출사(出仕) 전까지 석북(石北)의 삶과 시의 면모

申章燮(Shin Jang-Seop) 중앙어문학회 2009 語文論集 Vol.41 No.-

This Study was it considered about aspect of a poetic, and suspicious with a trajectory of life before going into government service Seokbuk Sin-gwangsu. He rose to a person who has only passed the first examination for office to the 39 years old that a middle age became, but was not able to go out to the relation that was a family of the NamIn which fell to a government official. You got from choice of I-jeongbo (李鼎輔) and ritual food got from a stick cold Yongung to 50 years old (1761)Eumgwan (蔭官) so that you were so, and sets removed abuse of party strife while enforcing TangpyeongChaek. Therefore, you have watched the poor life to poets of misfortune like fates until former days. Seokbuk did not have fundamentally a closed of thoughts by variety of consciousness world, but he was a Confucian scholar. As you are so, you look to what, specially, you look up a lot of temples in order to soothe indignation by restrictions of rising in the world originated from in own status or households, and associated with the monks in his 20-30 seasons. Also, he had a lot of the times that he left home, and often looked up the Jeolla-do provinces with one's wife's home and Seoul in order to solve basic poverty of a family from an early age. The center sent the life in the strange lands where life of conquest south return north and conquest north return south continued. The ardenting having exposed to affection about an itinerary of life away from home and a traveler's lonely feelings and families in of his the poetic. Sorrow to lose a wife met to especially middle aged age approached for pain most shocking in his life. Though death from disease, but do so that you discard chastity of the compassion that was not able to run a patriarch out doing you are poor by own inabilities poverty self-reproach not being things by chronic illness and a death of a wife feels at a funeral oration. As, besides, his the family was too poor, his three brothers all were not able to gather. As you were so, there could not but be a lot of contents you were gloomy, and to recite dark actuality that families should live separately because of the poverty in his poetic. In this way hardship and trouble to experience by a breakdown regarding both persons that got from during Joseon's postscript intellectuals were sorrow itself of a ruin illustrious official, and it was one in exposing to a hardship and a trouble and experiencing because of the home's poor and the economic conditions to be difficult, too contemporary social aspect.

「사금갑(射琴匣)」 설화의 영사악부(詠史樂府) 전승과 그 의미

신장섭 ( Shin Jang-seop ) 한국어문교육연구회 2008 어문연구 Vol.36 No.2

This study is to research the transmission and meaning of the narrative of SaGeumGap which was showed on YoungSa-Yuefu. The materials of its narrative were used in SamGukYuSa by five writers, JeomPhilJae, SeongHo, HyuOng, MyungEun, NakHaSaeng. Pil-ho Jeom used relatively short eight pharases in his poem titled “Dalho”. In its poem, he repeated the tittle so often that he surpassed the poetic mood. And then he focused on less description of historical facts but on more writer's lyrical empathy. Using the writer's empathy he showed the crow's godlikeness which saved unified Sila from the a part of corruption. Otherwise SeongHo tried to show poetic variety and presented events and happenings in detailed. He insisted that not a crow but a ghost helped his dynasty, Shila. He didn't express his opinion clearly about Chun(Heaven) and Shin(God). He excluded, if possible, mythical materials but he mentioned Gwi(God) a lot in his writings. His writing of the narrative, SaGeumGap was cleary distinguished from other writings which supported the dynasty with the power of new religion, Buddhism and the opposition's antagonism. He described the antagonism between them. HyuOng wrote his work on the basic of a narrative but he used more poetic sentiment and less description of historical facts. The creative intention of YoungSaAkBu focused on not historical description but lyrical ego-importances. He criticized over-Buddha worship and found out the cause of the fall of the country on it. MyungEun used ordinary terms and transmitted the fact without flowery languages. In the narrative, SaGeumGap, he didn't show a historical contents but just narrative factor so his writing didn't keep literature transformation in comparison with other works but he criticized that the shamanism like OhGiYil was showed to support the power of royal. NakHaSaeng used the poetic terms like GeumBi, GeumBak and long and short phrases. He expanded the danger coming to a royal family and raised up the level of poetical tension. But in his writing god-likeness was not able to find out. He also had a negative view about god. He only had critical consciousness about Buddhism but it was not strong like HyuOng and MyungEun.

「관서악부(關西樂府)」를 통해 본 석북(石北)의 역사인식 고찰

신장섭 ( Shin Jang-seop ) 한국어문교육연구회 2006 어문연구 Vol.34 No.3

In this thesis I have tried to examine an aspect of his historical recognition through a parts of the Seokbuk`s Gwanseoyuhefu 108 poetry which treated the person who is historical of the origin, from the begn-ning Joseon to Japanese invasion of Imjinwaeran. Seokbuk was adhering basically to a culture consciousness of respect me heightening of Myeong reject to Cheong, while being opposed to thought and consciousness tread in china culture. He is to have considered absolutely value an al-legiance about the person who is faithful to a admonition through the last times a place of historical interest and a Confucianism ideology while being having the ethnic consciousness that regarded our race, our history as important. Worked hard through cherish the memory of a de- ceased and recollection about them while being so in order to present conformity on desirable man. Also, let you influence the audience through tenderness and sincere of poetic`s spirits and criticized social contradiction or political gains and losses, and were the persons who endeavored in order established nor- mative consciousness, and to catch just society evil practices. These points are revealed well on the Gwanseoyuhefu a book on strategy that Gwanseoyuhefu were proud an evasive answer like a purity immutable law of Buddha. Thus, Seokbuk was showing own historical view to fus-ing properly narrative element, at Chinese poetry when a lyric achieved the mainstream in literary. This work of Seokbuk can confirm ins partially succeeding to a tra-dition of Yeongsayuhefu, at having expressed a growth process of the ethnic self and pride, doing to a material history, remains, persons etc. However, above all, this work` is putting praise and censure conscious- ness which a good villain acts have exposed at a expire history and persons point at direction to admonish and reprimand future generation. And characteristics of Yeongsayuhefu are having at that kind of points.

‘포석정(鮑石亭)’ 관련 영사악부(詠史樂府)의 창작 의도와 시적 변모

신장섭 ( Shin Jang-seop ) 한국어문교육연구회 2017 어문연구 Vol.45 No.3

This article examines the creation and the poetic transformations of the works by comparing and analyzing the structure and characteristics of the literary works that illustruates Poseokjeong banquet, which was the cause of the death of King KyungAe and the destruction of Silla . Sung-ho denounced the purgatory banquet by using comparative metaphors and literary references, yet raised the seriousness of the situation through audiovisual effects. Yaksan emphasized that Silla was a country destined to collapse and that the prime ministers had to secure the boarders while meeting the rhymes using rhyming couplets and repetition. Wonkyo repeats the poetic word, “Siyidohoe”, to maintain its format as a long novel. He also stresses his poetic concepth by repeating the first and last paragraph of his piece. Wonkyo's work is differentiated with other works in that he seeks for the revival of Silla dynasty, unlike other pieces in which derogates the state of the dynasty. Damchon title his work Poseokjeong to highlight the purgatory state of banquet and conciously reveal that Silla was destined to collapse through using Akbusije “Yeon”. Myeongeun titles his work “Bunhwaga” and stressed the importance Akbu through the use of “Ga”. He focuses on the death of royal servants and uses the idiom “Oksuwhojeonghwa” clearly depreciating the dynasty. Shinjae describes the collapse of King KyungAe who is indulged in pleausre, thorugh the use of autovisual poetic words. His work also displays rhythmic sense through rhymes in each phrase. Shinjae expresses his impressions observing Poseokjeong through appropriate exclamations. His work attracts its readers by compactly using the terms and idioms so that the readers could feel the empathy.

영사악부류 창작 동인과 작가의 세계관 - 왕조 교체기 선비의 절의를 중심으로 -

신장섭(Jang Seop Shin) 연민학회 1994 연민학지 Vol.2 No.-

N/A

「 강남악부 」에 나타난 사회 풍습 고찰

신장섭(Jang Seop Shin) 연민학회 1995 연민학지 Vol.3 No.-

N/A

영사악부(詠史樂府)에 투영된 륜리의식(倫理意識)의 표현 양상

신장섭 ( Shin Jang-seop ) 한국어문교육연구회 2003 어문연구 Vol.31 No.4

This paper aims to investigate the attitude and behavior of Kim Hoojik, Seong Choong, Mul Gaeja, Eul Phasoo, Gil Jae and six dead loyal subjects, in the viewpoint of the confucian ethics-loyal remonstrance, unchangeable loyalty to one King, becoming a government official and retiring from the position. First, Lee Ik, Im Changtaek and Nam Keukgwan treating Kim Hoojik and Seong Choong show that a subject must not hesitate to give a direct advice to a King and must work for a great cause but they do not give attention to human conflict and agony behind the great cause. Next, Lee Ik and Kim Soomin treating Gil Jae and six dead loyal subjects accept the behavior of Gil Jae who retired from a public office according to the confucian cause that a subject must give his loyalty to only one King. Last, Lee Ik, Nam Keukgwan and Kim Soomin treating Eul Phasoo and Mul Gaeja show that when a confucian learned man becomes a government official, he has to help a King right and guide people into the right way, but when he retires from a public duty, he has to train himself for good deeds.

세시기속시(歲時紀俗詩)를 통한 조선 후기 세시풍속(歲時風俗)의 의미와 양상

신장섭 ( Jang Seop Shin ) 한국비교문학회 2008 비교문학 Vol.46 No.-

한중(韓中) 고전산문(古典散文)의 분류(分類)와 서사문학(敍事文學)의 확장(擴張)에 대한 일고찰(一考察)

신장섭 ( Jang Seop Shin ) 한국비교문학회 2007 비교문학 Vol.43 No.-

「箕東樂府」의 修辭技法과 美的 특질

신장섭(Shin, Jang-seop) 우리문학회 2017 우리文學硏究 Vol.0 No.53

이 글은 明隱의 「箕東樂府」에 사용된 修辭의 技法과 美的 특질을 분석한 것이다. 연구방법으로는 작가가 의미의 轉移를 위해 사용한 比喩의 내용들과, 작품의 주제를 극대화하기 위해 사용한 강조의 형식들을 중점적으로 살펴보았다. 작가가 의미의 轉移를 위해 사용한 比喩들은 洪範九疇의 ‘一疇’, 隋煬과 陳后가 벌인 ‘토목공사’, 중국 역사상 최초로 易姓革命을 일으켜 세웠던 ‘殷의 멸망’, 남성의 굴하지 않는 기상과 엄격하고 바른 품성, 외모의 훌륭하고 우아함, 그리고 여인의 아름다운 용모와 절개를 나타내기 위한 ‘玉’, 추강 위에 핀 ‘연꽃’ 등이었으며, 이러한 비유가 잘 드러나는 작품들로는 <湛樂歌> · <道琳謠> · <三別抄> · <石灘歌> · <都彌妻> · <金閼智> · <八關會> 등이 있다. 한편 주제를 극대화하고 강조하기 위해서 작가는 악부시에서 일반적으로 사용하지 않는 ‘同語의 반복’과 ‘對句’, ‘奈何乎’와 ‘胡’ 등을 시어로 구사하였으며, 이러한 시어를 통해 형식의 다양한 변화를 보인 작품들로는 <繁華歌> · <諫獵謠> · <梅月堂> · <政堂曲> 등이 있다. 그러나 몇몇의 작품들에서는 비유와 강조의 수사를 혼용하여 주제의식을 더욱 강하게 드러내기도 하였다. 또한 명은의 수사적 태도는 대체로 典據를 끌어오거나 악부시에서 관습적으로 쓰이는 ‘君不見’을 적절히 수용하여 詩想의 전환을 꾀하고 있다. 그러면서 한편으로는 동어반복과 수미상관적 구성 그리고 문답과 대구의 구성을 통해 자신의 의논을 강조하거나 종결짓는 특징을 보이고 있다. 따라서 역사적 사실을 왜곡됨이 없이 충실히 전승함과 동시에 작품의 미적 요소들을 잘 담아내야하는 악부시의 특성들을 명은은 잘 표현해 낸 작가라 할 수 있다. 이러한 논의를 통해 명은의 「기동악부」라는 작품에 대한 주제의식과 그동안 논의가 미흡했던 수사를 통한 작품의 미적 특질들이 어느 정도 밝혀졌으리라 생각한다. This paper analyzes rhetorical expression and characteristics in Myeongeun’s Kidongakbu. The research focuses on in which the author maximizes and highlights the themes through metaphoric contents and structural transition. The works that expose the use of metaphor in conveying meaning “Works demonstrating structural transition as a tool to maximize and emphasize thematic content include “Bunhwaga,” “Ganryepyo,” “Maewoeldang,” and “Jeongdanggok.” In addition, Myeongeun’s rhetorical attitude generally seeks to convert poetic content by accepting “Gunbulgyeon,” which is traditionally used in Akbusi, or by parodying a source. On the other hand, the poems can also be characterized by a strong emphasis on using, rhyming couplets, and. The discussion up to this point will thus identify the thematic consciousness and the format characteristic of Myeongeun’s Kidongakbu.