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      • 17세기에 나타난 화성 어법

        하지양 新음악학회 2003 新음악논집 Vol.3 No.-

        The purpose of this study is to investigate the use of harmonic technique in seventeenth century, before J. S. Bach. That modern tonal harmony began about 1600 in Monteverdi's madrigal 〈Cruda amarilli〉 as the beginning of the modern era in music. the standard account of this as the replacement of a contrapuntal 'horizontal' style by a harmonic 'vertical' way of writing, however, is unsatisfactory. Tonal composition using chord, as it gradually evolved during seventeenth century, can be distinguished from modal composition using intervals, first by its conception of the chord as a primary, indivisible unit, second by its referral of every chords to a single tonal centre, and third by its segregation of intervallic dissonances into the categories of dissonant chords and notes foreign to the harmony. The integration of all chords, and not merely some of them, in a tonal context related to a single centre was a new principle in the seventeenth century. Those theorists who in the seventeenth century formulated the principle of chordal inversion and root did not indeed concern themselves with figured-bass but rather with the technique cf Lassus; and Rameau's decisive establishment of the concept of inversion is more a symptom of the end of the figured-bass era than one of its typical manifestations. The relationship of contrappunto moderno to a tonal harmony was similarly complex in the seventeenth century.

      • 프레스코발디의 토카타에 관한 연구

        하지양 新음악학회 2001 新음악논집 Vol.1 No.-

        It is late 16the century that instrumental music, which had been an subsidiary part of vocal music, became to develop as an independent field. Accordingly, various forms of instrumental pieces such as Toccata, Ricercare, Fantasia, Canzona, Dance Music, Prelude, Partita start to appear. Among these forms, toccata, which had begun in the Renaissance era, was led to the Baroque period and developed. It had its climax in Girolamo Frescobaldi(1583 - 1643)'s keyboard music pieces. According to the result of analyzing G. Frescobaldi's Toccata, there is a chromaticism in later period's melody rather than in early period. Also, compositional trends became to prevail from the coexistence of modality and tonality with diverse harmonies and imitative skills in a motive and development. Just as G. Palestrina's work is essential in counterpoint, the most important element of Baroque music, which was completed by J. S. Bach, G. Frescobaldi's Toccata greatly influenced J. S. Bach's instrumental music, Especially, a chromaticism that started to appear in G. Frescobaldi's work was later developed and completed by J. S. Bach.

      • 프레스코발디의 토카타에 관한 연구

        하지양 신음악학회 2001 新음악논집 Vol.2 No.-

        It is late 16the century that instrumental music, which had been an subsidiary part of vocal music, became to develop as an independent field. Accordingly, various forms of instrumental pieces such as Toccata, Ricercare, Fantasia, Canzona, Dance Music, Prelude, Partita start to appear. Among these forms, toccata, which had begun in the Renaissance era, was led to the Baroque period and developed. It had its climax in Girolamo Frescobaldi(1583 - 1643)'s keyboard music pieces. According to the result of analyzing G. Frescobaldi's Toccata, there is a chromaticism in later period's melody rather than in early period. Also, compositional trends became to prevail from the coexistence of modality and tonality with diverse harmonies and imitative skills in a motive and development. Just as G. Palestrina's work is essential in counterpoint, the most important element of Baroque music, which was completed by J. S. Bach, G. Frescobaldi's Toccata greatly influenced J. S. Bach's instrumental music, Especially, a chromaticism that started to appear in G. Frescobaldi's work was later developed and completed by J. S. Bach.

      • 안드로이드 스마트폰을 이용한 PC 가상 입출력 장치 개발

        이종하 ( Jong-ha Lee ),이준행 ( Jun-haeng Lee ),하지양 ( Ji-yang Ha ),이해연 ( Hae-yeoun Lee ) 한국정보처리학회 2013 한국정보처리학회 학술대회논문집 Vol.20 No.2

        최근 IT 기술의 발달로 인하여 스마트폰을 활용한 다양한 어플리케이션이 급속도로 증가하고 있다. 이는 스마트폰이 사용과 휴대가 편리하고 다양한 기능을 제공하기 때문이다. 본 논문은 다양한 입출력 기능이 있는 안드로이드 스마트폰으로 PC에서 널리 쓰이는 키보드, 마우스, 스피커, 마이크, 캠코더와 같은 입출력 장치로 이용할 수 있는 어플리케이션의 설계 및 개발에 대하여 제안한다. 특히, 안드로이드 스마트폰의 자원을 활용하기 위한 안드로이드 어플리케이션과 가상 입출력 장치의 제어를 위한 가상 장치 드라이버, 그리고 안드로이드 어플리케이션과 드라이버 간의 통신을 위한 PC 어플리케이션을 중심으로 기술한다.

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