Helicobacter pylori 양성인 소화성 궤양 및 위염 환자에서 Pantoprazole 포함 삼제요법의 임상효과와 내약성에 대한 연구

송호진,이강문,최규용,정인식,이인석,정규원,선희식,박두호,한석원,이동수,김성수,김상우,양영상 대한소화기학회 2000 대한소화기학회지 Vol.36 No.2

Background/Aims: The present study was designed to investigate the efficacy and tolerability of a one-week triple therapy consisted of pantoprazole, clarithromycin and amoxicillin for cure of Helicobacter pylori (H. pylori) infection in patients with peptic ulcer and gastritis. Methods: Forty-two patients with peptic ulcer or gastritis who were H. pylori-positive received one-week triple therapy consisted of pantoprazole 40 mg, clarithromycin 500 mg, and amoxicillin 1 g (twice daily). H. pylori infection was assessed by rapid urease test and histology at the start and 4 weeks after the completion of treatment. Results: H. pylori was not detected in 31 out of 35 patients who completed the trial according to the protocol and in 31 of 42 patients involved in this study. Four weeks after the completion of treatment, 14 of 16 patients with peptic ulcer was cured (87.5%). Twenty-one (50%) patients reported adverse events which were mostly mild to moderate. Conclusions: One-week treatment of pantoprazole-based triple therapy is well tolerated and effective in eradication of H. pylori.

韓國 觀賞 植物의 開花期 硏究

宋鎬珍 圓光大學校大學院 1980 學位論叢 Vol.4 No.-

According to the investigation on the flowering period of the ornamental plants, 781 speices by Lee (which consist of 556 of woody plants and 225 of herbaceous plants), by Chung, Lee, and Lee, the results were summarized as follows; 1. Flowering Period of the Woody Plants 1) May. : 299 sp. (53.8%) 2) Jun. : 174 sp. (31.3%) 3) Apr. : 169 sp. (30.4%) 4) Jul. : 82 sp. (14.7%) 5) Aug. : 40 sp. (7.2%) 6) Mar. : 33 sp. (5.9%) 7) Sep. : 15 sp. (2.7%) 8) Feb. : 10 sp. (1.8%) 9) Oct. : 9 sp. (1.6%) 10) Nov. : 6 sp. (1.1%) 11) Dec. : 1 sp. (0.2%) 12) Jan. : 0 2. Flowering Period of the Herbaceous Plants 1) Jul. : 129 sp. (57.3%) 2) Aug. : 110 sp. (48.9%) 3) Jun. : 102 sp. (45.3%) 4) May. : 70 sp. (31.1%) 5) Sep. : 54 sp. (24.0%) 6) Apr. : 24 sp. (10.7%) 7) Oct. : 22 sp. (9.8%) 8) Nov. : 8 sp. (3.6%) 9) Mar. : 3 sp. (1.3%) 10) Dec. : 1 sp. (0.4%) 11) Jan. : 0 12) Feb. : 0 3. It is known that any plant does not bloom in January. 4. Flowering Period of the Ornamental Plants(total) 1) May. : 369 sp. (47.2%) 2) Jun. : 276 sp. (35.3%) 3) Jul. : 211 sp. (26.9%) 4) Apr. : 193 sp. (24.7%) 5) Aug. : 150 sp. (19.2%) 6) Sep. : 69 sp. (8.8%) 7) Mar. : 36 sp. (4.6%) 8) Oct. : 31 sp. (4.0%) 9) Nov. : 14 sp. (1. 8%) 10) Feb. : 10 sp. (1.3%) 11) Dec. : 2 sp. (0.3%) 12) Jan. : 0 李^(16))의 韓國의 觀賞植物 781種(木本 ; 556種, 草本 ; 225種)에 對한 開花期를 鄭^(1)) 李^(ll)), 李^(12-15))等에서 調査한 바, 그 結果는 다음과 같다. 1. 木本의 開花胡 1). 5月 ; 299種(53.8%) 2). 6月 ; 174種(31.3%) 3). 4月 ; 169種(30.4%) 4). 7月 ; 82種(14.7%) 5). 8月 ; 40種(7.2%) 6). 3月 ; 33種(5.9%) 7), 9月 ; 15種(2.7%) 8). 2月 ; 10種(1.8%) 9). 10月 ; 9種(1.6%) 10). 11月 ; 6種(1.1%) 11). 12月 1種(0.2%) 12). 1月 ; 0 2. 草本의 開花其 1). 7月 ; 129種(57.3%) 2). 8月 ; 110種(48.9%) 3). 6月 ; 102種(45.3%) 4). 5月 ; 70種(31.1%) 5). 9月 ; 54種 (24.0%) 6). 4月 ; 24種(10.7%) 7). 10月 ; 22種 (9.8%) 8). 11月 ; 8種(3.6%) 9). 3月 ; 3種(1.3%) 10). 12月 ; 1種(0.4%) 11). 1月 ; 0 12). 2月 : 0 3. 1月에는 開花하는 樞物이 없다는 것을 알 수 있었다. 4. 觀賞樞物의 開花期 1). 5月 ; 369種(47.2%) 2). 6月 ; 276種(35.3%) 3). 7月 ; 211種(26.9%) 4). 4月 ; 193種(24.7%) 5). 8月 ; 150種(19.2%) 6). 9月 ; 69種(8.8%) 7). 3月 ; 36種(4.6%) 8). 10月 ; 31種(4.0%) 9). 11月 ; 14種(1.8%) 10). 2月 ; 10種(1.3%) 11). 12月 ; 2種(0.3%) 12). 1月 ; 0

‘취업사기’라는 어떤 푸념에 관하여

송호진 관훈클럽 2020 관훈저널 Vol.- No.156

현대 예술 작품에서 나타나는 패러디와 패스티쉬에 관한 연구

송호진,정의태 한국융합학회 2015 한국융합학회논문지 Vol.6 No.6

우리는 사회적으로 권위 있게 여겨져 왔거나 숭배의 대상이 되어왔던 작품들이나 너무나 쉽게 접하면서 세뇌되는 대중문화 속 이미지들을 우리는 무비판적으로 받아들이고 있는 현실을 깨닫게 하려는 작가의 의도를 읽을 수 있어야 한다. 패러디, 패스티쉬는 회화, 시각예술에 있어서 대중의 다양한 문화적 콘텐츠의 요구를 해결하기 위한 표현수단으로서 각광받고 있으며, 광고에 있어서는 내용은 익숙하되 표현에서 새롭게 보여 지기 때문에 보다 적극적으로 받아들여 질 수 있을 것이다. 과거의 이미지를 사용하여 모더니즘 미술이 단절시켰던 역사성을 회복하였고, 대중문화 속에 유통되는 이미지를 이용함으로 예술과 삶을 결합할 수 있다. 또한 패러디와 패스티쉬는 과거문화와 현재의 문화를 모두 활성화시키는 역할을 하며, 다원성을 지향하는 사회적 요구에 적절하다. 패러디와 패스티시는 기본의 것에 담겨지는 사고의 변화를 새로움의 일환으로 제시함으로써 하나의 이미지가 기존의 한계를 벗고 새롭게 거듭날 수 있는 가능성을 보여준다. 그러므로, 기존 작품들을 이루는 기준을 깨고 새로움에 대한 의미를 확장 수많은 복제물들과 작품 가치를 가늠할 수 있는 명확한 기준이 없는 이 시대의 미술이 당면한 현실에 대해 하나의 대안으로써 기능한다고 하겠다. They insist that there is no more new stuff in modern art to change every circumstance rapidly. According to this situation, they recreate the works which are made with the existed idea or materials, and also transform creative concept which cites the existing functions with modern meaning. Furthermore they can look into any data everywhere from their daily routine using the internet. And thismust become one of the general forms which they imitate others` works which are referred or chosen in modern art. These social complextion is called a parody and pastich is technique of the Post Modernism which is the existence of past. Using the new construction, the parody and pastich which can accomplish some better value and bring other meanings makes original recreation with the concept of copying and repeating. It keeps changing and is shaping up to be different aspect so far. Every field has a little different term using its own expression but it keeps empathizing each other a same essential meaning. Although it is like universal mode of expression, It is fact that the public cannot distinguish what is creation, imitation, or piracy. This thesis shows the concept of it and files for terms which is using like that. At last it selects some artist who worked with parody and pastich analyses and compares them and their works.

동시 전광 주파수 상향 변환을 이용한 WDM RoF 시스템

송호진,이정선,송종인 한국통신학회 2004 한국통신학회 기타 간행물 Vol.2004 No.11

위선종과 조기위암에서 투명캡을 이용한 흡인점막절제술의 임상적 유용성 평가

송호진,김상우,왕준호,성용직,김진일,방춘상,양영상,박수헌,최명규,한석원,정인식,박두호,최규용 대한내과학회 1999 대한내과학회 추계학술대회 Vol.57 No.-

성인 골격성 III급 부정교합 환자에서 하악 전치열 후방이동 절충치료의 안정성

송호진,유형석,Song, Ho Jin,Yu, Hyung Seog 대한치과의사협회 2019 대한치과의사협회지 Vol.57 No.6

Skeletal Class III malocclusion is a relatively common form of malocclusion in Korea. In borderline cases where only mild skeletal discrepancy exists and if worsening of the facial profile is expected as a result of premolar extraction, mandibular full arch distalization with miniscrews is the treatment of choice. The purpose of this study was to investigate the pattern of tooth movement and evaluate the stability of mandibular full arch distalization and to identify correlation between stability and factors such as initial skeletal pattern, dental changes during treatment and alveolar bone in symphysis region using lateral cephalograms.

디지털 이미지의 저작권 보호와 개선방안에 관한 연구

송호진,정의태 한국융합학회 2018 한국융합학회논문지 Vol.9 No.1

디지털 이미지의 저작권에서 저작권자는 본인의 창작물에 대한 저작권을 보호하고, 저작권법의 정확한 이해를 통한 개선 방안이 필요하며, 또한 저작권의 개념 정립을 기반으로 한 저작권자의 권리와 이용자들의 권한의 효율성을 향상시키는 방안을 연구하였다. 우선, 연구의 범위를 동일성 범위의 인정에 대한 사례와 디지털 이미지의 저작권법에 관한 판례를 중심으로 하여, 이용자의 용도에 적합한 이미지 저작권 분류체계를 기반으로 한 이미지 저작물의 등록 절차와 이미지 저작물의 활용 방안에 대해 제시하고자 한다. In copyright rights of the digital image, copyright holders need to protect copyrights and improve the improvement of copyright laws through accurate understanding of copyright laws, and also to improve the effectiveness of copyright rights of copyright holders and the effectiveness of users' rights. First of all, the scope of the study is based on the case of recognition of the scope of the identity of the same scope and the copyright on the copyright law of the digital image, and the application of the image of the image of the image-writing image and the use of image artifacts based on the image copyright classification system suitable for the user's application.

현대예술작품에서 이미지 차용의 저작권에 관한 연구 - 서울지하철 6·7호선 장식벽화, 공근혜 갤러리와 대한항공의 사례를 중심으로

송호진,정의태 현대사진영상학회 2014 현대사진영상학회논문집 Vol.17 No.2

At the moment, advances indigital and communication technology are speeding up incredible. Comparing the present focus and concern regarding the copyright in the various field of society with the past, we can observe the matters that it is making progress fiercely no less than advances in those thchnology. The art of Contemporary a trend, which directly borrows the form and pattern of pre-existing works and presents a reinterpretation on them. This soft of movement appears to reflect the artist`s attempt to get acquainted with the public, while giving up the modernism`s goal which tries to maintain the modern art as a belonging to the high society. In particular, the parody and pastiche denies the fixed value and thought and addresses a new value based on reinterpretation of the pre-existing forms. Appropriation is one of the widespread techniques in Contemporary art works, which is concerned with a long debate between originality and imitation. Whereas Modernism advocated originality, Postmodernism supported copy. The overall purpose of this dissertation is to suggest fair use exception for the use Contemporary artist in works of art is to strike a balance between the rights of the Contemporary artist and the interests of public in the vibrant and discursive forum.

비점오염원 취약지역 우선순위를 이용한 관리대상지역 선정방법

송호진,심규성,조윤철 大田大學校 産業技術硏究所 2017 산업기술연구소 論文集 Vol.28 No.2

The aim of this study was to establish an appropriate management plan thorough determination of management areas with prioritization of vulnerable areas by nonopoint source pollution in Daejeon metropolitan city. For that purpose, the discharge loads of nonpoint source pollution according to land use types were evaluated, and load duration curve was used to investigate the characteristics of pollution loading. Also, nonpoint pollution management region was identified by prioritizing vulnerable areas by nonpoint source pollution. Based on investigation of characteristics of nonpoint source pollution in Daejeon metropolitan city, suitable low impact development technologies are suggested for the control of nonpoint source pollution. The results of this study can be used as fundamental data for nonpoint source pollution management in Daejeon metropolitan city. 본 연구에서는 대전광역시를 대상으로 하여 비점오염에 취약지역을 선정하여 비점오염 적정관리방안을 모 색하고자 하였다. 이를 위해 토지이용별 비점오염원 배출량을 산출하였고, 부하지속곡선을 이용하여 오염부하 의 특성을 조사하였다. 또한 비점오염원 취약지역을 선정함으로서 비점오염원 관리지역을 파악하였다. 대전광 역시의 비점오염특성을 조사한 결과를 토대로 비점오염 저감을 위한 적정한 저양향개발(Low Impact Development, LID)기법을 제안하고자 한다. 이러한 연구결과는 대전광역시 비점오염관리를 위한 중요한 기초자 료로 활용될 것으로 기대된다.