일렉트로닉 댄스 뮤직(EDM)의 쾌락의 의미에 대한 문화연구적 해석: 손튼의 1980-90년대 영국 레이브 및 클럽 컬쳐 연구를 중심으로

이수완 ( Lee Suwan ) 한양대학교 음악연구소 2022 音樂論壇 Vol.48 No.-

Dance music existed in conflicting evaluations of prohibition and fascination. The history of suppression of dance music shows that dance music gives intense physical pleasure and fear and disgust to outsiders. EDM is a structure in which various textures’ acoustic fabrics are overlapped on a mechanical beat and sample for a long time, creating a sense of infinite mold or processing space, and strengthening immersion to dance. However, the fascination of EDM stems not only from music, but also from dance and mass gatherings of the youth (rave), and a drug called Ecstasy was completed. Rave was conducted in secret around the same age group and taste. Ecstasy was considered a pathological phenomenon (overuse and disorder), and was subject to legal sanctions. Thornton, who explored English club culture in the 1980s and 1990s, asked why clubs and raves were key in subculture and argued that: 1 . Transformation of musical authenticity: Dance music began to assign an object of authenticity, a concept of value in music criticism, to records that were considered a means of mass production by live music performers and performers. It was the use of records in dance clubs that accelerated this change. DJ was recognized as a musician who created the tension that reached the climax due to the mutual relationship of the dance group, the unique atmosphere, and the heightened energy of the crowd. 2. Pleasure of distinction: Clubs form a group culture in which not only generations and classes, but also subdivided musical taste, races, and sexuality are distinguished, and distinction strengthens pleasure. Clubbers define themselves as minorities distinct from mainstream, and confront the majority of the public and media. However, Thornton calls the dichotomy between mainstream and underground used by clubber to establish identity false and called it a “subcultural ideology”. Thornton argues that club groups are not naturally formed, but are formed in symbiotic relationships with various media. The goal of the subgroup is to gain pleasure through the practice of club culture. This is a step forward from the existing cultural research tradition that viewed subculture as an alternative activity with the characteristics of confrontation or resistance.

베르디의 초기 오페라 < 맥베스 >의 연구: 연극의 오페라 변용을 중심으로

이수완 ( Suwan Lee ) (사)음악사연구회 2015 음악사연구 Vol.4 No.-

Verdi`s opera Macbeth is the first piece of W. Shakespeare`s dramas which combines drama and music successfully. This article is an research of the opera Macbeth focusing on the process of adapting a theatric piece into an opera. Even though Macbeth is an absolute evil who cannot be forgiven for pursuing unfair political power, he arouses sympathy among the audience; representing the contradiction and agony that human being fatefully possesses. Verdi catched Macbeth and Mrs. Macbeth`s unique character, rapid development of events, and intense change of emotions from the Shakespearean drama Macbeth and then metamorphosed it to an opera. In this process, he had to face numerous musical difficulties while bringing characters into life. For solving these difficulties, he discarded many chapters and characters from the original. He categorized opera singers into voice ranges, and gave most of the arias to the Macbeth couple to show key dramatic moment of play. The rest of the characters were given other components of opera music. This musical idea was planned to magnify the dynamic and simplicity of the drama and emphasis characters` psychological description from the original vividly. In order to keep the dramatic nature of leading roles, Mr and Mrs. Macbeth, Verdi throw away opera`s practice such as practice of casting and Bel canto singing style. Opera singers were also asked to meet specific theatrical demands in making the opera. For the unrealistic parts of the original drama, he used harmonic rhythm to create fear in the air and he strengthened chorus to deepen the mystic mood. Opera Macbeth may be criticized and failed to gain popularity than his other masterpieces. However, it should be reviewed as one of Verdi`s valuable early day`s work for portraying dramatic truth within musical components and showing fruitful dramatic and musical unification.

아도르노와 대중음악

이수완(Suwan Lee) 낭만음악사 2006 낭만음악 Vol.18 No.3

이 글은 대중음악에 대한 비판론을 대표하는 T.아도르노 대중음악론을 간략히 소개하는 것을 목적으로 한다. 그의 대중음악론은 전체 음악미학 구도에서 제기되었다. 하지만 특별히 문화산업, 진지한 음악과 가벼운 음악, 음악사회학과 같은 주요한 개념은 대중음악에 대한 비판의 맥락과 의미 그리고 과제를 비교적 명료하게 보여준다. 한편 그의 대중음악비판의 내용을 이루고 있는 주요 개념들 즉 재료의 표준화와 사이비 개성화, 플러깅, 분산적 청취와 음악의 사회 심리적 기능, 청중의 반항은 대중음악의 내재적 특성들을 기초로 한 것으로, 그의 음악사회학의 비판적 특성을 잘 보여준다. 이러한 것들을 통해 그는 대중음악은 음악내적으로도 문화산업의 상품적 특성을 가지고 있으며, 이로 인해 청자들의 청취의 퇴행을 초래하고 비판의식을 마비시킴으로써 이데올로기에 가까운 기능을 담당한다고 비판한다. 문화연구 및 대중음악연구의 토대가 되어온 그의 이러한 비판적 주장은 이제 그 의미에 대한 적절한 평가를 요구하고 있다. This is the article which introduces Adorno’s theory of popular music, which stands for the critical and optimist view on popular music, focused on the contexts of his popular music aesthetics and his main concepts of popular music theory. To understand his view exactly, we have to know the context of his claim: the culture industry, the division of serious music and light music, the music sociological project. His ‘culture industry’ theory shows that all the cultural productions lost their critical and authentic qualities and ruled by the economical profit principle under monopoly capitalism. As one component of the culture industry, the popular music shares the same characteristics of that. The popular music is the product of musical modernity. In configuration of modern music, separation and confrontation between the serious music and the light music represents the condition of music as a whole. But, on the other hand, their mutual exclusiveness contains their independence. The popular music seems to be the repressed other of modernism. In order to inquire the popular music, Adorno linked the music sociological method to the musical aesthetics. Music sociological research on popular music depends on the key terms such as production, distribution and reception. But his research ultimately aims to reveal the ideological implication of the popular music. So his music sociology becomes the part of the theoretical critique on society. And his music sociology deals with the relationship between the music and society in relation to the musical materials such as musical form. On musical production of the popular music, he points that it is made according to the principle of the ‘standardization’- which means the stereotypical forms and schematic formulae of music- and the ‘pseudo-individualism’- which means distinctive features serving to give novelty to standardized things. The structure of popular music lacks relationship which construct the mutual totality of details and the whole. On musical reproduction of the popular music, he focuses especially on the distribution. The structure of the popular music requires a technique of its own for distribution and he calls it ‘plugging’. It leads listener to get accustomed to being musically ever-equal by the intra and extra musical means. Its ultimate aim is the marketing. On consumption of popular music, he deals with the form of listening, based on the recognition mechanism. The listening of serious music is characterized by an active and structural listening, and needs the concentration and absorption. But the form of listening relating to the popular music is the passive and regressive listening form. It is the culinary and atomic listening which response to the sensuous, partial aspect of music. This listening form corresponds to the two major socio-psychological types of mass behavior toward music such as the rhythmically obedient and emotional response type. It leads music to function as the social cement. In this respect, music functions as ideology: engendering a false consciousness. But he didn’t eliminate any possibility of resistance. Mass’s frenzy for a fashion contains within itself the possibility of fury. But he claims that despite its possibility, it is suppressed by a spite that is directed inward. In the history of the popular music studies, his theory has been the target of attack or critique. Despite of many problems of his theory, his view must be read in the context of history of popular music and modernism. And until now it has important meanings in many debates about popular music’s value which never ends.

상수관로 파손자료를 이용한 파손율 모형화 및 최적교체시기 산정

박수완(Park Suwan),이형석(Lee Hyeong seok) 대한토목학회 2008 대한토목학회 학술대회 Vol.2008 No.10

시뮬레이터 상에서 운전 부주의 추정을 위한 실시간 모니터링 시스템의 구현

박수완(Suwan Park),박윤숙(Yunsuk Park),이태영(Taeyoung Lee),손준우(Joonwoo Son) 한국자동차공학회 2010 한국자동차공학회 학술대회 및 전시회 Vol.2010 No.11

There has been recent interest in an integrated approach to driver safety which focuses on the overlapping and interacting area of the role of driver, vehicle and road environment in driving safety. These studies require various types of driving tests and analysis of driver’s behavior. They need to ensure safety in a research process and to monitor the driver state and surrounding environment by real-time synchronization. To solve these needs, this paper demonstrates an implementation of a real-time monitoring system for estimating driver distraction in a car simulator. Our system alleviates the problem of accidents that may occur in a experiment due to car simulator and enables to make the case for an integrated approach in driver safety due to the synchronized data collection. And it also makes more in-depth study possible for driving distraction by including a driving distraction causing module which generates a cognitive workload and a visual workload. This paper shows collected data when a participant drove and performed a secondary task of a cognitive and visual workload in our system. The results are fairly consistent with previous studies.

스마트 디바이스 기반 유지보수 관리자용 자동화 모델 구축에 관한 연구

박지환,정수완,이서준,송진우,권순욱,Park, Jihwan,Chung, Suwan,Lee, Seojoon,Song, Jinwoo,Kwon, Soonwook 한국건설관리학회 2021 한국건설관리학회 논문집 Vol.22 No.1

Based on the previous year's statistics, 37% of buildings in South Korea are aged over 30 years. As the number of the aging buildings increases, so does the need for maintenance. Building maintenance involves a significant number of works; the work of 'maintenance manager' accounting for the largest part. Currently, the maintenance history record is mostly in drawing or handwritten form which makes reviewing the data highly time consuming. Therefore, to improve the convenience of maintenance works and optimize historical data management, the existing maintenance process was analyzed. Problems were derived and a smart device-based automation model was established. In order to establish a smart device-based automation model, ① general flow of facility management process was analyzed and related articles were reviewed, ② current maintenance process was optimized, ③ functional block diagram of BIM Data, COBie Data, IoT, and AR-based automated maintenance management model was created, ④ a smart device-based automated maintenance management model was constructed, ⑤ finally, the above system was verified by testing the aforementioned model in the field site, evaluating the time required for the maintenance process and reviewing maintenance history data against the current one.

연비향상을 위한 실시간 운전 스타일 평가 알고리즘

이태영(Taeyoung Lee),박수완(Suwan Park),손준우(Joonwoo Son) 한국자동차공학회 2010 한국자동차공학회 학술대회 및 전시회 Vol.2010 No.11

High oil prices and a treaty on global climate change are driving are driving motor vehicle manufacturers and suppliers to improve vehicle fuel efficiency through sophisticated and expensive systems and components. However, if the most efficient vehicle would be used by an aggressive driver, it would have poor efficiency. Although it is known that driving style strongly affect the fuel efficiency, existing empirical knowledge about the relationship between driving style and fuel efficiency was limited. Furthermore, driving style is also influenced by other variables such as the driver parameters, road environment parameters, and vehicle parameters. Therefore, in order to assess fuel efficiency, a platform which can capture all driving events in synchronized manner is required. This paper describes real-time monitoring systems for recording driving style, vehicle status and road environment. The monitoring systems consists of six video cameras (two for driver and four for road environment monitoring), high speed and low speed CAN logger, driver gaze tracking system, global position system (GPS), real-time fuel consumption measuring system, vehicle gradient measuring system, image processing system for detecting lane position, and physiological signal measurement system. All of the data is synchronized by broadcasted master time. The recorded data will be used to assess driving style and fuel efficiency, and to develop Eco-Drive guidance systems based on driving style expectation.

ECG 기반의 운전자별 인지 부하 평가 방법 개발

홍원기(Wongi Hong),이원섭(Wonsup Lee),정기효(Kihyo Jung),이백희(Baekhee Lee),박장운(Jangwoon Park),박수완(Suwan Park),박윤숙(Yunsuk Park),손준우(Joonwoo Son),박세권(Seikwon Park),유희천(HeecheonYou) 대한산업공학회 2014 대한산업공학회지 Vol.40 No.3

High cognitive workload decreases a driver’s ability of judgement and response in traffic situation and could result in a traffic accident. Electrocardiography (ECG) has been used for evaluation of drivers’ cognitive workload; however, individual differences in ECG response corresponding to cognitive workload have not been fully considered. The present study developed an evaluation method of individual driver’s cognitive workload based on ECG data, and evaluated its usefulness through an experiment in a driving simulator. The evaluation method developed by the present study determined the optimal ECG evaluation condition for individual participant by analysis of area under the receiver operating characteristic curve (AUC) for various conditions (total number of conditions = 144) in terms of four aspects (ECG measure, window span, update rate, and workload level). AUC analysis on the various conditions showed that the optimal ECG evaluation condition for each participant was significantly different. In addition, the optimal ECG evaluation condition could accurately detect changes in cognitive workload for 47% of the total participants (n = 15). The evaluation method proposed in the present study can be utilized in the evaluation of individual driver’s cognitive workload for an intelligent vehicle.

운전자 부주의 사고 유관 신호 분석 및 머신러닝 활용한 사고 예측 모델 개발

구정모(Jungmo Koo),위경수(Kyoungsoo We),이혜연(Hyeyeon Lee),이수완(Suwan Lee),권우철(Woocheol Kwon),이태헌(Taeheon Lee) 한국자동차공학회 2024 한국자동차공학회 학술대회 및 전시회 Vol.2024 No.11

Vehicle accident is an important topic to research and develop the car. Today, there are many systems to preventing vehicle accidents, such as ESC(Electronic Stability Control), FCA(Forward Collision-Avoidance Assist), and RCCA(Rear Cross-Traffic Collision Warning) systems. However, there are few systems that informs the inherent risk of driver inattention; for example, dozing, drunken driver, and using phone while driving. In this paper, we try to find features related to driver inattention accidents. Furthermore, we aim to develop a machine-learning based accident prediction model using these signals. As a result, we found 6 signals related to accident, and develop the simple machine-learning model which can detect accident with 26.2% of probability.