백제의복의 현대적 활용

나선정 ( Sun Jung Ra ),김병미 ( Byeong Mee Kim ) 백제학회 2009 백제학보 Vol.0 No.2

한국 현대 창작작품의 사회·문화적 활용성에 대한 제안적 연구

정지영(Jung Jiyoung) 낭만음악사 2008 낭만음악 Vol.21 No.1

한국의 현대 창작작품들은 음악회를 통한 연주 및 발표가 청중과 소통하는 가장 일반적인 수단이라고 할 수 있다. 그러나 다양한 학술적 가치와 예술적 경향들을 가진 한국의 창작작품들은 음악이 가질 수 있는 사회적이고 예술적 기능면에서 그 활용방안이 연구되어져야 한다. 우선, 한국적 창작작품들에 대한 작곡기법적 접근연구를 통해 독창적이고 전통적인 색채감과 한국적 정체성을 표현할 수 있는 이론적 시도가 필요하다. 두 번째로 보다 전문적 수준에서의 작곡기법은 교육적인 목적으로 활용될 수 있으며 마지막으로 창작작품 그 자체나 혹은 여러 활용 방안들은 사회적, 문화적으로 음악적 기능과 역할을 더 광범위하게 넓힐 수 있다고 본다. 이러한 연구의 효과는 창작작품을 통한 음악의 학문적 가치와 균형적 발전에 기여할 수 있으며 교육적인 측면에서의 음악의 발전에도 기여할 수 있다. Contemporary Korean Music has been developed from the point of both academic and performance view. These contemporary works in Korea have had musical pluralism with many kinds of compositional techniques. In particular, since 1980s, many composers in Korea have tried to express their own musical materials and compositional techniques which are created uniquely by composers through their pIeces. However, a lot of musical compositions nowadays are not introduced in public concerts because they are generally performed in the academic concerts. Therefore, the social and cultural applications of contemporary Korean music should be proposed in various cases such as education, mass media, and so on. These contemporary Korean Music can be studied and appreciated in many way. Firstly, contemporary music in Korea can be used as a educational materials for the music curriculums. The process of composition itself can also become a music course as the application of music eduction in many levels of music. Secondly, contemporary music can be substituted and introduced in many cases such as movies, games, and so on with social and cultural functions through mass media and internet etc. In conclusion, this kind of approach and study produce some good results. The original identity of contemporary Korean music should be established through this study. Furthermore, there are a possibility for the development and popularization of contemporary Korean music.

현대음악의 활용사례를 통한 한국 창작음악의 방향성

정지영 ( Jiyoung Jung ),김정덕 ( Jung Duk Kim ) 민족음악학회 2018 음악과 민족 Vol.0 No.55

현대 창작작품은 다양한 문화콘텐츠로의 필요와 가치가 있음에도 불구하고 활용 사례들이 많지 않다. 본 논문은 이를 위해 현대 창작 작품들이 실제적으로 사용될 수 있는 예술적 분야와 활용의 형태들을 구체적으로 연구하였다. 그래서 한국의 창작 작품들이 현 시대에서 융복합적인 수용이 가능하며 문화적인 콘텐츠로의 역할을 담당할 수 있다는 가능성을 타진하고자 한다. 영화분야에서 기존의 현대음악들이 사용되어 영화 작품의 서정을 효과적으로 전달하는 사례와 광고나 홍보영상에 현대음악이 사용되고, 그리고 다른 악기로 편곡되어 다른 매체와 함께 활용되는 경우 등을 통해 현대음악이 다양하게 사용이 가능하다는 것을 살펴보았다. 융합적으로 다른 장르나 분야를 위해 다양한 경향의 음악을 작곡하는 적극적 창작의 형태도 고찰하였다. 한국의 현대 창작음악의 사회적 인식과 함께 많은 매체 들과 융합할 수 있는 기회와 환경이 필요하다. Although many concerts for Korean contemporary music have been given nowadays the works are for the academic value rather than for the artistic value. The limited reason for the contemporary music in Korea that the musical style is atonal so that audience could not be interested in. However, the artistry of Korean contemporary music is recognizable so it should be a worthy cultural contents and should have required some case study about the practical application of contemporary music in Korea. In this paper, some specific applications of contemporary music, in particular atonal and avant-garde music, are investigated. In addition to this, the music could be used possibly as a main contents which plays an important role in the mess media rather than simple background music. Lastly, the direction and perception of contemporary music in Korea are suggested from practical point of view.

현대미술 적용을 통한 럭셔리 브랜드 커뮤니케이션에 관한 연구

이유정,정재윤 한국의상디자인학회 2022 한국의상디자인학회지 Vol.24 No.1

In the past 10 years, the luxury goods market growth has significantly outpaced other consumer goods categories. Its market value exceeded US $1.2 trillion globally in 2018. In response to this significant consumer demand, the product portfolio of luxury brands has been modified, as several products that previously were exclusive have now released lower-priced versions. This phenomenon is called new luxury. These new luxury products, however, have caused the democratization of the luxury that threatens the exclusivity of luxury brands. In this circumstance, luxury consumers are becoming disillusioned with the vulgarization of luxury goods and prefer exclusive luxury experiences. In order to keep pace with the changes in the luxury consumer needs and promote the brand image with a creative and luxurious connotation, luxury brands are increasingly associating with contemporary art through diverse channels. However, there is a lack of theoretical research investigating the main points to be considered when applying contemporary art to luxury brands and attempting effective brand communication. Therefore, this study aims to provide insights into the key issues for luxury brands when applying contemporary art for effective brand communication. An in-depth case study with the luxury fashion brand, Louis Vuitton, was carried out to better understand contemporary art applications and obtain analytical insights. Through the research, key insights were identified as follows: 1) setting a clear objective for art application based on an in-depth understanding for both the art and the luxury brand, 2) sending harmonized and coherent messages from all perspectives by using a variety of different communication channels, 3) providing a meaningful customer experience by considering the characteristics of contemporary art.

論陶瓷在中國當代書法創作中的應用和表現研究

왕뢰(Wang Lei),박재연(Park Jae Yeon) 한국전시산업융합연구원 2020 한국과학예술융합학회 Vol.38 No.5

Chinese calligraphy and ceramics have a long history and rich cultural heritage. Calligraphy has long been written or carved on ceramic surfaces, as a mark, or for decoration, and has remained in a subordinate status, which continues to this day. Nowadays, the homogenization and formalization of artworks are becoming increasingly serious, and it is difficult for artworks lacking tension and attraction to attract too much attention and demand. Therefore, "cross-border" creation has become a new solution and trend, "ceramic calligraphy" came into being. Compared with the situation abroad, contemporary Chinese ceramic art creation is still the inheritance and continuation of tradition, and generally lacks the deep sense of innovation and design. It is rare to find artists who can "cross the boundary" between the creation concept of contemporary calligraphy and the production of ceramics. Although the concept of "ceramic calligraphy" has been put forward for a long time, so far the relevant theoretical research and work production are still in the exploratory stage. To solve above problems, based on a large number of relevant literature review is put forward on the basis of redefinition of "ceramic calligraphy art form", and under this definition, to present contemporary calligraphy for the purpose, with the help of ceramic production technology to achieve "ceramic" calligraphy show, again through the work of validation of the proposed theory and perfect.The research shows that the definition of "ceramic calligraphy" is scientific and reasonable. Ceramic is an effective carrier and means to express contemporary calligraphy, which has its unique value and rule, promoting the feasibility of innovative presentation of contemporary calligraphy in three-dimensional space, which also means that calligraphy has changed from the decoration on ceramics to the subject of artistic creation using ceramic materials.

현대공연장에 나타난 고전유형의 적용경향에 관한 연구

김성기(Kim, Sung-Kee) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.3

The purpose of this study was to examine the application tendency of the western classical style which appears in contemporary performing arts centers. The types of space in performing arts centers were investigated according to the times. There were somewhat fixed stage and auditorium types for each period ; the ancient times had the arena stage and round auditorium, the Renaissance the proscenium Stage and the U-shaped auditorium, the Elizabethan period the thrust stage and polygonal auditorium, and the modem times the proscenium and apron stage, the horseshoe and fan type auditorium. Today since the purposes of performance are multiple, a variety of stage types are applied to each performing arts center. They use various spaces and performances of multiple purposes by moving and transforming the stage and auditorium according to the kinds of performance as a variation of the arena and proscenium stage. Recently there appear complex performing arts centers that can plan performing spaces of diverse sizes and forms to fit the functions of a performance in a large building. Since they put on performances in a large space according to the characteristics of the kind of performance, the intentions and goals of the performance are well delivered to the audience.

근현대 생활문화유산 기록화 -군포 문화유산 조사와 기록을 중심으로-

윤동환,신희라 무형유산학회 2022 무형유산학 Vol.7 No.2

생활문화는 일상생활과 밀접하여 대중은 문화유산적 가치를 인식하지 못하는 경향이 있다. 생활문화유산은 인간이 역사 속에서 만들어온 물질적, 정신적 산물로써 개인이 간직한 생활유물 속에 담긴 추억과 이야기는 모두 생활문화유산이 된다. 2000년대 들어서면서 각각의 지자체에서는 상대적으로 소홀히 취급되었던 근현대 생활문화의 현황과 실태를 파악하고 체계적으로 보존 활용하기 위한 사업을 시행하고 있다. 이는 지역 공동체의 정체성 확립을 위한 필수 과제이다. 이 글에서는 군포시를 대상으로 한 근현대 생활문화의 수집과 기록 방법에 주목하였다. 생활문화유산을 조사하고 기록하기 위하여는 자료부터 수집해야 한다. 근현대 문화유산으로서 가치 있는 유물에 대한 현황을 파악하기 위하여 인터뷰를 진행하고 조사자료를 토대로 문화유산목록을 작성하였다. 생활문화유산의 수집과 기록을 위한 방법으로 시공간적 수집 범위를 정하고 생활문화유산을 파악한 이후에는 자료를 목록화하였다. 수집한 자료는 다시 ‘기초자료목록’과 ‘상세자료목록’으로 구분하였다. 군포와 관련된 근현대 생활문화사 이야기는 군포시 역사문화의 전승과정 및 변화양상을 살필 수 있는 기억 자료로서 의미가 있으므로 구술사 기록도 함께 진행하였다. 군포 조사에서 주목한 것은 조사한 내용을 어떠한 방법으로 기록할 것인가 고민하였다. 조사 기록을 위한 방법으로 앱(application)을 활용했다. ‘실시간문화자원 수집플랫폼(Traditional Cultural Resources Archives Application, 이하 TCROSA)’은 조사자료를 온라인에 탑재하고 목록화하는 응용 프로그램(application program)이다. 이 글에서는 티시로사(TCROSA) 앱의 운영 프로세스와 자료수집방법, 활용 방법을 제시하였다. 티시로사는 조사한 내용을 기록하기에 용이하도록 개발했다. 군포시 생활문화유산 조사에서는 전문가뿐만 아니라 제보자, 일반 시민들도 문화자원을 티시로사에 탑재하는 것을 목표로 하였다. 티시로사는 소수의 전문가가 대표적인 제보자를 중심으로 문화자원을 목록화할 뿐만 아니라 시민 스스로가 조사자와 기록자가 되어 문화자원을 기록할 수 있도록 개발하였다. 시민 스스로가 자료를 탑재함으로써 문화유산을 인식하는 계기를 마련하고 집단지성을 구현할 수 있는 환경을 조성한다. 군포 문화유산 조사의 성과가 문화자원 플랫폼 활용을 통하여 목록을 정리한 것이라면, 앞으로의 과제는 문화자원 플랫폼을 시민들에게 어떻게 인식시키고 참여하게 할 것인가이다. 그러기 위해서는 문화자원 플랫폼에 대한 홍보와 함께 시민들이 참여할 수 있는 방법을 함께 모색해야 한다.

한국전통건축 생태요소의 활용방안에 관한 연구

박성희,정무웅 대한건축학회 2006 대한건축학회논문집 Vol.22 No.9

The purpose of this study has tried to examine the organic relationships between the traditional residential architecture of Korea and nature in the aspects of environmental ecology and social ecology. Through this examination, it has intended to re-interpret and analyze social and cultural characteristics shown in the traditional architecture and non-systematic characteristics toward nature through ecological architecture, and further, proposed to enhance utility of the characteristics for the modern architecture. The scope of this research is the constituents of exterior space in the traditional villages. It has analyzed social ecological constituents and environmental ecological constituents, and checked their utility for the modern architecture.

금속장신구에 나타난 섬유 기법 연구

홍경희(Hong, kyung-hee),김정지(Kim, jung-ji) 한국조형디자인학회 2008 조형디자인연구 Vol.11 No.2

This research is written on the topics related to various kinds of weaving methods used in personal ornaments, unlike the traditional metal techniques. Along with the study about the data able to use as a historical basis, I tried to set the basic research background on the development of the fabrication in metal products in its actual use and value. Also, I have considered different kinds of expressing methods to analyze and organize the fabrication used for contemporary jewelry, and studied applicable examples related to its specialty in industry. The result of the research showed that the fabrication method based upon the historical metal ornaments relics affected the fabrics and the metal methods which existed at the same time based upon the personality of the area and its decade, rather than being classified by its historical cultural background, development of the techniques or its relations clearly. However, contemporary artists are applying textile techniques in metals with active attitude, challenging for the new methods and shapes, to be able to express their own creativity. The industries have diversity of products using the strength in metal material's permanence and fabric organizing method. Especially nowadays, the way of mixing the metal and fabric has been diversified with the development of technology, and throughout this, development in continuous new materials will give endless possibility to creative sculptures. As you can see, understanding the mixture of materials and technology as well as the cultural human value and its historical background will help to build new researches on developing new metal cultural contents.

공간구문론을 통한 가나자와 21세기 현대미술관 계획 분석 : VAE 프로그램을 통한 미술관내 공적-사적 영역 관계에서의 효율적 평면 분석을 중심으로

이세영(Lee Seyoung),권영걸(Kwon Young Gull) 한국디자인학회 2010 한국디자인학회 학술발표대회 논문집 Vol.2010 No.10

This paper shows the spatial analysis result of the space planning and organizing systems in the 21<SUP>st</SUP> century museum of Contemporary Art, Kanazawa, Japan. Recently, one of the most important museum planning requirements is the relationship between public and exhibition space for revitalizing the social community. In this context, SANAA's museum planning of Kitazawa's is a considerable example to show the emphasis in the architectural planning process. With this project, SANAA intends that the museum will perform as a bridge between the region and the art of the future. Also, they aim to create a participation-oriented museum along with citizens and revitalize the community. This study applies the OPERA space syntax program, a tool developed by Seoul National University with the visual access and exposure theory, to the museum in Kanazawa for analyzing the architect's intension of spatial planning.