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박성근 우리말글학회 2022 우리말 글 Vol.95 No.-
The purpose of this study is to see the main characteristic of Gi Hyeong-do’s poems as ‘floatation’ and examine how the compositions and messages are oriented toward ‘floatation’. Also, this author intends to develop the discussion in an inductive manner to derive general characteristics by analyzing Gi Hyeong-do’s poems internally as much as possible. First of all, grounded on Gi Hyeong-do’s ‘start memos’ or ‘writer’s messages’, this study has proven through work analysis that his poems embody the image of ‘floatation’ around the two axes of ‘distance’ and ‘weather’. The background of ‘streets (the city)’ and ‘weather (snow)’ is overlapped with the foreground of individuals who fail to settle in the world due to industrialization and urbanization, thus creating the effect of highlighting their ‘floatation’. In addition, the division of space, ‘sky-air-ground’, can be understood as a poetic strategy to reveal that they are located in the coordinates of alienation for not belonging to anywhere. Meanwhile, individuals found in Gi Hyeong-do’s poems are also projected in the forms of outsiders or intellectuals. Here, ‘the floatation of language’ found in individuals as intellectuals is characterized as ‘something unspeakable’, that is, ‘hesitation’, and this is revealed in the poems through ‘silence’ or ‘the tongue’ and ‘hands’. Consequently, ‘the floatation of language’ can be seen as the result of meta-reflection on the practice of such acts as ‘speaking’ and ‘writing’ in the face of the world’s negativity. Here, the composition of multilayered voices and the ambiguous identification of speakers are also another aspect in which the floating language gets concretized. In short, the mise-en-scénes of Gi Hyeong-do’s poems embody ‘floatation’, and those floating landscapes and languages function as a crucial strategy to construct his poetic messages. 본고는 기형도 시에 주된 특징을 ‘부유(浮遊)’로 보고 시의 구도와 전언이 어떻게 ‘부유’를 정향하고 있는지를 살펴보는 데 그 목적이 있다. 그리고 가급적 기형도 시의 내적 분석을 통해 그 일반적인 특징을 도출할 수 있는 귀납적인 방식으로 논의를 전개하고자 하였다. 우선 기형도의 ‘시작 메모’나 ‘작가의 말’ 등에 근거하여 기형도 시가 ‘거리’와 ‘날씨’의 두 축을 중심으로 ‘부유’의 이미지를 형상화하고 있음을 작품 분석을 통해 입증해보았다. ‘거리(도시)’와 ‘날씨(눈)’의 배경이 산업화와 도시화로 인해 세계에 안착하지 못한 개별자의 전경과 겹쳐짐으로써 이들의 ‘부유성’이 부각될 수 있는 효과를 낳는다. 또한 ‘하늘-공중-지상’이라는 공간의 분할은 이들이 어디에도 귀속되지 못하는 소외의 좌표에 위치해있음을 드러내는 시적 전략으로 이해될 수 있다. 한편 기형도 시의 개별자는 소외자이자 지식인의 모습으로 투영되어 있기도 하다. 이때 지식인으로서의 개별자에게서 발견되는 ‘언어의 부유’는 ‘말할 수 없는 것’, 즉 ‘망설임’으로서의 성격을 가지며 이는 시에서 ‘침묵’이나 ‘혀’와 ‘손’을 통해 드러난다. 결국 ‘언어의 부유’는 세계의 부정성에 직면하여 ‘말하기’와 ‘쓰기’ 행위의 실천에 대해 메타적으로 성찰한 결과로 볼 수 있다. 여기에 중층적인 목소리의 구성과 발화자의 모호한 식별성 또한 부유하는 언어가 구체화되는 또 다른 국면이라 할 수 있다. 요컨대 기형도 시의 미장센들은 ‘부유’를 형상화하고 있으며 이러한 부유의 풍경과 언어들은 그의 시적 전언을 구성하는 중요한 전략으로 기능한다고 할 수 있다.
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박성근 한국신석기학회 2018 한국신석기연구 Vol.- No.36
A Study of Stone Tools in Gosan-ri Site Park, Sungkeun (Curator, Busan Marine Natural History Museum) This article focused on concrete shape and period classification of stoneware found in Gosan-ri site, Jeju. First, synthesized shapes of stoneware and classified major types of stoneware by integrating references of stonewares found in Gosan-ri site. detailed types are arrowhead, point, grinding pestle, stone axe, these were re-sorted based on classification made in previous research. In next chapter, examined aspect of change by period based on classified stonewares. by comparing shape of stoneware found in remain considered as early element of Gosan-ri and other sites in same period in Jeju, attempted to synthesize shape of stonewares of the period. In remain considered as early element of Gosan-ri, found slight tendency rather than distinctive elements. hunting is identified mainly by arrowhead, most of them were worked partly or only both ends. production of the front minutely adjusted with delamination were hardly found. Grinding pestle made of native rocks, are in large size with thick cross section, rahter than small, mobile cooking. Examination with surrounding sites were conducted on the site of Gangjeong-dong, Samhwajigu site. Based on shape of stoneware analyzed by major stonewares, stonewares of Gosan-ri and Gangjeong-dong were identified mostly Gosan-ri style stonware (7,600~6,00calBC), small stone axe(type Ⅱ), type Ⅲ grinding pestle were considered highly likely that the stoneware would continue after the Gosan-ri style stoneware. In the last chapter, briefly pointed out the nature of the hunter-gatherer occupied Gosanri-site and the site itself, based on Gosan-ri site’s stonewares. on the base of shape of stonware in Gosan-ri site, it is hard to recognize all remains reported mainly with pit. and it is highly likely judged that the hunter-gatherer occupied the Gosan-ri site had short-term habitation at least for a season, and after the end of habitation, they moved to another site and lived, carrying mobile stonewares.
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