경주 남산-토함산 일원의 화강암질암체에 관하여

황병훈,이준동 대한지질학회 1994 대한지질학회 학술대회 Vol.1994 No.

두려움 극복 방어기제로서의 형벌이라는 환상의 의의

황병훈 대한영어영문학회 2007 영어영문학연구 Vol.33 No.4

Hwang, Byeong-hoon. “The Significance of the Fantasy of Punishment as a Defence Mechanism to Survive Fear.” Studies on English Language & Literature. 33.4(2007): 163-180. Wordsworth’s achievement through The Prelude is that his conscious mind not only admits the existence of an unconscious realm, but it also consents to join in the exploration and revelation of the experiences which it had itself repressed and earlier denied. His fear is the main threat which his ego has to deal with. His fear was specifically a fear of punishment. That fear was consciously experienced only after the death of his father. What he, as a boy, feared was a fantasy of punishment. He knows what this fantasy means for its real consequences in psychological and creative development as the poet. His desires were so repulsive to something in his mind that the boy needed chastisement for them. His conscience was his super-ego which has taken the place of his father for which he must wish to become free. (Yonsei University)

ICE-POP 2018 집중 관측 자료를 활용한 기상청 현업 수치예보 모델의 강원도 지역 강설 예측 성능 검증

황병훈,장은철,이규원 한국기상학회 2019 한국기상학회 학술대회 논문집 Vol.2019 No.10

텔레비전 프로그램을 활용한 음악과 수업 지도 방법 - 셈여림 개념학습을 중심으로 -

황병훈 한국음악교육학회 1986 음악교육연구 Vol.5 No.-

One of the most important things in music education is how to carryout the class originalitily and experientially. It means that teacher lets pupil experience various types and kinds of music. And also it means that opportunities to analyze to criticize, to compose are given to pupils in music class. In viewing music class in this pattern, teacher need to use a high quality teaching and learning materials. In recently, educational broadcasting television program, which provides various visual and audio experience, is needed intensively and used in class actively. Considering these trends, concept learning program should be constructed applying program constructing factors and principles of concept learning. On the ground of this framework, concept learning program, especially rhythm centered program, have been developed. And also teaching plan and method have been presented. Provided teaching plan was schemed centering the teacher role in music class. Teacher role was divided three parts: teaching activity before watching television, teaching activity through watching television, teaching activity after watching television. Each part should need teacher`s originate and experiential activity. It was desirous that each activity should be understood fully, and that teacher should coordinate suitably learning environment and teacher`s intention according to the presented teaching plan.

자율주행 인식 알고리즘 학습을 위한 데이터셋 동향

황병훈,황효석 대한전자공학회 2023 전자공학회지 Vol.50 No.3

Comparison of the Lower Trapezius Muscle Activity during Three Different Shoulder Flexion Exercises in Healthy Subjects

황병훈,장태진,전인철 대한물리치료학회 2022 대한물리치료학회지 Vol.34 No.1

Purpose: This study investigated the muscle activity of the lower trapezius (LT) during three different shoulder flexion exercises. Methods: Twenty-three subjects between 20 and 25 years of age were enrolled. The subjects were asked to perform three different shoulder flexion exercises: 1) shoulder flexion in prone (SFP), 2) shoulder flexion in push-up with a swiss ball (SFPUS) and 3) shoulder flexion in a quadruped position with a swiss ball (SFQPS) in random order. The muscle activity of LT during each shoulder flexion exercise was measured by using surface electromyography. The muscle activity of LT was compared using one-way analysis of variance (ANOVA) and Bonferroni post hoc test among three different shoulder flexion exercises. The statistical significance level was set at α=0.01. Results: The muscle activity of LT was significantly different among three different shoulder flexion exercises (SFP, SFPUS, and SFQPS). The LT muscle activity with SFQPS exercise was greater than SFP and SFPUS exercises (p<0.01). There was no significant difference in LT muscle activity between SFP and SFPUS exercises (p>0.01). Conclusion: The LT muscle activity was greater during SFQPS than SFP and SFPUS. Therefore, SFQPS exercise can be recommended for selectively activation of LT muscle.

워즈워스의 죄책감과 분리 불안

황병훈 미래영어영문학회 2020 영어영문학 Vol.25 No.2

William Wordsworth, in The Prelude, recorded episodes about the spots of time through his memory of his childhood. Examining the moments when he became conscious of the emotions and thoughts he had, his childhood acts, and his destructive instincts, this paper aims to highlight how the process of his emotional changes is related to the growth of his self-consciousness. The task required to understand the boy's acts and feelings in the spots of time is to infer what made the young boy embarrassed and guilty, comparing his feelings with the events depicted in the different episodes. Because there is not much that can be deduced about the boy's feelings and thoughts, it is difficult to guess what acts of the boy are associated with his emotional pattern and anxiety. This study begins on the basis that the traces of what he experienced are related to the records of crime and punishment, and the signs that are needed to interpret their effects. Comparing Wordsworth's episodes provides a room for guessing the meanings of the boy's acts and feelings and filling in their gaps. Exploring the deeper layers of his mind, Wordsworth shows his self-conscious recognition process through the spots of time.

경상분지 남동부 백악기말-제3기초 화강암질 마그마의 형성 및 진화과정

황병훈,이준동,양경희 한국광물학회 2004 한국광물학회.한국암석학회 공동학술발표회 논문집 Vol.2004 No.-

윌리엄과 도로시 워즈워스의 비애와 박애

황병훈 미래영어영문학회 2013 영어영문학 Vol.18 No.1

William and Dorothy Wordsworth lived a life of distress and was in needy circumstances. This paper demonstrates their identification of themselves as destitute and its evidence in their writings. Before their problem with Lord Lowther was settled, they considered themselves as eking out a scanty livelihood for some years. Their material circumstances before 1802 led them to consider their life as unpredictable and unreliable. William’s description of pitiful characters such as a shepherd and a pedlar was based upon the models he and Dorothy had been acquainted with in their surrounding environment. As their portrayals of the destitute in their writings show, the social circumstances during Wordsworth's lifetime seemed to be in a gruesome scene all over England. The scanty seemed to be on all sides. As shown in the works of William and Dorothy Wordsworth, indigence led into the disruption of a shepherd's family. The contemporary institutions didn't categorize the destitute who need others' help in a miserable situation as poor if anyone possessed a landed property. Their standard of judgment of poverty was totally based upon the land ownership. Because William, Dorothy and the shepherd they described in their writings owned a property, they could not benefit from any institutions. They could not be defined as destitute. William also noted that the spiritual poverty of the contemporary society didn't elicit any public comment. He was willing to indicate that something different from the contemporary standard for judgment of destitution should be seriously requested and prepared for better treatment of the poor whom he identifies himself as.

Prornethean Trace in the Pursuit of the Self-Actualization

황병훈 계명대학교 인문과학연구소 2009 동서인문학 Vol.0 No.42

This study investigates the Promethean characteristics demonstrated in Manfred and Frankenstein. It aims to verify the Promethean trace through the characters who show abnormally solipsistic beginnings , but are destined to their tragic victory. In the era of the prevalence of excessive egoistic traits, the representation of Prometheus implicates an individual's powerful assertion of humanistic values. The protagonists of Manfred and Frankenstein have similar features with their intensified pursuit for lofty aspirations and their consequent downfall. In their pursuit process , Manfred , Victor and the Monster show lack of contact with community. As a result, they become a wanderer or an outcast; however, they do not feel any regret at all for their rebellious pride. They are figures to represent the prototypes of the Romantic rebel as well as the Romantic outcast.