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로버트 벤츄리의 데파트먼트 라 오트 가론너 호텔에 나타난 기호에 관한 연구
문정필(Moon Jung-Pil) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.4
In this study, the researcher interpreted Venturi’s architectural language semiologically. And he drew applicability of signs which were able to establish communication between architecture and observer. The important characteristic that the subject of sign which is based on Saussure's Linguistics can apply to the architecture in connection with the Hotel du Department de la Oaute-Garonne are as follows. Frist, the architecture built in the city symbols social, structural, and cultural context. And it can create the architectural space. Second, architect’s encoding and the observer’s decoding are signification of signs which will be able to accept another function other than main function by coding architectural function. Third, mannerism which can be flowed in the historic tradition conventionally was borrowed. And through the decodification it can reconstruct with the architectural value by disassembling the content of conventional sign. Fourth, in the architecture, the semiotic function of binarism can be applied internal space and external space by linking or opposing. Therefore, architectural sign can provide the observer with architectural space by contemplating the gap between signifier and signified which are neither truth nor lie in material and constructive universality.
로버트 벤츄리의 건축에 표현된 양자공존적(兩者共存的) 대입(對立)에 관한 연구 - Mother's House을 중심으로 -
김홍배,이남규,Kim, Hong-Bae,Lee, Nam-Gyu 한국주거학회 2011 한국주거학회 논문집 Vol.22 No.4
This study was conducted to investigate the ambivalent characteristics of dichotomous contradictions expressed by Robert Venturi's architecture. It focused on his Mother's House, which applied his theoretical practices faithfully among many of his architectural works. First, he sought to change interior and exterior spaces by manipulating the architectural scales of "Mother's House". He achieved tension in space through structural complexities in combination with contradictions. Second, as for the characteristics of ambivalent contradictions, including linear and geometric forms, and plane, there were familarity which emphasizes tradition; external appearances of symmetry and asymmetry which give a comfort feeling; openness and closedness, which were expressed with the size of windows and objects such as molding. Third, the fireplace-chimney and the stair were forming appropriate harmony between contradiction and complexity as they competed for central position on the plane.
로버트 벤츄리의 작품에서 나타난 건축적 특성에 대한 연구
박소라 ( So-la Park ) 한국고등직업교육학회 2004 한국고등직업교육학회논문집 Vol.5 No.2
Ventury is recognized as an important architect not only in projects but also m theory, fins study assumed that Ventury’s theoretical background is the complexity and contradiction of architecture and the symbolism of architecture, which were established in his two books, and analyzed the architectural characteristics of his early projects that employed these theories. To sum up, characteristics of Ventury’s works are 1) ambiguity of forms, 2) juxtaposition and exaggeration of scale, 3) complex plan through various manipulations, 4) the use of historical and conventional images, 5) the employment of decorated shed and 6) the use of direct signs and symbols. This study is expected to provide a base for understanding the architectural works of Ventury, who is still working actively, through analyzing his theoretical approaches and his early projects that adopted such approaches.
메를로-퐁티의 현상학적 공간 분석 방법을 통한 로버트 벤츄리 건축의 분석
김지영(Kim, Ji-Young),최두남(Choi, Du-Nam) 대한건축학회 2014 대한건축학회 학술발표대회 논문집 Vol.34 No.2
The purpose of this study was to analyze the Robert Venture"s architecture according to the Merleau-Ponty"s Phenomenological theory relating the space and the body. In Merleau-Ponty"s book, " Phenomenologie de la perception", claims that the body is the main key that makes the space, architecture, and the world. Based on his book, the five senses of the human experience leads to the variety of sense and perceptual experience of the architectural space. therefore, the study analysis the phenomical point of the view in space of Merleau-Ponty, and seeks the new understanding of the Robert Venturi’s architectural works in relation with the theory.
시각적 부조화를 통한 로버트 벤추리 건축과 팝아트의 방법적 유사성에 관한 연구(1)
신유림,임석재,Shin, Yoo-Rim,Yim, Seok-Jae 한국건축역사학회 2012 건축역사연구 Vol.21 No.4
This study aims to find methodical similarities between pop art and Robert Venturi's works. Pop art and Robert Venturi's works gave attention to periodical changes and wanted to communicate with the public. This study approaches a topic from psychological viewpoints, especially visual dissonance. The results are as follows: 1. Manufactured Products ; Commercial Ornaments ${\rightarrow}$ Character Changes in Experienced Stimulation 2. Daily Elements ; Traditional Elements(Classic) ${\rightarrow}$ Contextual Effect of Canonic Representation In these cases, visual dissonance attracted a lot of public attention, and people would develop new meanings of objet. Pop art and Robert Venturi's works indicated value change in post-industrial society, therefore, this study can help to understand the correlation.