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대조를 통한 조화 : 밀튼의 "L'Allegro"와 "Il Penseroso" 연구 A Reading of Milton's "L'Allegro" and "Il Penseroso"
임성균 청주대학교 인문과학연구소 1994 人文科學論集 Vol.13 No.-
The aesthetic beauty and power of the companion poems, "L'Allegro" and "Il Penserose," seem to be based upon the contrast in theme, mood, and imagery. The Thematic significance of each poem, Mirth and Melancholy or day and night, is contrasting. The predominant mood of "L'Allegro" is joyous and active while the other poem generally deals with somewhat pensive, yet rich pleasure. And if the former is full of pleasant sounds and dazzling colors, the latter shows abundant use of quietness and gloomy black/white images. When we further examine the poems, however, we will soon find that these various contrasting elements are carefully interwoven and juxtaposed in each poem, so that the two poems work as a whole to achieve a single vision. And this vision aims at an ultimate harmony in which the two opposing extremes are incorporated and transformed into a new unified form of joy and happiness. Thus, the paper will examine how the contrasting elements work in the two poems so as to achieve a harmonious unity, discussing the structure of the poems as well as the significances of some particular scenes.
컬리도어와 컬리파인: 선녀여왕 6권에 나타난 스펜서의 세계관
임성균 한국고전중세르네상스영문학회 2013 중세근세영문학 Vol.23 No.1
Edmund Spenser's The Faerie Queene, Book six deals, as we may clearly see in its subtitle "The Legend of S. Calidore or of Courtesie," with courtesy, a virtue generally manifested in how one properly reacts against others and particular circumstances. Courtesy may be defined as a display of one's good will and manners to others. When we passively take this virtue as a display, however, we may fail to understand the true meaning of Spenser's work, for the text forces us to accept the virtue of courtesy as an aggressive attitude towards the world. Courtesy, for Spenser, means a certain world view, with which a young Christian must fight against the evil, slanderous, and detractive forces in the world and crush them. This paper is to examine and analyse Spenser's courtesy and its limitations in the work through the actions of Calidore and Calipine, the two major knights of the work, so as to understand its possibilities in our own time. As both knights are endeavoring to accomplish courtesy in themselves and in the society they belong to, they do not see the fact that their real enemies are in their own minds and attitudes. Spenser tries to show that courtesy is an important virtue, which can transform the world into a better place to live. Yet the work as a whole does not seem to support that, to Spenser's disappointment, courtesy may prevail over the evils in his world, and ours as well.
효율적인 3DoF+ 비디오 부호화를 위한 작은 블록 제거를 통한 아틀라스 생성 기법
임성균,김현호,김재곤 한국방송∙미디어공학회 2020 방송공학회논문지 Vol.25 No.5
MPEG-I에서는 최대 6자유도(6DoF)를 가지는 몰입형(immersive) 비디오의 압축 표준화를 진행하고 있다. 360 비디오의 전방위 뷰(view)와 함께 움직임 시차(parallax)를 제공하는 3DoF+ 비디오는 고정된 위치에서 상체 움직임 정도의 제한된 공간에서 획득된 여러 뷰 비디오를 사용하여 임의의 원하는 시점의 뷰를 렌더링한다. MPEG-I 비쥬얼 그룹에서는 이러한 3DoF+ 비디오의 압축 표준화를 진행하고 있으며, 그 과정에서 TMIV(Test Model for Immersive Video)라는 시험모델을 개발하고 있다. TMIV에서는 다수의 입력 뷰 비디오들의 중복성을 제거하고 남은 텍스쳐 및 깊이 영상 패치(patch)들을 촘촘히 프레임으로 패킹한 아틀라스(Atlas)를 생성하고 이를 부호화한다. 본 논문은 보다 효율적인 3DoF+ 비디오 부호화를 위해서 작은 크기의 블록들을 제거하는 아틀라스 생성 기법을 제시한다. 제안기법은 TMIV 대비 자연영상과 그래픽 영상에서 각각 0.7%와 1.4%의 BD-rate 비트율 감소의 성능 개선을 보였다.
“이런 변덕스런 인생”: 에드먼드 스펜서의 <뮤터빌리티 칸토> 읽기
임성균 한국고전중세르네상스영문학회 2010 중세근세영문학 Vol.20 No.2
Edmund Spenser’s The Mutabilitie Cantos, published posthumously in 1609, deals with the conflict between Mutabilitie and Jove for the sovereignty over the universe, including the world and the heaven. However, the final resolution provided by Nature is that both parties mutable beings and immutable classical gods should follow Nature’s principles and that the change and permanence are, in fact, simply two different forms of one discipline, the discipline of Nature or of God,the absolute. Although the publisher tells that the work is a part of unfinished Book 7 of The Faerie Queene, it is not clear if the work was indeed intended as a part of larger “legend,” for the work seems consistent, unified, and complete in itself, without hinting the need for an errant knight trying to achieve his/her task given by the Faerie Queen. The main character, Mutabilitie is a personified Titan, claiming that everything is under her legitimate power. More questions, however,arise as we read this somewhat simple tale. What does she represent allegorically? Why does she challenge Jove? How is the Faunus episode related to the main plot of Mutabilitie's revolt against gods? Why do all the supernatural beings, including Jove, look up Nature as their supreme judge? Is there a hierarchy among the superhuman characters?What is Nature? How does what she reveals at the end of the work contribute to the meanings of the work? This paper is to look for possible answers to these questions and then to search for consistent meanings manifested in the work, so as to understand what the poet tries to tell his readers, as well as us, with his last part of The Faerie Queene.