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조세형(Cho Se-Hyoung) 국어국문학회 2007 국어국문학 Vol.- No.147
The aim of this paper is to examine the aspect how a spatiotemporal imagination has interposed itself in the literary tradition of Korean love poem(especially in farewell song). The results are as follow. As for "Don't Across That River"(公無河歌) or "Song in the Western Capitaj"(西京別曲). some troubles are occurred by 'Nim(the beloved)' who is departing from this side to that side of the 'river', a visible border. The speaker of 'Would you go?"(歸乎曲) premises a border of 'here/there' by representing the action of 'go/come'. Hwang Jin Yi(黃眞伊) has a positive understanding of 'here' that the parting lover must come back to, as well as 'now' that means the earthly life. She considers the action of 'so' as the secession from 'now' of a valuable time and 'here' of a harmonic space. Thus, she desires the action of 'come again' to recover from the lack. A result of that is a Sijo(時調) work "A Long Long Night of Winter Solstice." In the Song of Longing for the Absolute Object(yeon gun, 戀君) such as "Song of Jeong Gwa Jeong(鄭瓜亭) and "Longing for the Beauty"(思美人曲), the beloved appears as an absolute being who is not to change or move. It is a contrast to love poem, which treats the beloved as moving always and unbelievable man. Two aspect originated from parting situations have varied into the motif of love or the motif of yeon gun with the speaker's spatiotemporal imagination. Some contrastive mental activities such as 'dailiness/transcendency' or 'eros/thanatos' may be possible. though the place we live is same.
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