舊韓末 農民紛爭의 背景硏究

黃善嬉 상명대학교 논문집 1984 상명대학교논문집 Vol.14 No.-

If the tenancy dispute at the age of Japanese imperialism is to be regarded as an antiimperialistic movement of modern peasants', its origin can be pursued out from the dispute of the land ownership at the end of the Yi Dynasty. Generally speaking, the peasant' dispute broke out almost in the form of spontaneity and locality. Their land ownership dispute at that time also arose from the protesting movement against the land-taxation which had been continued since the latter half period of the Yi dynasty. While the peasants' social position was radically specialized and their way of thinking was also actively advancing, the external factors like the policy of the government against their requests stimulated them to disbelieve its management and to induce the anti-government movement. And their dispute resulted even in that of the land ownership. The peasant' dispute of the nineteenth century which developed into the social movement of the anti-feudalism brought about the loyal soldiers' participation, the land owenrship dispute, the tenancy dispute, and the national movement of independence. For the purpose of reorganizing the course of the above mentioned, this thesis aims at the gradual and structural analysis of the system of the land owners and the background of the peasant' dispute, in the course of which few questions are needed (to answer) in order to synthesize this treatise. How had the peasant' disputes changed and developed from the protesting movement against the land taxation since the seventeenth century? How was it possible that the peasants' internal abilities, that is, their basic rights and their senses which enabled them to continue the above mentioned disputes? What kinds of policy did the government execute to cope with the continuous disputes of peasants', for instances, the protesting movement against the land taxation the revolt of the people, and the dispute of the land ownership? Why were the peasant' disputes inevitably intensified in spite of the governmental efforts of settling them?

공포영화 캐릭터에 표현된 칼 로젠크란츠의 “추(醜)” 이미지에 관한 연구

황선희,김경희,최미혜 한국니트디자인학회 2013 패션과 니트 Vol.11 No.3

As for modern people who are living in the rapidly changing era culturally, a meaning of ugliness(醜) cannot be regarded only as the opposite meaning of beauty any more. As for ugliness in the middle of society, it is being expressed as image of beauty in "ugliness" in culture, fine arts, fashion, and movie while even "ugliness" is developed as element of giving a sense of joy about which a human being feels. There is significance in utilizing it as basic data of developing character by which a researches examines beauty of ugliness by Carl Rosen Kranz of being seen in external element of character, which appears in horror movie, by selecting horror movie that has been together with radical development in a movie. A research method was considered a meaning of ugliness by Carl Rosen Kranz and was suggested the new ugly image as formlessness and inaccuracy, which come from the meaning of ugliness by Carl Rosen Kranz and as destructiveness, de-construction and monstrosity in the form of having been inferred from abnormality in a form. The aim is to analyze and interpret by integrating this into external element of horror character, which was selected.

뷰티종사자들이 경험하는 성희롱이 직무스트레스와 이직의도에 미치는 영향

황선희,최정순,한순영 한국네일미용학회 2017 한국네일미용학회지 Vol.5 No.1

This study attempted to determine the effects of sexual harassment on job stress and turnover rate among beauty industry workers. For this, a total of 264 women working in diverse beauty fields such as skin care salons, beauty salons, nail shops, and beauty clinics attached to a hospital were examined. The study results found the following: According to analysis of the influence of sexual harassment on turnover rate, ‘gender harassment’ was the highest, followed by ‘sexual interest’ in terms of relative contribution. In multiple regression analysis of the effects of sexual harassment on job stress, on the contrary, ‘sexual coercion’ revealed a statistically significant influence when the effects of sexual harassment on job insecurity were analyzed. The results of the multiple regression analysis of the effects of sexual harassment on relationship conflict reveal that the regression equation is compatible with statistical significance. In addition, the results of the multiple regression analysis of the influence of sexual harassment on job autonomy confirmed that the regression equation is compatible with statistical significance. In terms of the effects of sexual harassment on job autonomy, statistically significant influence was found in ‘gender harassment.’ method and creation subject have changed significantly these days by combining with digital media. Especially, trans-genre of art and change of receiver's paradigm are outstanding. Art escapes from the frame of traditional art and time and space are expanded so art shows opening type that is completed with audience's participation. The purpose of this study is to propose the direction of art and design by selecting 'expandibility' as a key word to represent the change of art and grasping the flows of various changes in entire art field, which are caused by introduction of digital media. The study suggested 4 factors such as perception expandibility, time expandibility, space expandibility and communication expandibility for representative expandibility shown in digital art and verified its validity through case study. Today, digital art should escape from the concept that audience 'appreciates' the work completed by artist. It should have an open structure where uncompleted work is completed through audience's experience.

김승희 시에 나타나는 ‘안-밖’의 이중 구조

황선희 국제어문학회 2023 국제어문 Vol.- No.96

This study critically analyzes the dual structure and meaning of “inside” and “outside” that appear in Kim Seung-hee's poetry. We especially focus on How to Get Out(1991), where Kim Seung-hee's thoughts on “outside” are in full swing. In particular, we attempt to reevaluate the poems by looking at the place and meaning of this poem in Kim Seung-hee’s world of poetry. Even in poetry with a dual structure of “in and out,” the poetic subject is not buried in such a structure, but creates a “between” zone. The poetic subject's value judgment on “inside” and “outside” continues to be delayed rather than clearly appearing. “An” can be read as a preliminary step or a state of restraint to go outside, but at the same time, “I” is the basis for rolling life. “Outside” is sometimes drawn as a space that the poetic subject wants to reach, but also serves as a basis for looking critically at urban civilization. Kim Seung-hee's fifth collection of poems How to Get Out, which has not received much attention in the world of poetry, needs to be evaluated more actively, as the poet’s imagination of nomadism and metonymy takes her poetry beyond the “in” and “out” confrontation. 이 논문에서는 김승희의 ‘밖’에 대한 사유가 본격화하는 제5 시집 『어떻게 밖으로 나갈까』(1991)를 중심으로 김승희 시에 나타나는 ‘안’과 ‘밖’의 이중 구조와 그 의미를 살펴보았다. 특히 이 시집이 김승희의 시세계에서 어떤 자리에 놓이며 어떠한 의미를 지니는지 살펴봄으로써 수록 시편들을 재평가하고자 했다. ‘안-밖’의 이중 구조를 띠는 시에서도 시적 주체는 그러한 구도에 매몰되지 않고, ‘사이’의 지대를 만든다. ‘안’과 ‘밖’에 대한 시적 주체의 가치판단은 뚜렷하게 나타나기보다는 계속해서 지연된다. ‘안’은 ‘밖’으로 나가기 위한 예비적 단계 혹은 속박의 상태로 읽어낼 수도 있지만, 그와 동시에 ‘나’가 삶을 굴려 가는 기반이다. ‘밖’은 시적 주체가 도달하고자 하는 공간으로 그려질 때도 있지만, 한편으로는 도시 문명을 비판적으로 바라보게 하는 근거가 되기도 하였다. 그동안 김승희의 시세계에서 크게 주목받지 못했던 제5 시집 『어떻게 밖으로 나갈까』는 좀 더 적극적으로 평가될 필요가 있다. 김승희가 보여준 유목과 환유의 상상력은 그의 시를 안과 밖의 대결 구도에만 머물지 않도록 하였다.

시와 음악의 창조적 감응 : 베를렌느의 시와 포레의 음악 「하얀 달 La lune blanche」

황선희 韓國比較文學會 2000 比較文學 Vol.25 No.-

Gait parameters as tools for analyzing phenotypic alterations of a mouse model of Charcot-Marie-Tooth disease

황선희,장은혁,곽건,전현진,최병옥,홍영빈 한국통합생물학회 2021 Animal cells and systems Vol.25 No.1

Charcot-Marie-Tooth disease (CMT), a genetically heterogeneous group of diseases in the peripheral nervous system, is characterized by progressive and symmetrical distal weakness resulting in gait abnormality. The necessity of the diagnostic and prognostic biomarkers has been raised for both basic research and clinical practice in CMT. Since biomarkers for animal study of CMT are limited, we evaluated the feasibility of gait parameters as tool for measuring disease phenotype of CMT mouse model. Using a Trembler-J (Tr-J) mouse, a CMT type 1 (CMT1) mouse model, we analyzed kinematic parameters such as angles of hip, knee and ankle (sagittal plane), and spatial parameters including step width and stride length (transverse plane). Regarding of kinematic parameters, Tr-J mice exhibited less plantarflexed ankle during the swing phase and more dorsiflexed ankle at the terminal stance compared to control mice. The range of motion in ankle angle of Tr-J mice was significantly greater than that of control mice. In spatial parameter, Tr-J mice exhibited wider step width compared to control mice. These results are similar to previously reported gait patterns of CMT1 patients. In comparison with other markers such as nerve conduction study and rotarod test, gait parameters dynamically reflected the disease progression of CMT1 mice. Therefore, these data imply that gait parameters can be used as useful tools to analyzed the disease phenotype and progression during preclinical study of peripheral neuropathy such as CMT.

주요우울장애 환자의 증상 심각도에 따른 신경인지적 특성

황선희,이헌정,김명선,Hwang, Seon-Hee,Lee, Heon-Jeong,Kim, Myung-Sun 대한생물정신의학회 2017 생물정신의학 Vol.24 No.3

Objectives This study investigated associations between symptom severity and neurocognitive functions in patients with major depressive disorder using comprehensive neuropsychological tests. Methods Ten patients with low depression (LD) and 22 patients with high depression (HD) participated. Symptom severity was determined by both the Beck Depression Inventory and the Hamilton Depression Rating Scale. Additionally, anxiety was measured by the Korean version of the State-Trait Anxiety Inventory (STAI-KYZ). Ten subtests of the Korean-Wechsler Adult Intelligence scale (K-WAIS), Stroop test, the word/design fluency tests were administered to assess cognition. Results The LD and HD groups did not differ in any of cognitive measures but anxiety level. Namely, the HD group obtained significantly higher scores on the state (U = 29.50, p < 0.01) and trait (U = 28.50, p < 0.001) anxiety scales than the LD group. A significant interaction effect between trait anxiety and depression severity was observed on the picture arrangement subtest of the K-WAIS [F (1, 27) = 5.09, p < 0.05]. Conclusions Cognitive deficits observed in patients with major depressive disorder may be related to other factors rather than current symptom severity. Trait anxiety possibly moderates the effect of current symptom severity on social judgment in these patients.

김춘수의 『處容斷章』(1991)에 나타난 무의미시의 퇴행 양상 연구

황선희 한국문학회 2022 韓國文學論叢 Vol.90 No.-

Poet Kim Chun-Su, after long figuring out ‘Cheoyong’ as a literary figure, published a long series of poems called ‘Cheoyongdanjang’. As a long-term project, Cheoyongdanjang shows a different form from the previous form of Cheoyong. The judgment on Nonsense Poetry differed greatly depending on the author, but it is somewhat questionable whether Kim Chun-soo's early experiments were specifically explained in text. Also, there are not many discussions that examine the creative methodologies shown in the poetry texts without being bound by Kim Chun-su's poetry. Accordingly, in this thesis, Kim Chun-su's Cheoyongdanjang is defined as an 'autobiographical record of a problematic individual' and a project, and the characteristics of speech appearing in the text and the attitude of the poetic subject in the text were examined. In Cheoyongdanjang , which constitutes the culmination of an experiment on Nonsense Poetry, the poetic subject restricts the depth of the image while showing an obsession with the senses. The words implicitly expressed through the poetic subject's mouth are closer to utterance than conscious remarks, and the attitude of the subject, who cannot abandon the world, is difficult to regard as participation. Moving on to the second part, the poetic subject shows a paradoxical gesture that the more he tries to escape from reality, the stronger he is bound to reality. A poetic subject, who tried to hide the ‘I’, reveals itself without realizing it and ignites the reality and meaning. The subject of the third part of the speech retreats to the rhythm of the poem while fleeing to the place of the dream. Kim Chun-su's poetic subject pursues ‘meaninglessness’, but shows that he is constrained by the realm of meaning. What remained in the place where the confession and rhythm had deteriorated was a retreat from Nonsense Poetry and the limitations of Cheoyongdanjang . 시인 김춘수는 오랫동안 ‘처용’을 문학적으로 형상화하다가 處容斷章 이라는 장편 연작시를 발표했다. 장기간에 걸친 기획으로서 處容斷章 은 이전의 처용 형상과 변별되는 모습을 보여준다. 김춘수의 무의미시에 대한 판단은 논자에 따라 극심한 차이를 보였으나 정작 텍스트 차원에서 김춘수의 시작 실험이 구체적으로 해명되었는지는 다소 의문이다. 또한 김춘수 시론에 얽매이지 않고 시 텍스트에 나타난 창작 방법론을 살핀 논의는 많지 않다. 이에 따라 이 논문에서는 김춘수의 處容斷章 을 ‘문제적 개인의 자전적 기록물’이자 기획으로 규정하고, 텍스트에 나타나는 언술상의 특징과 시적 주체의 태도를 살펴보았다. 무의미시 실험의 극점을 이루는 處容斷章 에서 시적 주체는 이미지의 깊이가 깊어지는 것을 제한하면서도 감각에 대한 강박을 보인다. 시적 주체의 입을 통해 은연중에 나오는 말들은 의식적인 발언이라기보다는 발화에 가까우며, 세계를 저버리지 못하는 주체의 태도는 참여라기보다는 참가에 가깝다. 2부로 넘어가면서 시적 주체는 현실에서 벗어나려 할수록 현실에 강하게 구속되는 역설적인 몸짓을 보여준다. ‘나’를 숨기고자 했던 시적 주체는 자기도 모르는 사이에 자신을 내보이고 현실과 의미에 대해 발화한다. 3부의 시적 주체는 꿈의 자리로 달아나면서 시의 리듬을 후퇴시킨다. 김춘수의 시적 주체는 ‘무의미’를 지향하면서도 의미의 영역에 구속되어 있는 모습을 보여준다. 고백과 리듬이 퇴화한 자리에 남은 것은 무의미시의 후퇴이자 處容斷章 의 한계였다.

A Comparative Study on Demonstratives in Korean and English

황선희,박종언 미래영어영문학회 2019 영어영문학 Vol.24 No.2

This study aims to examine the distribution and uses of demonstratives, a major class of spatial deixis, in Korean, in comparison with English from a comparative perspective. We particularly explore whether the two languages are different with respect to a full inventory of semantico-pragmatic features influencing the selection of demonstratives and look further into whether there is any difference in the way even the same kinds of features are operative. Building on Imai (2003), we first suggest that physical distance and an addressee-oriented feature are commonly operative in demonstrative choice in both languages; departing from Imai, however, we argue that just as in English, psychological distance and [Equi-distance Contrast] should be included on the list of semantico-pragmatic features for Korean. Secondly, extending Niimura and Hayashi’s (1996) observation on Japanese and English, we claim that when physical and psychological distance conflict, the former determinant takes precedence over the latter in Korean whereas the hierarchical order is reversed in English. Finally, we show that the use of a pair of contrastive demonstratives is not always possible but restricted by a contextual condition: in short, the referents must be within the addressee’s physical territory in Korean (cf. Meira & Terrill (2005) for English). A consequence from our study is that it would not be sufficient just to provide a list of determining features for demonstratives.

韓國獨立運動과 民族精氣

黃善嬉 한국민족운동사학회 1997 한국민족운동사연구 Vol.17 No.-