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이종호 (사)한국인물사연구회 2010 한국인물사연구 Vol.13 No.-
Moonsan is Lee Jae-ui(1772~1839)'s pen name. He is born the eldest grandson of the Jeonju Lee's Dukchun family line. Jeonju Lee's family is a prince of the blood in Chosun dynasty.. His noble birth make him a proud person. His birthplace was Seoul, but he have lived in Yongin, Kyunggi province. Especially he is a great-grandson of chief general, Lee Ju-guk who loved by king Jungjoe. Lee Jae-ui should carry out a duty of descendant offering sacrifice to his ancestors. That is a devout and unavoidable fate for him. Because he has a strong consciousness of offering sacrifice to his ancestors. He didn't go into government service at all. Instead of it, he made an effort to cultivate his morals and manage the family. Lee Jae-ui was taught chinese literature by Nam, you-do and the confucian scriptures by Ryu, Jung-mo in early years. During adult ages, he was a disciple of Park, yoon-won and Song, hwan-ki who are prominent scholars of confucianism. And then he promoted a friendship with Jung, Jaw-meun; Ann, ho; Kim, young; Sim, Ryu; Song, Myung-hee; Jung, Yak-yong etc., they are his senior scholars. Whang, Gi-chun and Hong, Jik-pil, Lee, Man-jung and Sim, Du-young are Lee Jae-ui's best friends, First of all, he was known by Jung, Yak-yong's argument parter of human nature. We hope that Lee Jae-ui's literature and thought is studied deeply sooner or later.
김창규(Kim, chang-gyu) 한국인물사연구회 2013 한국인물사연구 Vol.19 No.-
Yeonsangun has been regarded as a figure who was lack of logical reason. In short, he was a man of rich emotion rather than reason. In addition, he had a fatal defect in his characteristics caused by deficiency of maternal affection and love. This kind of personality eventually produced a big tragedy at his outburst of anger connected to the political situation. After all, Yeonsangun was expelled by his subjects. But, their moral justification called "Reforming of the Government" by deposing the king was denied by the public at once, because they were regarded as profiteers who expelled their lord for their personal interests and prosperity by taking advantage of the confusion. Thus, Jungjong Restoration called Jungjong-banjeong can be interpreted as a rebel made by meritorious subjects" desire and reforming of the government they argued was just for a justification. For the subjects who had a strong will desire of co-governance by king and subjects, the king like Yeonsangun was the one to be overthrown or expelled, and the expelled king could not be "king" any more even after his death. Even today, Yeonsangun has been said as a tyrant in Korean history. It deserves of his anger. Confrontation and conflict between the king and his subjects had continued in the desire of own"s royal authority and co-governance by king and subjects throughout the Chosun dynasty. Inner conflict among subjects had also continued with their desire and will, which was called party conflict. Yeonsangun"s violence and misgovernment is eventually his own responsibility. He should have understood the situations in balance and controlled his emotion. In addition, he should have refrained from impulse and shown his generosity to his subjects to touch them because he was their king. Yeonsangun shows how deficient human"s excessive desire leads to not only personal desolation, but also destroy of a country and society.
구혜인(Koo Hyein) 한국인물사연구회 2014 한국인물사연구 Vol.22 No.-
The woman introduced in this atticle is identified only as Ha. She served as a court lady fOt more than seventy years from the reign of King Sunjo (r. 1800-1834) to that of King Gojong (1863-1907). She rose to the highest position among all court ladies, that of Jejo Sanggung, and was responsible for handling matters pertaining to all the property that belonged to the women’s section of the Royal Court under the control of the queen. Various historical materials contain details about the date of her death, the location of her parents’ house, her duties and salary, and her complex network of cliques among other things. Her career at the royal court coincided with the period spanning the door-opening of the Joseon Dynasty and the foundation of the Korean Empire (Daehan, 1897-1910). During that period, the Joseon Dynasty underwent epochal changes. As the highest court lady, she had to carry out her duties by maintaining the traditions of the Royal Court while simultaneously adapting to the changes in the early modern period. Research on the life of Lady Ha has enabled researchers to shed light on the considerable role played by court ladies in the development of the handicrafts of the Royal Court, the details of which have remained obscure until now. The results of research on her life as a court lady can be exploited in a variety of relevant research areas. Her story is not merely a story about an individual: Rather, it offers a glimpse of the political, economic, and cultural influence of a high-ranking court lady and the type of network of social relationships she maintained with others within the Royal Court. It is thought that the content of this article could also serve as a useful material for studies of women’s social activities, including those associated with fine art, during the Joseon Period.