발레리나의 드러난 신체와 은폐된 권력에 대한 고찰- 프랑스 낭만발레와 미국 신고전주의발레를 중심으로 -

나수진 한양대학교 우리춤연구소 2018 우리춤과 과학기술 Vol.14 No.4

Dances before ballet considered the form and meaning of dance as important, not on 'how' the dancing body should be. However, as the ballet began and developed, the perception of the body has changed and the body has been standardized accordingly. This study intends to discuss the new phenomenon of standardization of body in ballet by focusing on this and examine the nature of establishment. Therefore, romantic ballet from France in 19th century, which was the movement and development of ballet, and neoclassical ballet from the United States in 20th century were considered as the subject of analysis. The causes that affected the standardization of the body in this period were examined in political·economic perspective, educational perspective as the transmission of ballet, and cultural perspective with the viewpoint of choreographer and critic. In both cases, the new standard of ballerina's body has developed, but there are significant differences depending on the period and social atmosphere. In case of romantic ballet, the delicate and frail body and soft feminine beauty were emphasized in response to bourgeoisie's tastes, who were the ruling class at that time, while neoclassical ballet of the United States stressed long and straight body with fast and powerful image, symbolizing the development of capitalism in the 20th century. However, both ballets actively engaged in the physical standardization of ballerinas in order to accommodate the needs of enjoying class in terms of its education, planning and choreograph. In consequence, as dancing has transformed from the public art of tradition and festival into the new concept of art as exhibition and display, a new form of the dancer's body has emerged in accordance with the power and viewpoint of the class enjoying it. Ballet may have created a new perception and beauty of the dancer's body, but on the other hand, the body was excessively constrained according to the viewpoint and power, providing the new beginning of the modern dance.

포스트휴머니즘으로 바라본 디지털 무용과 몸

나수진 한양대학교 우리춤연구소 2024 예술과 과학기술 (Journal of Art and Technology) Vol.20 No.3

본 연구는 디지털 무용을 인간과 기술의 관점에서 접근하여 무용하는 몸과 이미지의 관계를 규명하고, 디지털 무용 속 몸과 비판적 포스트휴머니즘의 관계를 밝히는 데그 목적이 있다. 디지털 영상, 이미지, 사운드와 같은 디지털 기술이 무용과 접목하면서 디지털 무용은 기존의 무용과 확연한 차이를 나타내고 있다. 특히 디지털 이미지는의미 표현의 보조적 요소를 넘어 점차 중심적 요소로 확장되고 있으며, 무용수의 몸과함께 의미 표현의 한계를 극복하는 요인으로 작용하고 있다. 심지어 기술적 조작을 바탕으로 이미지가 무용하는 몸을 대체하는 상황에까지 이르렀다. 기술의 발전은 인간의 자리를 대체할 수 있다는 경계심을 유발하기도 하고 한편으론 무용예술의 한계를 해결해 줄 것이라는 낙관적 전망을 제시하기도 한다. 이러한 상황에서 플루서의 매체이론과 디지털 인간관인 ‘기획으로서의 인간’ 개념은 이미지와기술에 대한 부정적 혹은 낙관적 견해에 대한 새로운 관점을 제공하며, 새로운 휴머니즘을 지향하고 있다. 본 연구에서는 빌렘 플루서의 매체 이론에서 제시되는 ‘기획으로서의 인간’ 개념을 중심으로 무용하는 몸을 분석하고 인간과 기술의 관점에서 디지털무용에 접근하여 무용하는 몸과 이미지의 관계를 살펴보았다. 이를 통해 ‘디지털 무용’ 은 기술을 통해 무용예술의 한계를 극복하는 조건으로 본다는 점에서 기술 긍정주의이며, ‘기획으로서의 인간’은 무용하는 몸을 탈-신체, 탈-주체, 탈-중심화하면서 끊임없이 새로운 인간 개념을 지향하도록 만들고 있음을 밝혔다. 다만 ‘기획으로서의 인간’ 개념과 이에 상응하는 디지털 무용은 무용이라는 장르가 가진 다양한 가능성 중 기술에 의해 현실화된 하나의 유형일 뿐 그것이 절대적인 답은 아니라는 점을 다시금 확인하였다. This study approaches digital dance from the perspective of humans and technology, aiming to elucidate the relationship between the dancing body and images, and to clarify the relationship between the body in digital dance and critical post-humanism. As digital technologies such as digital video, images, and sound are integrated into dance, digital dance shows a distinct difference from traditional dance. In particular, digital images are expanding beyond being merely supplementary elements of expression to become central elements, acting alongside the dancer’s body to overcome the limitations of expressive meaning. It has even reached a point where, based on technical manipulation, images can replace the dancing body. The advancement of technology evokes both caution that it might replace the role of humans and optimism that it might resolve the limitations of dance art. In this context, Flusser’s media theory and the concept of the “human as a project” in digital humanism offer new perspectives on negative or optimistic views regarding images and technology, aiming towards a new humanism. This study analyzes the dancing body centered on the concept of the ‘human as a project’ proposed in Vilém Flusser’s media theory, and approaches digital dance from the perspective of humans and technology to examine the relationship between the dancing body and images. Through this, it was revealed that ‘digital dance’ is technological positivism in that it views technology as a condition for overcoming the limitations of dance art, and the ‘human as a project’ constantly aims towards new human concepts by de-bodying, de-subjectifying, and decentralizing the dancing body. However, it was reaffirmed that the concept of the ‘human as a project’ and the corresponding digital dance are just one type of realization among the various possibilities that the dance genre possesses through technology, and it is not an absolute answer

진해만에서 물리화학적 환경요인이 식물플랑크톤 색소 및 군집조성의 시공간적 변화에 미치는 영향

나수진,이지영,김정배,구준호,이가람,황현진 해양환경안전학회 2021 해양환경안전학회지 Vol.27 No.2

The aim of this study was to investigate the spatial and temporal distribution of phytoplankton biomass and community composition in Jinhae Bay on the southern coast of Korea. Phytoplankton pigment analysis was conducted using ultra performance liquid chromatography (UPLC) were conducted from April to December 2019 at seven stations. Temperature, salinity, and dissolved oxygen (DO) and inorganic nutrients (dissolved nitrogen, dissolved phosphorus, and orthosilicic acid) were measured to investigate the environmental factors associated with the structure of phytoplankton community. Phytoplankton biomass (Chl-a) was the highest in July (mean 15.4±4.3 µg/L) and the lowest in December (mean 3.5±0.6 µg/L). Fucoxanthin was the most abundant carotenoid and showed a similar variation pattern to Chl-a, peridinin, and Chl-b. Phytoplankton community composition analysis showed that diatoms were a predominant group with an average abundance of 70% whereas chlorophytes, cryptophytes, and dinoflagellates often appeared with lower averages. Further, the dominance of diatoms was closely correlated with water temperature and N:P ratio, which might be influenced by high temperatures in the summer and nutrient loading from the land. Additionally, freshwater and nutrient input by rainfall was estimated to be the most important environmental factor. Hence, the spatial and temporal variations in the composition of phytoplankton pigments and phytoplankton community were correlated with physicochemical and environmental parameters. 본 연구에서는 ultra performance liquid chromatography(UPLC)를 이용하여 진해만의 식물플랑크톤 생체량 및 군집구조의 시공간적 분포에 미치는 환경요인의 영향을 조사하였다. 이를 위해 2019년 4월에서 12월까지 총 5회에 걸쳐 7개 정점에 대한 식물플랑크톤 색소분석과 수온, 염분, 용존산소(DO), 영양염(DIN, DIP, Si(OH)4) 등의 환경요인 분석을 행하였다. 조사기간 중 식물플랑크톤의 생체량(Chl-a)은 7월(평균 15.4±4.3 µg/L)에 가장 높았고, 12월(평균 3.5±0.6 µg/L)에 가장 낮았다. 보조색소의 경우 fucoxanthin이 가장 많이 검출되었고 그 다음으로 peridinin, Chl-b 순으로 나타났으며, 이들의 월 변동은 Chl-a와 유사한 경향을 보였다. 식물플랑크톤 군집분석결과, 규조류가 평균 70%로 가장 우점하였으나, 일부 녹조류, 은편모조류, 와편모조류가 출현하기도 하였다. 우점종인 규조류는 특히 수온 및 N:P ratio와 밀접하게 연관되어 있어서 여름철 고온환경 및 육상으로부터의 영양염 유입에 민감하게 반응하는 것으로 추론되었다. 또한 식물플랑크톤 색소 및 종조성은 전반적으로 계절에 따른 물리화학적 환경요인의 변화 및 지형적 특성과 연관되어 있으며 강우로 인한 담수 및 영양염 공급에 큰 영향을 받는 것으로 추정되었다.

Non-invasive management in acute respiratory failure: HFNC and NIV

나수진 대한응급의학회 2020 대한응급의학회 학술대회초록집 Vol.2020 No.2

AI 시대의 무용 속 ‘몸’에 대한 현상학적 고찰

나수진,김연재 한국무용연구학회 2024 한국무용연구 Vol.42 No.2

연구목적: 본 연구는 AI 시대의 디지털 기술이 무용에 주는 새로운 가능성을 미학적 관점에서 분석하여 기술이 예술에 미치는 영향을 재해석하고 무용 예술의 방향성을고찰하고자 한다. 연구방법: 메를로-퐁티의 이론에서 제시된 ‘지각된 몸'(Le corpspropre)을 중심으로 무용수의 몸이 환경과 어떻게 상호작용하며 의미를 형성하는지탐구할 것이다. 또한 돈 아이디의 현상학적 기술 개념을 활용하여 기술이 인간 경험과 세계 인식을 어떻게 변형하고 재구성하는지 살펴볼 것이다. 무용수의 몸과 기술 간의 상호작용을 탐구함으로써 디지털 기술이 무용수와 관객에서 미친 영향을 분석하겠다. 연구결과: 몸과 기술의 관계를 <기술을 지배하는 몸>, <기술에 지배당한 몸>, <기술과 공존하는 몸>으로 유형화하였고 무용과 기술의 관계성이 나아가야 할 방향을 제시하였다. 첫째, 기술과 공존하는 몸이 되려면 몸을 둘러싼 시간성과 공간성에 대한 재정의가 필요하다. 둘째, 무용과 기술의 관계성에서 주체이자 대상인 서로 얽힘이 일어나려면 현실과 가상 사이 공간에 몸을 놓이게 해야 한다. 셋째, 기술은 가상 속 몸으로의 감각적 확장을 가능하게 한다. 결론: 무용과 기술의 통합으로 무용의 본질이 훼손될 수 있다는 우려도 존재하나 디지털 기술은 무용에 가능성을 확장시키는 수단이기도 하다. 무용과 기술의 관계성에 대한 논의처럼 변화하는 시대에 무용 예술이 나아갈 방향에 대한 고민은 지속되어야 할 것이다. Purpose: This study aims to reinterpret the impact of technology on art and examine the direction of dance art by analyzing the new possibilities of digital technology in the AI era from an aesthetic point of view. Methods: Centered on Merleau-Ponty's concept of the 'perceived body' (Le corps propre), this study will explore how a dancer's body interacts with its surroundings to form meaning. Additionally, Don Ihde's phenomenological concept of technology, the study will examine how technology, beyond being merely a tool, transforms and reconstructs human experience and perception of the world. Based on the exploration of the interaction between the dancer's body and technology, the study aims to analyze the impact of digital technology on both dancers and audiences. Result: By analyzing the relationship between the body and technology, this study categorizes the relationship into <The Body that Dominates Technology>, <The Body Dominated by Technology>, and <The Body Coexisting with Technology>, and suggests the future direction of the relationship between dance and technology. First, to become a body coexisting with technology, it is necessary to redefine the temporality and spatiality surrounding the body. Second, in order to entangle the subject and object in the relationship between dance and technology, it is necessary to place the body in the space between reality and virtuality. Third, technologyenables the sensory expansion of the body into the virtual. Conclusion: There are concerns that the integration of dance and technology may damage the essence of dance, but digital technology is also a means of expanding the possibility of dance.

Iliocaval Fistula Presenting with Paradoxical Pulmonary Embolism Combined with High-Output Heart Failure Successfully Treated by Endovascular Stent-Graft Repair: Case Report

나수진,고윤석,김태훈,박순철,신우승,천호종,이종민 대한의학회 2014 Journal of Korean medical science Vol.29 No.2

A 51-yr-old man presented exertional dyspnea as a consequence of iliocaval fistula combined with paradoxical pulmonary embolism and high-output heart failure. Endovascular stent-graft repair was performed to cover iliocaval fistula and restore the heart function. After the procedure, dyspnea was improved and procedure related complication was not seen. A 6-month follow-up computed tomography showed regression of pulmonary thromboembolism and well-positioned stent-graft without graft migration, aortacaval communication or endoleak. Stent graft implantation should be considered an alternative of open repair surgery for treament of abdominal arteriovenous fisula, especially in patient with high risk for surgery.

시뮬라르크로서의 현대 춤 디지털 이미지: 무라드 메르조키의 《Pixel, 2014》을 중심으로

나수진 한국무용교육학회 2018 한국무용교육학회지 Vol.29 No.4

The arts of dancing has been conducting various experiments and making different attempts to overcome the limitation of expression using advantages of the digital technologies. In this process, the digital image has increasingly gained independent status from the dependent and subordinate level of tool and become the core creating and delivering its meaning on its own, just like the body. Focusing on this phenomenon, the researcher suggests the theoretical basis of existence, independence, and creativity of the digital images shown in 《pixel》 of Mourad Merzouki in the light of the concept of simulacre formulated by Gilles Deleuze and analyzes features of the images in this work. The digital images in 《pixel》 focuses on capture and disclosure of power, which can be the core of the art theory of Gilles Deleuze. Mourad Merzouki formed the digital images of various aspects embedded in ‘Power’ to represent the invisible theme of ‘Power’, structured the concept of ‘Power’ through differences and repetitions among these images, and took it to the cognitive area. This is why the images in his work are not merely accessorial means to expand and strengthen expressions, but independent and substantial ‘Dancing Partners’ that become the center of meaning-creation by working together with human dancers and forming and leading the entire work. As a result, 《pixel》 approaches how the image substantiates itself and creates its meaning in the digital era from the concept of simulacre of Gilles Deleuze, and it shows the image as a way to understand existence and such possibility by overcoming the negativity of the image which is recognized as fabrication and fake.

Modified Polydimethylsiloxane을 이용한 의로용 겔탄성체의 제조

나수진,조성관,김선경,인교진,이광변 한국고분자학회 1998 한국고분자학회 학술대회 연구논문 초록집 Vol.1998 No.10

女性皮膚 管理法

羅修珍 농촌진흥청 1992 농촌생활과학 Vol.13 No.3

좌심실 수축 기능 보전 심부전증의 치료

나수진 ( Soo Jin Na ),백상홍 ( Sang Hong Baek ) 대한내과학회 2015 대한내과학회지 Vol.88 No.2

More than 50% of patients who are diagnosed with heart failure have preserved ejection fraction (HFpEF), and they have an equally poor prognosis when compared to patients with heart failure with reduced ejection fraction (HFrEF). However, a comprehensive understanding and awareness of heart failure with preserved ejection fraction is still limited and there are currently no optimized treatments to improve morbidity and mortality in these patients. This review summarizes the differences in the epidemiology, pathophysiology, diagnosis, and prognosis between HFpEF and HFrEF. We also review current management strategies of HFpEF patients according to evidence-based treatment guidelines. (Korean J Med 2015;88:135-141)