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南基宅 中央醫學社 1941 中央醫學 Vol.10 No.6
Author was studied on the color of gingiva of 844 Korean, 185 Korean-white and 119 Korean-Negro hybrid children between the ages of 7 and 12 years. Lastly the comparison was carried out between these Korean hybrids and the Korean, the European. 1. The color of gingiva was mostly on the pink for Korean, - White hybrid and darkish pink for Negro-hybrid. 2. The color of gingiva of Negro-hybrid was intermediate between Korean and Negro. 3. None of the statistically difference about the color of gingiva has been found between both sexes.
남기택 한국비평문학회 2006 批評文學 Vol.- No.24
Fantastic Desire of Guwunmong This paper studies Kim manjung's and Choi Inhun's 「Guwunmong」 from the perspective of fantastic imagination. These novels are fantasy literatures reflective of social ideology and the ways they deal with desire vary depending on when they were written. While parody may not be so apparent in these novels if we see it only as a literary concept, they have one thing in common: repetition of fantastic narrative through dream motif. They have had significant ripple effects in literary history. It is important to remember that these texts served as opportunities to criticize suppressed reality of the time on one hand, and fill an ideological gap on the other hand. This very duality may be characteristic of fantasy literature. In its ending, Kim manjung's 「Gueunmong」 punishes evil and encourages good. It is understandable, considering he was an important figure in terms of power at the time. But the narrative of desire forms a complex structure of meaning comprising ideological fallacy, people's language, and feminine identity. The subject's desire in Choi Inhun's 「Guwunmong」 has to remain in symbolic order. Nevertheless, reality of unsatisfying nature is reproduced within fantasy, and the process reveals imperfect nature of the subject. The repetitive desire of the imperfect subject is the pattern of dream that gives a form to the conditions of being. This is also the context in which Kim manjung's 「Gueunmong」 is parodied. Furthermore, attention should be paid to extra-textual conditions of the novel, i.e. the context in which the meaning of the text goes beyond the dichotomy of the classic and the modern to become that of the present. It may be said that their desire, which has had influence on the present literary field as well, carries a meaning in the literary history which goes beyond the linguistic sense of the texts.
남기택 현대문학이론학회 2003 現代文學理論硏究 Vol.0 No.20
The purpose of this paper is to shed light on the ambivalence in Kim, Su-young' poems. Kim faced poetically his modern surroundings. Therefore, he can be referred to as problematic objects who shared converging and diverging points in looking into and understanding the problems of the modernity reflected in poetry. This thesis tries to apply the modernity in broad sense to his poetic works based on the efforts to examine modernity in various lights. Colonialism involves not only the direct territorial occupation of another country and the ruthless exloitation of its resources, but also the systemic imposition of the colonizer's culture. Hybridity is an inevitable consequence of colonialization. If postcolonialism can be defined as an effort to overcome the continuing influence of colonialism, hybridity is an important element the postcolonial project should handle. Ambivalence is also a characteristic of the postcolonial situation in which the former colonies work within the continuing influence of the former colonial power and at the same time contest it. Kim's poems tries to show how the colonized and resistance can undermine the colonial hierarchy based on the colonial power by using mimicry. Kim's view of poetry is characterized by mimetic attitude. The mimetic pose is a kind of appropriation. the strategy of appropriation can be called the spirit of postcolonial theory, and Kim's poems are the typical showcase of it. The good examples are poetic attributes as the spirit of the undetermined. In fact, Kim's works have taken this route in terms of spirit, action, and communication. The undetermined formality deriving from Kim's westernism is sometimes accompanied by the lack of aesthetic realms. Nonetheless, his spirit and works prove our colonial surroundings and the typical pattem of living in unreasonal modern times by performing effects.