국IT서비스학회 2013 한국IT서비스학회지 Vol.12 No.1

A narrative structure is essential for a story generator to create a story plot. In digital storytelling system, a narrative structure can be generally designed as a tree or a graph, and the story generator in the digital storytelling system creates continuous story plots based on the narrative structure. When a narrative structure is designed with a tree or a graph, it is hard for the story generator to create various kinds of story-plots due to the inflexible nature of a tree or graph structure. It may result in degrading the quality of story-plots to provide similar story-plot to various kind of user. In this paper, we proposed an approach to create a story-plot based on association analysis of data mining to overcome the disadvantage. In detail, we defined a narrative structure which consists of narrative patterns. and then implemented a story generator which creates a story-plot using the proposed narrative structure. As a result, we confirmed that implemented story generator was able to create a story-plot according to understanding level of user in case study

문학 텍스트의 다층적 구조 분석을 통한 독해 지도 방법

김혜정 ( Hye Jeong Kim ) 한국텍스트언어학회 2010 텍스트언어학 Vol.29 No.-

This paper is based on the necessity of multiple levels` analysis in narrative texts. So, this study shows that text comprehension is achieved successfully by analyzing narrative text at the point of multiple levels` points, for example Novel, ``Sunanydae`` written by ``Hagnchan``. The multiple levels` analysis in narrative texts is composed with proposition-structure and behavior-structure. This has the intercommunication features, and that has interprinciple feature in textuality. Analysis of proposition-structure which means one of semantic structures shows constructing macro structure of important propositions through importance rating among the informations. And Analysis of behavior-structure shows constructing pragmatic meanings, for example, social fuction of text. And further, it is analyzed by socio-cultural meanings through socio-cultural context, for example ``now and here`` when and where reader reads. Consequently, narrative text needs to be comprehend by the multiple levels` analysis.

텔레비전 뉴스 프로그램의 서사구조 비교연구 : ‘화물연대 총파업’ 관련 < KBS 9시뉴스 >와 < MBC뉴스데스크 >

안종묵 청주대학교 사회과학연구소 2024 한국사회과학연구 Vol.45 No.2

미디어 서사구조 분석은 미디어를 통해서 공유되는 지배적인 가치체계를 고찰하는데 목적을 둔다. 뉴스 미디어에 따라서, 같은 사회적 이슈라도 다른 시각으로 뉴스 보도되는 경우를 볼 수 있는데, 이것은 뉴스 미디어마다 가지고 있는 서사구조가 다르기 때문이다. TV 미디어의 영상화면은 텍스트 기사보다 더욱 다양한 표현 방식을 사용할 수 있는데, 이것은 TV 미디어에 대한 서사구조 분석의 필요성이 제기되는 이유이다. 본 연구는 ‘화물연대 총파업’이라는 사회적 이슈에 대하여 < KBS 9시뉴스 >와 < MBC 뉴스데스크 >가 어떠한 가치체계를 시청자에게 각각 전달하고 있는지 탐색하였다. 이를 위하여 본 연구는 채트먼의 ‘서사구조 분석 틀’과 레비스트로스의 ‘이항대립분석’을 연구방법으로 사용하였다. 분석결과에 따르면, 화물연대 총파업 관련하여 < KBS 9시뉴스 >와 < MBC 뉴스데스크 >는 다른 서사구조를 통해서 시청자에게 뉴스 보도하고 있음을 확인할 수 있다. 다시 말하면, < KBS 9시뉴스 >와 < MBC 뉴스데스크 >는 사회적 갈등 이슈인 화물연대 총파업에 대해서 서로 다른 가치체계를 시청자에게 전달하고 있었다. 이것은 강력한 영향을 미칠 수 있는 한국 대표적인 2개 뉴스 미디어가 서로 다른 사회적 의제를 만들고 있음을 의미한다. Media narrative structure analysis aims to examine the dominant value system shared through the media. Even when reporting on the same societal issue, news media can present it from different perspectives due to the varying narrative structures each media outlet possesses. The visual screens of TV media allow for a more diverse range of expression compared to text articles, highlighting the need for narrative structure analysis in TV media. This study explores how KBS 9 o'clock News and MBC News Desk convey different value systems to viewers regarding the societal issue of the “Cargo Workers’ General Strike”. To achieve this, the study utilizes Chatman's ‘Narrative Structure Analysis Framework’ and Levi-Strauss's “Binary Opposition Analysis’ as research methods. The analysis results reveal that KBS 9 o'clock News and MBC News Desk present news to viewers with different narrative structures regarding the issue. In other words, these two major news media outlets in Korea communicate different value systems to viewers regarding the social conflict issue of the “Cargo Workers’ General Strike”, signifying that they are shaping different societal agendas.

그레마스 기호학을 이용한 서사 분석 - <파리의 자살가게>를 중심으로

정유연,이태구 동국대학교 영상문화콘텐츠연구원 2019 영상문화콘텐츠연구 Vol.0 No.-

The purpose of this study was to analyze long-length animations with a solid narrative structure reflecting the problems of the times and society based on humanities and philosophy. The subjects of the analysis chose the French feature film "The Suicide Store in Paris," which was loved by many in France despite its unabashed critical views on human alienation, depression and materialism in our time. This study was based on Greimas Semiotics, which provides an in-depth understanding of the meaning of the work's analysis using an independent analytical framework that sheds light on its narrative structure. It is based on the differences between the two elements that are divided into six actors, identifying the relationship between them, and extracting the elements of the story based on the results. As a result of the analysis, the Actant Model of the animation "The Suicide Store in Paris" was analyzed as wealth, laughter, and happiness based on the materialism that resulted in death after extracting the opposite structures. Based on this, the analysis of carre semiotique showed that unhappiness, happiness, death, and life led to a hopeful introduction of laughter and happiness. 본 연구는 인문학과 철학을 바탕으로 그 시대와 사회의 문제점을 반영한 탄탄한 서사 구조를 가진 장편 애니메이션을 분석함에 목적을 두었다. 분석 대상은 우리 시대에서의 인간의 소외, 우울증, 물질만능주의에 대한 비판적인 시각을 가감 없이 표현함에도 불구하고, 프랑스의 많은 이들에게 사랑받은 프랑스 장편 애니메이션 <파리의 자살가게>를 선정 하였다. 본 연구는 작품의 서사구조를 밝히는 독립적 분석틀로 작품을 분석하는데 있어서 심층적 의미를 파악할 수 있는 그레마스 기호학에 기반에두었다. 이는 작품의 주요 행위자들을 여섯 개의 행위소로 분류하여 그들사이의 관계를 파악하고, 그 결과를 바탕으로 이야기의 의소를 추출해 서로 대립하는 두 가지 요소들의 차이를 기반으로 이루어진다. 분석 결과, 애니메이션 <파리의 자살가게>의 행동자 모델은 서로 대립되는 구조의 의소를 추출한 결과 죽음으로 얻은 물질만능주의에 따른 부와 웃음과 행복으로 분석되었다. 이를 바탕으로 기호학적 사각형을 분석한 결과 불행-행복, 죽음-삶으로 변하여 웃음과 행복의 희망적 서사 행로가 진행됨을 알 수 있었다.

텍스트의 구조분석과 이야기

김휘택 중앙대학교 외국학연구소 2014 외국학연구 Vol.- No.28

This article aims to define the narrative sequence and to present its scheme. Since long ago, the "story" has been the subject of various theories which have gained much success. These studies have attempted to prove that there are certain models that can be applied to texts that are not stories. Although such efforts have not produced any groundbreaking outcomes, they have surely provided us the generalized criteria for the narrative analysis. As the story is often seen as a part of the text, the narrative sequence plays an effective role when analyzing texts as it maintains relationships with other sequences. In order to define the narrative sequence, we first try to grasp the characteristics of a narrative text. After, taking all of these into consideration, we may identify the exact dimension of the narrative sequence. In this article, we analyzed an extract from That Which Falls Has Wings, a novel written by Moonyeol Lee. Through this analysis, we actually found that the narrative sequence is useful for text analysis, and that it has various relationships with other sequences.

게임콘텐츠에 나타난 스토리의 역할과 구조 분석

채영숙 동북아시아문화학회 2012 동북아 문화연구 Vol.1 No.31

Structural Analysis of Story in Game Contents : - Case Study: <Dungeon & Fighter> and <World of Warcraft> Chae, Young-Soog This paper focuses on the narrative structure of game contents, especially quests. A quest is a unit of game narrative. We have a concern the characteristics of story structure, component elements, and role of story and quest to find the narrative structure of game contents. A quest is an essential to progress game play and to construct player's own narrative in MMORPG genre. We analysis two games, <Dungeon and Fighter> and <World of Warcraft>, which are representative works of MMORPG genre. The elements of analysis are characters, story, quest system(including kinds of quest, types of progress), and types of reward system, and so on. The purpose of this study is to understand the game itself and the principle of the game design based on the narrative structure. Also further game will be requested the variety of contents and the development of an advanced and systematic design.

Narrative differences between Orkhon inscriptions

Uzun, Gülsün Leylâ 한국이슬람학회 2010 한국이슬람학회논총 Vol.20 No.2

This study aims to demonstrate some of the discourse features of Tunyukuk scripts, a part of Orkhon inscriptions and compare it to the other parts, which are Bilge Kagan and Kül Tigin, in terms of its basic narrative discourse. The data will be analyzed using descriptive tools provided by narrative analysis and the rhetorical structure theory with a synchronic point of view. Tunyukuk will be the main text to be analyzed. and it will be compared to Kül Tigin to specify the discursive differences among them. Since Kül Tigin and Bilge Kagan have similar contents, Bilge Kagan will be excluded from this analysis. This study claims that even though these two scripts seem to report the same sequence of events, there is a drastic difference between them in terms of the presentation of their macro structures. This study aims to demonstrate some of the discourse features of Tunyukuk scripts, a part of Orkhon inscriptions and compare it to the other parts, which are Bilge Kagan and Kül Tigin, in terms of its basic narrative discourse. The data will be analyzed using descriptive tools provided by narrative analysis and the rhetorical structure theory with a synchronic point of view. Tunyukuk will be the main text to be analyzed. and it will be compared to Kül Tigin to specify the discursive differences among them. Since Kül Tigin and Bilge Kagan have similar contents, Bilge Kagan will be excluded from this analysis. This study claims that even though these two scripts seem to report the same sequence of events, there is a drastic difference between them in terms of the presentation of their macro structures.

A Computational Model to Detect Affective Response Based on Narrative Agent’s Knowledge

Hochang Kwon,Hyuk Tae Kwon 한국콘텐츠학회(IJOC) 2020 International Journal of Contents Vol.16 No.3

Narratives arouse diverse and rich affective responses to recipients, and this is one of the reasons why narratives are universal and popular. Computational studies on narratives have established a formal model or system of the affective response based on the theory in psychology or media research, and have analyzed or generated a narrative that can evoke a specific affective response. In this paper, we propose a new computational model that can detect the affective response expected to appear in the narrative based on the narrative agent’s knowledge. First, we designed a narrative representation model that can elaborately express the event structure and the agent’s knowledge as well. Additionally, an analysis method was proposed to detect the three affective responses and the related situational information. Then, we validated the model through a case study about an actual movie narrative. Through the case study, we confirmed that the model captures the affective responses of the audience. The proposed model can be effectively used for the narrative analysis and the creation that must consider the affective responses of the recipient.

구조분석과 해석학적 접근의 상호작용 - 쇼팽의 마주르카 Op. 50/3을 중심으로-

송무경 한국서양음악학회 2010 서양음악학 Vol.13 No.3

본 논문은 쇼팽의 마주르카 Op. 50/3, c# 단조에 대한 “이야기 분석”(narrative analysis)이다. 이 이야기 분석에서 필자는 두 개의 서로 다른 분석적 패러다임을 통해 작품을 조망하는데, 아가우(Kofi Agauw)가 기호학적 분석 모델로 제시한 외적인 기호(extroversive semioses)와 내적인 기호(introversive semioses)가 그것이다. 이야기 분석에서 필자는 아가우의 방법론적 모델을 수용하면서도 해튼(Robert Hatten)의 해석학적인 담론을 추구한다. 해튼의 해석학적인 담론은 여러 계층에 배태되어 나타나는 다양한 토픽들과 구조적인 특징에 대한 날카로운 통찰이 조화롭게 녹아든 전문가적인 비평을 지향한다. 또한 필자는 이야기 분석에서 타라스티(Eero Tarasti)의 음악의 공간적, 시간적, 행위적 측면에 대한 의미론적인 접근을 통한 음악 표면적 사건에 대한 세밀한 관찰을 작품 조망에 대한 패러다임으로 포함한다. 쇼팽의 마주르카 Op. 50/3, c# 단조는 아리아(aria)와 학자적 양식(learned styles), 왈츠(waltz), 랜들러(Ländler), 판타지아(fantasia)와 같은 다양한 토픽들을 함유하고 있다. 더욱이 이 작품은 아리아를 모방․대위적인 짜임새에 투영하고, 19세기 농민의 투박한 선율을 유려한 아리아와 솔기 없이 엮어내는 등, 토픽을 단순히 나열하는 수준에서 벗어나 이들을 새로운 방식에서 조합하는 대가적인 수월성을 여실히 보여주었다. 또한 작품의 긴 규모와 후반부의 반음계적인 일탈에도 불구하고 작품의 구조는 강한 조성적 응집성은 물론 동기적으로 밀접한 연관성을 보였다. The paper is an analytical narrative of Chopin's Mazurka Op. 50/3 in c# minor. The narrative invites two distinctive analytic perspectives, extroversive and introversive semioses, both of which have served as Kofi Agawu's model for the semiotic analysis. By espousing Agawu's methodological model, the narrative inclines toward Robert Hatten's hermeneutic model, in which musical topics latent in multiple levels of music and structural features embedded in various layers are integrated into a critical essay. The narrative develops into a hermeneutic essay by including Eero Tarasti's semantical approach to music's spatial, temporal, and actorial dimensions through a close examinations of musical foreground. The Mazurka contains diverse topics and their combinations such as aria and learned styles derived from a tuneful vocal melody in canonic texture, waltz and Ländler which denote a folk dance in the 19th-century western Europe, and fantasia that shows improvisatory and radically experimental features. In spite of diversity in styles, the mazurka proves to have a high degree of tonal coherence, by achieving motivic parallelism in multiple structural levels.