『노걸대,박통사』류에 나타난 국어의 이음씨끝 변화 연구

장숙영 ( Suk Young Jang ) 한말연구학회 2006 한말연구 Vol.- No.19

<박통사> 언해류에 나타난 물음말 연구

장숙영 ( Suk Young Jang ) 겨레어문학회 2012 겨레어문학 Vol.48 No.-

이 연구는 <박통사> 언해류에 나타난 한어 물음말이 국어로 번역되는 양상을 밝히고, 이것을 바탕으로 물음말을 분류하는 것이 목적이다. 이 문헌자료는 한어 원문에 한어 음을 달아 놓고 각 구절을 국어로 번역한 책이다. 한 책에 한어와 국어가 같이 있으므로 두 나라의 물음말을 비교하여 연구할 수 있는 문헌 자료이다. 이 연구는 원대 한어 물음말이 국어로 번역될 때 두 나라의 물음말이 어떠한 양상으로 번역되었는지를 밝히고, 그것을 바탕으로 국어 물음말을 묻는 내용과 대상에 따라 분류하였다. 번역 양상은 한어 물음말과 국어가 1:1로 대응되어 번역되는 유형과, 1:다(多)로 번역되는 유형으로 분류하여 목록을 만들었다. 이 목록으로 묻는 내용과 대상에 따라 물음말을 분류하였다. 그 분류는 ``사람 물음말``, ``공간 물음말``, 장소 물음말``, ``시간, 때 물음말``, ``수량, 정도 물음말``, ``이유, 방법, 상태 물음말``, ``사물 물음말``이다. This study aims to reveal translation patterns from Chinese wh-words into Middle Korean, which are found among all of the annotated books of Baktongsa, and then to classify wh-words found on them. Those documents have their original Chinese texts, Chinese pronunciations written in the Korean alphabet and their Korean translation. Due to this fact, we can find both of Korean and Chinese wh-words on the very ducuments. This study has revealed how Chinese wh-words were translated into Middle Korean, and also classified them based upon the patterns. According to the translation patterns we have studied, Chinese wh-words were translated as the ones with only one translation and the ones with more than one translation. Wh-words are classified based upon these patterns, and according to the contents and the target of question. The classifications include ``human wh-words,`` ``spacial wh-words,`` ``locative wh-words,`` ``temporal wh-words,`` ``quantity wh-words,`` ``reason, method & status wh-words`` and ``object wh-words``.

판소리 사설에 나타난 울음소리 연구 1 -심청가와 춘향가를 대상으로-

장숙영 ( Jang Suk-young ) 겨레어문학회 2017 겨레어문학 Vol.58 No.-

이 연구는 심청가와 춘향가 창본 사설에 나타난 사람과 동물 울음소리를 찾아 마당별, 창자별 목록을 만들고 특징을 살펴보았다. 중심 내용은 다음과 같다. 첫째, 심청가, 춘향가의 창본 사설에서 사람과 동물의 울음소리를 모두 찾아 마당별, 창자별로 목록을 만들었다. 사람의 울음소리는 현대 국어와 크게 다르지 않다. 동물의 울음소리는 우는 소리가 다양한 여러 종류의 `새` 울음소리가 다양하게 나타난다. 둘째, 음운과 형태의 특징을 살펴보았다. 음운 면에서는 음운 교체와 단모음화 현상과 ㅅ계 합용병서가 된소리로 바뀌는 현상이 나타난다. 형태면에서는 음절 반복 현상이 나타난다. 셋째, 창자들이 표현한 사람과 동물의 울음소리에 나타난 특징을 살펴보았다. 사람과 동물의 울음소리는 마당에 따라 전수 받은 `소리제`와 `심청가와 춘향가`의 내용이 다른 데에도 울음소리는 비슷하게 나타나는 것을 알 수 있었다. 또한 실제와는 종류가 다른 `새` 울음소리인데도 그대로 전승되는 것을 알 수 있었다. 학과 두루미는 같은 `새`인데도 `학두루미`로 표현하였고 두루미, 비둘기, 기러기는 다른 종류의 새인데 같은 울음소리인 `뚜루루 낄룩`으로 표현하였다. 이는 스승의 `소리`를 이어받은 명창들이 `새`의 정확한 분류를 하지도 않았고 바로잡아서 부른다는 생각도 하지 않고 이어지는 것을 알 수 있다. This study created the lists of respective episodes and singers after finding the sounds of crying that appeared in `Shimcheongga` and `Chunhyangga` Pansori narration and examined their characteristics. The following are the main contents. First, the lists of respective episodes and singers were made after finding all the sounds of crying by humans and animals in the narration of Shimcheongga and Chunhyangga. The sounds of human crying is not very different from the contemporary Korean. When it comes to the sounds of animal crying, various types of crying of `birds` appear. Second, the characteristics of phonemes and forms have been examined. The aspects of phonemes are mainly divided into prior to monophthongization and after monophthongization. When it comes to the aspects of forms, the Arae-a marks and the marks of `ㅅ` consonant clusters appear. Then, the Arae-a marks disappear and the consonant clusters are tensified. Third, the persons described by the singers and the characteristics of the animal sounds of crying have been examined. In the case of the sounds of crying of `birds`, the sounds of crying by different birds were actually being transmitted as equal sounds. This has taken place since the singers who had inherited the `sounds` of their teachers did not accurately classify `birds` and the singers had not thought about singing correctly. In addition, the master singers adding rhythmical sense by singing one longer syllable reflects the individuality and musicianship of the singers.

『노걸대』 언해류에 나타난 문장 구조 연구

장숙영 ( Suk Young Jang ) 한말연구학회 2011 한말연구 Vol.- No.28

This paper investigated how the sentence structure has transformed in Korean annotations of Nogeoldae Chinese Language Textbooks. The cause of these changes does originate neither from different periods nor the different translators. But it comes from contextual meaning and expression modes which are getting similar to the contemporary Korean with the transition of the late middle Korean to the modern Korean. The following is the summary of the detailed changes. 1) Changes in transition of simple sentence of the 16th century` to compound complex sentence in the 17th and 18th century: When the simple sentence structure changed into the complex sentence, the declarative ``-다`` is most frequently used in the closing ending; the restrictive mood ``-으니`` is most frequently used in the conjunctive ending. Although ``-으니`` among its various meanings was generally used for the continuing explanation in the sentence, it has different mood in the use of ``-으니`` in the contemporary Korean which used to mean the cause and the condition. When the simple sentence of conversation changes into the compound one which require a little more explanation, it would be effective to use ``-으니`` for its meaning of the continuing explanation. 2) Ganges in transition of the 16th century`s compound complex sentence to the 17th and 18th century`s simple sentence: The restrictive mood ``-으니`` is most frequently used in the conjunctive ending and the declarative ``-다`` in the closing ending. Since 16th-Nogeoldae is the reference material which mainly consists of simple conversation sentences, the transformation from the compound structure to the simple one cannot be much seen like the above 1. When the compound structure sentence with conjunctive endings does not make sense or look awkward from the perspective of the contemporary Korean, it changed into the simple sentence. With the transition from the late middle Korean to the modern Korean, expression and meaning are getting closer to the contemporary Korean through the transformation of sentence structure.

흥보가 사설에 나타난 의향씨끝 연구 -서술씨끝을 중심으로-

장숙영 ( Suk Young Jang ) 겨레어문학회 2013 겨레어문학 Vol.51 No.-

This study examined the aspects of finalendings which appeared in the chang texts of pansori narration. The finalending should be a part of a sentence which is formed with the subject-the predicate as the main elements of it. Pansori consists of chang (song) and aniri (recitation); it is possible to examine the finalendings of the chang as the chang is also formed of sentences. Four aspects of finalendings are shown in the narration of pansori Heungbuga. First, there are different types of finalendings, some are commonly used in the chang texts of the ten people while others are expressed differently by individual singers. This shows that the finalendings used in common in the pansori recitation is the ones used widely in general; the ones which are not used in common could be said to be the unique speech (grammar) or expression of individual singers. Second, there were linguistic changes within the change texts of Heungbuga. This was done in the form of morphological change since there was time difference about one hundred years depends on the chang texts. The combination of ‘-내다/내다’ and the prefinal ending ‘-ㅇㅂ/ㅅㅂ-’ changes to ‘-읍/습니다’ is shown in both of the first and second half of the chang texts of Heungbuga. Third, this study found that the feature of finalendings of dongpyonje(the eastside-je) singers. Finalendings such as ‘-올시다’, ‘-을라네’, ‘-을라요’ are used by dongpyonje(the eastside-je) singers. Fourth, A new finalending appeared. The finalending ‘-구료’ appeared 박녹주?박송희, 김소희, 박봉술 chang texts in the modern Korean, which didn``t appear in the early 20th century Korean.

판소리 사설에 나타난 의성의태어 연구 - < 흥보가 >를 중심으로-

장숙영 ( Suk-young Jang ) 겨레어문학회 2016 겨레어문학 Vol.56 No.-

이 연구는 판소리 다섯마당 가운데 흥보가 창본 사설에 나타난 의성어, 의태어, 의성의태어를 가려 뽑아 목록을 만들었다. 중심 되는 내용은 다음과 같다. 첫째, 흥보가를 부른 창자들의 사설에서 의성어, 의태어, 의성의태어를 모두 찾아 목록을 만들었다. 사람, 자연, 사물의 소리를 표현한 의성어는 현대 국어에서 사용하지 않는 말들이 있다. 각종 새의 울음소리 악기 소리가 다양하게 나오는데 대부분 현대 국어로 이어지지 않고 있다. 사물의 모습, 행동 등을 소리로 나타낸 의태어와 소리와 모양을 함께 나타내는 의성의태어도 현대 국어와 거의 같게 쓰였다. 둘째, 음운, 형태적인 특성을 살펴보았다. 음운의 면에서는 음운의 교체와 단모음화 현상, ㅅ계합용병서의 된소리로 바뀐 모습이 나타났다. 형태인 면에서는 음절이 반복되는 현상과 ‘-하다’가 결합되어 파생되는 모습이 나타난다. 셋째, 창자들의 특징을 살펴보았다. 스승의 사설을 그대로 전수받은 후대의 창자들은 스승에 따라서 표현을 다르게 하였는데 그 다름이 창자들의 개성이라 할 수 있다. This study came up with a list by extracting the onomatopoeic words, the mimetic words, and the symbolic words which appear in the Heungbuga play script telling out of five pansori madang. Firstly, this study made a list by finding all onomatopoeic words, mimetic words, and symbolics words in the tellings by singers who sang Heungbuga. Secondly, this study looked at phonemes and morphological characteristics. In the aspect of phonemes, phonological change, the phenomenon of monophthongization, and the forms of changing into the tensification of ``ㅅ`` double consonant appeared. In the aspect of morphology, the phenomenon of syllable repetition and the forms of combining ``to-V`` and deriving appeared. Thirdly, this study examined the characteristics of singers. The future generation singers who had inherited the tellings of their teachers had different styles of expressing them and these different styles are their individualities.

기능성 소화불량증의 허실진단에 대한 위전조의 유용성

유종민,임중화,한숙영,장선영,김현경,이준석,김진성,류봉하,류기원,윤상협,Ryu, Jong-Min,Lim, Jung-Hwa,Han, Sook-Young,Jang, Sun-Young,Kim, Hyun-Kyung,Lee, Joon-Suk,Kim, Jin-Sung,Ryu, Bong-Ha,Ryu, Ki-Won,Yoon, Sang-Hyub 대한한방내과학회 2004 大韓韓方內科學會誌 Vol.25 No.4

Background & Object : The aim of this study was to investigate the usefulness of electrogastrography on differential diagnosis of deficiency or excess Condition in patients with functional dyspepsia Methods : Selected symptoms for diagnosis of deficiency and excess in functional dyspepsia have been reviewed in some literatures, notably within Oriental medicine, Donguibogam and Gogeumdoseojipseong-uibujeolrok. This is what was investigated in this study. 93 patients (male 32, female 61) were divided into three groups; Non-pain group, Pre-treatment pain group (chief complain was abdominal pain at the first medical examination), and Mid-treatment pain group(they had no pain at the time of first medical examination, but showed abdominal pain within two weeks). 10 healthy people participated as normal controls. Gastric motility were recorded and analyzed using electrogastrography during fasting and postprandial period. In assessment, effectiveness was divided into validity, sensitivity and specificity. Results : Epigastric pain reflected the tendency for excess condition in comprehensive diagnosis, which was linked with postprandial arrhythmia in electrogastrography(p=0.001). Postprandial arrhythmia detected abdominal pain with a validity of 78.6%, a sensitivity of 79.2%, and a specificity of 78%(p<0.001). Conclusions : Results 1Tom Postprandial arrhythmia in electrogastrography support that the index of excess condition in the comprehensive diagnosis of symptoms is useful for patients with functional dyspepsia.

기혈수변증(氣血水辨證)에 의한 기능성 소화불량 환자의 변증유형 분석

임중화,유종민,장선영,김현경,이준석,윤상협,김진성,류봉하,류기원,한숙영,Lim, Jung-Hwa,Ryu, Jong-Min,Jang, Sung-Young,Kim, Hyun-Kyung,Lee, Joon-Suk,Yoon, Sang-Hyub,Kim, Jin-Sung,Ryu, Bong-Ha,Ryu, Ki-Won,Han, Sook-Young 대한한방내과학회 2004 大韓韓方內科學會誌 Vol.25 No.2

Background & Object : It is well known that functional dyspepsia is one of the most common diseases. While many dyspepsia patients have been helped with oriental medical therapy, there has not been a study based on the concepts of oriental medicine. The aim of this study was to perform a fundamental epidemiological survey and to analyse the symptom pattern of functional dyspepsia. Methods : 86 patients(27 males, 59 females) diagnosed with functional dyspepsia in Kyunghee Oriental Medical Center from May to December 2002 were involved in this investigation. The disease characteristics of functional dyspepsia(based on Rome criteria II) and the Qui Xue Shui diagnostic procedure were investigated by questionnaire and physical examination. The total score and composition ratio of each comprehensive diagnosis were calculated from the symptom score described in the questionnaire. Results : The total score from the Qui Xue Shui diagnostic procedure was found to be influenced by the number of functional dyspepsia symptoms(p=0.026) and the patient's own cognition of their current dyspeptic situation(p=0.006), in addition to digestive ability and general congnition(p=0.006), and was not associated with sex, duration of dyspeptic symptoms in one year, or the total illness period, In the composition ratio of the Qui Xue Shui diagnostic procedure, only Qui-yu(p=0.048) diagnosis was accurate regarding the number of symptoms in one year, total illness period, or the patients' own congnition of their current dyspeptic situation, But the value of the composition ratio among the total factors involved was most similar to that of sex. Conclusions : Thus, it is shown here that the total score of using the Qui Xue Shui diagnostic procedure is mainly dependent on dyspeptic symptoms and the patinets' own cognition of their current dyspeptic situation, and that regular symptom patterns in the Qui Xue Shui diagnostic procedure exist in dyspeptic patients.