http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
IMPORTED ASIAN LABOR IN THE USSR
Ginsburgs, George The Institute for Far Eastern Studies Kyungnam Uni 1990 ASIAN PERSPECTIVE Vol.14 No.2
In a recently published piece entitled "Cooperation with the Third World," the author complains that "the Societ Union has, in practical terms, resigned its role in controlling migrationary labor streams within the framework of the world economy, despite the ample opportunities for labor, including skilled workers, already in over-supply in some developing countries, to be contracted for work in some sectors of the country's economy.
( Shai Ginsburg ) 서울대학교 미국학연구소 2011 미국학 Vol.34 No.1
This paper examines Steven Spielberg`s vision of the State of Israel and, to a lesser extend of the U.S., as presented in Munich (2005). The paper argues that Spielberg mounts a critique of the two states and their security apparatuses. The willingness of the two to resort to violence either in the name of their own protection or under the guise of protecting their citizens, Munich suggests, does not merely undercut their claim as democracies to embody the universal values of liberty and justice, but also the very well-being of their citizens. Spielberg`s mistrust of the state (and of the State of Israel in particular) is already hesitantly suggested more than a decade earlier in his treatment of the Jewish Holocaust in Schindler`s List (1993). I trace this mistrust to two cinematic sources: Otto Preminger`s Exodus (1960) and Laurence Jarvik`s Who Shall Live and Who Shall Die (1982). Whereas the former Hollywood epic sought to align American audiences with the State of Israel and its military campaigns, the latter documentary exposed the inaction of both the Roosevelt administration and the Zionist leadership in the face of the mass murder of European Jews during World War II. Spielberg`s films could thus be seen as a revision-both in plot and in form-of Preminger`s spectacular celebration of the State of Israel in light of Jarvik`s damning revelations. Exodus turns the story of the rise of Israel out of the plight of Holocaust survivors into "spectacular cinema." Spielberg`s films, on the other hand, and Munich in particular, suggest that spectacular cinema conceals the incommensurability between the plight of individuals and the logic that guides the action of the state and its apparatuses. In that respect, Spielberg`s films-considered prime examples of the latest incarnation of spectacular cinema-undercut their own logic of representation.
The Concept of Socialist International Integration in the Gorbachev Era
George Ginsburgs 서울대학교 사회과학연구소 1988 社會科學과政策硏究 Vol.10 No.1
The conceptual meaning of international integration within the community of socialist states has by now evolved through several distinct stages. From fairly primitive beginning which cast the newborn Council for Mutual Economic Aid(COMECON) in the role of a clearing-house for trade liaisons between the member states, the operation has progressively assumed more elaborate functions and forms. Each phase has been marked by its own set of doctrinal rationales, policy priorities, economic techniques and organizational methods. Official rhetoric has pictured all the segments as vitally interrelated and the entire record as a consistent and coherent application of the principles of Marxist analytical theory to the phenomenon of emergence and growth of a socialist economic union on a regional scale.